Sentences with phrase «curatorial work focuses»

Her curatorial work focuses on artists of the African Diaspora and the Global South, including the

Her curatorial work focuses on engaging audiences and fostering critical discussions around popular culture.

Her curatorial work focuses primarily on research - based commissions with artists in museum contexts and increasingly in public space.

Her curatorial work focuses on artistic production from the neo avant - garde until today, particularly rooted in global art histories, the intersections of sound and performance with traditional media, and the function of contemporary art within encyclopedic museums.

Her scholarly and curatorial work focuses on artists of the African Diaspora and the Global South.

Her scholarly and curatorial work focuses on artists of the African Diaspora and the Global South, including the Blackness in Abstraction exhibition and catalogue for Pace Gallery and 1:54 PERFORMS for the 1:54 Contemporary African Art Fair.

Her curatorial work focuses on the research and documentation of video art, including projects such as Videostoria, the first exhibition series to systematically survey the history of the projected image in Israeli art.

Her curatorial work focuses on artists of the African Diaspora and the Global South, including a recent Curatorial Fellowship awarded for Research supported by the Warhol Foundation to investigate approaches to experimentation in interdisciplinary art in Africa, and 1:54 PERFORMS for the 1:54 Contemporary African Art Fair.

Atkinson was previously the curator of the Bellevue Arts Museum in Bellevue, Washington (2006 - 2014) where her curatorial work focused on art, craft and design.

Not exact matches

The Focus artists are selected by the guest curator from proposals and receive an honorarium and curatorial guidance to create new work to debut at the exhibition.

Tony Greene Movie (2014 — 16) similarly explores the blurry work - play balance of artistic labor via a visit to New York by Neff's boyfriend that coincides with the planning and execution of Neff's curatorial project focused on the painter Tony Greene at a Chicago gallery.

Her curatorial vision focuses on bridging interdisciplinary works and has been exhibited at Select Fair (2014) and Gallery Sensei (2014 - 2015).

Focusing on art, architecture and sound linked to feminist and socio - political discourses, Bauer's curatorial work includes the exhibition First Story — Women Building / New Narratives for the 21st Century (2001) for the European Cultural Capital.

Bollman's curatorial method, while direct and simple, seems to focus the small space and the exhibited work into a short and easily read phrase.

Her curatorial work and research focuses on contemporary art and modern and contemporary art of the Americas.

Tara McDowell's curatorial work has focused recently on speculative histories, experimental pedagogy, and public space.

His curatorial projects focus on contemporary art, with a special emphasis on the exploration of identity, technology, photo - based work, and urban culture.

Curatorial Approach: Golden's exhibitions tend to focus on emerging African American artists, considering their work within nuanced conceptual and theoretical groupings.

How do you feel your work responds to Macel's overall curatorial theme for Viva Arte Viva, an exhibition focusing on art and artists via a story told in nine chapters ending in the Pavilion of Time and Infinity where your work sits?

Each of the eight partnering institutions presents a distinct exhibition of work by artists connected to the Pittsburgh region, reflecting each organization's curatorial focus.

The curatorial method applied allows for the resonances between artists to be explored, while also allowing in - depth focus on individuals who have either had longer careers (Sam Gilliam, b1933, Charles Gaines, b1944) or whose work has developed in a particularly singular style (Lynette Yiadom - Boakye, b1977).

The training and focus of her curatorial work has been museum based and even traditional at times but she also has been invested in keeping alive a tradition of curatorial and institutional self - reflection that was initiated by the artists and curators of Institutional Critique — a big influence for Kroksnes.

She is co-founder of 1@111, a series of process - oriented conversations that focus on a single work, text, curatorial premise or proposition.

Judd Foundation and The Center for Curatorial Studies, Bard College (CCS Bard) are pleased to announce an educational partnership with a series of public events and discussions at 101 Spring Street, focusing on the legacy of Donald Judd's work, particularly the importance of writing in relationship to art and curatorialCuratorial Studies, Bard College (CCS Bard) are pleased to announce an educational partnership with a series of public events and discussions at 101 Spring Street, focusing on the legacy of Donald Judd's work, particularly the importance of writing in relationship to art and curatorialcuratorial practice.

One of the questions that shaped this exhibition early on was whether the customary curatorial approach of P.S. 1, with its fast - paced process and focus on living artists as well as the rustic architecture of the former schoolhouse, would offer a different visual setting for work ordinarily seen in the minimal white galleries of MoMA.

