Sentences with phrase «curatorial direction from»
Jointly organized by Safdie Architects and UQAM's Centre de Design with curatorial direction from independent curator Donald Albrecht, the exhibition opens with archival images and objects from the project's origins with conceptual drawings, models, bringing them together with plans for unbuilt iterations of Habitat that Safdie designed soon after for New York, Puerto Rico, and Israel.
http://www.resnicow.com/ Not exact matches
With the support and curatorial direction of Greg Hilty in London, Lisson Gallery New York will present a comprehensive exhibition program drawing from the 51 artists and estates the gallery currently represents.
Right from the beginning, Peyton - Jones, brought a curatorial direction to the Serpentine resulting in an exhibition programme of a balanced mix of popular and avant - garde shows.
His foundation has been reported to have withheld promised funds from MOCA in 2012, thereby sabotaging Deitch's already lackluster fundraising efforts and demonstrating a lack of confidence in the museum's curatorial direction.
One of the elements I brought to the Serpentine from day one, was a curatorial direction for the institution.
Its curatorial direction changes from year to year, often moving to reflect the political temperature and aesthetic moods of its time.
(334 Broome Street, New York, NY 10002) with We are the (Epi) center..., a two - month project that proposes new directions for an institution of curatorial practice through short - term exhibitions, public events, performances, seminars, pop - up displays, and other programs developed in collaboration with artists and students from the graduate program at CCS Bard.
The key factor that sets this show apart from other group exhibitions, is that this show is a complete curatorial project comprised of artists who have established new directions in art and already inspired a generation of upcoming artists.
The selection process begins in December under the direction of an independent panel of professional jurors with assistance from GRACE curatorial staff.
Ideology., Hammer Museum, Los Angeles Polypersephone: Nayland Blake & Claire Pentecost, Iceberg Projects, Chicago 2013 NYC 1993: Experimental Jet Set, Trash and No Star, New Museum, New York A Different Kind of Order: The ICP Triennial, Institute of Contemporary Photography, New York Nayland Blake, Thomas Demand, Trisha Donnelly, Vincent Fecteau & Wade Guyton, Matthew Marks Gallery, Los Angeles Macho Man, Tell It To My Heart: Collected by Julie Ault, Artists Space, New York 2012 The Bearden Project, The Studio Museum, New York Shift: Projects Perspectives Directions, The Studio Museum, New York R.P.F.P. (RIRE.POSITIONNER.FILMER.PERFORMER), École Européenne Supérieure D'Art de Bretagne as part of the festival Transversales Cinématographiques, L'Université Rennes 2, France 2011 Legacy: The Emily Fisher Landau Collection, Whitney Museum of American Art, New York Carter / Nayland Blake, Gallery Paule Anglim, San Francisco The Air We Breathe, San Francisco Museum of Modern Art 2010 Selections from the Hammer Contemporary Collection, Armand Hammer Museum of Art and Cultural Center, Los Angeles Owen Smith and Nayland Blake: Two One - Person Shows, Richard L. Nelson Gallery, University of California, Davis 2009 Consider the Lobster, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Contemporary Outlook: Seeing Songs, Museum of Fine Arts, Boston 2008 The Puppet Show, Institute of Contemporary Art, Philadelphia 2006 Into Me / Out of Me, MoMA PS1, New York.
Recent curatorial projects include #callresponse, a series of locally responsive art commissions centering on Indigenous women and artists accompanied by a touring exhibition; Unsettled Sites (2016), a group exhibition at SFU Gallery that highlighted the complexity of belonging and refusal from both settler and Indigenous perspectives; and Cutting Copper: Indigenous Resurgent Practice (2016), a collaboration between grunt gallery and the Morris and Helen Belkin Art Gallery that brought together performance art with a panel of Indigenous theorists and curators for the exhibition Lalakenis / All Directions: A Journey of Truth and Unity by Kwakwaka» wakw artist Beau Dick.
With direction from the Registrar, work with the curatorial team and conservation specialists on conservation treatment priorities and multiyear plans.