Sentences with phrase «curatorial direction on»

Not exact matches

Based on her previous experience, as well as her curatorial vision, she will undoubtedly push the institution in exciting new directions.»

I have become direction reflects on an artist's evacuation of authorship, and its implications on a curatorial methodology.

Ideology., Hammer Museum, Los Angeles Polypersephone: Nayland Blake & Claire Pentecost, Iceberg Projects, Chicago 2013 NYC 1993: Experimental Jet Set, Trash and No Star, New Museum, New York A Different Kind of Order: The ICP Triennial, Institute of Contemporary Photography, New York Nayland Blake, Thomas Demand, Trisha Donnelly, Vincent Fecteau & Wade Guyton, Matthew Marks Gallery, Los Angeles Macho Man, Tell It To My Heart: Collected by Julie Ault, Artists Space, New York 2012 The Bearden Project, The Studio Museum, New York Shift: Projects Perspectives Directions, The Studio Museum, New York R.P.F.P. (RIRE.POSITIONNER.FILMER.PERFORMER), École Européenne Supérieure D'Art de Bretagne as part of the festival Transversales Cinématographiques, L'Université Rennes 2, France 2011 Legacy: The Emily Fisher Landau Collection, Whitney Museum of American Art, New York Carter / Nayland Blake, Gallery Paule Anglim, San Francisco The Air We Breathe, San Francisco Museum of Modern Art 2010 Selections from the Hammer Contemporary Collection, Armand Hammer Museum of Art and Cultural Center, Los Angeles Owen Smith and Nayland Blake: Two One - Person Shows, Richard L. Nelson Gallery, University of California, Davis 2009 Consider the Lobster, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Contemporary Outlook: Seeing Songs, Museum of Fine Arts, Boston 2008 The Puppet Show, Institute of Contemporary Art, Philadelphia 2006 Into Me / Out of Me, MoMA PS1, New York.

In the past five years, she has been tapped by the European Union and the Senegalese Ministry of Culture to reform the Dakar Biennial and to advise on the curatorial direction of «dOCUMENTA 13.»

Recent curatorial projects include #callresponse, a series of locally responsive art commissions centering on Indigenous women and artists accompanied by a touring exhibition; Unsettled Sites (2016), a group exhibition at SFU Gallery that highlighted the complexity of belonging and refusal from both settler and Indigenous perspectives; and Cutting Copper: Indigenous Resurgent Practice (2016), a collaboration between grunt gallery and the Morris and Helen Belkin Art Gallery that brought together performance art with a panel of Indigenous theorists and curators for the exhibition Lalakenis / All Directions: A Journey of Truth and Unity by Kwakwaka» wakw artist Beau Dick.

Drawing on her extensive background as a curator working closely with both small, experimental art spaces and large - scale, recurrent exhibitions, Candice Hopkins will lead the curatorial direction of the Biennial including new art commissions, exhibitions, and publications.

With direction from the Registrar, work with the curatorial team and conservation specialists on conservation treatment priorities and multiyear plans.