Sentences with phrase «curatorial research projects»

Mai's fellowship, administered by the Museum of Fine Arts, Houston, honors two outstanding students in the region who will work at the Museum of Fine Arts, Houston, on curatorial research projects tailored to their interests.

This exhibition is an Autograph ABP / Street Level Photoworks partnership, in association with TrAIN (Transnational Art and Nation) and is the outcome of a curatorial research project by Deborah Cherry, Professor of Art History at the University of the Arts London, and Deputy Director of TrAIN, and artist and curator Ajamu, funded by Arts Council England.

A Visual History of African Women's Liberation Struggles is a long - term curatorial research project conceived by Moses Serubiri.

Lastly I intend to develop a 3 — 5 year curatorial research project on the history of Nigerian women artists starting with artists such as Theresa Luck Akinwale, Afi Ekong, Clara Etso Ugbodaga - Ngu and Colette Omogbai, some of whom are alive but others who are no longer with us.

The book includes an interview with Professor Alain Badiou, and was the outcome of a five - year curatorial research project involving screenings and performances across the UK, including at the Arnolfini, Bristol and the Institute of Contemporary Arts and Whitechapel Gallery, London.

Over the last two decades Gasworks has worked with over 250 artists from 70 countries around the world.The archive and networks of the international artist residency programme at Gasworks will form the basis of a fieldwork study, from which a curatorial research project will be established and result in a number of public interactions and engagements, through panel discussions, events, exhibitions, publications and online forums.

Lives of Artists is a curatorial research project that aims to initiate a critical discourse and presentation of the fictional artist as an artistic practice and production.

Not exact matches

Françoise Grossen Selects is organized by Windgate Research and Collections Curator Elissa Auther with the support of Curatorial Assistant and Project Manager Sophia Merkin.

Rail Curatorial Projects seeks to establish dialogues between artists, curators, dealers, critics, collectors, and art historians via rigorously conceived and researched exhibitions and events.

The specific mission and environment differ at each venue, highlighting curatorial nodes of the overall exhibition project: strategies of display via an encyclopedic museum (LACMA), pedagogy — or methods of teaching — through a school (Charles White Elementary School), and artist research at an artist residency complex (18th Street Arts Center).

She curated the exhibitions In Place Of (2016) and Conspicuous Unusable (2013) at Miguel Abreu Gallery, and a curatorial project derived from her dissertation research will open at Columbia's Miriam and Ira D. Wallach Art Gallery in 2017.

Tagged as: Alex Gulla, Alfredo Jaar, alice aycock, and Feminist Curators United, Annabel Daou, Annie Lapin, Antonio Lopez, artcritical, Avelino Sala, Ayana Evans, barbara hammer, Brooklyn Bridge Park, Brooklyn Institute for Social Research, Brooklyn Public Library, Carlos Aires, Celia Eslamieh Shomal, Chris Jones, Christophe Thompson, Cleverson De Oliviera, Curatorial Activism: Toward an Ethics of Curating, cyborgs, Dalia Amara, Damián Ontiveros, David Cohen, David Humphrey, Decolonize this Place, Dread Scott, Dune Studios, Dweck Cultural Center, e-flux, El Museo Del Barrio, Ellie Ga, Emily Roysdon, Enrique Jezek, Federico Solmi, Ferran Martin, Filip Noterdaeme, Florencia Escudero, GALA Committee, Gitte Sætre, Grand Arts, Hector Madera, Isaac Julien, Ivaylo Hristov, Jasa Mrevlje, Jersey City, Jim Costanzo / Aaron Burr Society, Joaquín Segura, Johan Wahlstrom, John Salvest, Jorge Tacla, Josechu Davila, Julia San Martin, Julie Mehretu, kader attia, Kai Altoff, Kathy Caraccio, Kendell Geers, Kyle Goen, Laurel Nakadate, Marc Straus, MARC STRAUS Gallery, Marco Maggi, Maria Buszek, Marian Goodman, Marisa Jahn, Martha Rosler, martin creed, Maura Reilly, Mel Chin, Michael Jones McKean, Miguel Rodríguez Sepúlveda, moma, moma ps1, Mona Saeed Kamal, Norma Vila Rivero, Paddy Johnson, Paolo Cirio, Pasha Radetzki, Patrice Renee Washington, Patricia Cronin, Patrick Hamilton, printmaking, red bull studios, Regina José Galindo, Riiko Sakkinen, Roberto Visani, Rosemarie Fiore, Ruben Verdu, S & P Stanikas, Salon 94, Sascha Braunig, Selena Gallery, Shahram Entekhabi, Stefano Cagol, Stephen Lichty, Stony Brook, tania bruguera, Tavares Strachan, Terence Trouillot, Teresa Margolles, The Feminist Art Project, The Propeller Group, the Women's Action Coalition, Tim Rollins & K.O.S., Tyler Coburn, underdonk, Wafaa Bilal, Whitebox, William Pope L, Wojtek Ulrich, Word Bookstore

