Sentences with phrase «curatorial experience at»

Chasse has over 10 years of curatorial experience at the Peabody Essex Museum contributing to many projects including Samuel McIntire, Carving an American Style; Golden: Dutch and Flemish Masterworks from the Rose - Marie and Eijk van Otterloo Collection; Midnight to the Boom: Painting in India After Independence and American Epics: Thomas Hart Benton and Hollywood.

She is also an arts worker, with administrative and curatorial experience at various non-profit arts organizations, including the Oakland Museum of California, Machine Project, Momenta Art, Bronx Museum of the Arts, and most recently, at Clockshop, as Director of Public Programs.

In addition to her exhibition and curatorial experience at several nonprofit art spaces in the Bay Area, her own work has been exhibited at The Lab, Performance Art Institute, and ap - art - ment, all in San Francisco; at Aggregate Space, Oakland; and at other venues throughout Cali - fornia.

With more than six years of curatorial experience at major arts institutions — including the Metropolitan Museum of Art, the Frick Collection, and the Nelson - Atkins Museum of Art — Kang will be joining the Barnes Foundation from the Bard Graduate Center in New York.

Not exact matches

She brings an acute eye and extensive experience, a hallmark of which has been innovative presentations and working with artists and collectors,» said Margi Conrads, director of curatorial affairs at Crystal Bridges.

He brings to deCordova extensive administrative and curatorial experience, having served as President of the Association of Art Museum Curators (AAMC), and having held curatorial positions at the Philadelphia Museum of Art and at the Wadsworth Atheneum, where he worked on the museum's first showing of the Sol LeWitt collection.

Cover Letter A one - page cover letter outlining curatorial interests, professional experience, and what you aim to accomplish in a one - year residency at the Bemis Center.

No prior curatorial experience necessary; the program creates opportunities for individuals at all career stages to organize group exhibitions focused on strong ideas.

Of particular interest for this presentation is Jaskey's curatorial innovations and experiences in her position at the Artist's Institute, a research institution and experimental curatorial platform for contemporary art in New York City.

The graduate program at the Center for Curatorial Studies at Bard College provides practical training and experience in a museum setting and an intensive course of study in the history of the contemporary visual arts, the institutions and practices of exhibition making, and the theory and criticism of the visual arts in the modern period.

His previous experience includes curatorial positions at the Wexner Center for the Arts at The Ohio State University, Los Angeles County Museum of Art, and J. Paul Getty Museum.

She developed a particular interest in working for non-profit contemporary art institutions after interning at the Wattis Institute of Contemporary Art in San Francisco, as well as from experience as a curatorial research intern at Art21.

With state - of - the - art galleries, an extensive library and curatorial archive, and access to the remarkable Marieluise Hessel Collection of more than 1,700 works, students at the CCS have a unique opportunity to gain both an intellectual grounding and actual experience within a museum.

With state - of - the - art galleries, an extensive library and curatorial archive, and access to the remarkable Marieluise Hessel collection of more than 1,700 works, the students at the CCS have a unique opportunity to gain both an intellectual grounding and actual experience within a museum.

He also has extensive curatorial experience gained at the Hirshhorn, the Corcoran Gallery of Art in Washington, D.C. and The New Museum of Contemporary Art in New York.

Project Curate provides a class of advanced art students from Juan Morel Campos High School an opportunity to experience contemporary curatorial practices by working closely with a professional curator for the whole school year, culminating with an exhibition at NURTUREart Gallery.

Originally conceived by the Michener's former director Bruce Katsiff, these exhibitions were juried from submissions by some of the most accomplished artists in the Philadelphia region, using the experience and skills both of Michener staff members and two distinguished curatorial consultants: writer and independent curator Judith E. Stein and Judith Tannenbaum, who recently retired from her position as Richard Brown Baker Curator of Contemporary Art at the Museum of Art Rhode Island School of Design.

His experience includes curatorial positions at the Wexner Center for the Arts at The Ohio State University, the Los Angeles County Museum of Art, and the J. Paul Getty Museum, Los Angeles.

Located on the beach at Ocean Drive and 12th Street, Untitled is an art fair with a curatorial approach, that places an emphasis on the viewer's experience by contextualizing the artworks exhibited at each booth.

