Sentences with phrase «curatorial projects with»

It also marks the launch of Brooklyn Rail Curatorial Projects with Correspondences: Ad Reinhardt at 100, an exhibition of paintings and sculptures by younger artists working in relation to Reinhardt's legacy.

Grabner talks about her career, paintings, the Chicago art scene, and her curatorial projects with her husband Brad Killam, expressing in the interview that it is ironic that she is «now Chair of the Painting and Drawing Department at the School of the Art Institute of Chicago, a program that rejected my graduate school application.»

Film Screening and Discussion The Forgotten Space by Allan Sekula and Noël Burch October 27, 2012, 7 pm Discussion with Allan Sekula & Monika Szewczyk Djavad Mowafaghian Cinema, SFU Goldcorp Centre for the Arts, 3rd Floor, 149 W. Hastings St., Vancouver Co-sponsored by SFU Gallery, Curatorial Projects with funds from the Canada Council for the Arts and the SFU School for the Contemporary Arts

Currently Adjunct Curator at the Bronx Museum of Fine Arts, Yasmin Ramirez has also collaborated on curatorial projects with El Museo Del Barrio, The Loisaida Center, The Caribbean Culture Center, The Studio Museum in Harlem, Franklin Furnace, The Center for Puerto Rican Studies at Hunter College, NYU Department of Social and Cultural Analysis, and Taller Boricua.

Currently an independent curator, Dr. Ramirez?s has collaborated on curatorial projects with The Bronx Museum, El Museo Del Barrio; The Loisaida Center; The Studio Museum in Harlem, Franklin Furnace and Taller Boricua.

The exhibitions As an intimate venue for exhibitions, our program emphasizes highly focused art and curatorial projects with an eye toward stimulating cross-disciplinary dialogue between artists, art forms, ideas, images, objects, and environments.

She has worked on curatorial projects with the Whitney Museum of American Art, the Smithsonian Institution Traveling Exhibition Service, the Detroit Institute of Arts, and the Guggenheim Museum.

Currently an independent curator, Ramirez has collaborated on curatorial projects with The Bronx Museum, El Museo Del Barrio, The Loisaida Center, The New Museum, The Studio Museum in Harlem, Franklin Furnace, and Taller Boricua.

In addition, she has worked on curatorial projects with BAM, Fisher and the Pratt Institute.

Her practice also has included curatorial projects with Pratt Center for Community Development and Bedford - Stuyvesant Restoration Corporation, and at the Ice Box Gallery in Philadelphia.

Mejico just finished a summer - long fellowship at Oxbow, and will begin a curatorial project with AIR Gallery in New York, set to premiere in 2019.

«The Way Things Go: Special Curatorial Project with Rirkrit Tiravanija.»

Forthcoming shows and projects include; «I guess, anything can become interesting if you look at it long enough» (solo), Syson Gallery, Nottingham, 2015; Forming Thoughts — alongside Neil Dixon and Natalie Finnemore, One Thoresby Street, Nottingham, 2015; Ground: Paul Housley and John Smith — a curatorial project with Alice Gale - Feeny, Attic, Nottingham, 2015.

Selected major exhibitions and catalogues include A Special Curatorial Project with Rirkrit Tiravanija: The Way Things Go (2015); Public Intimacy: Art and Other Ordinary Acts in South Africa, (2014); Landscape: the virtual, the actual, the possible?

Their work has been shown internationally and they have collaborated in many capacities, including a recent curatorial project with Parlour, a nomadic exhibition series based in New York.

In 2007, together with Iris Müller - Westermann, McElheny co-curated a groundbreaking display of the very first painter of geometric abstraction, the visionary Hilma af Klint, at the Moderna Museet in Stockholm, and in 2011 McElheny's highly researched interpretations of Blinky Palermo's «lost» wall paintings of 1970 - 1972 were exhibited at the Hessel Museum of Art at CCS Bard College as part of his large scale collaborative curatorial project with curator Lynne Cooke and CCS director Tom Eccles.

TOM ECCLES You've just completed two major projects, From 199A to 199B: Liam Gillick (a survey of your works from the 1990s) at Bard's Hessel Museum and To the Moon via the Beach (a large - scale curatorial project with Philippe Parreno and others in the Roman amphithe - atre) in Arles.

A Special Curatorial Project with Rirkrit Tiravanija: The Way Things Go uncovers narratives, reveals personal stories, and shares vignettes that lead to a larger understanding of the migration of people in the production of material culture.

