«In her new
curatorial role at VMFA, she will have the resources to apply her talents in building our museum collections.
McShine taught widely and held senior
curatorial roles at the Jewish Museum and MoMA, where he organised several landmark exhibitions including «Information» (1970), one of the first exhibitions in a major American museum to address Conceptual art.
Previously she has held project management and
curatorial roles at Urbis, Centre for Urban Culture in Manchester and International Design Festival, Berlin.
Not exact matches
The new series of discussions with curators
at the New York
at fair held in March is envisioned as a «unique opportunity to facilitate dialogue among international thought leaders in the
curatorial profession» and further develop the Armory Show's «
role as an incubator for new ideas and practices among the world's top curators.»
In her new
role at the Hammer, Hodge will provide management and guidance to the
curatorial department, including assuming oversight of projects and administrative responsibility for the department's staff and budget.
Padgett accepts the assistant curator position following previous
roles at Crystal Bridges including research assistant in the
curatorial department and a 2016 Tyson Scholar fellowship.
Co-curated by Sylvie Patry, Consulting Curator
at the Barnes Foundation and Chief Curator / Deputy Director for
Curatorial Affairs and Collections
at the Musée d'Orsay, Paris, and Nicole R. Myers, The Lillian and James H. Clark Curator of European Painting and Sculpture
at the Dallas Museum of Art, Berthe Morisot: Woman Impressionist will both illuminate and reassert Morisot's
role as an essential figure within the impressionist movement and the development of modern art in Paris in the second half of the 19th century.
When they work together as Am Nuden Da, it gets more complicated: the collective's output can
at times be described as a gallery space, a
curatorial entity or an artist's collective, and in each of these
roles it has operated as both facilitator and agitator.
Co-curated by Sylvie Patry, Chief Curator / Deputy Director for
Curatorial Affairs and Collections
at the Musée d'Orsay, Paris and Consulting Curator
at the Barnes Foundation, and Nicole R. Myers, The Lillian and James H. Clark Curator of European Painting and Sculpture
at the Dallas Museum of Art, Berthe Morisot, Woman Impressionist will both illuminate and reassert Morisot's
role as an essential figure within the Impressionist movement and the development of modern art in Paris in the second half of the 19th century.
In 2016, he moved to Austin to take on a new
role as Deputy Director for
Curatorial Affairs
at the Blanton Museum of Art.
Prior to Harvard, Michelle served in
curatorial and administrative
roles at The Photographic Resource Center in Boston, The Boston University Art Gallery, The Baltimore Museum of Art, the University of Maryland, Baltimore County, and the Mid Atlantic Arts Foundation in Baltimore.
In his new
role at the Hammer, Douglas Fogle will oversee the Hammer's
curatorial and education departments — developing and organizing exhibitions, supervising the educational and public programs, building the Hammer Contemporary Collection, and overseeing the Hammer's artist residency program and artist council.
Thompson, who departs Creative Time after a decade serving in various
curatorial roles, will begin work
at the new organisation — which is currently without a permanent venue — next month.
Prior to Skinner, Kate served in
curatorial and administrative
roles at the Museum of Fine Arts, Boston, the Norton Museum of Art in West Palm Beach, Florida, and the Museum of Modern Art in New York.
Bridges — who previously served as
Curatorial Assistant
at the Museum of Contemporary Art Chicago (MCA Chicago)-- will work with Broad MSU staff to build upon the museum's international exhibitions program and expand its
role as an educational resource for the university, a center for community engagement, and a cultural hub for the state of Michigan and beyond.
In her
role at the Barnes, Kang will work directly with Sylvie Patry, deputy director for collections & exhibitions and Gund Family Chief Curator, to expand the Foundation's growing exhibitions program, collections research and interpretative activities, and
curatorial and educational technology initiatives.She will begin her post on February 27.
In addition to his
role at The Brooklyn Rail, Bui has served as a
curatorial advisor to the P.S. 1 Contemporary Art Center, produces and hosts Clocktower Radio's Off The Rail program, and has written on an astonishing variety of contemporary artists, Alex Katz among them.
