Sentences with phrase «curatorial projects include»

Recent curatorial projects include Before The Internet: Networks and Art at Western Front, Close Encounters: The Next 500 Years (co-curated with Lee - Ann Martin, Steve Loft and Jenny Western), a multi-site exhibition in Winnipeg, and Sakahàn: International Indigenous Art at the National Gallery of Canada (co-curated with Greg Hill and Christine Lalonde).

Other recent curatorial projects include Beyond the Avant - Garde / Bienal Naïfs do Brasil (SESC Piracicaba, 2012) and the series of radio programmes OIDARADIO Conversationsdeveloped for the 30th São Paulo Bienal with Mobile Radio and Resonance.fm (2012).

Curatorial projects include Drawn from Artists» Collections at the Drawing Center, New York, NY, co-curated with Ann Philbin, Director of the Hammer Museum; Twice Drawn at the Tang Teaching Museum, co-curated with Director Ian Berry, and Back, a re-installation of the 19th Century sculpture collection at the Albany Institute for History and Art.

Her past curatorial projects include exhibitions at The Kitchen (New York, NY), Field Projects (New York, NY), Flashpoint Gallery (Washington, DC), Arlington Arts Center (Arlington, VA), Washington Project for the Arts (Washington, DC), VisArts Rockville (Rockville, MD), and DC Arts Center (Washington, DC).

Recent curatorial projects include Bottles in Bloom, Dag Hammarskjold Plaza, NY.

Following her graduation from the Royal College of Art in London where she gained an MA in Curating Contemporary Art in 2008, Al Qasimi's recent curatorial projects include major retrospectives Yayoi Kusama: Dot Obsessions (2016 — 2017) as well as 1980 — Today: Exhibitions in the United Arab Emirates, which formed the UAE National Pavilion at the 56th Venice Biennale in 2015 before returning to Sharjah where it was exhibited at the Sharjah Art Foundation's Flying Saucer building in 2016.

Other curatorial projects include a solo exhibition by Portuguese conceptual artists Sara & Andre, Sara & Andre: Cheap Trick, at Queens Nails Gallery, San Francisco, in 2011, and Exceptional Journeys, an exhibition with San Francisco based artists Sean McFarland and Brian Nuda Rosch at Galeria 3 +1, Lisbon, in 2012.

Her recent curatorial projects include PLAY / GROUNDS, a series of site specific works installed throughout Toronto's Parkdale neighborhood in 2007.

Recent curatorial projects include «The Conundrum of Imagination», 2017; «An Age of our Own Making», 2016 — 17; «Unlearning the Given: Exercises in Demodernity and Decoloniality», 2016; and «The Incantation of the Disquieting Muse», 2016.

Her curatorial projects include The importance of staying quiet, Yallay Gallery, Hong Kong (2014), a collaborative project exhibiting six decades of minimal art from Pakistan.

Her recent curatorial projects include «The Unbearable Likeness» by Abdelkader Benchamma at Isabelle van den Eynde gallery, Dubai, «We Can't Be There.

Her curatorial projects include: Wrong Number (2016), Telling their Stories (2016), Democracy my Piss (2016) and 28 Words in Maputo (2015).

Selected curatorial projects include Black Milk: Theories on Suicide, Marvelli (2004), Then & Now: Abstraction in Latin American Art, Deutsche Bank (2010), Memory Leaks, Creon (2010), Rituals of Chaos, Bronx Museum of the Arts (2012), The Skin I Live In, Curatorial Lab, SP - Arte (2013) and Hybrid Topographies - Encounters from Latin America, Deutsche Bank (2018).

Her recent curatorial projects include 230 MB / Exhibition Without Objects (EWO) at Khoj International Artists» Association in New Delhi (2013), 136 MB / Exhibition Without Objects at The Drawing Room in Lahore (2012) and Foreclosed.

His curatorial projects include Yuri's Office by Eve Sussman and the Rufus Corporation at Fort Worth Contemporary Arts; Out of Place at Lora Reynolds Gallery; Tamy Ben Tor at Testsite; and Queer State (s) at the Visual Arts Center.

Her past curatorial projects include exhibitions at The Kitchen (New York, NY), Field Projects (New York, NY), Arlington Arts Center (Arlington, VA), Washington Project for the Arts (Washington, DC), VisArts Rockville (Rockville, MD), DC Arts Center (Washington, DC), and SPRING / BREAK Art Show (New York, NY).

