Sentences with phrase «curatorial studies by»
The collection will enhance and fundamentally support the research needs of young curators enrolled in CCS Bard's two - year graduate program in curatorial studies by exposing them to primary sources documenting innovative curatorial and institutional models and artistic practices of the past thirty years.
http://www.bard.edu/
The Mary Jane Jacob Papers were donated to the Center for Curatorial Studies by Mary Jane Jacob in June 2015.
The Maria Lind Manifesta Papers were donated to the Center for Curatorial Studies by Maria Lind in 2010.
Not exact matches
«Curatorial research needs a missing piece and the missing piece is really provided by the scientific studies,» said Casadio.
Twenty - Five students studying the disciplines of Painting, Drawing and Photography will be featured on the walls of the gallery, curated by their peers who have participated in a Curatorial mentorship class.
Curated by 8 first - year graduate students at the Center for Curatorial Studies, In a Room Anything Can Happen presents work by more than 30 artists in the Marieluise Hessel Collection.
Including work by Spencer Finch, Lisi Raskin, Pietro Roccasalva, and a program of videos from Electronic Arts Intermix selected by students of the Center for Curatorial Studies.
This selection of archival documents, compiled from the collections of the Fales Library and Special Collections at New York University and the Library and Archives at Bard College's Center for Curatorial Studies, originally accompanied the essay «What Remains: Art and Archives,» by Ann Butler and Marvin J. Taylor.
I am Yours is a new project by Bernd Krauss, the fall 2008 artist - in - residence at the Center for Curatorial Studies.
Student - curated projects at CCS Bard are made possible with support from the Rebecca and Martin Eisenberg Student Exhibition Fund; the Mitzi and Warren Eisenberg Family Foundation; the Audrey and Sydney Irmas Charitable Foundation; the Board of Governors of the Center for Curatorial Studies, and by the Center's Patrons, Supporters, and Friends.
a / drift, curated by Joshua Decter, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY, 1996 [ill.]
A series of exhibitions curated by graduate students during their second - year of study in curatorial studies and contemporary culture.
Given that little besides the dateline connects Louis Kahn's unrealised cardboard study for an assembly building in Bangladesh with Claes Oldenburg's soft sculptured ice - cream cone and Niki de Saint Phalle's mixed media on wood, grouping by year seems to function primarily as an organising mechanism, marking curatorial choice as more precisely the point.
Three exhibitions - Assemblance; If it's not love, it's the bomb; and s u s p e n d e d s t a t e - of works drawn from the permanent collection of the Center for Curatorial Studies, curated by first - year graduate students.
Five exhibitions curated by second - year students in the graduate program in curatorial studies and contemporary art.
Three exhibitions — Assemblance; If it's not love, it's the bomb; and s u s p e n d e d s t a t e — of works drawn from the permanent collection of the Center for Curatorial Studies, curated by first - year graduate students.
Honoring Marieluise Hessel collector and philanthropist with the Distinguished Service to the Visual Arts Award Read more about our honoree here Presented by Tom Eccles executive director Center for Curatorial Studies and Hessel Museum of Art Bard College Also recognizing Sara Raza Guggenheim UBS MAP curator Middle East & North Africa Solomon R. Guggenheim Museum with the 2016 New Leadership Award Read more about our NLA awardee here Featuring mother and daughter Keynote by Mariko Silver president Bennington College Introduced by Joan Shigekawa former acting chairman National Endowment for the Arts Read more about our keynote presenters here
Two exhibitions curated by first - year graduate students at the Center for Curatorial Studies.
Honoring Marieluise Hessel, Collector and Philanthropist, with the 2016 Distinguished Service to the Visual Arts Award Presented by Tom Eccles, Executive Director, Center for Curatorial Studies and Hessel Museum of Art, Bard College Recognizing Sara Raza, Guggenheim UBS MAP Curator, Middle East and North Africa, Solomon R. Guggenheim Museum Keynote Address by Mariko Silver, President, Bennington College and introduced by Joan Shigekawa, Former Acting Chairman, National Endowment for the Arts.
Honoring Marieluise Hessel collector and philanthropist with the Distinguished Service to the Visual Arts Award Presented by Tom Eccles executive director Center for Curatorial Studies and Hessel Museum of Art Bard College Also recognizing Sara Raza Guggenheim UBS MAP curator Middle East & North Africa Solomon R. Guggenheim Museum with the 2016 New Leadership Award Featuring mother and daughter Keynote by Mariko Silver president Bennington College Introduced by Joan Shigekawa former acting chairman National Endowment for the Arts Read the Program Journal To view our week of events, click here To watch videos of the event, click here.
AS - AP, as collaborative project of the Center for Curatorial Studies in association with the New York State Council on the Arts (NYSCA) provides funding assistance for the publication, Show and Tell: A Chronicle of Group Material, edited by Julie Ault and published by Four Corners Books in 2010.
