In «Laying Bricks» at Wallspace, Michael Ned Holte, a young Los Angeles critic, makes his New York
curatorial debut with a presentation of four young artists.
Not exact matches
The things we did very early on — whether it was Banks Violette's solo at Liste, Ryan McGinley «s first - ever
debut with the gallery at Frieze London, Carol Bove's «Statements» at Basel in 2002 — made a big impact in terms of meeting curators and collectors, and the kind of
curatorial shorthand that would happen at one of those fairs was astonishing.
A follow - up to Wilson's 2012
curatorial debut, this exhibition continues in the same vein as its predecessor by showcasing innovators in the contemporary realism genre
with a roster of nationally and internationally known artists unparalleled in their technical skill yet lauded for their distinctive and arguably, defining, subject matter.
As this exhibition marks the
curatorial debut of artist Valentin Carron, this discussion will focus on the artists featured who have very recently engaged
with the question of curating.
Having first encountered Swiss artist Philippe Decrauzat through his Komakino, 2006 — a Joy Division — inspired «wall decal» installed in «War on 45 / My Mirrors Are Painted Black (For You),» Banks Violette's recent
curatorial endeavor at Bortolami Dayan — I approached his concurrent New York solo
debut at the Swiss Institute — Contemporary Art
with trepidation.
A week after the MIT opening, Stark made her
curatorial debut at the Hammer,
with «Houseguest: Frances Stark Selects From the Grunwald Collection.»