Recent staff exhibition and research projects include Art and Conflict (led by Michaela Crimmin); No Puppet is dumber than its Puppeteer at the Chinese Academy of Fine Arts Museum Biennale (led by Kit Hammonds); Richard Hamilton: Growth and Form at Tate Modern, Cultural Value and the Digital with Tate Research and Transfigurations: Curatorial and Artistic Research in an Age of Migrations at MACBA (led by Victoriaresearch projects include Art and Conflict (led by Michaela Crimmin); No Puppet is dumber than its Puppeteer at the Chinese Academy of Fine Arts Museum Biennale (led by Kit Hammonds); Richard Hamilton: Growth and Form at Tate Modern, Cultural Value and the Digital with Tate Research and Transfigurations: Curatorial and Artistic Research in an Age of Migrations at MACBA (led by VictoriaResearch and Transfigurations: Curatorial and Artistic Research in an Age of Migrations at MACBA (led by VictoriaResearch in an Age of Migrations at MACBA (led by Victoria Walsh).

It is part of the Exhibition Histories research and publication project, developed by Afterall and published in association with the Center for Curatorial Studies, Bard College.

The Curator - in - Residence will be encouraged to work on independent research and other curatorial projects while in residence.

Her curatorial work focuses on the research and documentation of video art, including projects such as Videostoria, the first exhibition series to systematically survey the history of the projected image in Israeli art.

The pUN delegates are researched and coordinated by curatorial project consultant Carolina Guillermet.

Sanromán has been awarded the 2012 Warhol Foundation Curatorial Fellowship for Citizen Culture: Art and Architecture Shape Policy, an exhibition and research project organized by the Santa Monica Museum of Art for September 2014.

Series II: Other Curatorial Projects and Writings, arranged chronologically with curatorial projects preceding writing and editorial work, followed by general research and curatorial proposals Curatorial Projects and Writings, arranged chronologically with curatorial projects preceding writing and editorial work, followed by general research and curatorial proposals byProjects and Writings, arranged chronologically with curatorial projects preceding writing and editorial work, followed by general research and curatorial proposals curatorial projects preceding writing and editorial work, followed by general research and curatorial proposals byprojects preceding writing and editorial work, followed by general research and curatorial proposals curatorial proposals by others.

August 2, 2016: Major Publication Project on The New School Art Collection Announced by the Parsons Curatorial Design Research Lab, 2016 - 2018

A recent recipient of The Franklin Furnace Archive Grant, a Danish Arts Council Curatorial Research Grant and the Terminal Award, Washko's practice has also been written about by Time Magazine, The Guardian (UK), ARTnews, VICE, Hyperallergic, Rhizome, the New York Times, The Creator's Project, Digicult, Bad At Sports and more.

Series II: Other Curatorial Projects and Writings: This series contains material related to some of Lind's other curatorial projects from 1994 to 1998, the period previous to and during her involvement in the Manifesta 2 exhibition; in addition, it includes some of her published writings, material related to her editorial work at Index magazine, and a number of files of research not associated with any identifiable project oCuratorial Projects and Writings: This series contains material related to some of Lind's other curatorial projects from 1994 to 1998, the period previous to and during her involvement in the Manifesta 2 exhibition; in addition, it includes some of her published writings, material related to her editorial work at Index magazine, and a number of files of research not associated with any identifiable project or Projects and Writings: This series contains material related to some of Lind's other curatorial projects from 1994 to 1998, the period previous to and during her involvement in the Manifesta 2 exhibition; in addition, it includes some of her published writings, material related to her editorial work at Index magazine, and a number of files of research not associated with any identifiable project ocuratorial projects from 1994 to 1998, the period previous to and during her involvement in the Manifesta 2 exhibition; in addition, it includes some of her published writings, material related to her editorial work at Index magazine, and a number of files of research not associated with any identifiable project or projects from 1994 to 1998, the period previous to and during her involvement in the Manifesta 2 exhibition; in addition, it includes some of her published writings, material related to her editorial work at Index magazine, and a number of files of research not associated with any identifiable project or writing.

Residents are provided with administrative, curatorial, and professional support to explore and expand the scope of their artistic practice through research, dialogue, and production of new projects.

In 2007, together with Iris Müller - Westermann, McElheny co-curated a groundbreaking display of the very first painter of geometric abstraction, the visionary Hilma af Klint, at the Moderna Museet in Stockholm, and in 2011 McElheny's highly researched interpretations of Blinky Palermo's «lost» wall paintings of 1970 - 1972 were exhibited at the Hessel Museum of Art at CCS Bard College as part of his large scale collaborative curatorial project with curator Lynne Cooke and CCS director Tom Eccles.