Mr. Stout is also active in various
roles with charitable institutions and non-profit organizations, including the following: President of The Robert Mapplethorpe Foundation (Mandated to fund AIDS and HIV - related medical research, to support photography programs of arts institution); and a member of: Board of Directors, The Robert Mapplethorpe Residential Treatment Facility
at Beth Israel Medical Center, New York; Visiting Committee — The Robert Mapplethorpe Laboratory for Medical Research
at Harvard Medical School (1990 — 2000); The Whitney Museum of American Art — Photography Committee (1990 to present); The Solomon R. Guggenheim Museum — Photography Committee (1994 to present); University of Wisconsin — Chazen Museum of Art Council; and Bard College — Center for
Curatorial Studies Board of Governors.
In his
role as an adjunct professor in the
curatorial studies program
at California College of the Arts, Leiber inspired a new generation of curators, many of whom are still locally active and influencing the course of our cultural climate.
In her
role as Associate Curator, Dr. Whitner curated the current exhibition New View: 2014 Faculty Exhibition; and is collaborating with Dr. Eve Straussman - Pflanzer, Assistant Director of
Curatorial Affairs / Senior Curator of Collections, on the reinstallation of the permanent galleries
at the Davis, scheduled to open in fall 2016.
Candice Madey previously worked as a client advisor
at Christie's New York, and in
curatorial research and educational
roles at the Wexner Center for the Arts and Akron Art Museum.
This new multidimensional approach — together with a strong geographic focus — redefines SITE's
role at the forefront of biennial exhibition making and proposes new
curatorial frameworks for biennials globally.
Born in Fujian Province, P.R. China in 1969, Qiu Zhijie lives between Beijing and Hangzhou, dividing his time between his artistic production,
curatorial projects and academic
roles as Professor and Dean of the School of Experimental Art (CAFA), and Professor
at the Academy of Fine Arts in Hangzhou.
Previously, she was the 2017
Curatorial Fellow
at SculptureCenter, New York, and has held research and administrative
roles at the New Museum, New York and the Hammer Museum, Los Angeles.
Mr. Venable, who will begin in the new job Oct. 8, has previously served in
curatorial and administrative
roles at the Cleveland Museum of Art and
at the Dallas Museum of Art, whose decorative art and design collection he helped to expand into one of the most important in the country.
Lauren's previous
roles include serving on the
curatorial board of the 16th annual Performance Studies International Conference, interning
at RE / Search Publications, San Francisco, and co-curating the exhibition The Matter of Loss
at the Art Gallery of Ontario.
Her work has been exhibited for the last 30 years and has held several
roles such as independent curator, art restorer, arts writer and was
Curatorial Assistant
at the New Mexico Museum of Fine Arts.
In this new
role, Hoffmann will also be responsible for the
curatorial program
at MOCAD, which includes two to three exhibitions per year.
By calling attention to their relationship with Walker Evans» «originals», her images ask complex and multiple questions about the relationship between image and object, original and copy, and in turn question the relationship of Walker Evans» own images taken in 1935 to the original African objects, and their
role in establishing the
curatorial canon of so - called «Primitive» art
at the time.
Born in Fujian Province, P.R. China in 1969, Qiu Zhijie lives in Beijing and Hangzhou, dividing his time between his artistic production,
curatorial projects and academic
roles as Professor and Dean of the School of Experimental Art (CAFA), and Professor
at the Academy of Fine Arts in Hangzhou.
Since her participation as an artist in the 2014 exhibition held
at the Nubuke Foundation, titled KNUST End of Year Show (the first of the annual exhibitions), she has played a
curatorial role in the following: The Gown Must Go Town (2015) and Cornfields in Accra (2016), both held
at the Museum of Science and Technology in Accra, Ghana.
She has held
curatorial and programming
roles at The Power Plant, Toronto, the Atlanta Contemporary Art Center, Georgia, and the ICA, London, and has been a commissioning editor
at Routledge.
The newly created
role at the fair, which has editions in Miami Beach and San Francisco, will oversee brand - related and
curatorial ventures.
Since 2006 she has worked freelance undertaking
roles including, Research Consultant and Series Editor for the Exhibition Histories book series published by Afterall; Lecturer on
curatorial programmes at California College of the Arts, San Francisco; de Appel, Amsterdam; the London Consortium MA Film Curating; the MA Curating at Chelsea College of Art and Design and on the Curatorial Intensive run by Independent Curators International in New York in
curatorial programmes
at California College of the Arts, San Francisco; de Appel, Amsterdam; the London Consortium MA Film Curating; the MA Curating
at Chelsea College of Art and Design and on the
Curatorial Intensive run by Independent Curators International in New York in
Curatorial Intensive run by Independent Curators International in New York in July 2011.