Sentences with phrase «curatorial strategy»

«People should be able to see themselves on the walls and in the work,» explained Coetzee of this relatively simple guiding curatorial strategy.

While PS1 and MoMA have lately been reviled for their corporate pockets and distracting celebrity - chasing curatorial strategy, the artists seem not to care.

This approach seems like a particularly apt curatorial strategy on the part of Mark More Gallery, as Azzarella's underlying conceptual framework spans both media and unites the works on view by reflecting developments in practice.

I am guessing that this curatorial strategy is an attempt to mirror or underscore the films» aggressive, avant - garde character.

The decision to pair Guillermo Srodek - Hart's Interiors with Lynn Saville's Vacancy is so compelling that I expected it to have been a curatorial strategy as carefully crafted as military tactics.

This approach seems like a particularly apt curatorial strategy on the part of Mark More Gallery, as Azzarella's underlying conceptual framework spans both media and unites the works -LSB-.....]

Saatchi's disregard for conventional display decorum has given rise to an innovative curatorial strategy: the solo show scattered within a group exhibition - or is it vice versa?

For seasoning, there is a sprinkling of works integral to a Pop curatorial strategy which have no inherent Pop reference to speak of.

Likewise the curatorial strategy is neither timid nor ordentlik.

The curatorial strategy likewise points to the merits of reflective responsiveness — the exhibition and its accompanying library have grown throughout the summer by way of new books and new works.

The curatorial strategy thus sets up two boundaries for the work in the show: the colors blue and black as formal elements on the one side, and associations with the colors black and blue — including race, bruising as a metaphor, and the specific kind of suffering resulting from racism and racial inequality — on the other.

Obviously, exhibitions mark duration and anniversaries are useful devices to justify curatorial strategy.

Early critical returns on the Brooklyn Museum's Open House: Working in Brooklyn have been middling to scathing, with most negative reviews questioning the everything - but - the - kitchen - sink curatorial strategy.

[7] Though no direct connections to the present are drawn by the exhibition's curatorial strategy or in its supporting materials, all of the artworks bound forth, insistent in their messages, vital in their relevance.

The DG BANK collection, consisting of over 3,000 photographs, addresses notions of artistic approach through the unique curatorial strategy of purchasing works in what might be termed a «call and response» fashion.

CDM: Please explain your vision of the immersive environment and curatorial strategy of what you call «figure / ground».

As curatorial strategies go — at least ones in line with the Hans Ulrich Obrist School of Curating (HUOSOC) of using artists to illustrate a given thesis — Enwezor's is particularly aligned with the times.

So although I did several group exhibitions at Thread Waxing Space that I feel really proud of, exhibitions that were in conversation with exhibitions that had come before, such as Christian Leigh's I am the Annunciator, I wanted to talk back to certain curatorial strategies.

She played a key role in developing curatorial strategies for the current rejuvenation of the High Museum of Art to expand audiences and access to the collections.

This year, Maura Reilly has published Curatorial Activism: Towards an Ethics of Curating, a handbook of new curatorial strategies, based on pioneering examples of innovative recent efforts to offset racial and gender disparities in the art world.

Multiple curatorial strategies disperse authorship across the institution's administrative process and change the use of selection criteria in curating.

Matthias Borello is a Danish critic and independent curator focused on art practices, exhibition formats and curatorial strategies within social practices.

In this lecture, recorded at the National Gallery of Art on March 4, 2012, Professor Cooks presents research from her book Exhibiting Blackness: African Americans and the American Art Museum, in which she analyzes the curatorial strategies, challenges, and critical reception of the most significant museum exhibitions of African - American art in the United States.

On the other hand, this book is also an attempt to suggest new critical and curatorial strategies to turn this marginalization into a thing of the past, and to stress the topicality of art addressing the media and the issues of the information age.

As the Stedelijk's Public Program was established in a period during which the Stedelijk was reinventing itself prior to the grand re-opening in September 2012 (during the Temporary Stedelijk series, in which the Stedelijk functioned as a temporary, nomadic institution), this new curatorial model of public programming could be freely experimented with, leading up to pertinent questions as how public programs relate to other institutional structures and programs (such as education) and exhibitions, as well as questions regarding the curatorial strategies involved in public programming, audience outreach and the Stedelijk's relation to its building and histories.

This book reveals how each brought together Arte Povera, Anti-Form, Conceptual and Land art, whilst challenging such categories and introducing innovative curatorial strategies.

Under the header of Bunk Club, they aim to combine curatorial strategies with the active promotion and support of emerging artists.

