Sentences with phrase «curatorial statement»

An artist's statement and / or curatorial statement about the content of the work must also be included.

Here are curatorial statements from each, and a list of participating artists with links to most of the painters.

Both reject the dominant biennial model of star - studded international group exhibitions supplemented by dense curatorial statements.

Gavin Brown Enterprise and Maccarone released an interesting curatorial statement for their star - studded joint group show, «Pretty Ugly.»

Series III: Exhibition Publications and Writings: Publications include the critical writings and editorial work of Tricia Collins and Collins & Milazzo, as well as some manuscript material including a bibliography and exhibition history, as well as a critical curatorial statement by Collins & Milazzo.

In a statement, Bourriaud said of his appointment, «I am very honored to be able to contribute to the history of Istanbul Biennial, which has always been a place of strong curatorial statements since its creation in 1987.

Bourriaud, one of the co-founders of Palais de Tokyo, Paris and current director of the Montpellier Contemporain, stated, «I am very honoured to be able to contribute to the history of Istanbul Biennial, which has always been a place of strong curatorial statements since its creation in 1987.

While the term groundswell suggests a tide - turning change of public opinion, and the vague curatorial statement notes that being «an environmentalist already marks an individual as being able to go beyond the personal,» the included works suggest perspectives that are highly individualistic or even idiosyncratic.

The curators Elmgreen & Dragset then announced the title and gave a brief curatorial statement about the conceptual framework of the 15th Istanbul Biennial.

PRESS RELEASE CURATORIAL STATEMENT RELATED PRESS

Despite a vague curatorial statement about «underlying structures that order and shape the world around us,» works that activated their given and sometimes difficult spaces made a significant statement among the fair.

Actually, just last Thursday (March 12th), on the 6 train, after having spent a short time at the press conference at the Italian Cultural Institute of the next Venice Biennale All the World's Futures, I was reading Okwui Enwezor's curatorial statement which began with an epigraph of Walter Benjamin's paragraph, extracted from his famous book, Theses on the Philosophy of History.

Her photographs should provide a spurious curatorial statement in the form of visual documentation of Posse II's larger murals.

While asserting the ascendency of speed, the «Quicktime» curatorial statement betrays an anxiety about these works being perceived as purely provisional, casual, or fast — and immediately addresses this anxiety by emphasizing the opposite, namely long - term persistence in hard - won studio practice, paraphrasing Marina Adams: «it is not actual time that is needed to make a specific work, but the accumulated years of committed studio time.»

But similar to those other sections of the triennial, the exhibition at the Newcomb suffers from a lack of a more specific curatorial statement or more thoroughly fleshed - out thematic frame.

«We found ourselves in a solid place to make another big, definitive curatorial statement, but needed a bigger venue to do it.»

Marshall's curatorial statement discusses these works in terms of «transition,» a more fluid, inclusive form of feminism that stands apart from the strictly gendered body.

These were two different ways of realizing one specific curatorial practice: at Škuc Gallery the curators made their curatorial daily life visible with continuous presence and intensive multi-faceted public, semi-public and internal one week - long programme; in Labin their curatorial credo was shown with a selection of works of art and individual curatorial statements.

Please include your name, mailing address, email, telephone number and website (if applicable)-- 100 word artist statement pertaining to the above curatorial statement and your proposed artworks as a PDF document

Caterina Pizanias» curatorial statement advises that viewers «will not see the grand geopolitical issues that play out on the international stage [instead seeing...] exciting explorations in areas such as landscape / geography, gender, sexuality, the body, memories, and ecology.»

The 104 - page, full color catalog includes an essay by the eminent photography writer and historian Vicki Goldberg, a forward by Creative Director Michelle Weinberg, curatorial statement by Dina Mitrani and poem by local writer Emma Trelles.

PRESS RELEASE CURATORIAL STATEMENT & CHECKLIST (as of 10/12)

«I am very honored to be able to contribute to the history of Istanbul Biennial, which has always been a place of strong curatorial statements since its creation in 1987,» Bourriaud says.

In the curatorial statement Gehring writes: «Each of the artists in this exhibition generate work from a distinct point of view, but each point of view is one that is illuminated and connected by this show's title, Meta Vista.

When I enter group shows I like to take a collective read of the work before I read the curatorial statement, because it is important to me to question the resonance of the work outside...

The show is not simply a restaging or tribute; it is an exploration, as the curatorial statement suggests, «all artists must contend with what came before us.»

In her curatorial statement, Hinkson wrote «It was rewarding to engage with images of such a wide range of artworks, all reflecting the diverse interests and passions of their creators.

In her curatorial statement, Blessing states: «The artists whose photographs are installed here arrested my attention because they obsessively and exquisitely represented their subjects.

In Kara Walker's curatorial statement she discusses how the artists in her exhibition are «defiant shapers of environments.»

In her curatorial statement, Sussman states: «New York City, considers itself, rightly or wrongly, the center of the art world.

In the show, twelve recent, mostly large - scale, conventionally stretched works share fast - looking brush strokes; few visible layers of oil or acrylic; a graphic, flat appearance that emphasizes surface; and the impression — confirmed in the curatorial statement — that these paintings did not take long to make.

In response, Caroline chose to make a curatorial statement and feature five strong women painters.

In her curatorial statement Ms. Thompson states «In reviewing the diverse pool of entrants, I found that I was most compelled by the artists who were pushing the boundaries of their selected medium and created works that were slightly unsettling.

Designed by Augusto Mendoza, of Books Are Nice, the 108 - page, full color catalog features essays by independent curator and writer Sue Spaid, a forward by Girls» Club creative director Michelle Weinberg, a curatorial statement by Carol Jazzar and an original work of poetry by Denise Duhamel inspired by the exhibition.

I also want to thank those that helped me with the editing and process of writing the curatorial statement and without their help wouldn't have happen, Daniel Feral, Carlos Mare, and...

The 104 - page, full color catalog includes images of works, installation views, an exhibition checklist, an essay by the eminent photography writer and historian Vicki Goldberg, a forward by Creative Director Michelle Weinberg, a curatorial statement by Dina Mitrani and poem by Miami writer Emma Trelles.

Kari Cwynar and Kendra Sullivan's curation of Accompaniment, a group show at EFA Project Space, is meticulous and airtight — the curatorial statement (a chapbook in itself) is a feat of textual and didactic density that leaves no stone or song unparsed.

Texts also include a forward by Creative Director Michelle Weinberg, curatorial statement by Dina Mitrani and poem by local writer Emma Trelles.

Designed by Augusto Mendoza, the 108 - page, full color catalog features essays by independent curator and writer Sue Spaid, a forward by Girls» Club creative director Michelle Weinberg, a curatorial statement by Carol Jazzar and an original work of poetry by Denise Duhamel inspired by the exhibition.