Sentences with phrase «curatorial essays by»
In 2006 the monograph, Betty Woodman, [19] was produced in conjunction with her retrospective at the Metropolitan Museum of Art, and it includes curatorial essays by Janet Koplos, Barry Schwabsky, and Arthur Danto.
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Her work has been published in Nymphoto Books: Conversation Volume 1 and Fotofest 2010 Contemporary U.S. Photography with a curatorial essay by Aaron Schuman.
Threshold provides an overview of Kim's career from several vantage points: a curatorial essay by Eugenie Tsai on the concept of «threshold» in Kim's work, a conversation with Constance Lewallen, Glenn Ligon, Janine Antoni, and Kim on the 1990s art world, an essay on color theory and color in Kim's work by art historian Anoka Faruqee, and a new photo and text project by Kim himself.
Designed by Sameer Farooq of New Ink, this publication includes a curatorial essay by Jon Davies accompanied by original illustrations by Logan MacDon...
It features a curatorial essay by Helaine Posner, Louise Fishman: The Energy in the Rectangle; essay contributions by Carrie Moyer and Nancy Princenthal, and an interview with the artist by Schaffner.
Not exact matches
This selection of archival documents, compiled from the collections of the Fales Library and Special Collections at New York University and the Library and Archives at Bard College's Center for Curatorial Studies, originally accompanied the essay «What Remains: Art and Archives,» by Ann Butler and Marvin J. Taylor.
In addition to Peter Eleey's curatorial essay, the catalog includes contributions from Alexander Dumbadze and Robert Hullot - Kentor, as well as texts by Alexander Kluge, W. J. T. Mitchell, and Retort.
As well as a deep collection of textual, archival and visual material, ARTIST WORK LISSON includes a number of short essays by Nicholas Logsdail and other members of Lisson Gallery, including Greg Hilty (Curatorial Director), Alex Logsdail (International Director) and Ossian Ward (Head of Content).
Catalogue Carlos Rolón: Outside / In will be accompanied by a catalogue that features essays by NOMA's Curator of Modern and Contemporary Art Katie A. Pfohl, the Perez Art Museum's Curator of Contemporary Art Maria Elena Ortiz, and the Museo de Arte de Ponce's Associate Curator of European Art, Pablo Pérez d'Ors, an interview of Carlos Rolón by NOMA's Andrew W. Mellon Foundation Fellow for Modern and Contemporary Art Allison Young, as well as short essays by artist Theaster Gates and NOMA Curatorial Fellow Lucia Momoh.
The exhibition is accompanied by a major publication, the Museum's first in a digital format, which reproduces all 256 works in the exhibition and includes an essay by Patricia Failing and entries by the CSM curatorial staff.
An exhibition catalogue will be published with essays by Melissa Messina, the exhibition's curatorial collaborator, and Lowery Stokes Sims, Curator Emerita at the Museum of Arts and Design.
-- Adventures of the Black Square: Abstract Art and Society 1915 — 2015 is accompanied by a fully - illustrated catalogue with essays by the Curatorial Advisory Committee alongside Iwona Blazwick and Magnus af Petersens.
Curatorial essays provide an overview of the extraordinary world of the 17th century Dutch Republic, explore the history and future of the Mauritshuis building and collection, offer an in - depth look at Girl with a Pearl Earring, and chronicle fascinating conservation treatments and technical research undertaken by the museum on behalf of its treasures.
LEARN MORE Press Release Curatorial Essay IMAGES (1) Video still from Amy Khoshbin, The Myth of Layla, 2014 (2) Amy Khoshbin, Gold Lady: Terror Level Five, Eyes Open, Photo by Corbin Ordel (3) Video still from Amy Khoshbin, The Myth of Layla, 2014
Essays by MoMA Director Glenn D. Lowry, whose own academic and curatorial background involves traditional Islamic arts; Homi Bhabha, the preeminent theorist and scholar of the postcolonial condition; and the Turkish writer and novelist Orhan Pamuk, winner of the German Book Peace Prize and author of My Name Is Read and Snow.
The recipient of the 2011 Bard Center for Curatorial Studies Award for Curatorial Excellence, she is currently at work on an exhibition inspired by the American painter and film critic Manny Farber and his 1962 essay «White Elephant vs. Termite Art.»
Copiously illustrated, the book offers a timely re-evaluation of Takamatsu's practice following a significant resurgence of appreciation for the Japanese avant - garde, and features essays by Hiroyuki Nakanishi, Curator of the National Museum of Art, Osaka, Jordan Carter, Curatorial Fellow for the Visual Arts, Walker Art Center, and the late Takamatsu.