It was remarkably timely and reaffirming of our Rail Curatorial Project with the artist Patricia Cronin, Shrine for Girls at the 56th Venice Biennale, on two fronts: (1) Patricia's lifelong advocacy of women's liberation and gay marriage has come true (made famous by her Memorial to a Marriage, a bronze sculpture of her and her partner, our fellow artist Deborah Kass, embracing each other as a permanent declaration of self - marriage at a lot they bought together at Woodlawn Cemetery in the Bronx in 2002).

Rupert allowed me to begin the process of a long - term curatorial project with the four original core members of New York - based collective Fierce Pussy (Nancy Brooks Brody, Joy Episalla, Zoe Leonard, Carrie Yamaoka), focusing on the movement towards abstraction in their individual practices in photography, video, drawing, painting, sculpture, and installation and the necessity of abstraction vis à vis their political collective work.

TOM ECCLES: You've just completed two major projects, From 199A to 199B: Liam Gillick (a survey of your works from the 1990s) at Bard's Hessel Museum and To the Moon via the Beach (a large - scale curatorial project with Philippe Parreno and others in the Roman amphitheatre) in Arles.

I was doing this curatorial project with the museum collection at Cornell and found this Dan Christiansen painting that they'd been given in 1969 or 1970.

Not exact matches

She is the co-founder of microWave project, a curatorial partnership that acts as a conduit between artists and businesses, exploring alternative exhibition venues with an emphasis on site - specific installation art.

Tony Greene Movie (2014 — 16) similarly explores the blurry work - play balance of artistic labor via a visit to New York by Neff's boyfriend that coincides with the planning and execution of Neff's curatorial project focused on the painter Tony Greene at a Chicago gallery.

In 2013 we initiated Rail Curatorial Projects, an ongoing curation team that collaborates with various galleries and institutions on the basis of timely and critical responses according to congenial thematic narratives.

Student - curated projects at CCS Bard are made possible with support from the Rebecca and Martin Eisenberg Student Exhibition Fund; the Mitzi and Warren Eisenberg Family Foundation; the Audrey and Sydney Irmas Charitable Foundation; the Board of Governors of the Center for Curatorial Studies, and by the Center's Patrons, Supporters, and Friends.

Curatorial projects include Figurative Diaspora: The Migration of Academic Training from Russia to China in the Service of Progressive Art, Piss and Vinegar: Two Generations of Provocateurs, Beautiful Beast, a contemporary representational sculpture exhibition, The Big Picture, and Now and Then: Drawings from the 19th Century to the Present, in partnership with the Dahesh Museum of Art.

Her collaborative projects include: «Second to None» (2005) at Iziko South African National Gallery, «Olvida quen soy / Erase me from who I am» (2005) at CAAM, Canary Islands, Las Palmas, «Titled / Untitled» (2008), a curatorial collaboration with Cape Town — based collective Gugulective, and «Scratching the Surface Vol.

Ngcobo curated «DO N'T / PANIC» (2011), a curatorial project that coincided with the seventeenth UN Global Summit on Climate Change (COP17) in Durban, South Africa.

Françoise Grossen Selects is organized by Windgate Research and Collections Curator Elissa Auther with the support of Curatorial Assistant and Project Manager Sophia Merkin.

ISSUE Project Room's annual Artist - in - Residence program provides New York - based emerging artists with a year of support, offering artists access to facilities, equipment, documentation, pr / marketing, curatorial and technical expertise to develop and present significant new works, reach the next stage in their artistic development, and gain exposure to a broad public audience.

For the next five weeks, the curatorial group Sweety's (Bryan Rodriguez Cambana, Julia Mata, Eduardo Restrepo Castaño and Ximena Izquierdo Ugaz) will take over Cuchifritos Gallery and project space for a series of exhibitions and interviews with latinx artists, responding to the history of the gallery's Lower East Side neighborhood as an immigrant community.

As part of Kraftwerk — Retrospective 1 2 3 4 5 6 7 8, the installation at MoMA PS1 is organized by Klaus Biesenbach, Director, MoMA PS1, and Chief Curator at Large, The Museum of Modern Art, with the assistance of Eliza Ryan, Curatorial Assistant, MoMA PS1 and Lizzie Gorfaine, Project Coordinator, Exhibitions, MoMA PS1.

Established in 2006, ISSUE Project Room's annual Artist - in - Residence program provides 6 emerging artists each with a year - long residency in 2015, offering access to rehearsal space and facilities, equipment, documentation, pr / marketing, curatorial and technical expertise to create new works, reach the next stage in their artistic development, and gain exposure to a broad public audience.

