Sentences with phrase «curatorial practice students»

The team of Criticism and Curatorial Practice students coordinating the event included Rui Amaral, Vicki Clough, Matthew Kyba, Victoria Mohr - Blakeney, Natasha Peterson, Erin Saunders and Genvieve Wallen.

Every year, the graduating curatorial practice students at California College of the Arts organize a culminating thesis exhibition of their own choosing.

Not exact matches

Black Light: The exhibition created by California College of the Art graduate students in curatorial practice addresses the relationship between cultural institutions and black artists.

is vital reading for arts professionals, art and curatorial studies students, art historians, practicing artists, and anyone curious about exhibition - making today.

The exhibition is curated by students from the MLitt Curatorial Practice (Contemporary Art) programme, established jointly between the University of Glasgow and Glasgow School of Art.

Including an immersive work placement at the Whitechapel Gallery, the course involved students directly in the life cycle of the gallery, acquiring the key skills and knowledge of curatorial practice as well as an informed understanding of public galleries and the contemporary visual arts.

Indira Allegra, artist indiraallegra.com Beth Bird, documentary filmmaker and PhD candidate in the Department of Film and Media at the University of California, Berkeley Robin Clark, Director of the Artist Initiative, San Francisco Museum of Modern Art Gregory G. Geiger, artist gregorygeiger.net Maria Elena González, artist and associate professor, Sculpture and New Genres at the San Francisco Art Institute Tim Hyde, artist and assistant professor, Department of Art and Art History, University of California, Davis timhyde.info Amanda Hunter Johnson, conservator, San Francisco Museum of Modern Art Tomoko Kanamitsu, program associate, Higher and Continuing Education, Education and Public Practice, San Francisco Museum of Modern Art Emily Liebert, associate curator of Contemporary Art, Cleveland Museum of Art Peggy Phelan, Ann O'Day Maples Chair in the Arts, Professor of Theater & Performance Studies and English, Stanford University Sarah Roberts, Andrew W. Mellon Associate Curator of Painting and Sculpture, San Francisco Museum of Modern Art Kaeleigh Thorp, graduate student in Museum Studies at the University of San Francisco Meredith George Van Dyke, curatorial assistant, Painting and Sculpture, San Francisco Museum of Modern Art John Zarobell, associate professor and undergraduate director of International Studies at the University of San Francisco

Indira Allegra, artist Beth Bird, documentary filmmaker and Ph.D candidate in the Department of Film and Media at the University of California, Berkeley Robin Clark, director of the Artist Initiative, San Francisco Museum of Modern Art Gregory G. Geiger, artist Maria Elena González, artist and associate professor, Sculpture and New Genres, at the San Francisco Art Institute Tim Hyde, artist and assistant professor, Department of Art and Art History, University of California, Davis Amanda Hunter Johnson, conservator, San Francisco Museum of Modern Art Tomoko Kanamitsu, program associate, Higher and Continuing Education, Education and Public Practice, San Francisco Museum of Modern Art Emily Liebert, associate curator of Contemporary Art, Cleveland Museum of Art Peggy Phelan, Ann O'Day Maples Chair in the Arts, Professor of Theater & Performance Studies and English, Stanford University Sarah Roberts, Andrew W. Mellon Associate Curator of Painting and Sculpture, San Francisco Museum of Modern Art Kaeleigh Thorp, graduate student in Museum Studies at the University of San Francisco Meredith George Van Dyke, curatorial assistant, Painting and Sculpture, San Francisco Museum of Modern Art John Zarobell, associate professor and undergraduate director of International Studies at the University of San Francisco

Students who wish to focus on social practice can take a range of rotating courses adjacent to the Workshop, such as; Resistance, Art and the November Election 2018 (Kim Anno), Ecodomics (Ignacio Valero), Social Bodies (Jay Carter), the Art Benefit Auction class for Critical Resistance (Christine Wang), as well as course offerings in adjacent graduate programs Visual Criticism and Visual Studies (VCS) and Curatorial Practicepractice can take a range of rotating courses adjacent to the Workshop, such as; Resistance, Art and the November Election 2018 (Kim Anno), Ecodomics (Ignacio Valero), Social Bodies (Jay Carter), the Art Benefit Auction class for Critical Resistance (Christine Wang), as well as course offerings in adjacent graduate programs Visual Criticism and Visual Studies (VCS) and Curatorial PracticePractice (CURP).

Silverman Gallery was officially founded in October 2006, during her final year as a student in CCA's Graduate Program in Curatorial Practice.

The ISP provides a setting within which students pursuing art practice, curatorial work, art historical scholarship, and critical writing engage in ongoing discussions and debates that examine the historical, social, and intellectual conditions of artistic production.

Project Curate provides a class of advanced art students from Juan Morel Campos High School an opportunity to experience contemporary curatorial practices by working closely with a professional curator for the whole school year, culminating with an exhibition at NURTUREart Gallery.

The second - year practicum runs over two semesters and develops a focused engagement with the conceptual and methodological foundations of students» thesis work, as well as the role of mediation and public programming in curatorial practice.

Laurel Ptak is a graduate student at the Center For Curatorial Studies at Bard College interested in network culture, socially - engaged practices, and open culture. laurelptak.com.

