Sentences with phrase «curatorial collaboration with»

Desktop Residency continues its digital curatorial collaboration with artist Michael Manning, whose desktop artwork will be available for download on the site from July 8 to July 27.

This summer Myers will be working on numerous projects including artwork for a forthcoming exhibition, a series of performances with the band Adaptor 45, and planning a curatorial collaboration with artist Rebecca Diederichs.

A curatorial collaboration with Tom Eccles, Suzy M. Halajian, Marieluise Hessel, Nathan Lee, Alicia Ritson, and Kelly Taxter.

Hosted by Harris Museum & Art Gallery, Preston Initiated by the Contemporary Art Society and Whitechapel Gallery, London As part of the Whitechapel Gallery's ongoing programme to open up public and private collections to wider audiences, the Gallery presents a curatorial collaboration with the Contemporary Art Society.

Atlanta Contemporary and bartaco Location: Atlanta In a curatorial collaboration with the Atlanta Contemporary, Bartaco will showcase local artwork on the billboard that sits atop the restaurant on the city's West Side, at 969 Marietta Street NW.

Her collaborative projects include: «Second to None» (2005) at Iziko South African National Gallery, «Olvida quen soy / Erase me from who I am» (2005) at CAAM, Canary Islands, Las Palmas, «Titled / Untitled» (2008), a curatorial collaboration with Cape Town — based collective Gugulective, and «Scratching the Surface Vol.

P.S. 1 Contemporary Art Center and The Museum of Modern Art present their first curatorial collaboration with Greater New York, an unprecedented joint exhibition enterprise.

JULY 14 — AUGUST 26, 2017 — Wasserman Projects is pleased to announce to Have + Hold, the first exhibition in an ongoing series of curatorial collaborations with Michigan - based Butter Projects.

Not exact matches

Community partnerships and programs will include the continuation of a multi-year engagement with the Museum of Impact, the world's first mobile social justice museum; collaboration with King School Museum of Contemporary Art; establishment of an interdisciplinary library that invites artists, writers, musicians, educators, and activists to contribute all types of media; a free lecture by Thomas; educator workshops; curatorial conversations; Miller Family Free Day, and Portland Public School collaborations.

Maria Lassnig is organized by Peter Eleey, Curator and Associate Director of Exhibitions and Programs, and Jocelyn Miller, Curatorial Assistant at MoMA PS1, and organized in collaboration with the Neue Galerie Graz — Universalmuseum Joanneum.

Jim Shaw: The Donner Party is organized by P.S. 1 Director Alanna Heiss in collaboration with Alison Gingeras, special curatorial advisor.

Since 2012, she has initiated a series of collaborations tackling different aspects of public ceremonial culture, civic rituals, carnival and processional performance including Far Festa: Nuove Feste Veneziane (with curatorial collective CAKE AWAY; IUAV University and Fondazione Bevilacqua La Masa, summer 2013), Public Practice (with Delaney Martin; New Orleans Airlift, Fall 2014) and EN MAS»: Carnival and Performance Art of the Caribbean (with Krista Thompson; CAC New Orleans, 2014 - 15 and ICI New York 2016 - 18).

Sheffield - based artist Natalie Finnemore worked in collaboration with The Tetley's curatorial team to produce a set purpose - built modular furniture incorporating bookshelves, work surfaces, seating and display units.

Hull has organized numerous publications and exhibitions including Blind Date (1998), a catalogue of 31 artists and writers» collaborations; I'm Still In Love With You (1998 - 99), an album and catalogue in which visual artists and writers respond to the 1972 album by Al Green; Song Poems (2000 - 01), a catalogue with three CDs of 43 original lyrics, songs and album art contributed by numerous writers, artists and musicians; and Nothing Moments (2007), a publishing and curatorial project consisting of 24 limited edition books and over 400 original drawiWith You (1998 - 99), an album and catalogue in which visual artists and writers respond to the 1972 album by Al Green; Song Poems (2000 - 01), a catalogue with three CDs of 43 original lyrics, songs and album art contributed by numerous writers, artists and musicians; and Nothing Moments (2007), a publishing and curatorial project consisting of 24 limited edition books and over 400 original drawiwith three CDs of 43 original lyrics, songs and album art contributed by numerous writers, artists and musicians; and Nothing Moments (2007), a publishing and curatorial project consisting of 24 limited edition books and over 400 original drawings.

