It is an almost Herculean task, which
the curatorial staff at the National Museum of Women in the Arts wisely tackle by limiting the focus of the exhibition to two key themes.
Please contact
the curatorial staff at Olana.
The next curators for the Whitney Museum of American Art's Biennial are Jane Panetta and Rujeko Hockley, both on
curatorial staff at the museum, announced the Whitney.
Weirdest Exhibition: Golden was on
the curatorial staff at the Whitney when they launched their infamous «Identity Politics» biennial in 1993 that forever altered the course of contemporary art.
Contemporary Art Society Museum Members considering applying to the scheme are strongly advised to arrange to speak personally with a member of
the curatorial staff at the CAS before submitting an expression of interest.
The film «The Hay Days of North Campbell River» produced by
the curatorial staff at the Museum at Campbell River is a short documentary that comprises a collection of memories of the people who grew up in North Campbell River when that community was in a state of great...
The film «The Hay Days of North Campbell River» produced by
the curatorial staff at the Museum at Campbell River is a short documentary that comprises a collection of memories of the people who grew up in North Campbell River when that community was in a state of great flux.
In November, the Ford Foundation and Walton Family Foundation announced the Diversifying Art Museum Leadership Initiative, a $ 6 million effort to diversify management and
curatorial staffs at U.S. museums through creative solutions.
Not exact matches
Before joining the
staff at the Carnegie, he was
Curatorial Fellow
at the Walker Art Center in Minneapolis, and Assistant to the Directors
at the Fabric Workshop and Museum in Philadelphia.
The Whitney Museum of American Art named members of its
curatorial staff Jane Panetta, associate curator
at the museum, and Rujeko Hockley, an assistant curator, to organize the forthcoming biennial which will open in May 2019
Sims served on the education and
curatorial staff of the Metropolitan Museum of Art from 1972 to 1999 and then, from 2000 to 2007, as executive director, president, and adjunct curator
at the Studio Museum in Harlem.
Membership includes invitations to exclusive biannual meetings and receptions; direct contact with the ICA's
curatorial staff offers an inside look
at goals for the ICA Collection, art - world trends, and works being considered for acquisition.
Join
curatorial staff members Laura Phipps and Nicholas Robbins for a reception beginning
at 6:45 pm, followed by a discussion of the themes of the series
at 7:30.
In her new role
at the Hammer, Hodge will provide management and guidance to the
curatorial department, including assuming oversight of projects and administrative responsibility for the department's
staff and budget.
Blessing joined the Guggenheim's
curatorial staff in 2002, after previously working
at the museum from 1989 - 97.
Prior to joining the
curatorial staff of The Museum of Modern Art, Pobocha was a Joan Tisch Teaching Fellow
at the Whitney Museum of American Art, New York where she lectured on a broad range of subjects in contemporary and modern art.
Recent
staff exhibition and research projects include Art and Conflict (led by Michaela Crimmin); No Puppet is dumber than its Puppeteer
at the Chinese Academy of Fine Arts Museum Biennale (led by Kit Hammonds); Richard Hamilton: Growth and Form
at Tate Modern, Cultural Value and the Digital with Tate Research and Transfigurations:
Curatorial and Artistic Research in an Age of Migrations
at MACBA (led by Victoria Walsh).
She also built the ICA's administrative and
curatorial staff, co-curated the inaugural exhibition, «Declaration,» and formed a national advisory board
at the ICA of respected individuals in the arts and business sectors, among many other accomplishments.
Minisymposium: The Headless Conference FRIDAY, MARCH 19, 7 — 9 P.M. NEW MUSEUM, 235 BOWERY, NEW YORK Featuring Angus Cameron, lecturer in human geography
at the University of Leicester and emissary for Goldin + Senneby; Brian Droitcour, Rhizome
staff writer; Keller Easterling, associate professor of architecture
at Yale University; Ginny Kollak, director of the Office for Parafictional Research and second - year graduate student
at the Center for
Curatorial Studies, Bard College; and Allan Stoekl, professor of French
at Penn State University
Visit NMWA on Wednesday, July 23
at noon for a weekly
staff - led gallery talk and hear from
Curatorial Assistant Stephanie Midon as she discusses Rovner's Data Zone, Cultures Table # 3.
Dent held
curatorial staff positions
at the New Museum of Contemporary Art, the Whitney Museum of American Art and was a director
at Friedrich Petzel Gallery in New York.
At the press preview for Jeff Koons: A Retrospective, more than one member of the Whitney Museum's
curatorial staff urged visitors to dispense with «preconceived notions» about Koons and embrace the exhibition as an opportunity to view the artist's perhaps too - well - known oeuvre with fresh eyes.
Originally conceived by the Michener's former director Bruce Katsiff, these exhibitions were juried from submissions by some of the most accomplished artists in the Philadelphia region, using the experience and skills both of Michener
staff members and two distinguished
curatorial consultants: writer and independent curator Judith E. Stein and Judith Tannenbaum, who recently retired from her position as Richard Brown Baker Curator of Contemporary Art
at the Museum of Art Rhode Island School of Design.
