Sentences with phrase «curatorial assistant in»

Please accept my resume for the position of curatorial assistant in your company.

Yun also worked for a number of years at MoMA, including as curatorial assistant in the Department of Painting and Sculpture from 2003 — 2006.

She earned her doctorate in art history at Yale and worked at the Modern from 1984 to 1987 as a curatorial assistant in the painting and sculpture department.

Ms. Asher joined the museum's staff in 1966 as a curatorial assistant in the department of 20th - Century art and later helped to found the Modern and Contemporary Art Council, a private fund - raising group.

In an email this week, Ann Temkin, who had worked at the Modern as Mr. McShine's curatorial assistant in the late 1980s and then took over as chief curator of painting and sculpture in 2008, said:

Since 2013, Liebert has served as a Curatorial Assistant in the Department of Painting and Sculpture at the Museum of Modern Art, New York.

Ms. Marcoci joined the Museum in 1999 as the Janice H. Levin Fellow / Curatorial Assistant in the Department of Painting and Sculpture, subsequently joining the Department of Photography in 2003 as Assistant Curator, and being promoted to Associate Curator in 2005, and to Curator in 2007.

MICHELLE MILLAR FISHER is a Curatorial Assistant in the Architecture and Design Department of the Museum of Modern Art, and a doctoral candidate in Art History at the CUNY Graduate Center.

Mr. Lew, who joined PS1 as a curatorial assistant in 2006 and was promoted to manager of curatorial affairs in 2007, will begin in his new position later this summer.

Jodi Roberts is a scholar of Latin American art, and is currently a Curatorial Assistant in the Department of Painting and Sculpture at The Museum of Modern Art, New York.

Young also has served as Curatorial Assistant in European and American Painting, Sculpture, and Decorative Arts at the Spencer Museum of Art, Lawrence, KS.

In the late 1970s, I was introduced to sculptor Ken Price by Betty Asher, then curatorial assistant in the department of modern art.

She has been Curatorial Assistant in both the Department of Drawings and the Department of Painting and Sculpture at The Museum of Modern Art.

She joined ICA as Curatorial Assistant in 2008 from the Museum of Contemporary Art Chicago, and is a graduate of Oberlin College.

Robyn Farrell is Curatorial Assistant in the Department of Modern and Contemporary Art at the Art Institute of Chicago.

Moderated by Michelle Fisher, Curatorial Assistant in Architecture and Design, these informal conversations and demonstrations highlight current efforts by local artists and developers to use virtual reality as a tool for inspiring social change.

She was also the exhibitions assistant in the department of American and British art at the National Gallery of Art, and served as the curatorial assistant in the department of photography at the Smithsonian American Art Museum.

He has also worked as a curatorial assistant in the manuscripts division of the William L. Clements Library at the University of Michigan.

It is curated by Alex Wisser and Sarah Breen Lovett in Australia, along with Scott Seabolt, Jill O'Bryan and Kate Ruck as Curatorial Assistant in America.

The winner was determined by an outside panel of three jurors: Polly Apfelbaum, a New York - based artist; Isolde Brielmaier, an independent curator and writer; Lucy Gallun, a curatorial assistant in the Photography department of The Museum of Modern Art; and Tina Kukielski, a member of the team curating the 56th Carnegie International, a leading global survey of contemporary art.

Portrait of a Botanist, 1629 Dutch Oil on panel Narrated by Sarah McLusky, Curatorial Assistant in the Office of Academic Programs 2013 - 14 Download AUDIO here

Organized by the National Gallery of Art and curated by Paige Rozanski, curatorial assistant in the department of modern art, and Yuri Long, rare book librarian, this exhibition is open from 10:00 a.m. to 5:00 p.m., Monday through Friday.

The accompanying exhibition catalog Dwan Gallery: Los Angeles to New York, 1959 — 1971, copublished by the National Gallery of Art and the University of Chicago Press, is a richly illustrated scholarly study of the history of the Dwan Gallery by Meyer with writings by Virginia Dwan on the movements and artists she showed, and a chronology of Dwan's life and professional activities and a complete exhibition history of the Dwan Gallery in Los Angeles and New York by Paige Rozanski, curatorial assistant in the department of modern art at the National Gallery of Art.

Prior to arriving in Los Angeles in 1995, Zelevansky was a curatorial assistant in the Department of Painting and Sculpture at the Museum of Modern Art, New York where she organized Projects shows for artists such as Gabriel Orozco (1993) and Cildo Meireles (1990), and curated Sense and Sensibility: Women Artists and Minimalism in the Nineties (1994).

The exhibition is the result of a four - year collaboration between Piper and Christophe Cherix, Chief Curator in the Museum's Department of Drawings and Prints, Connie Butler, Chief Curator at the Hammer Museum, Los Angeles, and David Platzker, former Curator in the Museum's Department of Drawings and Prints, with Tessa Ferreyros, Curatorial Assistant in the Museum's Department of Drawings and Prints.