Kiefer Rodin is a curatorial collaboration between Sylvie Patry, consulting curator at the Barnes Foundation and deputy director for curatorial affairs and collections at the Musée d'Orsay, and a team of curators at the Musée Rodin: Catherine Chevillot, director, and Véronique Mattiussi, in charge of the Rodin archives, with the collaboration of Sophie Biass - Fabiani and Hélène Marraud.

Each exhibition will be organized by curators with specific expertise in the area of focus, with WhiteBox artistic Director Juan Puntes curating the China - focus exhibition, independent curator Kyoko Sato for Japan, WhiteBox Curatorial Advisors Blanca de la Torre and Raúl Zamudio for Mexico and Latin America, and the former Yugoslavia portion curated by WhiteBox Director of International Programming Lara Pan, in collaboration with museum curators from across the region.

The exhibition is curated by Sylvie Patry, Consulting Curator at the Barnes and Chief Curator / Deputy Director for Curatorial Affairs and Collections at the Musée d'Orsay, and is organized by the Barnes Foundation, Philadelphia, and the Musées d'Orsay et de l'Orangerie, Paris, in collaboration with La Cinémathèque française, Paris.

Burns has a particular interest in socially engaged arts practice and past projects commissioned through Fire Station include Troubling Ireland — a think tank for socially engaged artists in collaboration with the Danish curatorial collective Kuratorisk Aktion.

This display is conceived in collaboration with the Contemporary Art Society and Arts Council funded Curatorial Fellow Ingrid Swenson hosted by Wolverhampton Art Gallery.

The exhibition has been designed by Apparata (Nicholas Lobo Brennan & Astrid Smitham), in collaboration with the artist and the curatorial team.

The artists featured were identified and selected by Schoonmaker and their placement at NOMA was determined in collaboration with NOMA's curatorial team, taking into consideration how the museum could best compliment the distinctive style of each individual contributor.

Daniel Herrmann, Eisler Curator and Head of Curatorial Studies at the Whitechapel Gallery, introduces artist Corin Sworn, winner of the Max Mara Art Prize for Women in collaboration with the Whitechapel Gallery.

Kroksnes will discuss with the students models of curatorial autonomy against models of shared responsibility in collaborations and networks.

SHOWS (selection) 2014 still on view: Kunst im Bau 5, installation in the former engineering workshops of the Isarthal Railway, Munich (curator Christoph Nicolaus) UNPAINTED media art fair, Munich, lab 3.0: positions of media art (curator Li Zhenhua) 2013 ikono On Air Festival on ikonotv, ikono Menasa and numerous locations in Berlin Villa Biesental, Berlin, K - Geist 100 Economy Pack Installation in the studio building of the City of Munich, K - Geist 100 Studio, (with Jutta Burkhardt) 2012 Satellite For Contemporary Art, Platform 3, Munich, Raw Material Artistic Spirit Repository For Knowledge And Art in the Syntopic Salon, Potsdam, Germany, a collaboration with the Berlin Brandenburg Academy of Science Biennale For One, KloHäuschen Munich, Germany German Consulate General, New York, Etsi Omnes Ego Non 2011 532 Gallery Thomas Jaeckel, New York, USA, The Shadows of the Fire in my Mind, (solo show) Regensburg New Art Society, Regensburg, Germany, kitchnapping goes shopping Kunstherberge Birkenau, Munich, Germany, The Driftwood Project (Feb — Mai) Salon, ISCP Gallery, Brooklyn, New York, USA Künstlerforum Bonn, Germany (solo show) 2010 Open Studios, International Studio & Curatorial Program (ISCP), Brooklyn, New York, USA Gallery Bezirk Oberbayern, Munich, Germany, Et In Arcadia Ego, (solo catalogue) 2009 Ebersberg Art Society, Ebersberg, Germany Brainwash, performance at St Luke's Church, Munich Art Meets Fashion, nurjungekunst.de, Prater Island, Munich 2008 The Medium of Drawing, Great Art Show, Haus der Kunst, Munich, Germany 2007 The Dark Side of Beauty, nurjungekunst.de, Munich, Germany real, sortiert, fingiert, Linhof - Gallery, Munich, Germany Centre for Contemporary Art, Plovdiv, Bulgaria Goethe Institute, Sofia, Bulgaria 2006 Landshut Art Society, Landshut 2005 Ebersberg Art Society, Ebersberg art / s / hopping, Munich, Germany, (solo show) 2004 lab 30, Laboratory for Experimental Video and Sound, Kulturhaus abraxas, Augsburg, Germany

