Sentences with phrase «curatorial vision for»

Chief curator Yuko Hasegawa releases details about her unique curatorial vision for the 2013 edition of the Sharjah Biennial.

For her Curator's Perspective talk, Ngcobo willl speak about her curatorial vision for this iteration of the biennial.

Okwui Enwezor's presentation of his curatorial vision for the 56th Venice Biennale — which is to be held between 9 May and 22 November next year — appears on initial impressions to represent a serious reflection upon these unstable times.

Each of the above phases will be detailed in later blog posts, but for now, we need to pick a curatorial vision for the project.

Not exact matches

In a memo distributed to staff, Cooper said, «Kim's curatorial vision combines a voracious appetite for films across genres with a creative instinct for the work that will affect audiences and culture.

Paul Behnke's curatorial criteria for the show Eight Painters are compellingly straightforward: «an individual, rigorous vision; a certain ambition without regard for scale or a specific way of making a painting; and an abiding belief in the ability of paint - and specifically, the genre of abstraction - to best communicate the artist's appetite and inventiveness.»

Her independent curatorial projects focus on the visions, colors, histories and ideas shared between authors and artists, while her writing searches for what is lost and gained between text, image and object.

Known for over 25 years as a legendary director of exhibitions at Massachusetts College of Art and Design in Boston, Jeffrey Keough's innovative curatorial vision has connected local artists in the New England region with international artists such as Xu Bing, William Wegman, Kiki Smith, Tony Oursler, and many others, while tackling diverse historical, social, and political themes ranging from the Holocaust, to AIDS, to the bombing of Hiroshima.

Art in General will select artists based on artistic strength, vision, and professional capability, as well the artist's relevance to curatorial concepts identified for the upcoming programming at Art in General.

Anthony Elms (Associate Curator at the Institute of Contemporary Art in Philadelphia) organized his curatorial vision as an answer to the question architect Marcel Breuer posed in his notes for the plans for the Whitney Museum on Madison Avenue: «What should a museum look like, a museum in Manhattan?»

Critics lambasted Deitch for his curatorial vision, seen through the lens of an upcoming disco - themed exhibition and the cancellation of a major Richard Hamilton retrospective, travelling from the Tate.

MOCA's reputation for discerning curatorial vision immediately attracted the support of South Florida's community leaders.

Curtis arrived with a reputation for scholarship and curatorial vision, but her successor needs to come with a plan for pulling in many more punters.

Continental Shift - Artists from the African continent in Europe, Bonnefantenmuseum, Maastricht, The Netherlands Intelligence: New British Art 2000, Tate Britain, London South Meets West, Accra, Ghana and Kunsthalle, Bern, Switzerland 1999 From where - To here, Art from London, Konsthallen Göteborg, Sweden Kunstwelten im Dialog, Museum Ludwig, Cologne Missing Link, Museum of Arts, Bern, Switzerland Heaven, Kunsthalle Düsseldorf, Germany; Tate Gallery, Liverpool Mirror's Edge, Bild Museet, Umeå, Sweden; toured to Vancouver Art Gallery, Canada; Castello di Rivoli, Torino, Italy; Tramway, Glasgow; Charlottenborg, Copenhagen, Denmark Citibank Private Bank Photography Prize, Photographers» Gallery, London In the Midst of Things, Bournville Village, Birmingham Secret Victorians, Arts Council Touring Exhibition, Ikon Gallery, Birmingham; Firstsite, Colchester; Arnolfini, Bristol; Middlesborough Art Gallery; Museum and Art Gallery, Brighton; Armand Hammer Museum, Los Angeles, USA Sensation, Brooklyn Museum of Art, New York, NY, USA 1998 Cinco Continentes y una Ciudad, Museo de la Ciudad de México, México D.F. Personal Effects; Sculpture & Belongings, Spacex Gallery, Exeter; toured to Angel Row Gallery, Nottingham Ethno - antics, Nordic Museum, Stockholm, Sweden Crossings, National Gallery of Canada, Ottawa, Canada Liberating Tradition, Bard Center for Curatorial Studies, New York, NY, USA Transatlantico, Centro Atlantico de Arte Moderno, Canary Islands, Spain Beyond Mere Likeness: Portraits from Africa and the African Diaspora, Duke University Museum of Art, Durham, North Carolina, NC, USA Global Vision; New Art from the»90s, Deste Foundation, Athens, Greece 1997 Sensation: Young British Art from the Saatchi Collection, Royal Academy of Arts, London; toured to the National Gallery of Berlin, Germany and the Brooklyn Museum of Art, New York, NY, USA Portable Personal Histories Museum, Ikon Gallery, Birmingham Trade Routes: History and Geography, 2nd Johannesburg Biennale, South Africa Transforming the Crown: African, Asian and Caribbean Artists in Britain, 1966 - 1996, Caribbean Cultural Center / African Diaspora Institute, New York, NY; Studio Museum, Harlem, NY; the Bronx Museum of the Arts, New York, NY, USA Pictura Britannica, Museum of Contemporary Art, Sydney, Australia; toured to the Art Gallery of South Australia, Adelaide and the City gallery, Wellington, New Zealand What, Trinity Buoy Wharf, London 1996 Pledge Allegiance to A Flag?

