National Call for Entries: EXPO 34, b.j. spoke gallery «s 34th Annual Competition Deadline: December 10th, 2014 The b.j. spoke gallery's 34th Annual Competition will be judged by Adrienne Rooney,
Curatorial Assistant of the Whitney Museum of American Art.
She has co-founded the nomadic art radio station «ECHO» and worked as
the curatorial assistant of Rencontres Picha: Biennale de Lubumbashi 2012/2013, a publications intern at the White Cube gallery, and an assistant for artist Theaster Gates.
Nicole Meily is
curatorial assistant of the Andy Warhol Film Project at the Whitney Museum of American Art, where she is working on the second volume of the Warhol film catalogue raisonné.
Curatorial Assistant of YBCA Thien Lam sat down with a few Bay Area Now 6 artists and asked them a few questions about their experience with the major Exhibition as well as about thier individual...
A. Will Brown is
the curatorial assistant of contemporary art at the Museum of Art, Rhode Island School of Design, in Providence, RI.
Elliott Zooey Martin is
curatorial assistant of contemporary art and special projects, The Museum of Fine Arts, Houston.
Dana Ostrander is
the Curatorial Assistant of Photography and New Media at the Santa Barbara Museum of Art, and a Ph.D..
«Fast Forward: Painting from the 1980s» is organized by Jane Panetta, associate curator, with Melinda Lang,
curatorial assistant of The Whitney.
Not exact matches
Back on campus at McGill University in Montreal, I became a part - time
curatorial assistant at McGill's entomological museum, which had me delivering educational talks to school kids, cataloging specimens, and taking care
of live cultures
of such creepy - crawlies as giant walking sticks from Papua New Guinea and Madagascar's hissing cockroaches.
Dave, a
curatorial assistant, arrived to study the rare remains for the Natural History Museum
of Los Angeles County.
Kim Conaty,
Curatorial Assistant, Department
of Prints and Illustrated Books, Museum
of Modern Art, will trace a brief history
of artists» posters, situating East German Künstlerplakate within it.
Organized by Klaus Biesenbach, Director, MoMA PS1, and Chief Curator at Large, The Museum
of Modern Art, with Jocelyn Miller,
Curatorial Assistant.
The Whitney Museum
of American Art named members
of its
curatorial staff Jane Panetta, associate curator at the museum, and Rujeko Hockley, an
assistant curator, to organize the forthcoming biennial which will open in May 2019
The exhibition's development has been supported by a
curatorial advisory committee which includes, Erika Balsom, Lecturer, Film and Liberal Arts, King's College London; Heather Corcoran, Former Executive Director, Rhizome; Ed Halter, Co-Director Light Industry,
Assistant Professor, Bard College; and Sarah Perks, Artistic Director, Cornerhouse and HOME, and Professor at Manchester School
of Art.
Work / Study Opportunities for Purchase College Students Work / Study, a Federal program administered through Financial Aid Department, provides opportunities in various departments
of the Neuberger Museum, i.e. education, marketing, development,
curatorial, visitor services, exhibition
assistant and museum shop.
Organized for the Tang Teaching Museum by Rachel Seligman,
Assistant Director for
Curatorial Affairs, and Saleema Waraich,
Assistant Professor
of Art History, Skidmore College.
Mind and Matter is organized by Alexandra Schwartz,
Curatorial Assistant, Department
of Drawings, and Sarah Suzuki, The Sue and Eugene Mercy, Jr..
Artistry and Craftsmanship is organized by Darrin Alfred, curator
of architecture, design, and graphics, and Kati Woock,
curatorial assistant, department
of architecture, design and graphics.
Anthony Allen, Associate Director, Paula Cooper Natalie Bell,
Assistant Curator, New Museum Heather Darcy Bhandari, Adjunct Lecturer, Visual Art, Brown University Marina Chao,
Assistant Curator, International Center
of Photography Jean Cooney, Project Manager, Artist Commissions, Creative Time Sean Corcoran, Curator
of Photographs and Prints, Museum
of the City
of New York Lisa Dent, Director
of Resources & Award Programs, Creative Capital Kareem Estefan, Independent Art Critic and Editor - at - large, Creative Time Reports Hitomi Iwasaki, Director
of Exhibitions and Curator, Queens Museum Flora Katz, Independent Curator Theodore Kerr, Writer, Hyperallergic William Petroni, Managing Director, Cristin Tierney Gallery Heather Reyes, Exhibitions and Collection Manager, The Bronx Museum
of the Arts Matthew Schum, Independent Curator Anthony Allen, Associate Director, Paula Cooper Marco Antonini, Executive Director, NurtureArt and Writer Mark Beasley, Curator, Performa George Bolster, The Shelley & Donald Rubin Foundation Gary Carrion - Murayari, Kraus Family Curator, New Museum Susan Cross, Curator, Mass MoCA Clément Delépine,
Assistant Curator, Swiss Institue Bridget Donahue, Owner / Director, Bridget Donahue Gallery Lisa Dent, Director
of Resources & Award Programs, Creative Capital Elizabeth M. Grady, PhD, Programs Director, A Blade
of Grass Stamatina Gregory, independent curator and critic Janice Guy, Owner, Murray Guy Nicole Hayes, Curator, The Fields Sculpture Park, Art Omi Amanda Hunt,
Assistant Curator, Studio Museum Alexis Johnson, Associate Director, Paula Cooper Ruba Katrib, Curator, Sculpture Center Vitaly Komar, Artist Melanie Kress, High Line Art
Curatorial Fellow, High Line Art Thomas Lax, Associate Curator in the Department
of Media and Performance Art, MoMA Barbara London, Independent Curator, formerly
of MoMA Matthew Lyons, Curator, The Kitchen Julie McKim, Curator, Galapagos Christiane Paul, Curator
of New Media, Whitney Museum Christian Rattemeyer, The Harvey S. Shipley Miller Associate Curator, Department
of Drawings and Prints, MoMA Sara Reisman, Artistic Director, The Shelley & Donald Rubin Foundation Magda Sawon, Owner, Postmasters Nato Thompson, Chief Curator, Creative Time Nat Trotman, Associate Curator, Guggenheim Museum Eugenie Tsai, John and Barbara Vogelstein Curator
of Contemporary Art, Brooklyn Museum
Prior to joining IMA, Freiman worked as
assistant professor
of art history, theory, and criticism at the University
of Georgia, Athens and served in the
curatorial department
of the Institute
of Contemporary Art, Boston.
