Sentences with phrase «curatorial practices by»

Early this Fall, Independent Curators International (ICI) was in residence at the South London Gallery (SLG) which created an open forum for reflection on current curatorial practices by inviting curators from its network to collaborate on research into what it means to be working internationally today.

Project Curate provides a class of advanced art students from Juan Morel Campos High School an opportunity to experience contemporary curatorial practices by working closely with a professional curator for the whole school year, culminating with an exhibition at NURTUREart Gallery.

Modeled after the iconic French film journal Cahiers du cinéma, The Exhibitionist has served a critical role in examining current curatorial practices by focusing specifically on the exhibition format as a site of experimentation and inquiry.

For six weeks, the 33rd floor of 1500 Broadway will be transformed into a space for US audiences to discover the activities of the London ‐ based Zabludowicz Collection, which supports emerging artists and innovative curatorial practice by collecting and exhibiting contemporary art, as well as through an extensive education and events programme.

Not exact matches

Black Light: The exhibition created by California College of the Art graduate students in curatorial practice addresses the relationship between cultural institutions and black artists.

«Martin Wong: Painting is Forbidden» Exhibition Curated by CCA's Graduate Program in Curatorial Practice Class of 2015.

The exhibition is curated by SFMOMA's Henry Urbach, who is also a faculty member in CCA's Graduate Program in Curatorial Practice.

Curated by CCA's Graduate Program in Curatorial Practice Class of 2015.

This curatorial practice will be developed on the exhibition's tour, starting at the Astrup Fearnley Museum of Modern Art in Oslo, with a section curated by the artist Bose Krishnamachari.

His curatorial practice is infused within his own projects, and singularly exhibited: Johannesburg Biennale 1997, curated by Okwui Enwezor and Gerardo Meesquera; LIFE / LIVE Musée d'Art Moderne de la Ville Paris, curated by Hans Ulrich Obrist 1996 Los Angeles Biennale 2001, curated by Koan Baysa; Museum MAN / Blurprint of The Senses Liverpool Biennale, 2004 / 2006; aFoundation and Arts Council England 2006; Centro Cultural Palacio de la Moneda, Santiago, Chile, curator, Isa Garcia; A Spires Embers, Mystetskyi Arsenal Kiev 2009;» Isolation», Izolyatsia Donetsk, Luba Mikhailova, Ukraine 2010; A Wake, Dumbo Arts Center, NYC November 2012; The Peggy Guggenheim Collection 2015; Fundació Joan Miró 2017, Venice Biennale 57, 2017; Lagos Biennale 2017.

The exhibition is curated by students from the MLitt Curatorial Practice (Contemporary Art) programme, established jointly between the University of Glasgow and Glasgow School of Art.

The first show here (curated by Vasif Kortun, director of the museum) was, appropriately, a reflection on curatorial practices.

Founded in 2013 by art critic and curator iLiana Fokianaki and based in the neighbourhood of Koukaki at the centre of Athens, it is an independent platform aiming to foster the appreciation for local and international contemporary art and the growth of artistic and curatorial practice.

This lecture is sponsored by MICA's MFA in Community Arts (MFACA), MFA in Curatorial Practice and Mixed Media Speaker Series.

Lars Bang Larsen will be introduced by Charlotte Day, Director Monash University Museum of Art, with the talk convened by Tara McDowell, Director Curatorial Practice, Faculty of Art, Design & Architecture, Monash University.

Sessions provide information, instruction and professional guidance by addressing areas of practical concern to artists, among them curatorial practice, copyright law, exhibition and public art opportunities, gallery representation, grant writing, income taxes and marketing.

A Rail Curatorial Project lead by Phong Bui of the Brooklyn Rail, this exhibition focuses on artists whose practice interrogates the contemporary social climate, including issues surrounding immigration, the environment, human rights and equality, foreign relations, among others, ultimately drawing attention to art as it functions as a lens for better understanding the time in which we live.

Glass Gallery Curated by Phong Bui and Rail Curatorial Projects A Rail Curatorial Project led by Phong Bui of the Brooklyn Rail, this exhibition focuses on artists whose practice interrogates the contemporary social climate, including issues surrounding immigration, the environment, human rights and equality, foreign relations, among others, ultimately drawing attention to art as it functions as a lens for better understanding the time in which we live.