The first Common Practice New York initiative includes a series of three invitational roundtables on contemporary institutional practice organized in collaboration with students and faculty from the Center for Curatorial Studies at Bard College (CCS Bard) in fall 2013; a public conference developed in response to these seminars in spring 2014; and a forthcoming publication that will include transcripts from these events alongside additional contextual and artistic contriPractice New York initiative includes a series of three invitational roundtables on contemporary institutional practice organized in collaboration with students and faculty from the Center for Curatorial Studies at Bard College (CCS Bard) in fall 2013; a public conference developed in response to these seminars in spring 2014; and a forthcoming publication that will include transcripts from these events alongside additional contextual and artistic contripractice organized in collaboration with students and faculty from the Center for Curatorial Studies at Bard College (CCS Bard) in fall 2013; a public conference developed in response to these seminars in spring 2014; and a forthcoming publication that will include transcripts from these events alongside additional contextual and artistic contributions.

(334 Broome Street, New York, NY 10002) with We are the (Epi) center..., a two - month project that proposes new directions for an institution of curatorial practice through short - term exhibitions, public events, performances, seminars, pop - up displays, and other programs developed in collaboration with artists and students from the graduate program at CCS Bard.

Over the years, students, visiting curators and scholars have tested out new cultural and art historical perspectives, evolving their sense of what curatorial practice might become.

As a test bed and laboratory for curatorial research, the faculty and students of the Center for Curatorial Studies increasingly require access to more flexible and adaptive spaces for non-exhibition driven forms of research andcuratorial research, the faculty and students of the Center for Curatorial Studies increasingly require access to more flexible and adaptive spaces for non-exhibition driven forms of research andCuratorial Studies increasingly require access to more flexible and adaptive spaces for non-exhibition driven forms of research and practice.

Seven graduate students in OCAD U's Criticism and Curatorial Practice programguest curated the popular First Thursday event at the Art Gallery of Ontario on February 6.

Wyman teaches in the faculties of Liberal Studies and Art (Criticism and Curatorial Practice), and supervises graduate students in the CCP and IAMD programs.

It is founded by Criticism & Curatorial Practice graduate alumnus Matthew Kyba with two current CCP gradauate students on staff - Veronika Ivanova is a Curtorial Associate and Jesse Wardell is in charge of Outreach and Communication for the space.

Pereyra helped coordinate the exhibition / salon together with Cathy Berry, OCAD U's Accessibility Manager, graduate students from Inclusive Design and Criticism & Curatorial Practice and other volunteers.

We offer students insight into our curatorial practice and the work of important contemporary artists and also provide a platform for courses to engage with our program.

It is the thesis exhibition of the graduating students in the Graduate Program in Curatorial Practice.

Saisha Grayson received an MA in Contemporary Art & Curatorial Studies from Columbia University and is currently a PhD student at the Graduate Center, CUNY where she focuses on contemporary art, feminist theory and museum practices, with a dash of medieval and film studies thrown in.

CCA Graduate Program in Curatorial Practice is a two - year program designed to give students a deep understanding of art, artists, galleries, and museums in order to empower their work in the art world.

About CCA's Graduate Program in Curatorial Practice CCA's Graduate Program in Curatorial Practice is a two - year program designed to give students a deep understanding of art, artists, galleries, and museums in order to empower their work in the art world.

I had been invited to introduce my curatorial practice, and while creating the presentation I just thought that those students would have been much more interested in facing a more speculative, but at the same time sincere, introduction to my persona.

CCA Graduate Program in Curatorial Practice CCA's Graduate Program in Curatorial Practice is a two - year program designed to give students a deep understanding of art, artists, galleries, and museums in order to empower their work in the art world.

Qualifications for Admission (deadline: January 5, 2012) We particularly encourage students who are interested in thinking broadly about innovative forms of exhibition making, and who find inspiration in current artistic practice and potential in the curatorial role.

CCA's Graduate Program in Curatorial Practice is a two - year program designed to give students a deep understanding of art, artists, galleries, and museums in order to empower their work in the art world.

Curatorial Education Symposium, May 2012, organized by CCA Curatorial Practice and Bard CCS Curatorial Studies students.

With primary emphasis on contemporary art, students examine the various approaches to curatorial practice including curating in a global context, the rise of the biennial, performance art and non-traditional venues and the potential political and ethical implications of exhibition making.

Students gather in the gallery with Marshall N. Price, Nancy Hanks Curator of Modern and Contemporary Art, who has taught the undergraduate course History and Theory of Curatorial Practice, part of the new Concentration in Museum Theory and Practice, a collaboration between the Nasher Museum and Duke's Department of Art, Art History & Visual Studies.

She is a student in the Graduate Program in Curatorial Practice at California College of the Arts in San Francisco, CA.

Leigh worked at Serpentine Gallery, Hayward Gallery, and the Wattis Institute for Contemporary Arts; eventually becoming the Chair of the Graduate Program in Curatorial Practice at California College of the Arts, where she shaped more than a decade of cohorts of MA students in the first program of its kind on the West Coast.

NAIL (Not Always in Location) was initiated by the MA students in Curatorial Practice at CCA in September 2008.

Story by Dane Jensen (MA Curatorial Practice 2012) and Lindsey Westbrook Illustration by CCA Graphic Design student Reymundo Perez III

The first program of its kind on the West Coast at the time of its founding in 2003, CCA's Graduate Program in Curatorial Practice is a two - year program designed to give students a deep understanding of art, artists, galleries, and museums in order to empower their work in the art world.

We particularly encourage applications from students who are interested in thinking broadly about innovative forms of exhibition making and who find inspiration in current artistic practice and potential in the curatorial role.

These galleries will present a forum in which to teach curatorial practice and exhibition - making, providing the chance for both undergraduates and graduate students to learn how to «spatialize» arguments using artworks and other objects.