Guest Curator Jaime DeSimone With over twelve years of curatorial experience in contemporary art, Curator Jaime DeSimone conceives and implements the exhibition program and manages the Permanent Collection at the Museum of Contemporary Art (MOCA) Jacksonville.

Pfohl previously served as a curator at the Louisiana State University Museum of Art, and she has a wide range of academic and curatorial experience.

Aguilar and Fischbach have thirty years of curatorial gallery experience between them, most of which was spent working together at the Chicago outpost of the international Kavi Gupta Galleries.

To the past honorees, however, among whom I feel especially humbled and privileged to share this honor, I'd like to thank you for your example and achievements that have enriched us all: Andrea [Barnwell Brownlee], whose ambitious and inspired curatorial work gives voice to women artists of the African Diaspora; Jerry [Cullum], a visionary writer whose genius lies in his ability to synthesize the experience of art with poetic complexity; Louis [Corrigan], a trailblazing community leader whose innovative ethos and generosity has rekindled the boundless spirit of Nexus; Lisa [Cremin], a leader of responsible and responsive philanthropy who personifies the idiomatic true north for the arts in Atlanta; Lucinda [Bunnen], a brilliant artist and pioneering collector who established photography as an essential feature of contemporary visual culture in our city... and at the High Museum; and Susan [Bridges], den mother to us all, whose generosity of spirit is set off by her unshakable personal integrity.

With state - of - the - art galleries, an extensive library and curatorial archive, and access to the remarkable Marieluise Hessel collection of more than 1,700 works, students at CCS Bard gain both an intellectual grounding and actual experience within a museum.

Additionally, students gain valuable pre-professional experience as graduate and undergraduate interns at the IAS, assisting with curatorial projects, education programs, public events, public relations, and outreach.

His past curatorial experience includes organizing exhibitions and programs at the Whitney Museum of American Art and MoMA P.S. 1 among other international institutions.

Andrew Blanton, Assistant Professor and Area Coordinator for Digital Media Art at San Jose State University, will join the curatorial panel to contextualize the recreation of Nauman's corridor as a virtual reality experience.

Her curatorial experience includes working with artistic director Jane Farver on the 2011 Incheon Women Artists Biennale, working as the curatorial assistant at the David Rockefeller Center for Latin American Studies and managing an art gallery in Los Angeles.

Applicants must demonstrate at least five years of curatorial experience for consideration into the program.

Dziembowski gained her first practical experience during her studies of applied cultural sciences at the University of Lüneburg as a member of the student curatorial team for the exhibition «Auf Bewährung.

A sensitive curatorial approach means that the experience of Latina and Chicana artists working in the United States are acknowledged as distinct — yet at times parallel — to those of women working in their own countries.

Candidates must have an advanced postgraduate degree (M.A., M.F.A, or Ph.D.) in a field pertinent to the graduate program, close familiarity with the contemporary visual arts and current curatorial and exhibition practice, and significant experience teaching at the graduate level.

Jurors: Jarvis DuBois has over 14 years combined registrarial and curatorial experience, currently at the Smithsonian Institution's National Museum of American History since 2002 as a Museum Specialist.

Ersoy worked in the curatorial departments of various nonprofits in New York, Istanbul, and Cairo, and combined this experience with her work at foundations that aim to support the growth and stability of the arts field through resource creation and capacity building in the U.S. and the Middle East.

Ersoy worked in the curatorial departments of various nonprofits in New York, Istanbul, and Cairo, and combined this experience with her work at foundations that aim to support the growth and stability of the arts field through resource creation, capacity building, and networking in the US and the Middle East.

Her curatorial experience includes a decade at the Whitney Museum of American Art, during which time she organised numerous groundbreaking exhibitions, including «Black Male: Representations of Masculinity in American Art, in 1994».

As moderator Alexandra Munroe, Samsung Senior Curator of Asian Art at the Guggenheim Museum, says in her introductory speech, the conference aimed not to deliver final thoughts but to open up new questions: to allow curators working at the edge of contemporary curatorial practice to share their personal experiences, doubts and reflections.

Simultaneously confounding and illuminating, The Intuitionists at the Drawing Center is a puzzle within a puzzle, a conceptual stunt that raises sticky questions about curatorial responsibility and the structuring of aesthetic experience.