Under the curatorial vision of Vallejo Gantner (Artistic Director 2005 — present) PS122 has developed a set of programs designed to re-establish the value of live performance, provide singular experiences for audiences that inspire critical thinking, and sustain the creative process for artists throughout their career.

I expected the experience of going through the archive to really suck, like an onerous homework assignment, but this magical thing happened... like when you're afraid to try karaoke and then when you do you have to be wrestled to the ground in order for someone else to take a turn... There were so many directions I could have taken — themes and filters I could have implemented to come up with a curatorial «vision.»

As the recipient of the sixteenth CCS Bard Award for Curatorial Excellence, Sussman is recognized for her dynamic curatorial vision and her dedication to Curatorial Excellence, Sussman is recognized for her dynamic curatorial vision and her dedication to curatorial vision and her dedication to the field.

«I am grateful to the Foundation for sharing their vision for a fellowship with CAC and enabling us to partner with them on a project and exhibition that recognizes and supports curatorial vision and talent.»

Goldstein's work represents the very best of curatorial vision and dedication, and CCS Bard is proud to name her as the recipient of the fifteenth CCS Bard Award for Curatorial Excellence, and the first given with the new Audrey Irmas Prize ofcuratorial vision and dedication, and CCS Bard is proud to name her as the recipient of the fifteenth CCS Bard Award for Curatorial Excellence, and the first given with the new Audrey Irmas Prize ofCuratorial Excellence, and the first given with the new Audrey Irmas Prize of $ 25,000.

She is a nominee for the 2016 Independent Curators International Independent Vision Curatorial Award and a part of MoMA's 2016 International Curatorial Institute.

Appointed as director / consultant curator for the next three years, I guided that institution on matters regarding its building development, curatorial and policy development, training, staffing, vision and mission statement until its opening in June 2003.

