Sentences with phrase «curatorial collaborations including»

Jacob's near decade of programming with the Spoleto Festival involved ambitious project commissions with countless artists (including David Hammons, Christian Boltanski, J. Morgan Puett, and Lorna Simpson) in addition to curatorial collaborations including a recurring project with South African curator Tumelo Mosaka.

Recent curatorial collaborations include: Parallel Collisions: 12th Adelaide Biennial of Australian Art, with Natasha Bullock at the Art Gallery of South Australia (2012); City Within the City, Artsonje Centre, South Korea with Gertrude Contemporary, Melbourne (2011 — 13); and 21:100:100 - one hundred sound works by one hundred artists from the twenty - first century with the Melbourne International Arts Festival and MONA / FOMA (2008 — 09).

Not exact matches

Community partnerships and programs will include the continuation of a multi-year engagement with the Museum of Impact, the world's first mobile social justice museum; collaboration with King School Museum of Contemporary Art; establishment of an interdisciplinary library that invites artists, writers, musicians, educators, and activists to contribute all types of media; a free lecture by Thomas; educator workshops; curatorial conversations; Miller Family Free Day, and Portland Public School collaborations.

Her collaborative projects include: «Second to None» (2005) at Iziko South African National Gallery, «Olvida quen soy / Erase me from who I am» (2005) at CAAM, Canary Islands, Las Palmas, «Titled / Untitled» (2008), a curatorial collaboration with Cape Town — based collective Gugulective, and «Scratching the Surface Vol.

Since 2012, she has initiated a series of collaborations tackling different aspects of public ceremonial culture, civic rituals, carnival and processional performance including Far Festa: Nuove Feste Veneziane (with curatorial collective CAKE AWAY; IUAV University and Fondazione Bevilacqua La Masa, summer 2013), Public Practice (with Delaney Martin; New Orleans Airlift, Fall 2014) and EN MAS»: Carnival and Performance Art of the Caribbean (with Krista Thompson; CAC New Orleans, 2014 - 15 and ICI New York 2016 - 18).

Hull has organized numerous publications and exhibitions including Blind Date (1998), a catalogue of 31 artists and writers» collaborations; I'm Still In Love With You (1998 - 99), an album and catalogue in which visual artists and writers respond to the 1972 album by Al Green; Song Poems (2000 - 01), a catalogue with three CDs of 43 original lyrics, songs and album art contributed by numerous writers, artists and musicians; and Nothing Moments (2007), a publishing and curatorial project consisting of 24 limited edition books and over 400 original drawings.

Burns has a particular interest in socially engaged arts practice and past projects commissioned through Fire Station include Troubling Ireland — a think tank for socially engaged artists in collaboration with the Danish curatorial collective Kuratorisk Aktion.

The exhibitions are: Living Modern including work by artists Heidrun Holzfeind and Damon Rich, and writer Niko Vicario, curated by Laura Barlow; Not Again, with work by Andrea van der Straeten, curated by Sarah Demeuse; SECOND COMING — a curatorial collaboration, including work by Nástio Mosquito, Thando Mama, Metapong, and Pablo Rasgado, curated by Gabi Ngcobo, Carlos E. Palacios, Andrea Torreblanca; Requires extra budget for lettuce, with work by Jacob Stewart - Halevy, curated by Mackenzie Schneider; The Bomb Ponds: Work by Vandy Rattana, curated by Francesca Sonara.

Organized by MAD's Chief Curator Lowery Stokes Sims and curatorial assistant Sophia Merkin, the exhibition features 34 of Scott's neckpieces, including a collaboration with noted jeweler Art Smith, 3 beaded wall hangings, and 13 glass sculptures, most of which were created since 2009.

January 27 - March 5 This exhibition, a curatorial collaboration between David Freed and Barbara Tisserat — both former professors in the VCUarts Department of Painting and Printmaking — included 35 prints that traverse centuries, technologies and worlds.

Organized for MOCA by Associate Curator Rebecca Morse, in collaboration with a curatorial team that includes Director Jeffrey Deitch, Director of Publications Lisa Gabrielle Mark, Curator Alma Ruiz, and Curator Bennett Simpson, the exhibition expands on a collection show originally conceived by Chief Curator Paul Schimmel, that considered the work of Los Angeles artists in a local context, following Collection: MOCA's First Thirty Years, which presented Los Angeles artists in an international context.

Recent exhibitions by the London - based artist, often working with what Lindsay Starkweather called the «off - centre recontextualisation of photographs ``, include Health and Strength at Lyon's La Salle de Bains and a contribution to artist John Henry Newton and curator Barnie Page «s online curatorial collaboration Desktop Residency.

The first Common Practice New York initiative includes a series of three invitational roundtables on contemporary institutional practice organized in collaboration with students and faculty from the Center for Curatorial Studies at Bard College (CCS Bard) in fall 2013; a public conference developed in response to these seminars in spring 2014; and a forthcoming publication that will include transcripts from these events alongside additional contextual and artistic contributions.

The Hammer and LAXART will also begin working on smaller - scale collaborations that may include curatorial and public programming partnerships.

Recent curatorial projects include: This Might Be a Place for Hummingbirds (CCA, Glasgow, UK, co-curated with Remco de Blaaij), The Transmodern Dictionary in collaboration with Terike Haapoja; and Guatemala Después, (co-curator, Parsons New School, New York), and MUXU'X de Benvenuto Chavajay (Ciudad de la Imaginación, Xela, Guatemala).