-- Hannah Höch is curated by Daniel F. Herrmann, Eisler Curator and Head of Curatorial Studies, and art historian, Prof. Dawn Ades CBE, with Emily Butler, Assistant Curator.
The panel will be moderated by Ann Butler, Project Director of AS - AP, and Director of the Library and Archives at the Center for Curatorial Studies at Bard College.
Metabolism and Communication, Zentrum fur Kunst und Medientechnologie, Center for Art and Media, Karlsruhe, Germany 2003 Love, Magazin4 Vorarlberger Kunstverein, Bregenz, Germany Patty Chang, Tracy Emin, Naomi Fisher, Paul McCarthy, The Moore Space, Miami, FL (performance, April 26) Water, Water, curated by Lilly Wei, The Rotunda Gallery, Brooklyn, NY Awakenings, Center for Curatorial Studies at Bard College, Annandale - on - Hudson, NY Feminine Persuasion, The Kinsey Institute and the School of Fine Arts Gallery, Indiana Univeristy, Bloomington, Indiana 2002 Videos in Progress, The RISD Museum, Providence, Rhode Island Le Plateau Frac Ile - de-France (performance only, November 7), Paris, France Mirror, Mirror on the Wall, MASS MoCA, North Adams, MA The Body Electric: Video Art and the Human Body, Cheekwood Museum of Art, Nashville, TN Americas Remixed, La Fabbrica del Vapore, Milan, Italy (performance / exhibition) Extreme Existence, curated by Klaus Ottmann, Pratt Manhattan Gallery, NY (performance / exhibition)(catalogue) Moving Pictures, Guggenheim Museum, New York Fusion Cuisine, Deste Foundation Centre for Contemporary Art, Athens, Greece (performance / exhibition), (Catalog available) Time Share, Sara Meltzer Gallery, NY Le Studio, Yvon Lambert, Paris, France Oral Fixations, curated by Sandra Firmin, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Panorama, curated by Carmen Zita, Room Interior Products, NY Superlounge, curated by Andrea Salerno & Mari Spirito, Gale Gates, Brooklyn, NY About the Mind (Not Everything You Always Wanted to Know), Video Cafe, organized by Hitomi Iwasaki, Queens Museum, NY Mirror Image, curated by Russell Ferguson, UCLA Hammer Museum, Los Angeles, CA Traveled to: Bard College, Center for Curatorial Studies Museum, Annadale - on - Hudson, NY Perspectives: Artists of Chinese Descent in New York, Queens College Art Center, NY Traveled to: Firehouse Art Gallery, Nassau Community College, Garden City, NY, March - April 2003 2001 Bodily Acts, curated by Jennifer L. Gray, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Circus Maximus, BeganeGrond, Center for the Contemporary Arts, Utrecht, Holland Group Show, Hamburg Kunstverein, Germany (performance) Mimic, Gale Gates et al., Brooklyn, NY Casino 2001, 1st Quadrennial of Contemporary Art, Stedelijk Museum Voor Actuele Kunst and the Bijloke Museum, Gent, Belgium (performance / exhibition) Looking for Mr. Fluxus: In the Footsteps of George Maciunas, Art in General, NY La Hijas de la Tierra (The Daughters of the Earth), IODAC Museum of Contemporary, Spain Panic, Julie Saul Gallery, New York Video Jam, Palm Beach Institute of Contemporary Art, Lake Worth, Florida (brochure) 2001 Art + Performance + Technology, in conjunction with the 19th International Sculpture Conference, Wood Street Galleries, Pittsburgh, PA (performance) WET, Luise Ross Gallery, New York Trans Sexual Express Barcelona, Centre d'Art Santa Monica, Barcelona, Spain Smirk: Women, Art, and Humor, curated by Debra Wacks, Firehouse Art Gallery, Nassau Community College, New York 2000 Uncomfortable Beauty, Jack Tilton / Anna Kustera Gallery, New York Cross Female, Kunstlerhaus Bethanien, Berlin, Germany (performance / exhibition): Traveled to: Kunst - und Kunstgewerbeverein Pforzheim, Germany (April / May 2001) The Art of the Screen Saver, Stanford Art Museum / Cantor Art Center, Stanford, CA Traveled to: ICA, London, England (Feb - March 2002) Steamroller, performance festival organized by Galerie MXM, Prague, Czech Republic (Catalog available) Soma, Soma, Soma, The Sculpture Center, New York Performance Festival, Kunstpanorama, Lucern and USINE, Geneva The Standard Projection: 24/7, Standard Hotel, Los Angeles Deja vu, Art Miami 2000, Miami Beach Convention Center, Miami Beach Galerie Fons Welters (two person exhibition with Atelier van Lieshout), Amsterdam ID / y2k, Identity At The Millennium, Castle Gallery, College of New Rochelle, NY 1999 - 2000 Illusion Delusion Denial, 450 Broadway Gallery, New York Mug Shots, Center for Visual Art and Culture, University of Connecticut, Storrs, CT. 1999 IDENDITAT, hat man doch zu viel, Ort halle fur kunst, Feldstr.