EXHIBITIONS / SCREENINGS / READINGS (* solo or two - person) Apparatus for a Utopian Image 2.0, Center and Foundation for Contemporary Arts, Prague, 2018 CV, YYZ Artist's Outlet, Toronto, 2017 * Artist's Rendering (DISTRESSED, RELAXED), AXENÉO7, Quebec, 2017 * You can tell that i'm alive and well because I weep continuously, Knockdown Center, New York, 2017 Apparatus for a Utopian Image, Elizabeth Foundation for the Arts Project Space, New York, 2016 Self - Titled (Materials for a 21st Century Room — or SWAMPED, EXHAUSTED, HESITATING), 8 - 11, Toronto, 2016 * Self - Titled (w / Aryen Hoesktra & Shane Krepakevich), Modern Fuel, Ontario, 2016 Local Tide (curated by PARALLELOGRAMS and Francesca Capone), S1, Portland OR, 2016 Double Visions, Elizabeth Foundation for the Arts Project Space, New York, 2015 From Line to Constellation, Granoff Center, Providence, 2015 Maximum Sideline: Postscript, Proxy, Providence, 2015 Use Values, SPRING / BREAK Art Show, New York, 2015 An Earthquake at the Race Tracks, Museo de la Cuidad, Santiago de Querétaro, Mexico, 2014 Classroom, NY Art Book Fair, PS1, New York, 2014 Almost Everything, Eric Arthur Gallery, Toronto, 2014 Milieu, Skol Centre des Arts Actuel, Montreal, 2013 * More Than Two (Let It Make Itself)[w / Josh Thorpe], The Power Plant, Toronto, 2013 Cultural Fluency, BRIC Rotunda Gallery, Brooklyn, 2013 Sediment, G Gallery, Toronto, 2012 Survive.Resist, CAFKA Biennial, Kitchener - Waterloo, Canada, 2011 On Printed Matter, [w / Josh Thorpe], Printed Matter, New York, 2011 * Around YYZ [w / Josh Thorpe], YYZ Artist's Outlet, Toronto, 2010 - 11 * House Broken, Flux Factory, NY 2010 Reading the Garden [w / Josh Thorpe], Toronto Sculpture Garden, Toronto, 2010 * Titles, Art Metropole, Toronto, 2009 On Convenience [w / Josh Thorpe], Convenience Gallery, Toronto, 2009 * Vehicle [organized by WayUpWayDown curatorial collective], Nuit Blanche, Toronto, 2008 ERI 3: Eyelevel Re-Shelving Initiative, Eyelevel Gallery, Halifax, 2008 AT WORK, Toronto Free Gallery, Toronto, 2007 Rip Current, Eyelevel Gallery, Halifax, 2007 Tales from the Cyclop's Library, Third Space Gallery, Saint John, 2007 Unsurprising Geographies [w / Andrea Williamson], Eyelevel Gallery, Halifax, 2006 Alectric 3, Alectric Audio [online exhibition] 2006 a / s / l, Anna Leonowens Gallery, Halifax, 2006 * RESIDENCIES Interrupt 3, Brown University, Rhode Island 2015 SHIFT, Elizabeth Foundation for the Arts, New York, 2014 - 15 Artist - in - Residence, Workspace, Lower Manhattan Cultural Council, 2013 - 14 Visiting Scholar, NYU Advanced Media Studio, 2013 - 14 The Decapitated Museum, The Banff Centre, 2012 Making Artistic Inquiry Visible, The Banff Centre, 2008 AWARDS Canada Council for the Arts, Research and Creation, 2018 - 19 Banff Centre, Residency Scholarship — The Decapitated Museum, 2012 Foundation for Contemporary Art, Emergency Grant, 2011 Ontario Arts Council, Exhibition Assistance Grant, 2011 Ontario Arts Council, Exhibition Assistance Grant, 2009 University of Toronto, Graduate Fellowship, 2007 - 09 Social Sciences and Humanities Research Council, Canada Graduate Scholarship, 2007 - 08 Banff Centre, Residency Scholarship — Making Artistic Inquiry Visible, 2008 University of Toronto, David Buller Memorial Scholarship, 2007 NSCAD University, Simon Chang and Phyllis Levine Foundation Scholarship, 2006 New Brunswick Arts Board, Arts Scholarship, 2005 WRITING «Panorama of Our,» Plot, Claudia Weber, ed., 2015 «Anodyne: or X of Demarcation,» Rearviews II, Xenia Benivolski & Danielle St - Amour, eds., 2014 «On Printed Matter» Artefact:, C Magazine C122, 2014 «Lana Turner Has Collapsed!

Providing both a catalyst as well as a visual metaphor for the curatorial vision and conceptual origin of the show, the gallery's walls will feature socio - political maps inspired by artist Miguel Covarrubias.

The Menil Collection and Foundation this year established the Walter Hopps Award for Curatorial Achievement, which will recognize organizers of exhibitions reflecting Hopps» vision and spirit of innovation.

