Sentences with phrase «curatorial posts at»

He has been active in contemporary art for 40 years and has held curatorial posts at the Contemporary Arts Center, New Orleans; MOCA Cleveland; Phoenix Art Museum; and the San Antonio Museum of Art.

Prior to that, Rosenthal held curatorial posts at the Guggenheim Museum, the National Gallery of Art in Washington, D.C., and the Philadelphia Museum of Art.

An adventurous curator with deep scholarly grounding, Jill has held curatorial posts at the San Francisco Museum of Modern Art and, most recently, at the Utah Museum of fine Arts.

McDonald is Chief Curator of Photography at the Harry Ransom Center, University of Texas at Austin, and formerly held curatorial posts at the San Francisco Museum of Modern Art and George Eastman House International Museum of Photography and Film.

In 2017, the D.Daskalopoulos Collection created and funded a curatorial post at the museum, Daskalopoulos Curator, Contemporary Art.

Not exact matches

Prominent graduates of the program have gone on to take up curatorial posts and directorships at venues across the country, including the Haggerty Museum, Museum of Arts and Design, and SITE Santa Fe.

AICA - USA member David Ebony has posted his interview with the curatorial trio of this year's Whitney Biennial at Yale@Rtbooks.

In her role at the Barnes, Kang will work directly with Sylvie Patry, deputy director for collections & exhibitions and Gund Family Chief Curator, to expand the Foundation's growing exhibitions program, collections research and interpretative activities, and curatorial and educational technology initiatives.She will begin her post on February 27.

Before taking the job in Sydney four years ago, Reilly held several important curatorial posts, including senior curator positions at the American Federation of Art and Location One, both in New York City.

Previously, she was a biennial coordinator for the 2008 Whitney Biennial, following previous posts as a curatorial intern and researcher at the institution.

Post Creative Time, Julian enrolled in the Master's Art Business Program at Sotheby's Institute of Art where he continued his studies in curatorial practice with Contemporary Art Program Director Kathy Battista alongside courses in art law with former NY Bar Association Chair Judith Prowda, and collection management with the present Global Head of the UBS Art Collection, Mary Rozell.

Her first jobs in the museum world were a summer internship and a post as a curatorial assistant at the Guggenheim Museum.

In addition to her curatorial work in institutions, Heike Munder has held teaching posts at the Universität Lüneburg, Goldsmiths College in London and the University of Bern and has worked as a co-curator for several different projects («Disfunctional Places» in Belgrade, 2001; «Open House» in Luxemburg, 2002; the biennial in Bamako, Mali, 2003; «Identity Troubles» in Lüneburg, 2004 and New York, 2005).

His recent curatorial post was as the Andrew W. Mellon Postdoctoral Curatorial Fellow at the Museum of Contemporary Art Chicago, where his major project aligned three exhibitions around artistic inquiry (Chicago Works: Andrew Yang, MCA Screen: Camille Hennrot's Grosse Fatigue, and Diana Thater: The Sympathetic Imacuratorial post was as the Andrew W. Mellon Postdoctoral Curatorial Fellow at the Museum of Contemporary Art Chicago, where his major project aligned three exhibitions around artistic inquiry (Chicago Works: Andrew Yang, MCA Screen: Camille Hennrot's Grosse Fatigue, and Diana Thater: The Sympathetic ImaCuratorial Fellow at the Museum of Contemporary Art Chicago, where his major project aligned three exhibitions around artistic inquiry (Chicago Works: Andrew Yang, MCA Screen: Camille Hennrot's Grosse Fatigue, and Diana Thater: The Sympathetic Imagination).

She has worked in the curatorial departments at the Baltimore Museum of Art, the National Portrait Gallery, and The Phillips Collection, and has contributed to publications such as Art + Auction, Artinfo.com, Art Papers, and The Washington Post.

In 2010 Novitskova released her publication and curatorial initiative called Post Internet Survival Guide which was presented at Future Gallery, Berlin and Gentili Apri, Berlin.

As Catherine Wagley discussed in this month's earlier Looking at Los Angeles post, summertime tends to be dominated by endless group exhibitions whose curators often force connections between works through an overdetermined idea or curatorial thesis, or else leave the viewer adrift in a sea of contemporary plurality.

Britany L. Salsbury, an Andrew W. Mellon curatorial fellow at the Rhode Island School of Design, will take up the post in February.

In this series of posts, the curatorial team reports back on the sights seen at museums and galleries around the world as they hunt down the artist's greatest works — regularly bumping into the great man himself in the process.

Her research and curatorial projects are determined by the specific socio - political conditions: OtherIS (2011 - ongoing) is a curatorial platform of video art relating to the US - sanctioned countries; Avant - Guide to NYC (apexart, 2009) redressed historical referents of art in the city within the present; Custom Car Commandos (Art in General, 2009) cross-sectioned the auto industry in crisis with the image industry; Soap Box Event by Pia Lindman (Federal Hall National Memorial, 2008) practiced performance of free speech; among numerous other projects since 1995, when she curated the Third Annual Exhibition of Soros Center for Contemporary Art in Vilnius, Lithuania (1995) in the post — Soviet conditions at the emergence of global networks.

Phillip has held several curatorial posts including at the Saint Louis Art Museum, the National Gallery of Canada, and the Peabody Essex Museum, where he was founding Curator of Photography.

Before assuming this post, Smith was executive director of curatorial affairs at the Art Gallery of Ontario in Toronto since 2010.