As a residency, the Curator - in - Residence will have the space and freedom to work on research and curatorial projects independent of his / her exhibitions at the Bemis.

More recently, Salguero has participated in projects such as «About the Error,» a curatorial research endeavor on contemporary Colombian art and literature.

The fall semester includes solo hangs with works from the Hessel Collection; collaboratively produced curatorial projects; and writing and research workshops.

The spring semester continues the first year practicum and includes hangs of works from the Hessel Collection organized in pairs; collaboratively produced curatorial projects; and writing and research workshops.

In 2007 she began working as an independent curator while also co-founding the curatorial and research project PETRA in Mexico City.

With a focus on research, project - based learning and collaboration, NLE Lab is designed to deepen an understanding of the development of a curatorial practice that is centered on responding to a specific context in a distinctly urban setting.

As part of an ongoing research project by the artists David Blandy, Larry Achiampong and James A. Holland, this collaboration with Curatorial Fellow Morgan Quaintance focused on the cultural impact, social networks and practices that the game produced in London during the 1990s and early 2000s.

Taking Sao Paulo, Brazil, Providence, Rhode Island, and San Francisco, California as case studies, three international curators shared research and curatorial projects that were tailored to their local contexts.

This exhibition is the second phase of the project, in which the DMA's Curatorial Department supplemented existing information with new research that places the mural series within the historical context surrounding its creation.

As primary author and project director for the museum's Rauschenberg Research Project, Roberts supervised both the curatorial research and the technological planning necessary to bring this new form of publishing to life on the SFMOMA wproject director for the museum's Rauschenberg Research Project, Roberts supervised both the curatorial research and the technological planning necessary to bring this new form of publishing to life on the SFMOMA Research Project, Roberts supervised both the curatorial research and the technological planning necessary to bring this new form of publishing to life on the SFMOMA wProject, Roberts supervised both the curatorial research and the technological planning necessary to bring this new form of publishing to life on the SFMOMA research and the technological planning necessary to bring this new form of publishing to life on the SFMOMA website.

The awards are intended to enable curators to make use of the resources and collections of the Center, and other Yale holdings where relevant, in order to advance research on their curatorial projects and collections.

Made possible through a five year - grant from the Keith Haring Foundation, the Keith Haring Fellowship is a cross-disciplinary, annual, visiting Fellowship for a scholar, activist, or artist to teach and conduct research at both the Center for Curatorial Studies and the Human Rights Project at Bard College.

Awards and residencies include Joan Mitchell Foundation grants, an International Studio and Curatorial Program residency, several SUNY Research and Creative Project Grants, residencies at threewalls and Catwalk, and a fellowship in the Bronx Museum's AIM program.

She is associate curator at the Onomatopee project space in Eindhoven and is also an art book publisher and member of the research duo The Translation Trip, who investigate translation as practice, philosophical notion and curatorial device.

Made possible through a five - year grant from the Keith Haring Foundation, the Haring Fellowship is an annual award for a scholar, activist, or artist to teach and conduct research in the Center for Curatorial Studies and the Human Rights Project.

In the Curatorial Research Lab at the back of the gallery, don't miss «Signs on the Road,» a three - part installation organized by Workroom G and curated by Gogue Projects (Phase 1), Cathouse FUNeral (Phase 2), Camel Collective (Phase 3).

The goal of the project was to preserve Kellie's existing research, writing, and curatorial vision, as well as that of other scholars involved in the exhibition.

With the $ 500,000 Mellon grant received in 2013, the museum expanded its curatorial team, hiring a project manager for digital archives to oversee the initiative, which includes research and infrastructure development to content creation and dissemination.

Created in 2010, eye.on.art brings together art news, events, research and curatorial projects developed by Christine Eyene.

Made possible through a five year - grant of $ 80,000 per year, the Keith Haring Fellowship is a cross-disciplinary, annual, visiting Fellowship for a scholar, activist, or artist to teach and conduct research at both the Center for Curatorial Studies and the Human Rights Project at Bard College.

This exhibition, a curatorial project researched and developed by CAUSA (Collective for Advanced and Unified Studies in the Visual Arts), will address the work of these artists from both cross-cultural and interdisciplinary perspectives — specifically examining their respective contributions to the visual culture of Vancouver during the period 1941 to 1971.

A resource website will disseminate curatorial research and information on each project.

She is the founder of Temporary Art Platform, a curatorial platform that aims to shift artistic and curatorial discourse towards social and contextual concerns in Lebanon through residencies, research projects and commissions.

