Sentences with phrase «curatorial work for»

His curatorial work for «Skin Fruit: Selections from the Dakis Joannou Collection,» shown at the New Museum, has elicited many bad reviews.

From the late 1940s through the 1970s, Penrose dedicated most of his time to curatorial work for the ICA.

Dr. Eyerman's experience also includes strategic and curatorial work for the Natural History Museum of Los Angeles County.

Previous to his curatorial work for The Ogden, he lived in New York City where he worked for numerous art galleries and museums including — The International Center for Photography, Robert Miller Gallery and the El Museo del Barrio.

She will take up issues such as the curatorial work structure in European museums compared to independent curatorial work for biennials.

Not exact matches

In a memo distributed to staff, Cooper said, «Kim's curatorial vision combines a voracious appetite for films across genres with a creative instinct for the work that will affect audiences and culture.

I worked in the curatorial department at the Guggenheim for several years, before I realized I needed to really DO something.

Panel: «Panel Discussion on CCA Lagos» at International Studio & Curatorial Program For its annual institution - in - residence program, the International Studio & Curatorial Program invited the Center for Contemporary Art, Lagos in Nigeria to show work in BrooklFor its annual institution - in - residence program, the International Studio & Curatorial Program invited the Center for Contemporary Art, Lagos in Nigeria to show work in Brooklfor Contemporary Art, Lagos in Nigeria to show work in Brooklyn.

Talk: Haim Steinbach and Remy Jungerman at International Studio & Curatorial Program As part of the talks series «Brooklyn Commons,» which is put on by the International Studio & Curatorial Program, artists Haim Steinbach and Remy Jungerman will discuss their work, which often involves recontextualizing found objects to conjure new meanings for them.

Hunter writes: «In the show, twelve recent, mostly large - scale, conventionally stretched works share fast - looking brush strokes; few visible layers of oil or acrylic; a graphic, flat appearance that emphasizes surface; and the impression — confirmed in the curatorial statement — that these paintings did not take long to make... The works in the exhibition raise the question, for me, of what it is that we value about painting right now — where we locate meaning and value in paintings made quickly.»

First - year graduate students at the Center for Curatorial Studies at Bard College (CCS Bard) work with Bernd Krauss, artist - in - residence at the Center this fall, to create a process - oriented and heterogeneous exhibition at the Woodstock Byrdcliffe Guild employing a wide range of media and extending beyond the physical space of the gallery.

Curated by 8 first - year graduate students at the Center for Curatorial Studies, In a Room Anything Can Happen presents work by more than 30 artists in the Marieluise Hessel Collection.

Including work by Spencer Finch, Lisi Raskin, Pietro Roccasalva, and a program of videos from Electronic Arts Intermix selected by students of the Center for Curatorial Studies.

CHICAGO — Gallery co-founder and co-owner John Corbett featured in the Chicago Tribune for curatorial work.

Work / Study Opportunities for Purchase College Students Work / Study, a Federal program administered through Financial Aid Department, provides opportunities in various departments of the Neuberger Museum, i.e. education, marketing, development, curatorial, visitor services, exhibition assistant and museum shop.

Her curatorial work focuses on artists of the African Diaspora and the Global South, including a recent Curatorial Fellowship awarded for Research supported by the Warhol Foundation to investigate approaches to experimentation in interdisciplinary art in Africa, and 1:54 PERFORMS for the 1:54 Contemporary Africancuratorial work focuses on artists of the African Diaspora and the Global South, including a recent Curatorial Fellowship awarded for Research supported by the Warhol Foundation to investigate approaches to experimentation in interdisciplinary art in Africa, and 1:54 PERFORMS for the 1:54 Contemporary AfricanCuratorial Fellowship awarded for Research supported by the Warhol Foundation to investigate approaches to experimentation in interdisciplinary art in Africa, and 1:54 PERFORMS for the 1:54 Contemporary African Art Fair.

Over the years, Arnett has «discovered» a number of self - taught African American artists from the South whose work he collected, promoted, and sought scholarly and curatorial recognition for.

Find out more about NYFA's Curatorial Services for organizations and the NYSCA / NYFA Artist Fellowship Program, a $ 7,000 unrestricted cash grant awarded to individual artists living and working in the state of New York.

Membership includes invitations to exclusive biannual meetings and receptions; direct contact with the ICA's curatorial staff offers an inside look at goals for the ICA Collection, art - world trends, and works being considered for acquisition.