Kanitra Fletcher is curatorial assistant in the Department of Modern & Contemporary Art at the Museum of Fine Arts, Houston, where Wangechi Mutu's A Trinity is on view in the On Common Ground exhibition until February 4, 2018.

The exhibition is curated by Eva Respini, Barbara Lee chief curator at the ICA, and Katerina Stathopoulou, curatorial assistant in the Department of Photography, at MoMA, New York.

From 2011 - 2013, He worked as curatorial assistant in the department of modern and contemporary art at the High Museum of Art.

Margaret Ewing is Curatorial Assistant in the Department of Painting and Sculpture at The Museum of Modern Art, New York.

At the School of the Art Institute of Chicago he served as a Curatorial Assistant in the Department of Exhibitions and Exhibition Studies.

She has previously served as the project director of Cai Guo - Qiang's studio and as a curatorial assistant in the Department of Painting and Sculpture at The Museum of Modern Art, in addition to organizing numerous independently curated exhibitions.

Not exact matches

That's where a curatorial assistant at the Brooklyn Museum found 30 uncataloged animal mummies in 2009, neatly shelved in a storage vault.

Back on campus at McGill University in Montreal, I became a part - time curatorial assistant at McGill's entomological museum, which had me delivering educational talks to school kids, cataloging specimens, and taking care of live cultures of such creepy - crawlies as giant walking sticks from Papua New Guinea and Madagascar's hissing cockroaches.

Before joining the staff at the Carnegie, he was Curatorial Fellow at the Walker Art Center in Minneapolis, and Assistant to the Directors at the Fabric Workshop and Museum in Philadelphia.

The Whitney Museum of American Art named members of its curatorial staff Jane Panetta, associate curator at the museum, and Rujeko Hockley, an assistant curator, to organize the forthcoming biennial which will open in May 2019

Work / Study Opportunities for Purchase College Students Work / Study, a Federal program administered through Financial Aid Department, provides opportunities in various departments of the Neuberger Museum, i.e. education, marketing, development, curatorial, visitor services, exhibition assistant and museum shop.

Anthony Allen, Associate Director, Paula Cooper Natalie Bell, Assistant Curator, New Museum Heather Darcy Bhandari, Adjunct Lecturer, Visual Art, Brown University Marina Chao, Assistant Curator, International Center of Photography Jean Cooney, Project Manager, Artist Commissions, Creative Time Sean Corcoran, Curator of Photographs and Prints, Museum of the City of New York Lisa Dent, Director of Resources & Award Programs, Creative Capital Kareem Estefan, Independent Art Critic and Editor - at - large, Creative Time Reports Hitomi Iwasaki, Director of Exhibitions and Curator, Queens Museum Flora Katz, Independent Curator Theodore Kerr, Writer, Hyperallergic William Petroni, Managing Director, Cristin Tierney Gallery Heather Reyes, Exhibitions and Collection Manager, The Bronx Museum of the Arts Matthew Schum, Independent Curator Anthony Allen, Associate Director, Paula Cooper Marco Antonini, Executive Director, NurtureArt and Writer Mark Beasley, Curator, Performa George Bolster, The Shelley & Donald Rubin Foundation Gary Carrion - Murayari, Kraus Family Curator, New Museum Susan Cross, Curator, Mass MoCA Clément Delépine, Assistant Curator, Swiss Institue Bridget Donahue, Owner / Director, Bridget Donahue Gallery Lisa Dent, Director of Resources & Award Programs, Creative Capital Elizabeth M. Grady, PhD, Programs Director, A Blade of Grass Stamatina Gregory, independent curator and critic Janice Guy, Owner, Murray Guy Nicole Hayes, Curator, The Fields Sculpture Park, Art Omi Amanda Hunt, Assistant Curator, Studio Museum Alexis Johnson, Associate Director, Paula Cooper Ruba Katrib, Curator, Sculpture Center Vitaly Komar, Artist Melanie Kress, High Line Art Curatorial Fellow, High Line Art Thomas Lax, Associate Curator in the Department of Media and Performance Art, MoMA Barbara London, Independent Curator, formerly of MoMA Matthew Lyons, Curator, The Kitchen Julie McKim, Curator, Galapagos Christiane Paul, Curator of New Media, Whitney Museum Christian Rattemeyer, The Harvey S. Shipley Miller Associate Curator, Department of Drawings and Prints, MoMA Sara Reisman, Artistic Director, The Shelley & Donald Rubin Foundation Magda Sawon, Owner, Postmasters Nato Thompson, Chief Curator, Creative Time Nat Trotman, Associate Curator, Guggenheim Museum Eugenie Tsai, John and Barbara Vogelstein Curator of Contemporary Art, Brooklyn Museum

Prior to joining IMA, Freiman worked as assistant professor of art history, theory, and criticism at the University of Georgia, Athens and served in the curatorial department of the Institute of Contemporary Art, Boston.

Maria Lassnig is organized by Peter Eleey, Curator and Associate Director of Exhibitions and Programs, and Jocelyn Miller, Curatorial Assistant at MoMA PS1, and organized in collaboration with the Neue Galerie Graz — Universalmuseum Joanneum.