The exhibition is the result of a four - year collaboration between Piper and Christophe Cherix, Chief Curator in the Museum's Department of Drawings and Prints, Connie Butler, Chief Curator at the Hammer Museum, Los Angeles, and David Platzker, former Curator in the Museum's Department of Drawings and Prints, with Tessa Ferreyros, Curatorial Assistant in the Museum's Department of Drawings and Prints.

The exhibitions are: Living Modern including work by artists Heidrun Holzfeind and Damon Rich, and writer Niko Vicario, curated by Laura Barlow; Not Again, with work by Andrea van der Straeten, curated by Sarah Demeuse; SECOND COMING — a curatorial collaboration, including work by Nástio Mosquito, Thando Mama, Metapong, and Pablo Rasgado, curated by Gabi Ngcobo, Carlos E. Palacios, Andrea Torreblanca; Requires extra budget for lettuce, with work by Jacob Stewart - Halevy, curated by Mackenzie Schneider; The Bomb Ponds: Work by Vandy Rattana, curated by Francesca Sonara.

Organized by MAD's Chief Curator Lowery Stokes Sims and curatorial assistant Sophia Merkin, the exhibition features 34 of Scott's neckpieces, including a collaboration with noted jeweler Art Smith, 3 beaded wall hangings, and 13 glass sculptures, most of which were created since 2009.

2004 After Goya, LeRoy Neiman Gallery, Columbia University, NY Do A Book, artist's book collaboration with Isami Ching, Plum Blossoms Gallery, NY Paper Chase, Axel Raben Gallery, curated by Renee Riccardo / ARENA, New York, NY Watercolor Worlds, Dorsky Gallery Curatorial Programs, Long Island City, NY

In June, Sternberg Press and CCS Bard will release McElheny's collaboration with Johanna Burton and Lynne Cooke Interiors, an extensive reader made in response to McElheny's curatorial project — which was itself a collaboration with Tom Eccles and Lynne Cooke — at the Hessel Museum of Art at CCS Bard in 2011.

CURATORIAL COLLABORATION Our Project Curate program engages students fully in the curatorial process with a professional emerging curator to plan, organize, and mount an eCURATORIAL COLLABORATION Our Project Curate program engages students fully in the curatorial process with a professional emerging curator to plan, organize, and mount an ecuratorial process with a professional emerging curator to plan, organize, and mount an exhibition.

The International Studio & Curatorial Program announces Leaps and Bounds, an exhibition in ISCP's Project Space, organized in collaboration with the Center for Curatorial Studies, Bard College.

He will also serve as the curatorial liaison for projects organized in collaboration with the University of Houston School of Art and the Cynthia Woods Mitchell Center for the Arts, designed to foster interdisciplinary collaboration across the performing, visual, and literary arts.

The Human Snapshot is organized by the LUMA Foundation in collaboration with the Center for Curatorial Studies at Bard College (CCS Bard).

With a focus on research, project - based learning and collaboration, NLE Lab is designed to deepen an understanding of the development of a curatorial practice that is centered on responding to a specific context in a distinctly urban setting.

Organized for MOCA by Associate Curator Rebecca Morse, in collaboration with a curatorial team that includes Director Jeffrey Deitch, Director of Publications Lisa Gabrielle Mark, Curator Alma Ruiz, and Curator Bennett Simpson, the exhibition expands on a collection show originally conceived by Chief Curator Paul Schimmel, that considered the work of Los Angeles artists in a local context, following Collection: MOCA's First Thirty Years, which presented Los Angeles artists in an international context.