Featuring Angus Cameron, lecturer in human geography
at the University of Leicester and emissary for Goldin + Senneby; Brian Droitcour, Rhizome
staff writer; Keller Easterling, professor of architecture
at Yale University; Ginny Kollak, director of the Office for Parafictional Research and second - year graduate student
at the Center for
Curatorial Studies, Bard College; and Allan Stoekl, professor of French
at Penn State University
Artists are encouraged to submit project proposals
at any point throughout the year — Art in General's
curatorial staff will review submissions quarterly.
David Breslin to join
curatorial team
at the Whitney David Breslin, chief curator of the Menil Drawing Institute, has joined the
staff of the Whitney Museum, as the director of its collection.
Bridges — who previously served as
Curatorial Assistant
at the Museum of Contemporary Art Chicago (MCA Chicago)-- will work with Broad MSU
staff to build upon the museum's international exhibitions program and expand its role as an educational resource for the university, a center for community engagement, and a cultural hub for the state of Michigan and beyond.
Curatorial staff and art handlers
at the Whitney Museum, installing the 2015 exhibition «America is Hard to See.»
«The
curatorial staff comes up with the idea for a title, and then they send it around to a group of us, including the director, the director of exhibitions, and myself,» says Kim Mitchell, chief communications officer
at the Museum of Modern Art in New York.
At our gallery you will be dealing personally with the directors, along with having the support of our trained
curatorial staff.
Sims served on the education and
curatorial staff of The Metropolitan Museum of Art (1972 - 1999) and as executive director, president and adjunct curator for the permanent collection
at The Studio Museum in Harlem (2000 - 2007).
Aside from our own research,
curatorial and archive
staff at Henry Moore Studios & Gardens regularly assist external scholars with enquiries into the life and work of Moore.
BS: What was the response — from Owens and Gavin Brown, from the
curatorial and security
staff at the Whitney, from attendees
at the opening — to your action?
Packing crates the size of small houses sit in almost every room
at the Scottish National Gallery, while around them buzzes a swarm of art handlers, couriers,
curatorial staff.
Gary Carrion - Murayari is Kraus Family Curator
at the New Museum, where he has been an integral part of the
curatorial team since joining the
staff in 2010.
Associated events included a conversation about Slought on March 11, 2008
at 7:15 pm
at Sciences - Po with the organization's
curatorial staff; on March 13
at 2 pm
at la maison rouge - fondation antoine de galbert with featured artists Fred Forest, Braco Dimitrijevic, and Carlos Ginzburg in dialogue with the public, accompanied by a day - long film program; and a seminar entitled Dissidanses (on Nancy Spero) by Hélène Cixous on March 13
at 5 pm, followed by a conversation with Marta Segarra and Joana Masó on Hélène Cixous» work with contemporary artists.
The Museum's
curatorial staff — Lynn Gumpert and Ned Rifkin, along with Marcia Tucker — organize «Paradise Lost / Paradise Regained: American Visions of the New Decade» for the American Pavilion
at the 41st Venice Biennale.
Trevor Harrington is a Visual Arts
Curatorial Intern from Bennington College, who is
at Wave Hill for the college's seven - week winter semester, helping the Visual Arts
staff with the Winter Workspace program and other projects.
The exhibition is accompanied by two awards: the John & Joyce Price Award of Excellence, selected by
curatorial staff and accompanied by a $ 5,000 cash prize, plus the opportunity of a future solo exhibition
at BAM, as well as the Samuel & Patricia Smith People's Choice Award, selected by Museum visitors and recognized with a $ 5,000 cash prize.
The program provides studio space
at BRIC House, access to their satellite spaces in Downtown Brooklyn, a stipend, and studio visits with
curatorial staff.
Prior to joining the
staff in Cleveland, Cole held
curatorial positions
at the Columbus Museum of Art.
Very special thanks to: all of the artists in Queens International 2016 for their dynamic participation in this exhibition, programs, and publication; Queens Museum
staff members for their unending dedication and support in various aspects of this entire project; and brave
curatorial interns, engaged members of Queens Teens, as well as the devoted
staff members
at Immigrant Movement International.
A board meeting
at Zeitz MOCAA may be like one convened
at MoMA or the Whitney Museum, but unlike those august institutions, the
curatorial staff, according to Coetzee, is representative of South Africa's most recent census and is overwhelmingly black.
During her time
at MAD, she served as the Charles Bronfman International Curator and the William and Mildred Lasdon Chief Curator, having previously served on the education and
curatorial staff of the Metropolitan Museum of Art (1972 — 1999) and as Executive Director, President, and Adjunct Curator for the permanent collection
at the Studio Museum in Harlem (2000 — 2007).
Each Suzanne Deal Booth / FLAG Art Foundation Prize exhibition will be organized by the
curatorial team
at The Contemporary Austin in collaboration with the
staff at The FLAG Art Foundation.