Organized by Scott Rothkopf, the museum's deputy director of programs and chief curator, and Jessica Man, a curatorial assistant, the show is accompanied by a catalog of more than 650 pages, which includes a memoir by the artist's mother, Carol Hendrickson, a public health nurse, who lives with her second husband next door to Owens and her family; testimonies about how wonderful Owens is as a person and a painter from a bevy of artists, curators, dealers, and studio assistants; price lists from early exhibitions; essays, including one about Elizabeth Murray by Francine Prose; statements by influential people who were among the first wave to recognize her importance.
«Crossings: Aristic and Curatorial Practice», exhibition essay, by Anne Ellegood and Rachel Gugelberger
Essays exploring three significant periods of experimentation in portraiture during the past century: the 1910s - 20s; 1960s, and 1990 — present have been prepared, respectively, by each of the three curators of the exhibition: Jonathan Frederick Walz, director of curatorial affairs & curator of American art, the Columbus Museum, Columbus, Georgia; Kathleen Merrill Campagnolo, independent curator and scholar, and Anne Collins Goodyear, co-director of the Bowdoin College Museum of Art.
Designed by Augusto Mendoza, of Books Are Nice, the 108 - page, full color catalog features essays by independent curator and writer Sue Spaid, a forward by Girls» Club creative director Michelle Weinberg, a curatorial statement by Carol Jazzar and an original work of poetry by Denise Duhamel inspired by the exhibition.
Publication A catalog will be published by MoMA PS1 for Greater New York 2010, documenting recent trends, processes, and media explored in the exhibition and featuring work by each of the exhibition's 68 artists and collectives, documenting the installation at MoMA PS1, with an accompanying curatorial essay written by curators Klaus Biesenbach, Connie Butler, and Neville Wakefield.
Featuring a portfolio of Jason Schmidt's new photographs, the book is edited by Brooke Hodge, co-published with DelMonico Books / Prestel and includes essays by Jennifer Dunlop Fletcher; Hodge; Mayer Rus, the West Coast editor of Architectural Digest; and Hammer Curatorial Fellow Ellen Donnelly.
Organized by PS1 Curatorial Advisor Bob Nickas, the exhibition will be accompanied by a limited edition book, with an essay by the curator.
The accompanying catalogue includes three texts in English and Chinese: a curatorial essay on Wang's artistic practice; a look at the artist's recent work by Gao Shiming; and a text by Wang on contemporary Chinese art.
In anticipation of her upcoming solo show at MoMA PS1 (the Chinese artist's first in the U.S., opening Friday, April 3), we turn to an essay by Hans Ulrich Obrist from Phaidon's Defining Contemporary Art, in which the curatorial superstar points to Cao's fantastical 2004 series COSPlayers as a prime example of her groundbreaking «postmedium» practice.
This show of Arts Council Collection loans and new commissions takes its curatorial basis from a 1993 essay by the artist Donald Judd, which defined design as «visible reasonableness».
The exhibition will be accompanied by a fully - illustrated catalogue with essays by the curators Cynthia Burlingham and Allegra Pesenti, independent scholar Florian Rodari, and a chronology by Matthieu Vahanian, curatorial assistant at the Grunwald Center for the Graphic Arts.
The 104 - page, full color catalog includes images of works, installation views, an exhibition checklist, an essay by the eminent photography writer and historian Vicki Goldberg, a forward by Creative Director Michelle Weinberg, a curatorial statement by Dina Mitrani and poem by Miami writer Emma Trelles.
The exhibition will be accompanied by a catalogue featuring commissioned essays by Professor Gillian Triggs, President of the Australian Human Rights Commission, and Yanis Varoufakis, founding member of the Democracy in Europe Movement 2025 and former Greek finance minister, along with a curatorial overview by Francis E. Parker.
Designed by Augusto Mendoza, the 108 - page, full color catalog features essays by independent curator and writer Sue Spaid, a forward by Girls» Club creative director Michelle Weinberg, a curatorial statement by Carol Jazzar and an original work of poetry by Denise Duhamel inspired by the exhibition.
This essay is part of her current larger curatorial research «Radicants, Radicals, Epiphytes and Parasites» (made possible by the Amsterdam Fund for the Arts and the Mondriaan Fund).
Curated by Elisa R. Linn and Lennart Wolff's km temporaer curatorial project, the exhibition takes it title from poet, art critic and poet Rene Ricard «s 1981 essay on the East Village gallery scene «The Pledge of Allegiance».
COOP Curatorial Collective in Nashville, TN and NAPOLEON Gallery in Philadelphia are pleased to present Fields of Resonance, a group exhibition featuring members of the COOP collective curated by artist / member Jana Harper with an accompanying essay by aesthetic theorist Lutz Koepnick.