The Judd / CCS Bard partnership will begin in Fall 2014, and continue through the Spring of 2015, with a series of public events and discussions focusing on the legacy of Donald Judd's work and particularly the importance of writing in relationship to art and curatorial practice.

The second - year practicum runs over two semesters and develops a focused engagement with the conceptual and methodological foundations of students» thesis work, as well as the role of mediation and public programming in curatorial practice.

Guggenheim Ramps Up Its Focus on China — The New York museum will begin commissioning new work from artists in China, Hong Kong, Macau, and Taiwan and also create a new curatorial position devoted to contemporary Chinese art after receiving a $ 10 million grant from the Hong Kong - based Robert H. N. Ho Family Foundation, which was also the lead sponsor of the museum's 2008 Cai Guo - Qiang exhibition.

Upon completing her Curatorial Masters at the Chelsea College of Art and Design, London, she was awarded a two - year Fellowship for Cultural Innovation and most recently worked as a Robert Bosch fellow, with a focus on Tirana and South Eastern Europe and «art after the end of the grand narratives».

Like their eponymous gallery in Turin, founded in 1986, Mazzoleni will continue to present a curatorial programme focussed on museum calibre Post-War Italian Art, working in close collaboration with artists» estates and foundations.

As the University Museum of Contemporary Art's first Curatorial Fellow, Kathleen Banach (M.A. candidate in Art History «09) will work in consultation with the staff of the University Museum of Contemporary Art and art history professor Mario Ontiveros to focus her research on these photographs.

Also working in sculpture and installation, Kapwani's work «greatly and intentionally confuses truth and fiction in order to unsettle hegemonic narratives» such that they «let a marginal discourse flourish,» in the words of curatorial duo Julia Grosse and Yvette Mutumba, who named her the commissioned artist of the 2016 Armory Show Focus.

ARTREVIEW: I read online that your curatorial concept for the 8th Berlin Biennale focuses on the work of the nineteenth - century German scientists Alexander and Wilhelm von Humboldt.

While, intentionally, the core exhibition doesn't present a single theme, Macel sorted the works on view into nine chapters, which she calls Trans - Pavilions, each featuring a trans - national selection of different artists based on similarities and consonances in approach, personality, influences, and creative vision, thus focusing more on art and artists than on a theoretical, superimposed curatorial subject.

Jeanne Brasile's curatorial practice is focused on working with emerging and mid-career artists in non-profit venues.

Over the length of this one week exhibition, evening events focused on the issues of curatorial work and exhibitions, as well as artists» video projections and performances have been programmed through the 700m ² space.

Following a period working with gallerist and leading secondary market dealer, Emily Tsingou, she moved on to be programme director at Alison Jacques Gallery, focusing on cultivating relationships with artists and fostering commercial and curatorial context for their work.

Although teaching has played a significant role in my professional career, since gaining my Ph.D. in 1994, the focus of my work has been on consultancy and curatorial projects and I have worked for a number of agencies, galleries and museums as an independent consultant.

Her curatorial work and research focuses on modern and contemporary art of the Americas.

The curatorial focus of the Gallery includes painting, sculpture, photography, architecture, design, video, sound, electronic, performance, and installation works.

Her work focuses on managing visual arts projects and research for publishing and curatorial purposes.

Alexandra Picard Originally from France, Picard is a practicing artist whose work and curatorial projects focus on the integration of art and life through structural works that convey a sense of journey, perception and discovery.

His curatorial and editorial work focuses on long - term research based on and balanced between presentations of historical and contemporary artistic positions.

This collaborative approach helped define a heterogeneous program, as well as a curatorial process focused on optimizing the conditions around artistic production when commissioning new works.

A first part dedicated to forewords, introduction and curatorial texts is followed by a section focusing on the work of the artists.

As a project that emerged from Buenfeld's curatorial residency with AIT last year, and her ongoing research, «At the still point of the turning world...» is a selection of works that proposes questions about sculptural and dynamic form with a particular focus on dance and ceramics - two craft traditions with a strong historical and contemporary presence in Japan.

His curatorial interests are focused on theories and practices of decolonization and he prefers to work in unorthodox spaces.

Following a period working with gallerist and leading art consultant Emily Tsingou, she moved - on to be Programme Director at Alison Jacques Gallery, focusing on cultivating relationships with artists and fostering commercial and curatorial context for their work.

Rather than attract buyers with extra events and increased curatorial might, the fair seems focused instead on quality and quantity, moving the artists that will sell easily, and working to establish ties to make the next time around even easier to make a sale.

A renewed curatorial interest has grown around his work in the decade since his death, including a new focus on the works on canvas from the 1980s.