As the artistic director at McColl Center for Art + Innovation, she supervised the artist residency program, provided curatorial oversight for exhibitions and public engagement, and contributed to the Center's visioning process.

In 2012 he was co-recipient of the Independent Vision Award for Curatorial Achievement, awarded by Independent Curators International, New York.

Doryun Chong, Associate Curator of Painting and Sculpture at MoMA, received the first Independent Vision Curatorial Award in 2010 for his multiple, global understandings of artworks and their contexts, including his groundbreaking lexicon on Huang Yongping's complex web of meanings, intentions, history, conflict, and culture.

The 2014 Independent Vision Curatorial Award Nominating Committee includes: Zdenka Badovinac: Director, Moderna galerija, Ljubljana (Slovenia); Iwona Blazwick: Director, Whitechapel Gallery (UK); Zoe Butt; Executive Director and Curator, Sàn Art (Vietnam); Rosina Cazali: Independent Curator (Guatemala); Reem Fadda: Associate Curator, Middle Eastern Art, Abu Dhabi Project, Solomon R. Guggenheim Foundation (UAE); Gridthiya Gaweewong; Artistic Director, Jim Thompson Art Center (Thailand); Abdellah Karroum: Founding Artistic Director of L'appartement 22 (Qatar); Koyo Kouoh: Artistic Director, Raw Material Company (Senegal); Michy Marxuach: Co-director of Beta - Local (Puerto Rico); Riason Naidoo: Independent Curator (South Africa); Valerie Cassel Oliver: Senior Curator, Contemporary Arts Museum Houston (US); José Roca: Estrellita B. Brodsky Adjunct Curator of Latin American Art, Tate Modern, London, and Artistic Director of FLORA, Bogotá, Colombia; Claire Tancons: Curator (US); Philip Tinari: Director, Ullens Center for Contemporary Art (China).

Funded by the Hong Kong Arts Development Council (HKADC) and private donations, it seeks to establish and maintain a platform for artists and other art practitioners to realize their vision in relation to their immediate and extended communities through the production of artistic works, exhibitions and curatorial projects as well as through dialogue, critical analysis, publications, research, education and cultural exchange.

The inaugural issue, the yearbook for 2014/2015, consists of 240 pages, no adverts, no curatorial self - fulfilment, only the contributing artists» thoughts, visions and ideas, offering original and credible insights into art scenes around the world.

Now that the forum's acquisitions have been displayed together for the first time, we begin to see the curatorial vision of a program that creates a sense of ownership for participating forum members and patrons.

Eva Wittocx (Curator of Museum M, Leuven and frequent contributor to art publications such as Flash Art) Martin Germann (Senior curator at S.M.A.K, Stedelijk Museum voor Actuele Kunst, Ghent, and regular contributor to exhibition catalogues and magazines) Nav Haq (Belgian - based exhibitions curator at Museum of Contemporary Art, M HKA, Antwerp; curatorial advisor for the Guggenheim Abu Dhabi and Iberia Art Center in Beijing; contributor to Art Review, Bidoun, Frieze, and Yishu: Journal of Contemporary Chinese Art; winner of ICI's 2012 Independent Vision Curatorial Award) Piet Coessens (Director of Raveelmuseum in Machelen - aan - de-Leie) Sophie Lauwers (Deputy Director of Exhibitions at BOZAR, writer) Joel Benzakin (Independent curator who worked on the Belgian Pavilion at the 52nd Venice Biennale, with BOZAR and renowned galleries) Luk Lambrecht (Director and curator of visual arts and dance at Strombeek Cultural Center and art critic for Knack Weekend, De Morgen, Knack, and curatorial advisor for the Guggenheim Abu Dhabi and Iberia Art Center in Beijing; contributor to Art Review, Bidoun, Frieze, and Yishu: Journal of Contemporary Chinese Art; winner of ICI's 2012 Independent Vision Curatorial Award) Piet Coessens (Director of Raveelmuseum in Machelen - aan - de-Leie) Sophie Lauwers (Deputy Director of Exhibitions at BOZAR, writer) Joel Benzakin (Independent curator who worked on the Belgian Pavilion at the 52nd Venice Biennale, with BOZAR and renowned galleries) Luk Lambrecht (Director and curator of visual arts and dance at Strombeek Cultural Center and art critic for Knack Weekend, De Morgen, Knack, and Curatorial Award) Piet Coessens (Director of Raveelmuseum in Machelen - aan - de-Leie) Sophie Lauwers (Deputy Director of Exhibitions at BOZAR, writer) Joel Benzakin (Independent curator who worked on the Belgian Pavilion at the 52nd Venice Biennale, with BOZAR and renowned galleries) Luk Lambrecht (Director and curator of visual arts and dance at Strombeek Cultural Center and art critic for Knack Weekend, De Morgen, Knack, and Flash Art)

