«Spells Like Teen Spirit,» Hamza Walker's
curatorial essay for his Teen Paranormal Romance at the Atlanta Contemporary Art Center through January 17, is something like a classic bait and switch.
Not exact matches
This selection of archival documents, compiled from the collections of the Fales Library and Special Collections at New York University and the Library and Archives at Bard College's Center
for Curatorial Studies, originally accompanied the
essay «What Remains: Art and Archives,» by Ann Butler and Marvin J. Taylor.
Catalogue Carlos Rolón: Outside / In will be accompanied by a catalogue that features
essays by NOMA's Curator of Modern and Contemporary Art Katie A. Pfohl, the Perez Art Museum's Curator of Contemporary Art Maria Elena Ortiz, and the Museo de Arte de Ponce's Associate Curator of European Art, Pablo Pérez d'Ors, an interview of Carlos Rolón by NOMA's Andrew W. Mellon Foundation Fellow
for Modern and Contemporary Art Allison Young, as well as short
essays by artist Theaster Gates and NOMA
Curatorial Fellow Lucia Momoh.
Mark Rappol is Editor of Art Review, his catalogue
essays from the last six months include monographs on Alex Katz, Arik Levy and Slater Bradley as well as a group show on female Pop artists
for the Kunsthalle Wein; he was a judge
for the 2010 Jarman Award, the inaugural Zabludowicz
Curatorial Open and the Asia Art Archive's 2011 Open Platform.
Preview to the opening of Rachel Harrison: Consider the Lobster And Other
Essays, Friday, June, 26, 2009, at The Center
for Curatorial Studies and Hessel Museum of Art at Bard College (CCS Bard) in the Town of Red Hook.
«Tales of Places», exhibition
essay, Zeljka Himbele, The Center
for Curatorial Studies, Bard College, NY
The recipient of the 2011 Bard Center
for Curatorial Studies Award
for Curatorial Excellence, she is currently at work on an exhibition inspired by the American painter and film critic Manny Farber and his 1962
essay «White Elephant vs. Termite Art.»
Copiously illustrated, the book offers a timely re-evaluation of Takamatsu's practice following a significant resurgence of appreciation
for the Japanese avant - garde, and features
essays by Hiroyuki Nakanishi, Curator of the National Museum of Art, Osaka, Jordan Carter,
Curatorial Fellow
for the Visual Arts, Walker Art Center, and the late Takamatsu.
Publication A catalog will be published by MoMA PS1
for Greater New York 2010, documenting recent trends, processes, and media explored in the exhibition and featuring work by each of the exhibition's 68 artists and collectives, documenting the installation at MoMA PS1, with an accompanying
curatorial essay written by curators Klaus Biesenbach, Connie Butler, and Neville Wakefield.
The exhibition will be accompanied by a fully - illustrated catalogue with
essays by the curators Cynthia Burlingham and Allegra Pesenti, independent scholar Florian Rodari, and a chronology by Matthieu Vahanian,
curatorial assistant at the Grunwald Center
for the Graphic Arts.
Formerly Director of the Graduate Program at the center
for Curatorial Studies at Bard College and Associate Director of the Whitney Independent Study Program, Burton has curated a number of exhibitions as well as contributing catalogue
essays for artists such as Cindy Sherman, Marilyn Minter and Anish Kapoor.
«The riddle of art is that we do not know what it is until it is no longer that which it was,» Christov - Bakargiev writes in her
essay entitled «The dance was very frenetic, lively, rattling, clanging, rolling, contorted, and lasted
for a long time», this text comes closest to laying down her dense pattern of ideas in lieu of an irreducible
curatorial concept.
This
essay is part of her current larger
curatorial research «Radicants, Radicals, Epiphytes and Parasites» (made possible by the Amsterdam Fund
for the Arts and the Mondriaan Fund).
She has served on advisory boards
for Asian Art Council of the Guggenheim Museum, and has authored
curatorial essays in publications
for museums including The Museum of Modern Art (MoMA)
As a curator, he was the recipient of the 2014 Ontario Association of Art Galleries (OAAG) Award
for Curatorial Writing
for his
essay on the artist Ron Shuebrook.
A grotesque neologism, the title of «Dereconstruction,» Matthew Higgs's recent
curatorial effort
for Gladstone Gallery, was — according to the catalogue
essay — both «a hybrid term, one that conflates notions of «construction,» «reconstruction,» «deconstruction,» and «destruction,»» and a reference to «The New Reconstructions,» Pace Gallery's 1979 exhibition of work by Lucas Samaras.
It is a collection of
essays exploring the notion of «the library as a
curatorial space,» an idea I am looking at as the starting point
for our research, writing and publishing initiatives at the CCA.
The 2018 Appel
Curatorial Fellow will research the work of Edward Loper, Sr. and Edward Loper, Jr. and write a scholarly
essay for inclusion in the artists» 2019 exhibition catalogue.
For more information, download the
curatorial essay, which also includes descriptions of the works featured in the exhibition.
Article,
Essay, or Extended Catalogue Entry Stacy C. Hollander, deputy director
for curatorial affairs, chief curator, and director of exhibitions at the American Folk Art Museum
for «Securing the Shadow: Posthumous Portraiture in America»
At the Guggenheim, Ramírez - Montagut was the coordinating curator
for the exhibitions Zaha Hadid and Restoring a Masterpiece: Frank Lloyd Wright's Guggenheim Museum and contributed an
essay and
curatorial support
for Cai Guo - Qiang.
The museum published a catalogue to accompany the exhibition with
essays by Nora Atkinson, the museum's Lloyd Herman Curator of Craft; Suzanne Ramljak, curator of exhibitions at the American Federation of Arts and editor at Metalsmith; and Anna Walker, the Windgate Foundation
Curatorial Fellow
for Contemporary Craft at the Museum of Fine Arts, Houston.
It also includes an interview with the artist by independent curator Hans Ulrich Obrist, an
essay by Maria Lind, Director, Centre
for Curatorial Studies, Bard College, New York, and a work of fiction inspired by Parreno written by IMMA Director Enrique Juncosa.
Rachel Harrison: Consider the Lobster and other
Essays, Center
for Curatorial Studies and Hessel Museum of Art at Bard College (CCS Bard), Annandale - on - Hudson, New York, June - December 2009
The exhibition is accompanied by a scholarly catalogue, published by The Phillips Collection and Zentrum Paul Klee in association with Prestel, featuring color plates and
essays by the
curatorial team and outside scholars Katy Siegel, Eugene V. and Clare E. Thaw Endowed Chair in Modern American Art, Stony Brook University, and Elke Seibert, Postdoctoral Research Fellow at the German Center
for the History of Art (DFK) in Paris.