Maria Lassnig is organized by Peter Eleey, Curator and Associate Director
of Exhibitions and Programs, and Jocelyn Miller,
Curatorial Assistant at MoMA PS1, and organized in collaboration with the Neue Galerie Graz — Universalmuseum Joanneum.
To connect with the Departments
of American Painting & Sculpture and Decorative Arts, please email Claire O'Brien,
Curatorial Assistant, at
[email protected] or
[email protected].
Amanda Hunt (
Curatorial Practice, 2011) was named director
of education and public programs and Anna Katz was appointed
assistant curator.
With Madeline Murphy Turner, Graduate
Curatorial Assistant, Grey Art Gallery, and PhD Candidate, Institute
of Fine Arts, NYU.
With Brian Bentley, graduate
curatorial assistant, Grey Art Gallery, and PhD student, Institute
of Fine Arts, NYU.
Max Brand: no solid footing --(trained) duck fighting a crow is organized by Klaus Biesenbach, Director, MoMA PS1, and Chief Curator at Large, The Museum
of Modern Art, with the assistance
of Jocelyn Miller,
Curatorial Assistant, MoMA PS1.
The exhibition is co-organized by MoMA PS1 and Fundación Jumex Arte Contemporáneo, and curated by Peter Eleey, Curator and Associate Director
of Exhibitions and Programs, MoMA PS1; and Magalí Arriola, Curator, Fundación Jumex Arte Contemporáneo; with Jocelyn Miller,
Curatorial Assistant, MoMA PS1; and Javier Rivero,
Curatorial Assistant, Fundación Jumex Arte Contemporáneo.
Halil Altindere: Wonderland is organized by Klaus Biesenbach, Director MoMA PS1, and Chief Curator at Large, The Museum
of Modern Art, with Margaret Aldredge,
Curatorial Assistant, MoMA PS1.
The Art Amnesty is organized by Peter Eleey, Curator and Associate Director
of Exhibitions and Programs, MoMA PS1, with Jocelyn Miller,
Curatorial Assistant.
Teatro Romano is organized by Klaus Biesenbach, Director, MoMA PS1, and Chief Curator at Large, The Museum
of Modern Art, with Margaret Aldredge,
Curatorial Assistant, MoMA PS1
Seph Rodney, Editor at Hyperallergic Roderick Schrock, Director at EyeBeam Arden Sherman, Curator and Director at Hunter East Harlem Gallery Nathalie Arglés, Executive Director at Residency Unlimited Katie Fuller, Independent Curator Max Durón, Photo Editor at ArtNews Ysabel Pinyol,
Curatorial Director MANA Contemporary Joey Lico, Curator and Director at The Cultivist Elisabeth Larison, Program Director at APEX Art Larry Ossei - Mensah, Independent Curator Amara Antilla,
Assistant Curator at the Guggenheim Anne Barlow, Director, Art in General Laura Welzenbach, Program Manager, Eyebeam Dexter Wimberly, Independent Curator Alex Jovanovich, Associate Editor, Artforum.com Benjamin Sutton, Writer, Hyperallergic Brian Droitcour, Associate Editor and Online Editor, Art in America Nat Trotman, Curator, Performance and Media, Solomon R. Guggenheim Museum, New York Helga Christoffersen,
Assistant Curator, New Museum Sharon Matt Atkins, Vice Director, Exhibitions and Collections, Brooklyn Museum Christopher Y. Lew, Associate Curator, Whitney Museum
of American Art Rujeko Hockley,
Assistant Curator
of Contemporary Art, Brooklyn Museum Joeonna Bellorado - Samuels, Director, Jack Shainman Gallery
Jimmie Durham: At the Center
of the World is organized by Anne Ellegood, senior curator, with MacKenzie Stevens,
curatorial assistant.
