Sentences with phrase «curatorial practice as»

At 7 pm on Tuesday, January 20, Joanna will give a lecture about her curatorial practice as part of the visiting guest lecture series at California State University, San Bernardino, organized by Thomas McGovern.

Meyer - Hermann gives talks and lectures on topics related to curatorial practice as well as on the work of specific artists (national and international venues to date have included de ateliers, Amsterdam; Stichting De Appel / University of Amsterdam; HfG Karlsruhe; Wexner Center, Columbus, Ohio; FU Berlin; Chinati Foundation, Marfa, Texas).

Since its inception, the course has provided an open platform for collaborative education and expansion of curatorial practice as well as an opportunity for young curators to build an international network.

The name insitu refers to the curatorial team's understanding of curatorial practice as being nece...

They explore curatorial practice as an exercise in questioning the world around us; and they speculate about what it will take to build new, innovative, and progressive curatorial research institutions.

Hosted by Mihai Risnoveanu, Artistic Advisor of the Romanian Cultural Centre as part of Culture Power Presentation.The discussion will engage the ways in which contemporary artists navigate art history and ask whether it is possible to conceive of curatorial practice as a historiographic discourse.

Her curatorial practice as part of Collins & Milazzo helped disrupt neo-expressionism, establish new conceptual art in the East Village, and establish a new generation of artists in the 1980s.

The name insitu refers to the team's understanding of curatorial practice as being necessarily «in situ» in terms of cultural, social and geographical spaces.

Including an immersive work placement at the Whitechapel Gallery, the course involved students directly in the life cycle of the gallery, acquiring the key skills and knowledge of curatorial practice as well as an informed understanding of public galleries and the contemporary visual arts.

Artsy featured CCA's Graduate Program in Curatorial Practice as one of the «15 Leading Art History and Curatorial Master's Programs in the U.S.» alongside programs at Columbia University, University of Pennsylvania, Williams College and more.

The main premise is to deconstruct and examine the construct of curatorial practices as a new social framework by extending exhibition prosthetics as works of art.

The main premise is to deconstruct and examine the construct of curatorial practices as a new social framework by extending -LSB-...]

Letha prefers to think of herself as an artist that is using curatorial practices as a medium, not merely an artist who happens to be curating.

With attentiveness to her position she wishes to explore curatorial practices as a field that establishes and enables different ways of reception and creating in the art world.

Not exact matches

Join ICI's Annual Benefit & Auction on Wednesday, October 25, 2017 as we reaffirm our commitment to curatorial practice and contemporary art.

2009 100 Years, PS1 / MoMA, Queens, NY Reflections on the Electric Mirror: New Feminist Video, Brooklyn Museum of Art, NY Party at Chris's House, Janet Kurnatowski Gallery, Brooklyn, NY Supergirl, Nexus Foundation for Arts, Philadelphia, PA One Minute More, The Kitchen, New York, NY Pink Panther, Kumukumu Gallery, New York, NY Night Gallery Rosslyn, Arlington Arts, Arlington, VA Tell Me Everything, As You Remember It», Creative Research Lab, The University of Texas at Austin, TX Chewing Color: Patty Chang, Kate Gilmore, Marilyn Minter, Creative Time, Times Square, NY City Garden, Contemporary Art Museum, St. Louis, MO East Coast Video, Ramis Barquet, New York, NY I am a Video, Good Children Gallery, New Orleans, LA No Longer Empty, The Chelsea Hotel, New York, NY Practice, Practice, Practice, Lora Reynolds Gallery, Austin, TX Sixty Minutes, University of South Florida Contemporary Art Museum, Tampa, FL Feel the Force, Cafe Gallery London, London, England It's You, Not Me, San Jose Institute of Contemporary Art, San Jose, CA Theoretical Practice, International Studio and Curatorial Program, Brooklyn, NY Our Great Show: Selections from the Jefferson Godard Collection, Nice & Fit, Berlin, Germany

Concurrent with the artists» open call, there was also an open call for a Curatorial Fellow, a hands - on mentoring program for emerging curators who serve as advisors for In Practice.

The new series of discussions with curators at the New York at fair held in March is envisioned as a «unique opportunity to facilitate dialogue among international thought leaders in the curatorial profession» and further develop the Armory Show's «role as an incubator for new ideas and practices among the world's top curators.»

Conceived as a selection of artists that are both influential to Almanza Pereda's neo-Arte Povera practice and in conversation with Present Company's curatorial program, the fifteen artists in the exhibition signify a loose community of practitioners working with humble materials to guide ideas to fantastical ends.

Danni Shen is the Curatorial Associate at Empty Gallery, a black - cube space dedicated to time - based, non-object-oriented, interdisciplinary practices as well as Asian diasporic artists and communities, physically located in Hong Kong.

The «Foreign Affairs» project are three European artist - led curatorial initiatives collaborating in a cultural concept aimed to explore the relationship between artist as curator and artist each presenting the other's creative practice.

He will discuss the connection between art and psychedelic imagery, concepts and practices in relation to his recent curatorial projects B / W Sensorium, as part of Dexter Bang Sinister at Charlottenborg Exhibition Hall, Copenhagen (2012), and Reflections from Damaged Life, Raven Row, London (2013).

In 2011, Lee partnered with Oliver Newton to open 47 Canal, a commercial gallery in New York which acts as an extension of her curatorial practice and ongoing commitment to supporting emerging art.

Since Katrib joined SculptureCenter's curatorial team in 2012, her program has served as a launching pad for countless artists working across sculptural practices.