About The Speakers Series: Each semester the Center for Curatorial Studies at Bard College hosts a regular program of lectures by the foremost artists, curators, art historians, and critics of our day, situating the school and museum's concerns within the larger context of contemporary art production and discourse.
It was organized by the students of the 22nd Course in Curatorial Practices and Contemporary Arts at The School for Curatorial Studies in Venice, and curated by Tommaso Speretta.
Works from the Collection of Martin and Rebecca Eisenberg, Center for Curatorial Studies at Bard College, Annandale - on - Hudson The Library of Babel / In and Out of Place (curated by Anna - Catharina Gebbers), Zabludowicz Art Projects, London
Vital Archive │ Revisiting Group Material's AIDS Timeline is curated by Sabrina Locks as part of the requirements for the master of arts degree in curatorial studies.
The works of the artist Marisa Olson exhibited in Noise Pollution, a Master's thesis exhibition at the Center for Curatorial Studies, Bard College curated by Gene McHugh, investigate the material / environmental consequence of electronic media culture.
It is part of the Exhibition Histories research and publication project, developed by Afterall and published in association with the Center for Curatorial Studies, Bard College.
Living Under the Same Roof: The Marieluise Hessel Collection and the Center for Curatorial Studies is the result of an intensive research and teaching program organized by Ana Paula Cohen during her time as curator - in - residence at CCS Bard.
Organized by first - year graduate students at the Center for Curatorial Studies, Lost & Found City is a site specific installation at three locations in New York City.
Student - curated exhibitions and projects at CCS Bard are made possible with support from the Rebecca and Martin Eisenberg Student Exhibition Fund; the Mitzi and Warren Eisenberg Family Foundation; the Audrey and Sydney Irmas Charitable Foundation; the Board of Governors of the Center for Curatorial Studies, and by the Center's Patrons, Supporters, and Friends.
Living Modern is curated by Laura Barlow as part of the requirements for the master of arts degree in curatorial studies.
The Bomb Ponds is curated by Francesca Sonara as part of the requirements for the master of arts degree in curatorial studies.
Curated by ten graduate students at the Center for Curatorial Studies at Bard College, unique yet overlapping exhibition segments become notes, commentaries and illuminations spatially written into the margins of the institution's history.
Drifting Histories is curated by Anaïs Lellouche as part of the requirements for the master of arts degree in curatorial studies.
The whole is not the whole is not the whole, is an exhibition structured in three interrelated parts, each organized by first - year students of the Center for Curatorial Studies, Bard College (CCS Bard).
1997 a / drift, curated by Joshua Decter, Center for Curatorial Studies at Bard College, Annandale - on - Hudson, NY, 1997 [ill.]
Changing Light Bulbs in Thin Air is curated by Summer Guthery as part of the requirements for the master of arts degree in curatorial studies.
the everyday is curated by Kate Menconeri as part of the requirements for the master of arts degree in curatorial studies.
The archive has been kept in the order it was in when acquired from Paul McMahon by the Center for Curatorial Studies in 2010.
The recipient of the 2011 Bard Center for Curatorial Studies Award for Curatorial Excellence, she is currently at work on an exhibition inspired by the American painter and film critic Manny Farber and his 1962 essay «White Elephant vs. Termite Art.»
ANNANDALE - ON - HUDSON, N.Y. — This spring, CCS Bard presents a series of nine exhibitions at the CCS Galleries, curated by second - year students in its graduate program in curatorial studies, including work by 46 internationally known contemporary artists.
Curated by 14 first - year graduate students at the Center for Curatorial Studies, it is a direct response to Exhibitionism (October 20, 2007 — February 3, 2008), a series of autonomous and idiosyncratic micro-exhibitions that were curated by Matthew Higgs for each of the 16 galleries in the Hessel Museum of Art.
Curated by first year graduate students at the Center for Curatorial Studies, I'm Not There proposes a crossroads of individuals and absences, the concrete and the ephemeral, «here and elsewhere.»
(Re) Move / (Re) Frame is curated by Courtney Malick as part of the requirements for the master of arts degree in curatorial studies.
Open Score Variations is curated by Daniel Mason as part of the requirements for the master of arts degree in curatorial studies.
These exhibitions were made possible with support from the Rebecca and Martin Eisenberg Student Exhibition Fund; Mitzi and Warren Eisenberg; the Audrey and Sydney Irmas Charitable Foundation; Patrons, Supporters, and Friends of the Center for Curatorial Studies; and by the Center's annual benefit for student scholarships and exhibitions.
I Need You to be There, Angles of Incidence, and The Volatile Real are three exhibitions curated by the first - year graduate students using works from the Marieluise Hessel Collection on permanent loan to the Center for Curatorial Studies.