Previous curatorial projects include Forget About the Sweetbreads at James Fuentes with Joanne Greenbaum (2013), Snail Salon at Regina Rex (2013), If you throw a spider out the window, does it break?

Currently he co-directs SE8, a London - based project focusing on curatorial methodologies, where he has presented exhibitions with artists such as Ian Kiaer, Andrea Büttner, Daniel Silver, Jamie Shovlin, Joao Onofre and Stefan Bruggemann.

Offering ambitious programming, curatorial initiatives and specially commissioned projects, The Armory Show combines access to high quality modern and contemporary art with a commitment to spotlighting new and emerging voices in the visual arts.

Hull has organized numerous publications and exhibitions including Blind Date (1998), a catalogue of 31 artists and writers» collaborations; I'm Still In Love With You (1998 - 99), an album and catalogue in which visual artists and writers respond to the 1972 album by Al Green; Song Poems (2000 - 01), a catalogue with three CDs of 43 original lyrics, songs and album art contributed by numerous writers, artists and musicians; and Nothing Moments (2007), a publishing and curatorial project consisting of 24 limited edition books and over 400 original drawiWith You (1998 - 99), an album and catalogue in which visual artists and writers respond to the 1972 album by Al Green; Song Poems (2000 - 01), a catalogue with three CDs of 43 original lyrics, songs and album art contributed by numerous writers, artists and musicians; and Nothing Moments (2007), a publishing and curatorial project consisting of 24 limited edition books and over 400 original drawiwith three CDs of 43 original lyrics, songs and album art contributed by numerous writers, artists and musicians; and Nothing Moments (2007), a publishing and curatorial project consisting of 24 limited edition books and over 400 original drawings.

AS - AP, as collaborative project of the Center for Curatorial Studies in association with the New York State Council on the Arts (NYSCA) provides funding assistance for the publication, Show and Tell: A Chronicle of Group Material, edited by Julie Ault and published by Four Corners Books in 2010.

In partnership with Phong Bui and the Brooklyn Rail's Rail Curatorial Projects, Mana Contemporary will open two large group exhibitions, Artists Need to Create on the Same Scale That Society Has the Capacity to Destroy, Part I and OCCUPY MANA: 1/2 = 1/2, PART I, installed in the Glass Gallery and throughout Mana's main building (respectively).

Her role will also consist in devising and leading innovative curatorial projects which investigate how museums and collections can work collaboratively with contemporary artists to address diverse audiences for visual art in Britain.

Imprint 93 (19 March — 25 September 2016) is curated by Dr. Nayia Yiakoumaki, Curator: Archive Gallery, Project Manager: NEON Curatorial Exchange & Award, Whitechapel Gallery with Poppy Bowers, Assistant Curator, Whitechapel Gallery.

Similarly nomadic, artists and curatorial duo Kieran Leach and Precious Innes, working under the moniker Show.me.up, have taken up residence in the Paradise Works project space with their first exhibition «Tipping the Scales», which looks at work - life balance, and how for artists the two often overlap and become inseparable.

CAC was the first to offer a residency with a curatorial component (HATCH Projects) and is still one of the only residency programs that offer onsite studio space and a guarantee of a solo exhibition to its 10 BOLT residents.

The Sunroom Project Space is organized by Gabriel de Guzman, Curator of Visual Arts, who curated Call & Response with the assistance of Alida Jekabson, Curatorial Intern.

«Making Africa» is a collaborative project led by Vitra Design Museum Curator Amelie Klein along with Consulting Curator and Haus der Kunst Director Okwui Enwezor, with support from a large board of curatorial advisors, based primarily in Africa.

By interning with Berlin Art Link, you will gain valuable exposure and insight to artist studio visits, local and international curatorial projects, exhibitions and current events, and the overall ins - and - outs of the contemporary art scene of Berlin.

The event, that for 10 weeks takes over the city, is not a Biennial in the commonly used sense of the word on the art circuit — derived from the oldest of its kind, the Venice Biennale — that nowadays describes an international contemporary artistic showcase with a curatorial project that permeates artworks chosen by a curatorial team.

ANDREW BLACKLEY: The following interview is being conducted with Lia Gangitano, on behalf of Art Spaces Archives Project (AS - AP), a project of the Center for Curatorial Studies at Bard CProject (AS - AP), a project of the Center for Curatorial Studies at Bard Cproject of the Center for Curatorial Studies at Bard College.

For this three - day event, young galleries, not - for - profit projects, artist - run spaces and independent curatorial projects will be open to the public with special events and exhibitions of work.