Mentored by the Art Museum team of staff to mount a graduating exhibition, MVS Curatorial Studies students gain valuable experience within all aspects of exhibition planning, including: curatorial research and exhibition logistics, installation design and coordination, critical writing in the form of a curatorial essay, exhibition promotion, and programming deCuratorial Studies students gain valuable experience within all aspects of exhibition planning, including: curatorial research and exhibition logistics, installation design and coordination, critical writing in the form of a curatorial essay, exhibition promotion, and programming decuratorial research and exhibition logistics, installation design and coordination, critical writing in the form of a curatorial essay, exhibition promotion, and programming decuratorial essay, exhibition promotion, and programming development.
The accompanying catalogue, Thomas Gainsborough: Experiments in Drawing, features full - page reproductions of seventeen works in the exhibition, a foreword by director Colin B. Bailey, and essays by Moore Curatorial Fellow Marco Simone Bolzoni and conservator Reba F. Snyder.
Selected publications include: Walking Around in a Garden: Prints by Kiki Smith and Valerie Hammond (forthcoming); Alison Elizabeth Taylor Brings It to the Table; and the curatorial catalogue essays Alexandre Arrechea: The Rules of Play; Clare Rojas: Through the Woods; Chakaia Booker: Sustain; Youssef Nabil: I Live Within You; and Mercy, Patience and Destiny: The Women of Whitfield Lovell's Tableaux.
At tranzit.hu, since 2011, she curated the project of The Pseudo Race Group Liberagility (2012), Theodoros Zafeiropoulos's exhibition (2014), and since 2012 she is the curator - editor of the ongoing collaborative research project Curatorial Dictionary that has been realized as an online dictionary and an accompanying exhibition (2013), a participating video project (Report on the Construction of a Spaceship Module, New Museum, New York, curated by tranzit.org, 2014), a series of short essays published in Curating Research (Eds.
The most detailed appraisal of Ross - Ho's oeuvre to date, the book includes an essay by Morse, an interview between Ross - Ho and MIT List Visual Arts Center Curator João Ribas, and an exhibition chronology assembled by MOCA Curatorial Assistant Jennifer Park.
A grotesque neologism, the title of «Dereconstruction,» Matthew Higgs's recent curatorial effort for Gladstone Gallery, was — according to the catalogue essay — both «a hybrid term, one that conflates notions of «construction,» «reconstruction,» «deconstruction,» and «destruction,»» and a reference to «The New Reconstructions,» Pace Gallery's 1979 exhibition of work by Lucas Samaras.
This slim, clothbound hardcover is the first publication on Sietsema's film works, and includes stills from seven films accompanied by three curatorial essays.
An illustrated catalogue, designed by Lorraine Wild of Green Dragon Studio and featuring essays by the curatorial team members and an introduction by Colin Westerbeck, will accompany the exhibition.
Accompanied by an extensive curatorial survey, art historical contributions, prose poem, biographical visual essay, as well as the collected writings and correspondence of the artist, this book offers an in depth exploration of Bowling's career and aspects of his journey from his home in Guyana to London and New York.
The exhibition will be accompanied by a full - colour, illustrated catalogue that will contain essays by the exhibition's curator Eimear O'Raw, Curatorial Coordinator: Irish Museum of Modern Art, as well as Aidan Dunne and Jackie Ryan, along with an introduction by Enrique Juncosa, Director of the Irish Museum of Modern Art.
The catalogue includes an essay by photography historian Deborah Irmas as guest curator and 50 extended written entries by Eve Schillo, assistant curator, LACMA, and the curatorial team at the Wallis Annenberg Photography Department at LACMA, along with a foreword by Susan Sayre Batton, Oshman Executive Director at SJMA.
The displays will be accompanied by a touring exhibition, related talks and events, and a publication of essays by each curatorial fellow.
We provide curatorial support, installation assistance, insurance, promotion, documentation, and commission critical essays to accompany selected projects and are committed to paying artist and copyright fees according to the guidelines established by CAR / FAC (Canadian Artists» Representation / Les Fronts des Artistes Canadiens).
The museum published a catalogue to accompany the exhibition with essays by Nora Atkinson, the museum's Lloyd Herman Curator of Craft; Suzanne Ramljak, curator of exhibitions at the American Federation of Arts and editor at Metalsmith; and Anna Walker, the Windgate Foundation Curatorial Fellow for Contemporary Craft at the Museum of Fine Arts, Houston.
The result is an eclectic volume of accessible responses that provides a pluralistic and dynamic curatorial discourse where critical essays, theoretical explorations, propositions, historical overviews, interviews, exhibition critiques and fictional accounts sit side by side.
A brilliant on - line component features the curatorial research that went into the mounting of the show as well as an exhibition essay by Giunta, a poem by Tejada, and an explanation of the work by Lara.