Sentences with phrase «curatorial positions at»

In addition to holding curatorial positions at New York University's Grey Art Gallery, Art in General, and the Fabric Workshop and Museum, William has lectured frequently at the Museum of Modern Art in New York and taught art history courses at New York University, Colorado College, and Pratt Institute.

By endowing curatorial positions at the Metropolitan Museum of Art and the Museum of Modern Art in New York, and at Tate Modern in London, the couple is working to change the profile of Latin American art in the United States and Europe.

He has previously held curatorial positions at Berkeley, Philadelphia Museum, National Gallery of Art, as well as adjunct positions at the Guggenheim Museum, Menil Collection and Detroit Institute of Arts.

Besides Brooklyn, the New Museum, the Bronx Museum of the Arts, the Queens Museum, the Cooper Hewitt, the Jewish Museum, the Studio Museum in Harlem and several others are run by women, and many women hold high curatorial positions at those and other museums.

She also held curatorial positions at the European biennial of contemporary art Manifesta 8, region of Murcia, Spain and the Serpentine Gallery, London.

I also have held curatorial positions at the University of Michigan Museum of Art, the Art Institute of Chicago, the Dallas Museum of Art, and the Nasher Sculpture Center.

Before becoming director of the Rose in 2012, Mr. Bedford held curatorial positions at the Wexner Center for the Arts in Ohio, the Los Angeles County Museum of Art and the J. Paul Getty Museum.

Prior to joining the staff in Cleveland, Cole held curatorial positions at the Columbus Museum of Art.

Prior to her work at the Wexner she worked in curatorial positions at the Mildred Lane Kemper Art Museum, St. Louis, Museum of Modern Art, New York, the Solomon R. Guggenheim Museum and the Philadelphia Museum of Art.

Previously, James held curatorial positions at The Studio Museum in Harlem, the Queens Museum, and the Hyde Park Art Center.

He has held key curatorial positions at Scripps and Pomona Colleges, Santa Monica College, San Francisco Art Institute, Albright College, MOCA Cleveland, Phoenix Art Museum, Contemporary Arts Center, New Orleans, and San Antonio Museum of Art.

She has held curatorial positions at the IAIA Museum of Contemporary Native Arts, National Gallery of Canada, the Western Front and the Walter Phillips Gallery at the Banff Centre.

She received a PhD from the Graduate Center of the City University of New York in American art and architecture, an MA from Syracuse University, and a BA from the University of Rochester, and has held curatorial positions at the Flint Institute of Arts, Orlando Museum of Art, Tampa Museum of Art, and the Whitney Museum of American Art.

She has held curatorial positions at the Madison Museum of Contemporary Art and the Harvard Art Museums.

Prior to this she held curatorial positions at London's Institute of Contemporary Arts and the Lux Centre.

Harris also held curatorial positions at the Art Institute of Chicago, where he organized the exhibitions In the Vernacular (2010) and Of National Interest (2008).

Robertson is also one of the curators of «Georgia O'Keefe: Abstraction,» which opened at the Whitney Museum in New York City last year and is now on display at the Georgia O'Keefe Museum in Santa Fe, N.M. Robertson, who holds a Ph.D. from Yale, has also held curatorial positions at the Cleveland Museum of Art.

He arrives at ACAC after a having served as director of the Institute of Contemporary Art at Maine College of Art (MECA) for four years, preceded by curatorial positions at the Philadelphia Exhibitions Initiative, a program of the Pew Center for Arts & Heritage, and the Hudson Valley Center for Contemporary Art in Peekskill, New York.

She has also served in a variety of leadership and curatorial positions at numerous regional arts organizations including the Paris Gibson Square Museum of Art in Great Fall, Montana, The Beall Park Art Center in Bozeman, Montana, and Portland's Pacific Northwest College of Art.

Dunbar has also held curatorial positions at the Kemper Museum of Contemporary Art in Kansas City, Missouri, Los Angeles County Museum of Art, and Whitney Museum of American Art, New York City.

After receiving degrees from Harvard University and Oxford University, she held curatorial positions at The Museum of Modern Art, New York in The Department of Photography and The Department of Painting and Sculpture, and is a guest curator for exhibitions at the Woodruff Arts Center and the Wadsworth Athenaeum.

Between 2000 and 2012 Maloney held curatorial positions at Ampersand International Arts in San Francisco, the MATRIX Program of the University of California, Berkeley Art Museum, and the Mori Art Museum (MAM) in Tokyo.

Rice served as the Chief Curator at the IAIA Museum of Contemporary Native Arts in Santa Fe, New Mexico, and also held curatorial positions at the Aboriginal Art Centre (Ottawa, ON), named curatorial fellowships with the Art Gallery of Greater Victoria (Victoria, BC) and the Walter Phillips Gallery (Banff, AB), and Aboriginal Curator - In - Residence at the Carleton University Art Gallery.

Did you know that only a small group of African Americans occupy curatorial positions at mainstream museums, relatively few African - American artist

Prior to working at the deCordova she held curatorial positions at the Williams College Museum of Art and the Museum of Fine Arts, Boston.

