Sentences with phrase «curatorial statements»

Both reject the dominant biennial model of star - studded international group exhibitions supplemented by dense curatorial statements.

Here are curatorial statements from each, and a list of participating artists with links to most of the painters.

Susan Howe Jacqueline Humphries Gary Indiana Doug Ischar Carol Jackson Travis Jeppesen Alex Jovanovich Angie Keefer Ben Kinmont Shio Kusaka Yve Laris Cohen Chris Larson Diego Leclery Zoe Leonard Tony Lewis Pam Lins Fred Lonidier Ken Lum Shana Lutker Dashiell Manley John Mason Keith Mayerson Suzanne McClelland Dave McKenzie Bjarne Melgaard Rebecca Morris Joshua Mosley My Barbarian (Malik Gaines, Jade Gordon and Alexandro Segade) Dona Nelson Ken Okiishi Pauline Oliveros Joel Otterson Laura Owens Paul P. taisha paggettz Charlemagne Palestine Public Collectors Sara Greenberger Rafferty Steve Reinke with Jessie Mott David Robbins Sterling Ruby Miljohn Ruperto Jacolby Satterwhite Peter Schuyff Allan Sekula Semiotext (e) Amy Sillman Valerie Snobeck and Catherine Sullivan A.L. Steiner Emily Sundblad Ricky Swallow Tony Tasset Sergei Tcherepnin Triple Canopy Philip Vanderhyden Pedro Vélez Charline von Heyl David Foster Wallace Dan Walsh Donelle Woolford Molly Zuckerman - Hartung CURATORIAL STATEMENTS ANTHONY ELMS SECOND FLOOR If the Whitney Biennial is a snapshot of American art at this moment, and if any intimate encounter with American art at this moment must be mediated (as all intimacies these days are), then Marcel Breuer's museum building here at 945 Madison Avenue is a well - disposed mediation for capturing twenty - four scenes of America.

«I am very honored to be able to contribute to the history of Istanbul Biennial, which has always been a place of strong curatorial statements since its creation in 1987,» Bourriaud says.

An initial selection of participating artists in each of the three exhibitions follows below with the complete line - up to be announced in the coming months: Artist biographies and full curatorial statements are available at sharjahart.org/biennial-14.

Bourriaud, one of the co-founders of Palais de Tokyo, Paris and current director of the Montpellier Contemporain, stated, «I am very honoured to be able to contribute to the history of Istanbul Biennial, which has always been a place of strong curatorial statements since its creation in 1987.

Summaries of the three curatorial statements follow below:

(It is also important to note that there is no over-arching concept or text of any kind for this, the 77th Whitney Biennial, but instead three separate, brief curatorial statements).

In the curatorial statement Gehring writes: «Each of the artists in this exhibition generate work from a distinct point of view, but each point of view is one that is illuminated and connected by this show's title, Meta Vista.

Hunter writes: «In the show, twelve recent, mostly large - scale, conventionally stretched works share fast - looking brush strokes; few visible layers of oil or acrylic; a graphic, flat appearance that emphasizes surface; and the impression — confirmed in the curatorial statement — that these paintings did not take long to make... The works in the exhibition raise the question, for me, of what it is that we value about painting right now — where we locate meaning and value in paintings made quickly.»

Actually, just last Thursday (March 12th), on the 6 train, after having spent a short time at the press conference at the Italian Cultural Institute of the next Venice Biennale All the World's Futures, I was reading Okwui Enwezor's curatorial statement which began with an epigraph of Walter Benjamin's paragraph, extracted from his famous book, Theses on the Philosophy of History.

[3] Okwui Enwezor, «All the World's Futures,» Curatorial statement for the 56th Venice Biennale, http://www.labiennale.org/en/art/exhibition/enwezor/

Here we find, not unlike Grabner's exhibition, a rather traditional approach to the question of art in America and, as outlined in Elms's curatorial statement, the role of the Whitney entirely.

When I enter group shows I like to take a collective read of the work before I read the curatorial statement, because it is important to me to question the resonance of the work outside...

Grabner's investment in criticality and pedagogy is prevalent in her curatorial statement.

In her curatorial statement, Hinkson wrote «It was rewarding to engage with images of such a wide range of artworks, all reflecting the diverse interests and passions of their creators.

Gavin Brown Enterprise and Maccarone released an interesting curatorial statement for their star - studded joint group show, «Pretty Ugly.»

In her curatorial statement, Blessing states: «The artists whose photographs are installed here arrested my attention because they obsessively and exquisitely represented their subjects.

Her photographs should provide a spurious curatorial statement in the form of visual documentation of Posse II's larger murals.

In response, Caroline chose to make a curatorial statement and feature five strong women painters.

An artist's statement and / or curatorial statement about the content of the work must also be included.

In her curatorial statement Ms. Thompson states «In reviewing the diverse pool of entrants, I found that I was most compelled by the artists who were pushing the boundaries of their selected medium and created works that were slightly unsettling.