He was most recently Guest Curator for the Abraaj Group Art Prize 2013, and his previous curatorial projects include Accented (2010) at BRIC Rotunda Gallery, Brooklyn, USA, and Brute Ornament (2012) at Green Art Gallery, Dubai, UAE.

Recent curatorial projects include Storytellers at LAND in Brooklyn and Mapping Fictions: Daniel Green, William Scott, Roger Swike, and Joe Zaldivar at The Good Luck Gallery in LA.

Recent curatorial projects include commissioning «Sketches of Algiers» by Amina Menia for 1:54 Contemporary African Art Fair - Somerset House, London, UK (2013) and Performative Objects at Selma Feriani Gallery in Tunis, Tunisia.

Recent curatorial projects include: (in) complete at TEMP Art Space in New York, NY (2013), 7x8 Curatorial Conversations at Budapest Art Market in Budapest, Hungary (2013), 7x8 Decay at ARTplacc in Tihany, Hungary (2014), Postscript: Correspondent Works at artQ13 in Rome, Italy (2015), and reset at Garis & Hahn, New York (2016).

His curatorial projects include surveys of works by Pavel Tchelitchew, Kim MacConnel, Lorser Feitelson, Eugene Berman, Richard Pettibone, Alberto Burri, and Wallace Berman.

Curatorial projects include a group exhibition at Chin's Push, Los Angeles that was an Artforum Critics» Pick and Blocking at Martos Gallery, Los Angeles.

Recent curatorial projects include Kunstfort Asperen, Acqouy (2011); and Plug In, Van Abbemuseum, Eindhoven (2009).

Hopkins» collaborative curatorial projects include Sakahàn: International Indigenous Art, the National Gallery of Canada's largest survey of recent Indigenous art, co-curated with Greg Hill and Christine Lalonde and Close Encounters: The Next 500 Years, a multi-venue exhibition in Winnipeg, Canada on Indigenous futurisms co-curated with Steven Loft, Lee - Ann Martin and Jenny Western.

His curatorial projects include Cloud of Unknowing: A City with Seven Streets (2014) at Taipei Fine Arts Museum (with Roan Ching - yueh), Grand Opening Projects (2013 — 2015) at Miniature Museum, Beijing, and Mobile Biennale (2016).

Past curatorial projects include exhibitions at the Tarryn Teresa Gallery and POVevolving in Los Angeles.

[5] Her other curatorial projects include Six Impossible Things Before Breakfast: The Impossibility of Translation (2007), a curated book project with artist Olga Adelantado; No Ordinary Sanctity (2005), a group exhibition at the Deutsche Bank project space, Salzburg, as well as Will Boys be Boys?

Recent curatorial projects include: A Kingdom of Hours (co-curated with Robert Leckie) at Gasworks, London (2016); TeresaBurga.

Her curatorial projects include Monuments Should Not Be Trusted (Nottingham Contemporary, 2016); Sanja Iveković - Unknown Heroine (South London Gallery and Calvert 22, 2013); IRWIN - Time For A New State & NSK Folk Art (Calvert 22, 2012); 27 Senses (Chisenhale Gallery, 2010); Favoured Nations: Momentum 5th Nordic Biennial of Contemporary Art (2009) and Her Noise (South London Gallery, 2005).

Porter's curatorial projects include «Seven Summits» at Mount Tremper Arts, «The Crystal Chain» at INVISIBLE - EXPORTS, and «Bedtime for Bonzo» at M+B, which was an ARTFORUM Critics» Pick in 2011.

Selected curatorial projects include: Cero.

Collaborative curatorial projects include — The Traveling Artist, Budapest, Vienna and Basel, 2011 — The State of Making Things, la rada Locarno, 2013.

His current curatorial projects include the first UK solo exhibition by the contemporary artist Ibrahim Mahama, opening in Dublin in December 2014.

Recent curatorial projects include Junction, a series of site sensitive commissions to transform street - side utility boxes and Billboards at Leeds Rail Station involving artists such as Matthew Darbyshire.

Other recent curatorial projects include: After the Final Simplification of Ruins.