Other recent curatorial ventures have included Sol LeWitt: A Wall Drawing Retrospective, a collaboration of the Yale University Art Gallery, MASS MoCA, and the Williams College Museum of Art, which opened in November of 2008 and will remain on public view through 2033.

His recent honors include an Andy Warhol Foundation Curatorial Research Fellowship, an ArtPlace America grant, an inaugural Robert Rauschenberg Foundation Artistic Innovation and Collaboration Grant, an NEA Our Town grant, multiple American Institute of Architects awards, and a Harpo Foundation Grant.

Since 1983 he has developed an interdisciplinary art practice and exhibited internationally, and his curatorial projects have included innovative collaborations with visual artists, designers, and contemporary dance.

Typical responsibilities include: assisting in the execution and publication of exhibition brochures; assisting with curatorial committee preparation and planning efforts for exhibitions during the upcoming season; maintaining an active presence on web and social media outlets; researching and producing supplemental materials for exhibitions and special events; exploring opportunities for institutional collaboration; seeking sponsorship and grant opportunities; assisting with publicity and coordination of events; monitoring the gallery space; assisting on installation; and educating audience members on current exhibitions.

Recent curatorial projects include #callresponse, a series of local art commissions centering Indigenous women and artists accompanied by a touring exhibition with guest respondents at grunt gallery, co-organized with Maria Hupfield and Tania Willard; Unsettled Sites, a group show on haunting settler colonialism at SFU Gallery; and Cutting Copper: Indigenous Resurgent Practice, a collaboration between grunt gallery and the Morris and Helen Belkin Art Gallery UBC, with co-organizer Shelly Rosenblum.

Solo exhibitions in Canada include Making Space / Sharing Place, Gallery 101, in collaboration with the Aboriginal Curatorial Collective, Ottawa ON; Wagon Burner, This!

Additionally, between LACE and her appointment at the Armory Center, Tsatsos established an independent curatorial and writing practice that includes collaborations with individual artists and renowned institutions.

Recent curatorial projects include collaborations with the Lisson Gallery in London (The Magic of the State, 2013); the Van Abbemuseum in Eindhoven (Lawrence Abu Hamdan, 2013 & 2014); the Stedelijk Museum and Trouw in Amsterdam (Here Today Gone Tomorrow, 2014); and the Kadist Art Foundation in Paris (A Guest without a Host is a Ghost, 2014 — 2015).

Her curatorial projects include Immune Stability, a collaboration between Amalia Ulman and Lauren Elder, Steve Turner Contemporary, Los Angeles; Maybe New Friends, a social media satire viewable on American Medium TV; Art Object Culture, Cirrus Gallery, Los Angeles and Rhizome ArtBase.

Including collaboration with institutions such as indoor - gardening specialists Conservatory Archives and performance art festival Block Universe, Huma Kabacki says `' I believe that art should be available to everyone and that is what I have been trying to do through my curatorial practice».

Curatorial and organizational credits include Monet and Bazille: A Collaboration (1999); Degas and America: the Early Collectors (2001); Monet: A View from the River (2002); Paris in the Age of Impressionism: French Masterworks from the State Pushkin Museum, Moscow (2002); Louvre Atlanta (2006 — 09); Salvador Dalí: The Late Works (2010); Toulouse Lautrec and Friends: The Stein Collection (2011); Frida and Diego: Passion, Politics, and Painting (2013); Girl with a Pearl Earring: Dutch Paintings from the Mauritshuis (2013).

ICI maintains a long - standing relationship of collaboration with New York University (NYU) on educational and training programs and initiatives in the area of curatorial studies and research, including an Internship Program to provide curriculum - related professional training to NYU students.

Recent curatorial projects include #callresponse, a series of locally responsive art commissions centering on Indigenous women and artists accompanied by a touring exhibition; Unsettled Sites (2016), a group exhibition at SFU Gallery that highlighted the complexity of belonging and refusal from both settler and Indigenous perspectives; and Cutting Copper: Indigenous Resurgent Practice (2016), a collaboration between grunt gallery and the Morris and Helen Belkin Art Gallery that brought together performance art with a panel of Indigenous theorists and curators for the exhibition Lalakenis / All Directions: A Journey of Truth and Unity by Kwakwaka» wakw artist Beau Dick.

This summer Myers will be working on numerous projects including artwork for a forthcoming exhibition, a series of performances with the band Adaptor 45, and planning a curatorial collaboration with artist Rebecca Diederichs.

Up Hill Down Hall: An Indoor Carnival is curated by Claire Tancons in discussion with Tate Modern's curatorial team and in collaboration with the artists in the project with support by students and recent graduates from BA Fine Art at Central Saint Martins, UAL: University of the Arts London, along with members from the Notting Hill Carnival Community including participants and volunteers from Elimu Paddington Arts Mas Band and Batala Samba - Reggae percussion band.

Cattelan's first solo show in this country since 2003 celebrates the artist's return to sculpture after several years of publishing and curatorial work, including his 2002 co-founding of The Wrong Gallery in Chelsea, New York, his collaborations on Permanent Food (an occasional journal comprised of altered pages torn from other magazines) from 1996 - 2007, his co-editorship of Charley (a conceptual project and independent series on international contemporary artists) from 2002 — present, and his curation of the Caribbean Biennial in 1999 and the Berlin Biennial in 2006.