Sentences with phrase «curatorial statement for»

The curatorial statement for «Hansel & Gretel» released by another powerhouse duo, Tom Eccles and Hans Ulrich Obrist, states Herzog and Meuron's collaborations with Ai Weiwei are «exceptionally fruitful», and that the visitor «experiences both psychological menace and exhilarating wonder».
Following Christine Macel's curatorial statement for the upcoming Biennale, this exhibition aims to foreground the work and practice of a single visual artist.
Or, as Schmerler explains in her curatorial statement for the show, «I think of this show as my own kind of illustrated «Fuck U».»
Allison Grant «s curatorial statement for Our Origins, showing at the Museum of Contemporary Photography, puts it so: «Like science, photography offers arrangements of information, pulled out of the complexity of the world as a whole, presented with seemingly impartial clarity.»
One year ago, Kathryn wrote a curatorial statement for the artists in this exhibition when they last presented their work together for the show, «Killing Time.»
Gavin Brown Enterprise and Maccarone released an interesting curatorial statement for their star - studded joint group show, «Pretty Ugly.»
[3] Okwui Enwezor, «All the World's Futures,» Curatorial statement for the 56th Venice Biennale, http://www.labiennale.org/en/art/exhibition/enwezor/

Not exact matches

Hunter writes: «In the show, twelve recent, mostly large - scale, conventionally stretched works share fast - looking brush strokes; few visible layers of oil or acrylic; a graphic, flat appearance that emphasizes surface; and the impression — confirmed in the curatorial statement — that these paintings did not take long to make... The works in the exhibition raise the question, for me, of what it is that we value about painting right now — where we locate meaning and value in paintings made quickly.»
(It is also important to note that there is no over-arching concept or text of any kind for this, the 77th Whitney Biennial, but instead three separate, brief curatorial statements).
«Jane and Ru are two of the most compelling and engaged curatorial voices of our moment, with broad and sensitive instincts for artistic and cultural relevance,» the Whitney's deputy director and chief curator, Scott Rothkopf, said in a statement.
In a statement, the curatorial team emphasized that this survey was not meant to be fixed or comprehensive but was rather a «critical new beginning,» which would, in the years to come, lay the groundwork for numerous potential historical narratives.
Appointed as director / consultant curator for the next three years, I guided that institution on matters regarding its building development, curatorial and policy development, training, staffing, vision and mission statement until its opening in June 2003.
Gaitán's curatorial statement, for example, talks about how the process of the post-Cold War development of Berlin «reflects a larger tendency around the world to mobilize history in order to reflect certain dominant narratives».
«It is a special honor to receive an award named for the innovative Walter Hopps, whose sustained commitment to California artists and whose impact on curatorial practice was so substantial, exciting and always hip,» Joo's statement reads.
Richard Armstrong, the director of the Guggenheim in New York, said in a statement that he has «the deepest respect for her scholarship, curatorial insight, unfailingly sound judgment and collegial management style.»
CURATORIAL STATEMENT This exhibition was made possible by a grant from the Graham Foundation for Advanced Studies in the Fine Arts.
If criticism manifests most strongly in the face of what is meant to move us forward as a species, one can only imagine what curator John Cheim was expecting for the onset of his most recent exhibition, The Female Gaze, Part II: Women Look at Men.1 It might be easier, though perhaps a bit militant in this case, to look askance at a man for tackling a women - centric show, or at the canon - grounded lineup, or at the cautionary, simplified curatorial statement [Would we view these works differently if they were made by men?]
Susan Howe Jacqueline Humphries Gary Indiana Doug Ischar Carol Jackson Travis Jeppesen Alex Jovanovich Angie Keefer Ben Kinmont Shio Kusaka Yve Laris Cohen Chris Larson Diego Leclery Zoe Leonard Tony Lewis Pam Lins Fred Lonidier Ken Lum Shana Lutker Dashiell Manley John Mason Keith Mayerson Suzanne McClelland Dave McKenzie Bjarne Melgaard Rebecca Morris Joshua Mosley My Barbarian (Malik Gaines, Jade Gordon and Alexandro Segade) Dona Nelson Ken Okiishi Pauline Oliveros Joel Otterson Laura Owens Paul P. taisha paggettz Charlemagne Palestine Public Collectors Sara Greenberger Rafferty Steve Reinke with Jessie Mott David Robbins Sterling Ruby Miljohn Ruperto Jacolby Satterwhite Peter Schuyff Allan Sekula Semiotext (e) Amy Sillman Valerie Snobeck and Catherine Sullivan A.L. Steiner Emily Sundblad Ricky Swallow Tony Tasset Sergei Tcherepnin Triple Canopy Philip Vanderhyden Pedro Vélez Charline von Heyl David Foster Wallace Dan Walsh Donelle Woolford Molly Zuckerman - Hartung CURATORIAL STATEMENTS ANTHONY ELMS SECOND FLOOR If the Whitney Biennial is a snapshot of American art at this moment, and if any intimate encounter with American art at this moment must be mediated (as all intimacies these days are), then Marcel Breuer's museum building here at 945 Madison Avenue is a well - disposed mediation for capturing twenty - four scenes of America.
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