As part of an ongoing research project by the artists David Blandy, Larry Achiampong and James A. Holland, this collaboration with Curatorial Fellow Morgan Quaintance focused on the cultural impact, social networks and practices that the game produced in London during the 1990s and early 2000s.

The exhibition is curated by Cynthia Burlingham, deputy director, curatorial affairs and Allegra Pesenti, senior curator and associate director, Grunwald Center for the Graphic Arts, Hammer Museum, in collaboration with independent scholar Florian Rodari.

Recent exhibitions by the London - based artist, often working with what Lindsay Starkweather called the «off - centre recontextualisation of photographs ``, include Health and Strength at Lyon's La Salle de Bains and a contribution to artist John Henry Newton and curator Barnie Page «s online curatorial collaboration Desktop Residency.

The show comes out of the Jupiter Woods curatorial platform and takes the idea of interconnectivity directly into its design, curated by Jupiter Woods» Hanna Laura Kaljo and Lucy Lopez and in collaboration with The Gallery Apart and the Nomas Foundation.

Continuing its collaboration with the Delfina Foundation, the 2018 Samdani Art Award deepened its support of emerging Bangladesh based artists under the curatorial direction of Simon Castets (Director, Swiss Institute, New York), who also conducted research for 89plus.

The first Common Practice New York initiative includes a series of three invitational roundtables on contemporary institutional practice organized in collaboration with students and faculty from the Center for Curatorial Studies at Bard College (CCS Bard) in fall 2013; a public conference developed in response to these seminars in spring 2014; and a forthcoming publication that will include transcripts from these events alongside additional contextual and artistic contributions.

Like their eponymous gallery in Turin, founded in 1986, Mazzoleni will continue to present a curatorial programme focussed on museum calibre Post-War Italian Art, working in close collaboration with artists» estates and foundations.

Recent curatorial projects include: This Might Be a Place for Hummingbirds (CCA, Glasgow, UK, co-curated with Remco de Blaaij), The Transmodern Dictionary in collaboration with Terike Haapoja; and Guatemala Después, (co-curator, Parsons New School, New York), and MUXU'X de Benvenuto Chavajay (Ciudad de la Imaginación, Xela, Guatemala).

The exhibition is curated by Dr. Wang Chunchen, Broad MSU Adjunct Curator and Head of the Curatorial Research Department at CAFAM, in collaboration with Steven L. Bridges, Broad MSU Assistant Curator.

Machine Project — The Platinum Collection (Live by Special Request) is organized by Rachel Seligman, Assistant Director for Curatorial Affairs, in collaboration with Machine Project, and is supported by the Friends of the Tang.

(334 Broome Street, New York, NY 10002) with We are the (Epi) center..., a two - month project that proposes new directions for an institution of curatorial practice through short - term exhibitions, public events, performances, seminars, pop - up displays, and other programs developed in collaboration with artists and students from the graduate program at CCS Bard.

Now in its eighth year, the UMCA's annual Curatorial Fellowship exhibition is the culmination of a year - long independent project for course credit, conducted by Art History graduate students in collaboration with faculty and museum staff.

Since 1983 he has developed an interdisciplinary art practice and exhibited internationally, and his curatorial projects have included innovative collaborations with visual artists, designers, and contemporary dance.

Typical responsibilities include: assisting in the execution and publication of exhibition brochures; assisting with curatorial committee preparation and planning efforts for exhibitions during the upcoming season; maintaining an active presence on web and social media outlets; researching and producing supplemental materials for exhibitions and special events; exploring opportunities for institutional collaboration; seeking sponsorship and grant opportunities; assisting with publicity and coordination of events; monitoring the gallery space; assisting on installation; and educating audience members on current exhibitions.

Recent curatorial projects include #callresponse, a series of local art commissions centering Indigenous women and artists accompanied by a touring exhibition with guest respondents at grunt gallery, co-organized with Maria Hupfield and Tania Willard; Unsettled Sites, a group show on haunting settler colonialism at SFU Gallery; and Cutting Copper: Indigenous Resurgent Practice, a collaboration between grunt gallery and the Morris and Helen Belkin Art Gallery UBC, with co-organizer Shelly Rosenblum.