He has got extensive research and
curatorial experiences in contemporary Chinese art and visual culture.
Guest Curator Jaime DeSimone With over twelve years of
curatorial experience in contemporary art, Curator Jaime DeSimone conceives and implements the exhibition program and manages the Permanent Collection at the Museum of Contemporary Art (MOCA) Jacksonville.
In prior years, there have been few judges with
curatorial experience in sculpture, said Miller, and none that specialized in sculpture.
Not exact matches
Category: Asia, English, Europe, Transversal Studies, Your
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curatorial function of universities, mandatory literature for learning
in the Russian higher education system
in the 19th century, methodical tradition, Russia, The continuity of secondary and higher education
It's been such a great
experience working with these young women who are running such a smart
curatorial program as well as working full - time
in other galleries;
in Bridget Donahue's case
in her own gallery.
This one - year appointment, eligible for a one - year renewal, provides the opportunity to gain firsthand
experience and professional training
in curatorial work and
in the study and connoisseurship of old master and nineteenth - century drawings.
Throughout the gallery the visitor
experiences differing gallery spaces which will provide a varied
experience and provide functional flexibility and a varied palette with which the
curatorial team can work, catering for the display of work
in an intimate, traditional as well as a large public spectacle capacity.
Cover Letter A one - page cover letter outlining
curatorial interests, professional
experience, and what you aim to accomplish
in a one - year residency at the Bemis Center.
Of particular interest for this presentation is Jaskey's
curatorial innovations and
experiences in her position at the Artist's Institute, a research institution and experimental
curatorial platform for contemporary art
in New York City.
The Bass seeks a creative museum leader with expertise
in contemporary art with a minimum of 10 years of active
curatorial practice and management - level museum
experience.
The graduate program at the Center for
Curatorial Studies at Bard College provides practical training and
experience in a museum setting and an intensive course of study
in the history of the contemporary visual arts, the institutions and practices of exhibition making, and the theory and criticism of the visual arts
in the modern period.
She developed a particular interest
in working for non-profit contemporary art institutions after interning at the Wattis Institute of Contemporary Art
in San Francisco, as well as from
experience as a
curatorial research intern at Art21.
This program is tailored to art historians with a demonstrated commitment to a
curatorial career
in the field of old master and nineteenth - century drawings and less than five years of full - time museum work
experience.
Master's degree
in curatorial or museum studies, art history, or related field; or five years equivalent professional work
experience in the field;
He also has extensive
curatorial experience gained at the Hirshhorn, the Corcoran Gallery of Art
in Washington, D.C. and The New Museum of Contemporary Art
in New York.
The NLE
Curatorial Lab (NLE Lab) is a professional development program for emerging curators and arts professionals interested
in direct
experience curating
in an expanded field.
The program is designed to offer both a theoretical and historical grounding
in curatorial practices and practical
experience in exhibition organization and display and object research and preservation.
The Ford
Curatorial Fellowship provides recent graduates
in the field with important professional
experience.
Originally conceived by the Michener's former director Bruce Katsiff, these exhibitions were juried from submissions by some of the most accomplished artists
in the Philadelphia region, using the
experience and skills both of Michener staff members and two distinguished
curatorial consultants: writer and independent curator Judith E. Stein and Judith Tannenbaum, who recently retired from her position as Richard Brown Baker Curator of Contemporary Art at the Museum of Art Rhode Island School of Design.
The fellowship offers exposure to the operational structure of the multinational museum, as well as rigorous practical museum training
experience to individuals interested
in pursuing careers
in the
curatorial field.
curatorial background and over a decade of
experience in arts management, communications, and education.
The initial
curatorial invocation of «personal and collective
experiences of race and class» addressed by Simmons's art also flattens the work
in a way that feels anathema to his recent subtler, more ambiguous tone, developed with a visible engagement with contemporary art as much as with the symbols of American race relations.
The
Curatorial Fellowship deepens students» understanding of the intellectual and practical tasks of exhibition curation
in a museum setting and provides students with hands - on
experience and highly valuable skills for the job market.
Based on her previous
experience, as well as her
curatorial vision, she will undoubtedly push the institution
in exciting new directions.»
With more than six years of
curatorial experience at major arts institutions — including the Metropolitan Museum of Art, the Frick Collection, and the Nelson - Atkins Museum of Art — Kang will be joining the Barnes Foundation from the Bard Graduate Center
in New York.
She has 8 + years
experience working for contemporary art galleries and non-profits
in administrative and
curatorial capacities.
In this interview, Brian not only generously shared his
curatorial experience but also gave us some tips on how to survive a PhD program.
Students gain
experience in applying for residencies and juried exhibitions, presenting work
in an exhibition, writing a press release, creating an exhibition card, and
curatorial text, and organizing a public reception.
I expected the
experience of going through the archive to really suck, like an onerous homework assignment, but this magical thing happened... like when you're afraid to try karaoke and then when you do you have to be wrestled to the ground
in order for someone else to take a turn... There were so many directions I could have taken — themes and filters I could have implemented to come up with a
curatorial «vision.»
This situation dates back to the controversial restructuring of the
curatorial team that Curtis implemented
in 2012, primarily as a cost - cutting measure, which saw the departure of some of the most
experienced personnel and their replacement with younger, cheaper and more malleable staff.
In turn, each of the eleven artists represented by Cumberland engages their own
curatorial voice, selecting another whose work they respect and whose artistic
experience shares influence and dialogue.