Copiously illustrated, the book offers a timely re-evaluation of Takamatsu's practice following a significant resurgence of appreciation for the Japanese avant - garde, and features essays by Hiroyuki Nakanishi, Curator of the National Museum of Art, Osaka, Jordan Carter, Curatorial Fellow for the Visual Arts, Walker Art Center, and the late Takamatsu.

The presentation will include a responsive Q&A session convened by Tara McDowell, recently appointed Associate Professor and Director of Curatorial Practice at Monash University.

«Crossings: Aristic and Curatorial Practice», exhibition essay, by Anne Ellegood and Rachel Gugelberger

A recent recipient of The Franklin Furnace Archive Grant, a Danish Arts Council Curatorial Research Grant and the Terminal Award, Washko's practice has also been written about by Time Magazine, The Guardian (UK), ARTnews, VICE, Hyperallergic, Rhizome, the New York Times, The Creator's Project, Digicult, Bad At Sports and more.

Conceived by Sylvia Kouvali, art historian living and practicing in Istanbul for the last years, Rodeo will merge the commercial character of a standard gallery with strong curatorial practice.

Moderated by Dr Tara McDowell, Associate Professor and Director of Curatorial Practice, Monash University

By actively acquiring, preserving, and providing access to the archives and manuscripts of significant curators, innovative commercial art galleries, not for profit art spaces, arts collectives and initiatives, the Archives & Manuscripts Collection seeks to document the history of the contemporary visual arts and the institutions and practices of exhibition - making since the 1960s, representing a broad range of contemporary discourses and curatorial practices.

A Rail Curatorial Project led by Phong Bui of the Brooklyn Rail, OCCUPY MANA focuses on artists whose practice interrogates the contemporary social climate, including issues surrounding immigration, the environment, human rights and equality, foreign relations, among others, ultimately drawing attention to art as it functions as a lens for better understanding the time in which we live.

The accompanying catalogue includes three texts in English and Chinese: a curatorial essay on Wang's artistic practice; a look at the artist's recent work by Gao Shiming; and a text by Wang on contemporary Chinese art.

As part of an ongoing research project by the artists David Blandy, Larry Achiampong and James A. Holland, this collaboration with Curatorial Fellow Morgan Quaintance focused on the cultural impact, social networks and practices that the game produced in London during the 1990s and early 2000s.

In anticipation of her upcoming solo show at MoMA PS1 (the Chinese artist's first in the U.S., opening Friday, April 3), we turn to an essay by Hans Ulrich Obrist from Phaidon's Defining Contemporary Art, in which the curatorial superstar points to Cao's fantastical 2004 series COSPlayers as a prime example of her groundbreaking «postmedium» practice.

Introduction by Steven Henry Madoff, Chair, MA Curatorial Practice, School of Visual Arts Followed by a conversation with Maya Benton, Curator at the International Center of Photography and the artist.

Defining Structures: History of Exhibitions Tuesday, April 1, 6:30 pm A conversation exploring exhibition history through curatorial practice, featuring Jens Hoffmann, Deputy Director, Exhibitions and Public Programs and curator Germano Celant, moderated by Bruce Altshuler, Director, Program in Museum Studies, Graduate School of Arts and Science, New York University.

A free tour of Berlin - based artist Alicja Kwade's Whitechapel Gallery commission Medium Median (28 September 2016 — 25 June 2017) led by Whitechapel Gallery Eisler Curator and Head of Curatorial Studies Daniel F. Herrmann, that allows to learn about the key themes and interests that run through her practice.

The main premise is to deconstruct and examine the construct of curatorial practices as a new social framework by extending exhibition prosthetics as works of art.

The main premise is to deconstruct and examine the construct of curatorial practices as a new social framework by extending -LSB-...]

on the subversion of opacity is the third iteration of the large - scale curatorial project by Italian curator Alessandro Facente entitled About Practice, a series of group shows about ongoing studies and theories on the artist's practice in relation to Practice, a series of group shows about ongoing studies and theories on the artist's practice in relation to practice in relation to reality.

Convened by Charlotte Day, Director, MUMA and Tara McDowell, Associate Professor and Director, Curatorial Practice, MADA.

Monash University Museum of Art (MUMA) in association with the Institute of Modern Art (IMA), Brisbane and Curatorial Practice at Monash Art Design and Architecture (MADA) are pleased to present a special illustrated lecture by visiting international artist, Céline Condorelli.

Curated by Tarek Abou El Fetouh, whose curatorial practice often involves in - depth explorations of contemporary Chinese art, Danwen Xing «s solo exhibition at Red Brick Art Museum in Beijing is one of the biggest to date.