Seph Rodney, Editor at Hyperallergic Roderick Schrock, Director at EyeBeam Arden Sherman, Curator and Director at Hunter East Harlem Gallery Nathalie Arglés, Executive Director at Residency Unlimited Katie Fuller, Independent Curator Max Durón, Photo Editor at ArtNews Ysabel Pinyol, Curatorial Director MANA Contemporary Joey Lico, Curator and Director at The Cultivist Elisabeth Larison, Program Director at APEX Art Larry Ossei - Mensah, Independent Curator Amara Antilla, Assistant Curator at the Guggenheim Anne Barlow, Director, Art in General Laura Welzenbach, Program Manager, Eyebeam Dexter Wimberly, Independent Curator Alex Jovanovich, Associate Editor, Artforum.com Benjamin Sutton, Writer, Hyperallergic Brian Droitcour, Associate Editor and Online Editor, Art in America Nat Trotman, Curator, Performance and Media, Solomon R. Guggenheim Museum, New York Helga Christoffersen, Assistant Curator, New Museum Sharon Matt Atkins, Vice Director, Exhibitions and Collections, Brooklyn Museum Christopher Y. Lew, Associate Curator, Whitney Museum of American Art Rujeko Hockley, Assistant Curator of Contemporary Art, Brooklyn Museum Joeonna Bellorado - Samuels, Director, Jack Shainman Gallery

Made in L.A. 2016: a, the, though, only is organized by Hammer curator Aram Moshayedi and Hamza Walker, director of education and associate curator, Renaissance Society, with January Parkos Arnall, curatorial assistant, Public Engagement and MacKenzie Stevens, curatorial assistant.

Elyse Goldberg, Director, James Cohan Gallery Flora Katz, Independent Curator Erin Kimmel, Associate Curator, Ballroom Marfa Christopher Lew, Assistant Curator, MoMA PS 1 Omar Lopez - Chaoud, Independent Curator Matthew Lyons, Curator, The Kitchen Allyson Melchor, Trustee, La Napoule Arts Foundation Erica Papernik, Assistant Curator, MoMA Christian Rattemeyer, The Harvey S. Shipley Miller Associate Curator, Department of Drawings and Prints, MoMA Elisabeth Sherman, Curatorial Assistant, Whitney Museum Nat Trotman, Associate Curator, Guggenheim Museum Eugenie Tsai, Curator, Brooklyn Museum Hrag Vartianian, Editor in Chief, Hyperallergic Edward Winkleman, Director, Edward Winkleman Gallery Jordana Zeldin, Executive Director, ArtBridge

On View April 14 — May 19 Organized by Casey Dalene, Curatorial Assistant / Registrar Installation design by Christina M. Strassfield, Museum Director / Chief Curator For 80 years, Guild Hall Museum has reserved space in its exhibition schedule for the Annual Guild

2 pm: Laura Vookles, Chair of the Curatorial Department, and Assistant Curator Ted Barrow will explore works on view in the permanent collection as well as the HRM Object of the Month for May, Samuel Colman's «Moonlight in Venice.»

Assistant Curator of Prints and Illustrated Books; Lee Bontecou: All Freedom in Every Sense is organized by Veronica Roberts, Curatorial Assistant, Department of Painting and Sculpture.

Summer Guthery, Assistant Curator Laura McLean - Ferris, Curatorial Fellow Mike Skinner, Technical Director Randi Grov Berger, Curatorial Fellow and Coordinator for Norwegian Pavilion Monika Rendzner, Production Fellow and Coordinator for Polish Pavilion Robert Wuss, Lighting Designer Elizabeth Feidelson, Production Manager Cara Stewart, Curatorial Assistant and Artists Liaison Kristina Valberg, Performa 13 Hub Coordinator Debbie Huang, Production Assistant and Website Coordinator Melissa Negro, Website Coordinator Cora Walters, Communications Intern Amanda Ryan, Curatorial Assistant Paula Court, Archival Photographer Pierce Jackson, Director Performa TV A Practice for Everyday Life, Design Fitz & Co, Public Relations Perry Garvin Studio, Website Design Yeju Choi, Designer in Residence Darling Green, Logistics and Construction Studio Miessen, Performa Hub Design

«The Forever Now: Contemporary Painting in an Atemportal World is organized by Laura Hoptman, Curator, with Margaret Ewing, Curatorial Assistant, Department of Painting and Sculpture, MoMA.

Senior Curatorial Assistant Elisabeth Sherman discusses 2014 Biennial artist Charlemagne Palestine's sound work, installed in the Museum's stairwell.

Curatorial assistant Laura Phipps will discuss the decisions and logistics involved in rotating the works in Singular Visions, a special presentation of works from the Whitney's collection.

If his current survey, organized by Luis Perez - Oramas, MoMA's curator of Latin American art, and Karen Grimson, a curatorial assistant, has been a long time coming, he regularly turns up in exhibitions devoted to the now - popular theme of global modernism.