Sentences with phrase «curatorial statement by»

Includes an artist statement by Learoyd and curatorial statement by Martin Barnes, who is organizing the first solo exhibition of the artist's work atthe Victoria and Albert Museum, London.

Designed by Augusto Mendoza, the 108 - page, full color catalog features essays by independent curator and writer Sue Spaid, a forward by Girls» Club creative director Michelle Weinberg, a curatorial statement by Carol Jazzar and an original work of poetry by Denise Duhamel inspired by the exhibition.

Series III: Exhibition Publications and Writings: Publications include the critical writings and editorial work of Tricia Collins and Collins & Milazzo, as well as some manuscript material including a bibliography and exhibition history, as well as a critical curatorial statement by Collins & Milazzo.

The 104 - page, full color catalog includes images of works, installation views, an exhibition checklist, an essay by the eminent photography writer and historian Vicki Goldberg, a forward by Creative Director Michelle Weinberg, a curatorial statement by Dina Mitrani and poem by Miami writer Emma Trelles.

Designed by Augusto Mendoza, of Books Are Nice, the 108 - page, full color catalog features essays by independent curator and writer Sue Spaid, a forward by Girls» Club creative director Michelle Weinberg, a curatorial statement by Carol Jazzar and an original work of poetry by Denise Duhamel inspired by the exhibition.

Not exact matches

I would read a series of statements culled from Zollner's interviews and articles, as part of a supplemental documentary being prepared by the curatorial geniuses at Criterion, a couple of whom I'd met at a dinner party.

In the curatorial statement Gehring writes: «Each of the artists in this exhibition generate work from a distinct point of view, but each point of view is one that is illuminated and connected by this show's title, Meta Vista.

Organized by Scott Rothkopf, the museum's deputy director of programs and chief curator, and Jessica Man, a curatorial assistant, the show is accompanied by a catalog of more than 650 pages, which includes a memoir by the artist's mother, Carol Hendrickson, a public health nurse, who lives with her second husband next door to Owens and her family; testimonies about how wonderful Owens is as a person and a painter from a bevy of artists, curators, dealers, and studio assistants; price lists from early exhibitions; essays, including one about Elizabeth Murray by Francine Prose; statements by influential people who were among the first wave to recognize her importance.

As Martin tells The Creators Project, her curatorial decisions were guided by TATTER's mission statement: «to promote the consciousness of cloth by considering, and celebrating cloth's intrinsic and essential relationship in human life — through portals that include but are not limited to: art, shelter, comfort, science, commerce, and culture.»

In her curatorial statement Ms. Thompson states «In reviewing the diverse pool of entrants, I found that I was most compelled by the artists who were pushing the boundaries of their selected medium and created works that were slightly unsettling.

THE ORGANIZERS of the elegant Blinky Palermo retrospective at the Kunsthalle Düsseldorf and the Kunstverein für die Rheinlande und Westfalen wasted no time in announcing their bold, materially focused agenda: At the entrance to the exhibition, visitors were greeted by a sequence of short videos featuring Palermo, whose own statements about abstraction introduced, in effect, the daring curatorial program within the galleries.

Curator Francesca Herndon - Consagra mentions this explicitly in the conceptual statement about the exhibition, referring to Tadao Ando's architecture and Rock Settee by Scott Burton as principle points of curatorial investigation, and conflating them with the visual language and art historical touchstone of dreams.

CURATORIAL STATEMENT This exhibition was made possible by a grant from the Graham Foundation for Advanced Studies in the Fine Arts.

If criticism manifests most strongly in the face of what is meant to move us forward as a species, one can only imagine what curator John Cheim was expecting for the onset of his most recent exhibition, The Female Gaze, Part II: Women Look at Men.1 It might be easier, though perhaps a bit militant in this case, to look askance at a man for tackling a women - centric show, or at the canon - grounded lineup, or at the cautionary, simplified curatorial statement [Would we view these works differently if they were made by men?]

In the second, Franz West, Thomas Nozkowski, Gabriel Orozco, Dieter Roth and Laura Owens demonstrate their presence in the creative process by making drawings, paintings, sculpture and prints which, to quote Gross» curatorial statement, are «phenomenological projects weighted with human presence.»»

The curatorial statement for «Hansel & Gretel» released by another powerhouse duo, Tom Eccles and Hans Ulrich Obrist, states Herzog and Meuron's collaborations with Ai Weiwei are «exceptionally fruitful», and that the visitor «experiences both psychological menace and exhilarating wonder».

Both reject the dominant biennial model of star - studded international group exhibitions supplemented by dense curatorial statements.