Comparisons and sources aside, Anna - Bella Papp has seized on an original aesthetic vision that does credit to the Nasher curatorial staff for choosing it for this inaugural exhibition.

Ayas occasionally contributes to publications such as Yishu Journal, A Prior, Mousse and Creative Time Reports, and was nominated for ICI ¹ s Independent Curatorial Vision Award in 2012.

The Museum's curatorial staff — Lynn Gumpert and Ned Rifkin, along with Marcia Tucker — organize «Paradise Lost / Paradise Regained: American Visions of the New Decade» for the American Pavilion at the 41st Venice Biennale.

1998 Cinco Continentes y una Ciudad, Museo de la Ciudad de México, México D.F. 1998 Personal Effects; Sculpture & Belongings, Spacex Gallery, Exeter; toured to Angel Row Gallery, Nottingham 1998 Ethno - antics, Nordic Museum, Stockholm, Sweden 1998 Crossings, National Gallery of Canada, Ottowa, Canada 1998 Liberating Tradition, Bard Center for Curatorial Studies, New York, NY, USA 1998 Transatlantico, Centro Atlantico de Arte Moderno, Canary Islands, Spain 1998 Beyond Mere Likeness: Portraits from Africa and the African Diaspora, Duke University Museum of Art, Durham, North Carolina, NC, USA 1998 Global Vision; New Art from the «90s, Deste Foundation, Athens, Greece

The Senior Curator will be directly responsible for initiating, curating and delivering exhibitions of excellence; a strong, original, insightful and responsive curatorial vision is sought.

Yildiz was a nominee for ICI's Independent Curatorial Vision Award in 2012.

Her «all - in» approach to building a bridge between the artists represented in her gallery and the audience that identifies with her curatorial vision has been recently recognised in the form of a nomination for the first - ever VBKI - Preis Berliner Galerien.

Independent Curators International announced 12 nominees for its 2016 Independent Vision Curatorial Award.