The afternoon will explore his, and other, contemporary artistic and curatorial strategies to intervene in and interpret collections.

Jimmy Ogonga (b. 1977) is an itinerant Artist and Producer whose work interweaves between Artistic practice and Curatorial strategies.

Cwynar's graduate research focuses on contemporary curatorial strategies in museum collections, specifically examining the case study of the Art Gallery of Ontario's 2008 rehang and expansion.

However, it is exactly the uncontrollable nature of sonic works, their diffuse and permeating nature that defines a radical edge in terms of exhibition display and demands a radical rethink of curatorial strategies.

The curatorial strategies and institutional demands reflected in exhibitions, and the texts accompanying and framing them, are the most visible source of art historical narratives currently being generated in the region.

Genevieve's research and curatorial interests include contemporary art, feminist curatorial strategies, interventions in museums and archives, and queer theory.

The gentrification of Vancouver's Downtown Eastside — and local curatorial strategies of addressing it — recently provided conceptual and satirical fodder for Seoul art duo Young Hae - Chang Heavy...

This open - hearted and stimulating interchange was organized around three themes: the conceptual process that led up to the new installation plan and its outcomes regarding questions of narrative, chronology and mediation; the plan itself and the choices that have been made regarding possible clusters of works and themes, as well as the actual works to be displayed; and, finally, the position of the Stedelijk Museum in the contemporary debates surrounding the canon, curatorial strategies, the relationship between fine art and visual culture, and the influence of non-museological display formats on museum practice.

It proposes collaborative curatorial strategies that foster dialogue between different generations and different cultural perspectives.

The program will address the role of artists, curators and other art professionals in an increasingly borderless world, investigating the ways in which artistic practices, curatorial strategies and critical commentary have been reconfigured by intensified patterns of global circulation.

Not exact matches

The curatorial perspective, in turn, will provide a rhizomatic framework to Moses's oeuvre — a genealogy of these strategies — in place of the conventional, chronological account typically used by institutions to situate an artist's work within historical movements alone.

To see the photographs, viewers must step to the vitrine and look down — a curatorial choice that references a similar display strategy employed during the exhibition's brief run in Cincinnati.

The specific mission and environment differ at each venue, highlighting curatorial nodes of the overall exhibition project: strategies of display via an encyclopedic museum (LACMA), pedagogy — or methods of teaching — through a school (Charles White Elementary School), and artist research at an artist residency complex (18th Street Arts Center).

For the 14th Istanbul Biennial, in keeping with her Documenta strategy of hiring agents to advise on the show — she will draft the exhibition with help from various artists, curators and others: «seeking the artistic advice of Cevdet Erek, the intellectual rigor of Griselda Pollock, the sensitivity of Pierre Huyghe, the curatorial imagination of Chus Martinez, the mindfulness of Marcos Lutyens, the acute gaze of Füsun Onur, the political philosophies of Anna Boghiguian, the youthful enthusiasm of Arlette Quynh - Anh Tran, the wise uncertainties of William Kentridge and manifold qualities and agencies to come as the process develops».

She is an instructor at the Senghor University in Alexandria, Egypt, and teaches curatorial process, communications strategy, and methodology in the department of cultural industries.

While appropriating curatorial methods and strategies, Wilson maintains his subjective view of the museum environment and the works he presents.

More and more, his work dealt with museum collection strategies and curatorial functions, as well as the art market, in unusual ways.

Additional activities include exhibitions, research and curatorial practice aiming to investigate historical and contemporary production of printed matter, and different strategies in publishing.

This year's awards judge is JiaJia Fei, who has just assumed the newly created position as «Director of Digital» for The Jewish Museum where she will oversee the digital strategy of the museum's curatorial and education programming on the museum's website, blog, apps, e-mail, and social media.

Key starting points of the curatorial team will be strategies of self - preservation as acts of dismantling dominant structures and building from a non-hierarchical position.

It takes many glove - covered hands, strategy planning meetings, countless rolls of packing tape, and weeks of hard work on behalf of the Museum's Curatorial team.

The result of research conducted on two fronts — conservation and curatorial — the catalogue offers a reconsideration of the cut - outs by exploring a host of technical and conceptual issues: the artist's methods and materials and the role and function of the works in his practice; their economy of means and exploitation of decorative strategies; their environmental aspects; and their double lives, first as contingent and mutable in the studio and ultimately made permanent, a transformation accomplished via mounting and framing.

A defining characteristic of Hoffmann's work is his conception of an authorial role for the curator, as well as applying the ideas and strategies of artists (in particular Conceptual art) to his curatorial efforts.