Mr Doryun Chong will join WKCDA this September as Chief Curator, assisting Dr Lars Nittve
in overseeing the future development of M + with his extensive
curatorial experience and global network.
To the past honorees, however, among whom I feel especially humbled and privileged to share this honor, I'd like to thank you for your example and achievements that have enriched us all: Andrea [Barnwell Brownlee], whose ambitious and inspired
curatorial work gives voice to women artists of the African Diaspora; Jerry [Cullum], a visionary writer whose genius lies
in his ability to synthesize the
experience of art with poetic complexity; Louis [Corrigan], a trailblazing community leader whose innovative ethos and generosity has rekindled the boundless spirit of Nexus; Lisa [Cremin], a leader of responsible and responsive philanthropy who personifies the idiomatic true north for the arts
in Atlanta; Lucinda [Bunnen], a brilliant artist and pioneering collector who established photography as an essential feature of contemporary visual culture
in our city... and at the High Museum; and Susan [Bridges], den mother to us all, whose generosity of spirit is set off by her unshakable personal integrity.
«Her work very much deals with first - person lived
experience in Clearfield (County),» said Lindsey Landfried,
curatorial assistant for the Woskob Family Gallery.
Guided by several
curatorial themes, P. 3's exhibitions, site - specific installations and new works address: The New Orleans
Experience, Seeing Oneself
in the Other, The South, Crime and Punishment, Movie going, The Carnivalesque, Abstraction, Visual Sound, and will seamlessly tie together the largesse of the show through commissions by several artists under the moniker, All Together Now.
Our
curatorial question is framed within the Native American and immigrant
experience in order to show the connections between these perceived polar opposites.
As Gabriele Evertz states
in her
curatorial statement; «This phenomenological approach insists on the primacy of the viewer's dynamic
experience.
That
curatorial experience, which brought him
in contact with collectors, dealers and artists like Wayne Thiebaud and Frank Stella, sealed his fate.
In addition to her exhibition and curatorial experience at several nonprofit art spaces in the Bay Area, her own work has been exhibited at The Lab, Performance Art Institute, and ap - art - ment, all in San Francisco; at Aggregate Space, Oakland; and at other venues throughout Cali - forni
In addition to her exhibition and
curatorial experience at several nonprofit art spaces
in the Bay Area, her own work has been exhibited at The Lab, Performance Art Institute, and ap - art - ment, all in San Francisco; at Aggregate Space, Oakland; and at other venues throughout Cali - forni
in the Bay Area, her own work has been exhibited at The Lab, Performance Art Institute, and ap - art - ment, all
in San Francisco; at Aggregate Space, Oakland; and at other venues throughout Cali - forni
in San Francisco; at Aggregate Space, Oakland; and at other venues throughout Cali - fornia.
Her ten years of
experience in the arts include gallery management,
curatorial pursuits, and fundraising.
The combined
experience and expertise
in the
curatorial and research fields of Laurence Sillars and Dr Jon Wood will enable the Henry Moore Institute to realise ambitious, outward facing projects while growing our substantial contribution to the study and presentation of sculpture.»
In this insightful conversation, Omar Lopez - Chahoud, independent curator and artistic director of Untitled talks to us about his goals, his curatorial approach and his experience in curating Untitle
In this insightful conversation, Omar Lopez - Chahoud, independent curator and artistic director of Untitled talks to us about his goals, his
curatorial approach and his
experience in curating Untitle
in curating Untitled.
Mentored by the Art Museum team of staff to mount a graduating exhibition, MVS
Curatorial Studies students gain valuable experience within all aspects of exhibition planning, including: curatorial research and exhibition logistics, installation design and coordination, critical writing in the form of a curatorial essay, exhibition promotion, and programming de
Curatorial Studies students gain valuable
experience within all aspects of exhibition planning, including:
curatorial research and exhibition logistics, installation design and coordination, critical writing in the form of a curatorial essay, exhibition promotion, and programming de
curatorial research and exhibition logistics, installation design and coordination, critical writing
in the form of a
curatorial essay, exhibition promotion, and programming de
curatorial essay, exhibition promotion, and programming development.
Her
curatorial experience includes working with artistic director Jane Farver on the 2011 Incheon Women Artists Biennale, working as the
curatorial assistant at the David Rockefeller Center for Latin American Studies and managing an art gallery
in Los Angeles.
Initial
curatorial oversight and selection of the artists was provided by artist and
curatorial advisor Marc Pally and a committee of esteemed LA - based curators with
experience in issues - based public art and biennial presentations.
On each day, a guest speaker presented their own professional practice, and
experience working
in the
curatorial field
in India.
surcontexto is a contemporary art platform based
in Montevideo, Uruguay, dedicated to generating projects that prioritize the production of knowledge and
experience of
curatorial and artistic practices today with its focus on South and Latin American art and culture.
Curatorial Intensive alum and art writer Lydia Y. Nichols will converse with writer and scholar Steve Cannon, founder of A Gathering of the Tribes and a pioneer of the East Village literary and visual art scenes, about the lived
experience of visual culture
in their shared hometown of New Orleans and
in New York City.
She has diversified
experience developing and managing
curatorial projects and educational programs for museums and other educational institutions, as well as local government agencies
in the Baltimore / Washington area.
A sensitive
curatorial approach means that the
experience of Latina and Chicana artists working
in the United States are acknowledged as distinct — yet at times parallel — to those of women working
in their own countries.