A Rail Curatorial Project lead by Phong Bui of the Brooklyn Rail, this exhibition focuses on artists whose practice interrogates the contemporary social climate, including issues surrounding immigration, the environment, human rights and equality, foreign relations, among others, ultimately drawing attention to art as it functions as a lens for better understanding the time in which we live.

Glass Gallery Curated by Phong Bui and Rail Curatorial Projects A Rail Curatorial Project led by Phong Bui of the Brooklyn Rail, this exhibition focuses on artists whose practice interrogates the contemporary social climate, including issues surrounding immigration, the environment, human rights and equality, foreign relations, among others, ultimately drawing attention to art as it functions as a lens for better understanding the time in which we live.

Born in England in 1964, Liam Gillick emphasizes his roots in postwar Europe and his consequent distrust of authority as major influences in his curatorial techniques and artistic practices.

Modeled after the iconic French film journal Cahiers du cinéma, The Exhibitionist has served a critical role in examining current curatorial practices by focusing specifically on the exhibition format as a site of experimentation and inquiry.

This fall, a group highly acclaimed curators will variously take up questions of international curating, the evolution of global biennials, as well as more particular topics relating to artistic and curatorial practices in Asia.

As part of this process, we are considering what kind of things, images, information, display structures, events, discussions, archives, attention, temporalities, works, and practices should make up the Center for Curatorial Studies.

With the CONTACT Festival as the current site of contemplation, issues around curatorial practice, photography and lens - based media will be a focal point to usurp spaces of agency primed for decolonization.

Students who wish to focus on social practice can take a range of rotating courses adjacent to the Workshop, such as; Resistance, Art and the November Election 2018 (Kim Anno), Ecodomics (Ignacio Valero), Social Bodies (Jay Carter), the Art Benefit Auction class for Critical Resistance (Christine Wang), as well as course offerings in adjacent graduate programs Visual Criticism and Visual Studies (VCS) and Curatorial Practicepractice can take a range of rotating courses adjacent to the Workshop, such as; Resistance, Art and the November Election 2018 (Kim Anno), Ecodomics (Ignacio Valero), Social Bodies (Jay Carter), the Art Benefit Auction class for Critical Resistance (Christine Wang), as well as course offerings in adjacent graduate programs Visual Criticism and Visual Studies (VCS) and Curatorial PracticePractice (CURP).

We have as much time as it takes, the thesis exhibition of CCA's Graduate Program in Curatorial Practice, reflects the experimental and ambitious spirit of both the program and the CCA Wattis Institute (whose galleries it occupies this year).

The Archives at the Center for Curatorial Studies at Bard College serve as the institutional repository for the Center, and the Hessel Museum of Art and as a collecting repository which actively acquires, preserves, and provides access to a wide range of primary materials documenting the history of the contemporary visual arts and the institutions and practices of exhibition - making since the 1960s.

Silverman Gallery was officially founded in October 2006, during her final year as a student in CCA's Graduate Program in Curatorial Practice.

Opening Thursday, May 6th, We have as much time as it takes is the final thesis exhibition of the Curatorial Practice program at California College of the Arts in San Francisco.

Burns and Lundh will examine the notion of institution building and development as a curatorial act, and how it relates to the curatorial turn in contemporary cultural practice and discourse.

The Wattis serves as a forum for the presentation and discussion of international contemporary art and curatorial practice.

The group exhibition - form has become the primary site for curatorial experimentation and, as such, represents a relatively new discursive space around artistic practice.

O'Neill who joins Bard College from Bristol, England, is widely regarded as one of the foremost scholars in the history of exhibitions and curatorial practice.

Her research and curatorial practice, which span large - scale museum exhibitions with extensive catalogues as well as scholarly books and articles, have been instrumental in introducing the work of now seminal black artists (such as Martin Puryear, David Hammons, and Lorna Simpson) to wide audiences and bringing to light long - forgotten or overlooked black artists.

Some of the issues to be expanded upon are: research as artistic production; the problematic question of agency within co-production; professionalization versus the instinctual amateur; writing as curatorial practice; the exhibition as a form of research action; expanded notions of the curatorial and the role of research models and methodologies within these; art writing as a curatorial form, and the distinction between research into curatorial practice / exhibition histories and the curatorial as in itself a mode of research practice.

The talk considers the significance of the curator's writing as both a primary site and contingent form of curatorial practice.

His practice as a critic reflects the diversity of the curatorial interests of the early 1960s in New York, with reviews as wide - ranging as those on the work of Tao Chi, a Chinese landscape painter, calligrapher, and poet from the Ming Dynasty, to a review on the Inca of Peru.

The second - year practicum runs over two semesters and develops a focused engagement with the conceptual and methodological foundations of students» thesis work, as well as the role of mediation and public programming in curatorial practice.

Writing as the Site of Exhibition: considers the significance of the curator's writing as both a primary site and contingent form of curatorial practice.

A Rail Curatorial Project led by Phong Bui of the Brooklyn Rail, OCCUPY MANA focuses on artists whose practice interrogates the contemporary social climate, including issues surrounding immigration, the environment, human rights and equality, foreign relations, among others, ultimately drawing attention to art as it functions as a lens for better understanding the time in which we live.

The Mumbai Art Room is registered public charitable trust that exhibits contemporary art, design, and visual culture from India and foreign countries, this organization provides a non-commercial platform for artistic and curatorial practice, one that is experimental, educational, and as accessible as possible to all audiences.

As part of an ongoing research project by the artists David Blandy, Larry Achiampong and James A. Holland, this collaboration with Curatorial Fellow Morgan Quaintance focused on the cultural impact, social networks and practices that the game produced in London during the 1990s and early 2000s.

Alex Mirutziu's practice extends over a wide range of media and activities, including sculpture, drawing, poetry and performances as well as lectures and curatorial projects.