The 2016 Gerrit Lansing Independent Vision Curatorial Award Nominating Committee is comprised of: Omar Berrada, Writer, translator, and curator; Joselina Cruz, Director and Curator at the Museum of Contemporary Art and Design (MCAD), De La Salle - College of Saint Benilde, Manila; Elvira Dyangani Ose, Lecturer in Visual Cultures at Goldsmiths, independent curator and member of the Thought Council at the Fondazione Prada, Milan; Ruth Estévez, Director & Curator, Gallery at REDCAT, Los Angeles; Sam Bardaouil and Till Fellrath, Independent curators and academics, Co-founders of the multidisciplinary curatorial platform Art Reoriented, Munich and New York; Julieta González, Chief Curator / Interim Director, Museo Jumex, Mexico, and Adjunct Curator of Modern and Contemporary Art, Museu de Arte de São Paulo (MASP), Brazil; Susan Hapgood, Executive Director, International Studio & Curatorial Program, New York; Aileen Burns and Johan Lundh, Executive Co-Directors of the Institute of Modern Art, Brisbane; Lucía Sanromán, Director of Visual Arts, Yerba Buena Center for the Arts, San Francisco; Sally Tallant, Director, Liverpool Biennial; Emiliano Valdés, Chief Curator, Museum of Modern Art, Medellín; and Jochen Volz, Curator of the 32nd Bienal de São Paulo 201Curatorial Award Nominating Committee is comprised of: Omar Berrada, Writer, translator, and curator; Joselina Cruz, Director and Curator at the Museum of Contemporary Art and Design (MCAD), De La Salle - College of Saint Benilde, Manila; Elvira Dyangani Ose, Lecturer in Visual Cultures at Goldsmiths, independent curator and member of the Thought Council at the Fondazione Prada, Milan; Ruth Estévez, Director & Curator, Gallery at REDCAT, Los Angeles; Sam Bardaouil and Till Fellrath, Independent curators and academics, Co-founders of the multidisciplinary curatorial platform Art Reoriented, Munich and New York; Julieta González, Chief Curator / Interim Director, Museo Jumex, Mexico, and Adjunct Curator of Modern and Contemporary Art, Museu de Arte de São Paulo (MASP), Brazil; Susan Hapgood, Executive Director, International Studio & Curatorial Program, New York; Aileen Burns and Johan Lundh, Executive Co-Directors of the Institute of Modern Art, Brisbane; Lucía Sanromán, Director of Visual Arts, Yerba Buena Center for the Arts, San Francisco; Sally Tallant, Director, Liverpool Biennial; Emiliano Valdés, Chief Curator, Museum of Modern Art, Medellín; and Jochen Volz, Curator of the 32nd Bienal de São Paulo 201curatorial platform Art Reoriented, Munich and New York; Julieta González, Chief Curator / Interim Director, Museo Jumex, Mexico, and Adjunct Curator of Modern and Contemporary Art, Museu de Arte de São Paulo (MASP), Brazil; Susan Hapgood, Executive Director, International Studio & Curatorial Program, New York; Aileen Burns and Johan Lundh, Executive Co-Directors of the Institute of Modern Art, Brisbane; Lucía Sanromán, Director of Visual Arts, Yerba Buena Center for the Arts, San Francisco; Sally Tallant, Director, Liverpool Biennial; Emiliano Valdés, Chief Curator, Museum of Modern Art, Medellín; and Jochen Volz, Curator of the 32nd Bienal de São Paulo 201Curatorial Program, New York; Aileen Burns and Johan Lundh, Executive Co-Directors of the Institute of Modern Art, Brisbane; Lucía Sanromán, Director of Visual Arts, Yerba Buena Center for the Arts, San Francisco; Sally Tallant, Director, Liverpool Biennial; Emiliano Valdés, Chief Curator, Museum of Modern Art, Medellín; and Jochen Volz, Curator of the 32nd Bienal de São Paulo 2016, Brazil.

She was the curatorial lead for the 2016 reinstallation of the contemporary craft permanent collection galleries and for the exhibition «Visions and Revisions: The 2016 Renwick Invitational.»

The Walter Hopps Award for Curatorial Achievement has been established by the Menil Collection and Foundation to recognize individuals «whose exhibitions reflect the vision, spirit and innovation that have been at the heart of Walter's curatorial skills,» said Menil Collection director NCuratorial Achievement has been established by the Menil Collection and Foundation to recognize individuals «whose exhibitions reflect the vision, spirit and innovation that have been at the heart of Walter's curatorial skills,» said Menil Collection director Ncuratorial skills,» said Menil Collection director Ned Rifkin.

Works from The Lord Jacobs Collection chart a family's curatorial vision that responded to their home and their passion for the arts

His visit was in preparation for Andrew W. Mellon Postdoctoral Curatorial Fellow Ellen Tani's spring exhibition, «Second Sight: The Paradox of Vision in Contemporary Art,» which will feature an installation by Papalia.

SOMArts Curatorial Residency Program is a unique opportunity for emerging artists and curators to execute their bold vision for our Main Gallery space.

This person will be responsible for the curatorial vision of the institution and will be a senior leader across the organization.