Designed by Augusto Mendoza, of Books Are Nice, the 108 - page, full color catalog features essays by independent curator and writer Sue Spaid, a forward by Girls» Club creative director Michelle Weinberg, a curatorial statement by Carol Jazzar and an original work of poetry by Denise Duhamel inspired by the exhibition.

The curators Elmgreen & Dragset then announced the title and gave a brief curatorial statement about the conceptual framework of the 15th Istanbul Biennial.

PRESS RELEASE CURATORIAL STATEMENT RELATED PRESS

The 104 - page, full color catalog includes images of works, installation views, an exhibition checklist, an essay by the eminent photography writer and historian Vicki Goldberg, a forward by Creative Director Michelle Weinberg, a curatorial statement by Dina Mitrani and poem by Miami writer Emma Trelles.

Kari Cwynar and Kendra Sullivan's curation of Accompaniment, a group show at EFA Project Space, is meticulous and airtight — the curatorial statement (a chapbook in itself) is a feat of textual and didactic density that leaves no stone or song unparsed.

Series III: Exhibition Publications and Writings: Publications include the critical writings and editorial work of Tricia Collins and Collins & Milazzo, as well as some manuscript material including a bibliography and exhibition history, as well as a critical curatorial statement by Collins & Milazzo.

Designed by Augusto Mendoza, the 108 - page, full color catalog features essays by independent curator and writer Sue Spaid, a forward by Girls» Club creative director Michelle Weinberg, a curatorial statement by Carol Jazzar and an original work of poetry by Denise Duhamel inspired by the exhibition.

When Obrist last topped the Power 100, in 2009, the magazine quoted the opening point of the curatorial statement from his Beijing Mini-Marathon of ideas: «Don't stop.

As Gabriele Evertz states in her curatorial statement; «This phenomenological approach insists on the primacy of the viewer's dynamic experience.

The curatorial statement notes that «none of the artists thought of themselves as photographers.

Gaitán's curatorial statement, for example, talks about how the process of the post-Cold War development of Berlin «reflects a larger tendency around the world to mobilize history in order to reflect certain dominant narratives».

Through this notion, the curatorial statement did not refer to a theoretical body, but to the way people imagine their social space and express themselves through cultural and historical references, and to the symbolic dimension they acquire through art.

In her curatorial statement, which begins with the Northrop quote, Goldwitz writes that all of the artists in the exhibition, both emerging and emergent, reinvent and individualize line to explore and redefine the very bones of form, the vowels of visionary language.

The exhibition is organized around artists choosing one another, resulting, according to the curatorial statement on the gallery's website,»... in an exciting cross section of the Boston arts community,» but more on this later.

One year ago, Kathryn wrote a curatorial statement for the artists in this exhibition when they last presented their work together for the show, «Killing Time.»

Allison Grant «s curatorial statement for Our Origins, showing at the Museum of Contemporary Photography, puts it so: «Like science, photography offers arrangements of information, pulled out of the complexity of the world as a whole, presented with seemingly impartial clarity.»

CURATORIAL STATEMENT This exhibition was made possible by a grant from the Graham Foundation for Advanced Studies in the Fine Arts.

If criticism manifests most strongly in the face of what is meant to move us forward as a species, one can only imagine what curator John Cheim was expecting for the onset of his most recent exhibition, The Female Gaze, Part II: Women Look at Men.1 It might be easier, though perhaps a bit militant in this case, to look askance at a man for tackling a women - centric show, or at the canon - grounded lineup, or at the cautionary, simplified curatorial statement [Would we view these works differently if they were made by men?]

PRESS RELEASE CURATORIAL STATEMENT & CHECKLIST (as of 10/12)

Or, as Schmerler explains in her curatorial statement for the show, «I think of this show as my own kind of illustrated «Fuck U».»

Read the curatorial statement here.

Mike Kelley, in a curatorial statement written to accompany a small retrospective he organized in 2005, described James Hayward as «one of the few truly important West Coast painters.»

In the second, Franz West, Thomas Nozkowski, Gabriel Orozco, Dieter Roth and Laura Owens demonstrate their presence in the creative process by making drawings, paintings, sculpture and prints which, to quote Gross» curatorial statement, are «phenomenological projects weighted with human presence.»»

Despite a vague curatorial statement about «underlying structures that order and shape the world around us,» works that activated their given and sometimes difficult spaces made a significant statement among the fair.

Following Christine Macel's curatorial statement for the upcoming Biennale, this exhibition aims to foreground the work and practice of a single visual artist.

She also absconded from other responsibilities such as the presentation of the curatorial statement and began to question the exhibitions she encountered and their static and finished form.

With the new museum building as backdrop, each of its 15 artists uses the vocabularies of «division, articulation, support and structure,» as noted in the show's curatorial statement, as a means to access a myriad of other topics — cultural, political, environmental, personal.

Bouthillier details the focus of the exhibition in her curatorial statement: «Dark Stars considers time as a subject in contemporary art, exploring how objects and images bring the past into the present.