EXHIBITIONS / SCREENINGS / READINGS (* solo or two - person) Apparatus for a Utopian Image 2.0, Center and Foundation for Contemporary Arts, Prague, 2018 CV, YYZ Artist's Outlet, Toronto, 2017 * Artist's Rendering (DISTRESSED, RELAXED), AXENÉO7, Quebec, 2017 * You can tell that i'm alive and well because I weep continuously, Knockdown Center, New York, 2017 Apparatus for a Utopian Image, Elizabeth Foundation for the Arts Project Space, New York, 2016 Self - Titled (Materials for a 21st Century Room — or SWAMPED, EXHAUSTED, HESITATING), 8 - 11, Toronto, 2016 * Self - Titled (w / Aryen Hoesktra & Shane Krepakevich), Modern Fuel, Ontario, 2016 Local Tide (curated by PARALLELOGRAMS and Francesca Capone), S1, Portland OR, 2016 Double Visions, Elizabeth Foundation for the Arts Project Space, New York, 2015 From Line to Constellation, Granoff Center, Providence, 2015 Maximum Sideline: Postscript, Proxy, Providence, 2015 Use Values, SPRING / BREAK Art Show, New York, 2015 An Earthquake at the Race Tracks, Museo de la Cuidad, Santiago de Querétaro, Mexico, 2014 Classroom, NY Art Book Fair, PS1, New York, 2014 Almost Everything, Eric Arthur Gallery, Toronto, 2014 Milieu, Skol Centre des Arts Actuel, Montreal, 2013 * More Than Two (Let It Make Itself)[w / Josh Thorpe], The Power Plant, Toronto, 2013 Cultural Fluency, BRIC Rotunda Gallery, Brooklyn, 2013 Sediment, G Gallery, Toronto, 2012 Survive.Resist, CAFKA Biennial, Kitchener - Waterloo, Canada, 2011 On Printed Matter, [w / Josh Thorpe], Printed Matter, New York, 2011 * Around YYZ [w / Josh Thorpe], YYZ Artist's Outlet, Toronto, 2010 - 11 * House Broken, Flux Factory, NY 2010 Reading the Garden [w / Josh Thorpe], Toronto Sculpture Garden, Toronto, 2010 * Titles, Art Metropole, Toronto, 2009 On Convenience [w / Josh Thorpe], Convenience Gallery, Toronto, 2009 * Vehicle [organized by WayUpWayDown curatorial collective], Nuit Blanche, Toronto, 2008 ERI 3: Eyelevel Re-Shelving Initiative, Eyelevel Gallery, Halifax, 2008 AT WORK, Toronto Free Gallery, Toronto, 2007 Rip Current, Eyelevel Gallery, Halifax, 2007 Tales from the Cyclop's Library, Third Space Gallery, Saint John, 2007 Unsurprising Geographies [w / Andrea Williamson], Eyelevel Gallery, Halifax, 2006 Alectric 3, Alectric Audio [online exhibition] 2006 a / s / l, Anna Leonowens Gallery, Halifax, 2006 * RESIDENCIES Interrupt 3, Brown University, Rhode Island 2015 SHIFT, Elizabeth Foundation for the Arts, New York, 2014 - 15 Artist - in - Residence, Workspace, Lower Manhattan Cultural Council, 2013 - 14 Visiting Scholar, NYU Advanced Media Studio, 2013 - 14 The Decapitated Museum, The Banff Centre, 2012 Making Artistic Inquiry Visible, The Banff Centre, 2008 AWARDS Canada Council for the Arts, Research and Creation, 2018 - 19 Banff Centre, Residency Scholarship — The Decapitated Museum, 2012 Foundation for Contemporary Art, Emergency Grant, 2011 Ontario Arts Council, Exhibition Assistance Grant, 2011 Ontario Arts Council, Exhibition Assistance Grant, 2009 University of Toronto, Graduate Fellowship, 2007 - 09 Social Sciences and Humanities Research Council, Canada Graduate Scholarship, 2007 - 08 Banff Centre, Residency Scholarship — Making Artistic Inquiry Visible, 2008 University of Toronto, David Buller Memorial Scholarship, 2007 NSCAD University, Simon Chang and Phyllis Levine Foundation Scholarship, 2006 New Brunswick Arts Board, Arts Scholarship, 2005 WRITING «Panorama of Our,» Plot, Claudia Weber, ed., 2015 «Anodyne: or X of Demarcation,» Rearviews II, Xenia Benivolski & Danielle St - Amour, eds., 2014 «On Printed Matter» Artefact:, C Magazine C122, 2014 «Lana Turner Has Collapsed!

Vivian Ziherl is an Associate Curator at If I Can't Dance, I Don't Want to Be Part Of Your Revolution (Amsterdam) and Curatorial Fellow at the Institute of Modern Art (Brisbane) where she initiated the multi-platform research project Frontier Imaginaries.

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