Curatorial projects include Drawn from Artists» Collections at the Drawing Center, New York, NY co-curated with Ann Philbin, Director of the Hammer Museum; Twice Drawn at the Tang Teaching Museum, co-curated with Director Ian Berry, and Back, a re-installation of the 19thC sculpture collection at the Albany Institute for History and Art.

Thomas's recent curatorial projects include Ocketopia @ Lesley Heller and the Auxiliary Art Exhibition at Tom's Salon.

Her recent curatorial projects include the exhibition Play, video cubano, which since 2006 has toured to cultural centres in Spain and North America, and the group exhibition Ni a favor ni en contra, sino todo lo contrario at Cátedra de Arte de Conducta.

Past curatorial projects include: Shifting Gazes (Guest Projects, London, 2013; with Christine Takengny); Is Seeing Believing?

Recent curatorial projects include Where Three Dreams Cross: 150 Years of Photography in India, Pakistan and Bangladesh at the Whitechapel Gallery; Safavids Revisited at the British Museum; How Nations are Made at Cartwright Hall, Bradford and Manor House, Ilkley; Beyond the Page: Miniature as Attitude in Contemporary Art from Pakistan at the Pacific Asia Museum, Pasadena, California; Drawn from Life at Abbot Hall Gallery, Kendal; and the forthcoming Lines of Control: Partition as a Productive Space at the Herbert F. Johnson Museum at Cornell University, NY.

Recent curatorial projects include #callresponse, a series of locally responsive art commissions centering on Indigenous women and artists accompanied by a touring exhibition; Unsettled Sites (2016), a group exhibition at SFU Gallery that highlighted the complexity of belonging and refusal from both settler and Indigenous perspectives; and Cutting Copper: Indigenous Resurgent Practice (2016), a collaboration between grunt gallery and the Morris and Helen Belkin Art Gallery that brought together performance art with a panel of Indigenous theorists and curators for the exhibition Lalakenis / All Directions: A Journey of Truth and Unity by Kwakwaka» wakw artist Beau Dick.

His curatorial projects include Between, Beside, Beyond: Daniel Libeskind's Reflections and Key Works 1989 - 2014 (Singapore Art Museum, 2007), and his editorial projects include Who Cares: 16 Essays on Curating in Asia (2010) and Preoccupations: Things Artists Do Anyway (2008).

Curatorial projects include: Tales of Empathy, Jeu de Paume, Paris (2014), Yona Friedman.

Recent curatorial projects include «New.New York,» Essl Museum, Vienna (2012), «1000 Rainbows,» Lia Chavez, First Things Gallery, New York (2012), and «In the Slipstream,» Wayne Roosa, First Things Gallery, New York (2012).

Recent curatorial projects include A Collection of Slow Events at The Luminary, MO (2017), In Practice: Material Deviance at SculptureCenter, NY (2017), objects are slow events at the Hessel Museum, NY (2016), and Matter to Whom?

His curatorial projects include a number of internationally significant exhibitions including: Migrations: Journeys Into British Art, Tate Britain 2012; Thin Black Line (s), Tate Britain, 2011; Coming Ashore, 2011, Berardo Collection Museum in Lisbon, Portugal; Afro Modern: Journeys Through the Black Atlantic (consultant curator), Tate Liverpool, 2010; Underconstruction, Hospital Julius De Matos, Lisbon, Portugal, 2009.

His many curatorial projects include those for the Studio Museum in Harlem, Artists Space, and Hallwalls, all in NY.

Her current curatorial projects include «Jefferson Pinder: Selections from the Inertia Series, 2003 - 2015» and «Between Form and Content: Perspectives on Jacob Lawrence and Black Mountain College,» Black Mountain College Museum + Arts Center, Asheville, North Carolina.

Curatorial projects include «Being There» (with Meg Duguid), Adds Donna, Chicago; «A Unicorn Basking in the Light of Three Glowing Suns» DeVos Museum, Marquette, Michigan and «Can Bigfoot Get you a Beer» Alagon Gallery, Chicago; (both with Anthony Elms) and «Landscape / Portrait / Stillife» Hungryman Gallery, Chicago.

Past curatorial projects include the Contingent Movements Archive and Symposium, conceived for the Maldives Pavilion at the 55th Venice Biennale, and Crisis Complex, an exhibition and series of events held at Tin Sheds Gallery, Sydney.