Recent curatorial projects include #callresponse, a series of local art commissions centering Indigenous women and artists accompanied by a touring exhibition with guest respondents at grunt gallery, co-organized with Maria Hupfield and Tania Willard; Unsettled Sites, a group show on haunting settler colonialism at SFU Gallery; and Cutting Copper: Indigenous Resurgent Practice, a collaboration between grunt gallery and the Morris and Helen Belkin Art Gallery UBC, with co-organizer Shelly Rosenblum.

Situated artistic and curatorial practices 14.30 — 16.30 h Natasa Petresin - Bachelez (independent curator and critic based in Paris, chief editor of the journal Manifesta Journal — Around Curatorial Practices), Huang Xiaopeng (artist based in Guangzhou, founder and director of Huang Bian Station), Fang Lu (artist based in Beijing and founding member of Video Buro) Moderated by Bilcuratorial practices 14.30 — 16.30 h Natasa Petresin - Bachelez (independent curator and critic based in Paris, chief editor of the journal Manifesta Journal — Around Curatorial Practices), Huang Xiaopeng (artist based in Guangzhou, founder and director of Huang Bian Station), Fang Lu (artist based in Beijing and founding member of Video Buro) Moderated by BilCuratorial Practices), Huang Xiaopeng (artist based in Guangzhou, founder and director of Huang Bian Station), Fang Lu (artist based in Beijing and founding member of Video Buro) Moderated by Biljana Ciric

571 Projects supports the work of dynamic emerging and mid-career artists by bringing conceptually strong, well - crafted work to the notice of an engaged art going and collecting public, via special exhibitions, independent curatorial practice and an informed art consulting practice.

Instead, his curatorial approach highlights the challenge of artistic self - determination within a cultural terrain shaped by inherited terms, such as «outsider,» which belie such diverse practices.

For its first year, the residency program hosted two artists (Brown and Rodriguez) with traditional studio practices, providing facilities and materials to support an ongoing archiving project for the Brockman Gallery and Brockman Productions, an art gallery and curatorial office founded by brothers Alonzo and Dale Brockman Davis in Leimert Park in 1967.

Her inter-disciplinary curatorial practice is uniquely informed by her roles as a professor, arts advocate and artist.

Curatorial Talk: Rosario Güiraldes of the Drawing Center Thursday, March 29, 2018, 6:30 — 8 pm Presented in conjunction with the exhibition Copy, Translate, Repeat: Contemporary Art from the Colección Patricia Phelps de Cisneros Güiraldes will be discussing her curatorial practice at the Drawing Center and in her past projects, engaging with and expanding on themes and questions brought up by the exhibitioCuratorial Talk: Rosario Güiraldes of the Drawing Center Thursday, March 29, 2018, 6:30 — 8 pm Presented in conjunction with the exhibition Copy, Translate, Repeat: Contemporary Art from the Colección Patricia Phelps de Cisneros Güiraldes will be discussing her curatorial practice at the Drawing Center and in her past projects, engaging with and expanding on themes and questions brought up by the exhibitiocuratorial practice at the Drawing Center and in her past projects, engaging with and expanding on themes and questions brought up by the exhibition on view.

The collection will enhance and fundamentally support the research needs of young curators enrolled in CCS Bard's two - year graduate program in curatorial studies by exposing them to primary sources documenting innovative curatorial and institutional models and artistic practices of the past thirty years.

Heading Southwest [About Practice # 2] is part of the large - scale curatorial project by Italian curator Alessandro Facente entitled About Practice, a series of group shows about ongoing studies and theories on the artist's practice in relation to Practice # 2] is part of the large - scale curatorial project by Italian curator Alessandro Facente entitled About Practice, a series of group shows about ongoing studies and theories on the artist's practice in relation to Practice, a series of group shows about ongoing studies and theories on the artist's practice in relation to practice in relation to reality.

MUMA, in association with Curatorial Practice, Monash Art, Design and Architecture [MADA] and MPavilion are pleased to present a special illustrated lecture by Claire Bishop, Déjà vu: Contemporary Art and the Ghosts of Modernity.

Organized by Curatorial Director and Curator of Contemporary Art JoAnne Northrup with Collaborating Curator, iconic Los Angeles artist Ed Ruscha, Unsettled makes connections among the diverse cultures and artistic practices of this super-region.

After completing a master's degree in curatorial practice at the California College of the Arts in San Francisco, followed by several years working in a commercial gallery, she held a series of academic residencies.