Made in L.A. 2016: a, the, though, only is organized by Hammer curator Aram Moshayedi and Hamza Walker, director
of education and associate curator, Renaissance Society, with January Parkos Arnall,
curatorial assistant, Public Engagement and MacKenzie Stevens,
curatorial assistant.
Françoise Grossen Selects is organized by Windgate Research and Collections Curator Elissa Auther with the support
of Curatorial Assistant and Project Manager Sophia Merkin.
Elyse Goldberg, Director, James Cohan Gallery Flora Katz, Independent Curator Erin Kimmel, Associate Curator, Ballroom Marfa Christopher Lew,
Assistant Curator, MoMA PS 1 Omar Lopez - Chaoud, Independent Curator Matthew Lyons, Curator, The Kitchen Allyson Melchor, Trustee, La Napoule Arts Foundation Erica Papernik,
Assistant Curator, MoMA Christian Rattemeyer, The Harvey S. Shipley Miller Associate Curator, Department
of Drawings and Prints, MoMA Elisabeth Sherman,
Curatorial Assistant, Whitney Museum Nat Trotman, Associate Curator, Guggenheim Museum Eugenie Tsai, Curator, Brooklyn Museum Hrag Vartianian, Editor in Chief, Hyperallergic Edward Winkleman, Director, Edward Winkleman Gallery Jordana Zeldin, Executive Director, ArtBridge
Organized by Starr Figura, Curator, Department
of Drawings and Prints, and Sarah Hermanson Meister, Curator, Department
of Photography, with Hillary Reder,
Curatorial Assistant, Department
of Drawings and Prints.
She has previously served as the project director
of Cai Guo - Qiang's studio and as a
curatorial assistant in the Department
of Painting and Sculpture at The Museum
of Modern Art, in addition to organizing numerous independently curated exhibitions.
With Brian Bentley, Graduate
Curatorial Assistant, Grey Art Gallery, and PhD Candidate, Institute
of Fine Arts, NYU.
2 pm: Laura Vookles, Chair
of the
Curatorial Department, and
Assistant Curator Ted Barrow will explore works on view in the permanent collection as well as the HRM Object
of the Month for May, Samuel Colman's «Moonlight in Venice.»
The exhibition is curated by Jonathan Bober, Andrew W. Mellon Senior Curator
of Prints and Drawings, department
of prints and drawings, National Gallery
of Art, Washington, and Mollie Berger,
curatorial assistant, department
of prints and drawings, National Gallery
of Art, Washington.
Through careful deliberation by the selection committee that included Jesse Greenberg (artist), Naomi Hersson - Ringskog (executive director, No Longer Empty), David Humphrey (artist), Nicole Russo (owner and director, Chapter NY), Elisabeth Sherman (senior
curatorial assistant, Whitney Museum
of American Art), John Silvis (artist, independent curator and art advisor), Lumi Tan (associate curator, The Kitchen), and Nari Ward (artist), ten artist proposals were chosen to receive funding ranging from $ 750 - $ 1,500 to carry out their projects.
As part
of Kraftwerk — Retrospective 1 2 3 4 5 6 7 8, the installation at MoMA PS1 is organized by Klaus Biesenbach, Director, MoMA PS1, and Chief Curator at Large, The Museum
of Modern Art, with the assistance
of Eliza Ryan,
Curatorial Assistant, MoMA PS1 and Lizzie Gorfaine, Project Coordinator, Exhibitions, MoMA PS1.
Organized by Klaus Biesenbach, Director, MoMA PS1, and Chief Curator at Large, The Museum
of Modern Art, with Margaret Aldredge,
Curatorial Assistant, MoMA PS1.
Assistant Curator
of Prints and Illustrated Books; Lee Bontecou: All Freedom in Every Sense is organized by Veronica Roberts,
Curatorial Assistant, Department
of Painting and Sculpture.
DeCordova Sculpture Park and Museum's
Curatorial Department seeks a
Curatorial Assistant to provide support for the daily and long - term operations
of the department which include organizing and implementing contemporary art exhibitions, programming the 30 - acre Sculpture Park, and managing a permanent...
«The Forever Now: Contemporary Painting in an Atemportal World is organized by Laura Hoptman, Curator, with Margaret Ewing,
Curatorial Assistant, Department
of Painting and Sculpture, MoMA.
Join
curatorial assistant Laura Phipps, who worked closely with curator Scott Rothkopf and the artist, for a special exploration
of this exhibition.
At the School
of the Art Institute
of Chicago he served as a
Curatorial Assistant in the Department
of Exhibitions and Exhibition Studies.
Free and open to the public, the symposium is organized by Kate Kraczon, Laporte Associate Curator; Lauren Downing,
Curatorial Assistant; and Tausif Noor, Spiegel Wilks
Curatorial Fellow, all at the Institute
of Contemporary Art.
Curatorial assistant Laura Phipps will discuss the decisions and logistics involved in rotating the works in Singular Visions, a special presentation
of works from the Whitney's collection.