establish a discourse around black British artistic and
curatorial practices within the burgeoning academic fields of exhibition studies and exhibition histories.
The John G. Hanhardt Archives is a vast collection comprised of records documenting Hanhardt's
curatorial practice within five major art institutions in the United States (1970 - 2013).
Proposals for exhibitions and associated public programme should address the overall theme of COLLECTIVE MAKING and we particularly encourage proposals that bring focus and explore collaborative artistic and
curatorial practice within the region of Africa and Middle East.
Cherix's position in the book even proposes excitingly the possibility of
curatorial practice within curatorial practice.
Not exact matches
For this presentation, Christine will introduce her latest exhibitions and discuss how her research and
curatorial practice challenges instances of under - representation
within mainstream arts and cultures.
His
curatorial practice is infused
within his own projects, and singularly exhibited: Johannesburg Biennale 1997, curated by Okwui Enwezor and Gerardo Meesquera; LIFE / LIVE Musée d'Art Moderne de la Ville Paris, curated by Hans Ulrich Obrist 1996 Los Angeles Biennale 2001, curated by Koan Baysa; Museum MAN / Blurprint of The Senses Liverpool Biennale, 2004 / 2006; aFoundation and Arts Council England 2006; Centro Cultural Palacio de la Moneda, Santiago, Chile, curator, Isa Garcia; A Spires Embers, Mystetskyi Arsenal Kiev 2009;» Isolation», Izolyatsia Donetsk, Luba Mikhailova, Ukraine 2010; A Wake, Dumbo Arts Center, NYC November 2012; The Peggy Guggenheim Collection 2015; Fundació Joan Miró 2017, Venice Biennale 57, 2017; Lagos Biennale 2017.
The Visitor Talks — Dialogues... further develops issues raised in the Fall 2013 — Spring 2014 series of The Visitor Talks: Pre-Ambulation and Retrospection, reflecting upon overarching issues pertaining to the conundrum of research
within contemporary art,
curatorial practice, and their attendant discourses.
The ISP provides a setting
within which students pursuing art
practice,
curatorial work, art historical scholarship, and critical writing engage in ongoing discussions and debates that examine the historical, social, and intellectual conditions of artistic production.
Matthias Borello is a Danish critic and independent curator focused on art
practices, exhibition formats and
curatorial strategies
within social
practices.
Some of the issues to be expanded upon are: research as artistic production; the problematic question of agency
within co-production; professionalization versus the instinctual amateur; writing as
curatorial practice; the exhibition as a form of research action; expanded notions of the
curatorial and the role of research models and methodologies
within these; art writing as a
curatorial form, and the distinction between research into
curatorial practice / exhibition histories and the
curatorial as in itself a mode of research
practice.
[Editors note: IMG MGMT is an artist essay series highlighting the diversity of
curatorial processes
within the art making
practice.
IMG MGMT is an artist essay series highlighting the diversity of
curatorial processes
within the art making
practice.
Conceived as an organic interchange, Friends in High Places, explores the implicit connections
within a community and takes as an article of faith that a fluid
curatorial approach can yield a comprehensive catalog of
practices and principles.
Exploring the connections between these and other seemingly disparate themes, the class aims to locate the Biennial
within the context of current artistic and
curatorial practices.
Instead, his
curatorial approach highlights the challenge of artistic self - determination
within a cultural terrain shaped by inherited terms, such as «outsider,» which belie such diverse
practices.
Bisi Silva (Nigeria) connected the cultural, religious, political and historical relationship of food
within Africa and the Americas through her
curatorial practice.
A term poached from social science, it classifies effectively a field of
curatorial practice, institutional reform and critical debate concerned with the transformation of art institutions from
within.
In addition to formal and aesthetic criteria, when I develop
curatorial concepts I am particularly interested in current issues that are relevant to art - historical discourses and artistic
practice, and are also generated from
within them.
She previously occupied two positions that operated between academic and arts - institutional contexts: as LJMU Research Curator
within the Tate Research Centre:
Curatorial Practice & Museology (2014 - 15) and as Head of Nottingham Contemporary's Public Programme (2011 - 14), a leading platform for the public debate of ideas and
practices relevant to contemporary art and its institutions.
A
curatorial investigation into approach and thinking
within the
practice of these artists is given -LSB-...]
C &: How do your experiences as an artist, gallery director, writer, academic, and as a teacher correspond
within your
curatorial practice?
Curated by OCAD U alumna Suzanne Morrissette (MFA, Criticism and
Curatorial Practice) and including the work of alumna Cheryl L'Hirondelle (MDes, Inclusive Design), the show reflects indigenous peoples» «relationships to place
within our land.»
Her research and
curatorial projects are determined by the specific socio - political conditions: OtherIS (2011 - ongoing) is a
curatorial platform of video art relating to the US - sanctioned countries; Avant - Guide to NYC (apexart, 2009) redressed historical referents of art in the city
within the present; Custom Car Commandos (Art in General, 2009) cross-sectioned the auto industry in crisis with the image industry; Soap Box Event by Pia Lindman (Federal Hall National Memorial, 2008)
practiced performance of free speech; among numerous other projects since 1995, when she curated the Third Annual Exhibition of Soros Center for Contemporary Art in Vilnius, Lithuania (1995) in the post — Soviet conditions at the emergence of global networks.
She is a key figure in analysing socio - historical and generational trends
within Japanese and Asian art and is renowned internationally for her
curatorial practice, having engaged in many projects including as co-artistic director of ROUNDTABLE: 9th Gwangju Biennale (2012) and guest curator of Phantoms of Asia: Contemporary Awakens the Past (2012) at the Asian Art Museum, San Francisco.
Our
curatorial interest centres on works that are firmly rooted
within fine art
practice yet tentatively linked -LSB-...]
The first of its kind on the West Coast, CCA's Graduate Program in
Curatorial Practice operates
within this trajectory and offers an expanded perspective on curating contemporary art and culture.
I am not sure whether to read that as a broader shift
within contemporary artistic
practice or just a result of a particular
curatorial agenda.