Cotter has held curatorial positions at the Whitechapel Gallery and Hayward Gallery, London and was Senior Curator and Deputy Director of Modern Art Oxford (2002 — 2009).

Prior to joining the Walker, Umolu held curatorial positions at the European biennial of contemporary Art Manifesta 8, region of Murcia, Spain (2010) and the Serpentine Gallery, London (2009 - 10).

Prior to OCMA, she held curatorial positions at SF Art Institute, Walker Art Center, Santa Monica Museum of Art and MOCA.

Headhunters are already reaching into the far corners of the art world to fill top jobs and midlevel curatorial positions at these embryonic institutions, even pursuing a kind of museum czar to head Saadiyat Island's cultural initiative.

At different times in the past decade, Sofía was director of the Museo Tamayo in Mexico City, and held curatorial positions at Art in General and Americas Society, the latter two in New York.

She has previously held curatorial positions at the Whitney Museum of American Art and the Carnegie Museum of Art, and has independently curated art projects in Milan, Dubai, Miami and New York.

In her previous curatorial positions at UC Berkeley Art Museum and Carnegie Museum of Art, she has also produced projects with Omer Fast, Futurefarmers, Jill Magid, Trevor Paglen, Jill Magid, Allison Smith, Christian Jankowski, Ahmet Ogut, and Tomas Saraceno, among others.

Alison Gingeras is a curator and writer and has held curatorial positions at the Guggenheim Museum, the Centre Pompidou in Paris, and the Palazzo Grassi, Venice.

King has held curatorial positions at Nottingham Contemporary (UK), MASS Alexandria (Egypt), Institute of International Visual Arts (UK) and the Cyprus Pavilion at the 56th Venice Biennale (Italy), and is a founding member of the curatorial collective DAM PROJECTS.

Butler also held curatorial positions at the Neuberger Museum of Art (Purchase, New York), Artists Space (New York City), and the Des Moines Arts Center (Iowa).

She is executive director of the multidisciplinary visual and performing art organization SPACE in Portland, ME, and has held curatorial positions at the Michener Art Museum, Locks Gallery, and Vox Populi.

His experience includes curatorial positions at the Wexner Center for the Arts at The Ohio State University, the Los Angeles County Museum of Art, and the J. Paul Getty Museum, Los Angeles.

He has been president of the Association of Art Museum Curators, and held curatorial positions at the Philadelphia Museum of Art and the Wadsworth Atheneum in Hartford.

Prior to The Met, Griffey held curatorial positions at the Nelson - Atkins Museum of Art (1999 — 2008) and the Mead Art Museum, Amherst College (2008 — 2012).

Previously, she held curatorial positions at The Studio Museum in Harlem; the Queens Museum, New York; and the Hyde Park Art Center, Chicago.

His previous experience includes curatorial positions at the Wexner Center for the Arts at The Ohio State University, Los Angeles County Museum of Art, and J. Paul Getty Museum.

Prior to the Whitney, he held curatorial positions at the Philadelphia Museum of Art, the Cleveland Museum of Art, and the Los Angeles County Museum of Art.

Vikram has guest - curated exhibitions for the Craft and Folk Art Museum, Shulamit Nazarian Gallery, Mills College Art Museum, ProArts Gallery, and the DeYoung Museum Artist Studio, and held curatorial positions at UC Berkeley Department of Art Practice, Headlands Center for the Arts, Aicon Gallery, and Richmond Art Center, and in the studio of artists Claes Oldenburg and Coosje van Bruggen.

Roula has also held curatorial positions at the Allen Memorial Art Museum, the University of Arizona Student Union Galleries and the Utah Museum of Fine Arts.

Vikram has guest curated exhibitions for the Craft and Folk Art Museum, Shulamit Nazarian Gallery, Mills College Art Museum, ProArts Gallery, and the DeYoung Museum Artist Studio, and held curatorial positions at UC Berkeley Department of Art Practice, Headlands Center for the Arts, Aicon Gallery, and Richmond Art Center.

She has held curatorial positions at the National Gallery of Canada, The Walter Phillips Gallery, and The Western Front.

Previously she held curatorial positions at the South London Gallery (SLG), the Institute of Contemporary Arts (ICA) in London and the Hayward Gallery in London where she curated film, performance and exhibitions, and commissioned new works by artists including Juliette Blightman, Michael Smith, Bonnie Camplin, Kapwani Kiwanga, Jill Magid, Lis Rhodes as well as the group exhibitions Last Seen Entering the Biltmore (2014) and independently Duh — Art and Stupidity (co-curated with Paul Clinton) at Focal Point Gallery (2015).

Previously Barilleaux held curatorial positions at the Mississippi Museum of Art; College of Charleston, South Carolina; Madison Art Center, Wisconsin; and Museum of Holography, New York.

He brings to deCordova extensive administrative and curatorial experience, having served as President of the Association of Art Museum Curators (AAMC), and having held curatorial positions at the Philadelphia Museum of Art and at the Wadsworth Atheneum, where he worked on the museum's first showing of the Sol LeWitt collection.

Alums have gone on to curatorial positions at the Harvard Art Museums, the Peabody Historical Society, the Menil Collection, and the DeCordova Sculpture Park and Museum, among other institutions.