In addition to the thesis exhibitions, Amada Cruz, director of the Center for Curatorial Studies Museum, has curated an exhibition of works from the Center's permanent collection.

This one - year appointment, eligible for a one - year renewal, provides the opportunity to gain firsthand experience and professional training in curatorial work and in the study and connoisseurship of old master and nineteenth - century drawings.

Three exhibitions - Assemblance; If it's not love, it's the bomb; and s u s p e n d e d s t a t e - of works drawn from the permanent collection of the Center for Curatorial Studies, curated by first - year graduate students.

Three exhibitions — Assemblance; If it's not love, it's the bomb; and s u s p e n d e d s t a t e — of works drawn from the permanent collection of the Center for Curatorial Studies, curated by first - year graduate students.

Prior to moving to the Bay Area, Lehtinen worked for several museums in both education and curatorial departments, including the Art Institute of Chicago, Solomon R. Guggenheim Museum, J. Paul Getty Museum, and Skirball Cultural Center.

2 pm: Laura Vookles, Chair of the Curatorial Department, and Assistant Curator Ted Barrow will explore works on view in the permanent collection as well as the HRM Object of the Month for May, Samuel Colman's «Moonlight in Venice.»

The Jewish Museum receives many inquiries from artists regarding proposed acquisitions, and its curatorial staff is always interested in reviewing work for potential acquisition or exhibition.

Artists» Proof has been established to provide curatorial support for contemporary artists to develop new work and ambitious projects.

Antonio Sergio Bessa, writer, poet, curator, and the Bronx Museum's director of curatorial and educational programs, partnered with Jessamyn Fiore, the co-director of the Estate of Gordon Matta - Clark and frequent exhibitor of his work, for Anarchitect.

SPRAWL Co-curated by former Houston Center for Contemporary Craft curatorial fellow Susie J. Silbert and former HCCC curator Anna Walker, SPRAWL explores the urban landscape with works by 16 artists presented in three thematic sections loosely based on the three phases of urban growth.

Focusing on art, architecture and sound linked to feminist and socio - political discourses, Bauer's curatorial work includes the exhibition First Story — Women Building / New Narratives for the 21st Century (2001) for the European Cultural Capital.

Join curatorial assistant Laura Phipps, who worked closely with curator Scott Rothkopf and the artist, for a special exploration of this exhibition.

He was part of the curatorial team for the Met's Regarding Warhol: Sixty Artists, Fifty Years (2012), which traveled to the Andy Warhol Museum in Pittsburgh, and worked on the Museum's presentations of Ellsworth Kelly Plant Drawings (2012); Richard Serra Drawing (2011); John Baldessari: Pure Beauty (2010); Francis Bacon: A Retrospective (2009); and Jasper Johns: Gray (2008).

Currently the Director / Curator of PLATFORM: centre for photographic + digital arts, Kegan found himself in New York City this past June as a participant in the inaugural Curatorial Intensive with Independent Curators International, where he work - shopped the exhibition Cabin Fever, which opened at PLATFORM in October.

Although some of the work was more painterly, I wondered if symbolism and narrative were on the rise or whether the members of Volta's curatorial committee simply had a personal preference for the figure.

Her role will also consist in devising and leading innovative curatorial projects which investigate how museums and collections can work collaboratively with contemporary artists to address diverse audiences for visual art in Britain.

Similarly nomadic, artists and curatorial duo Kieran Leach and Precious Innes, working under the moniker Show.me.up, have taken up residence in the Paradise Works project space with their first exhibition «Tipping the Scales», which looks at work - life balance, and how for artists the two often overlap and become inseparable.

For the past five years she has worked at David Zwirner gallery while also taking on independent curatorial projects.

Organized by Dena M. Woodall, associate curator of prints and drawings, and curatorial assistant Lauren Rosenblum, the exhibition features 20th - century prints from the permanent collection selected by artists known for their work in other disciplines — specifically sculpture, photography, painting, installation, and dance.

In addition, he will work with the executive staff and across curatorial departments to develop plans for a reinstallation of the permanent collection galleries in 2018 and to organize an ambitious schedule of special exhibitions.

Plush, crafty, lezzy, freaky, fun — that's the work of artist Allyson Mitchell, who recently spent six months in Brooklyn on a residency at the International Curatorial and Studio Program ICSP on a Canada Council for the Arts Grant.

As their Hyundai commission opens to the public at Tate Modern, the artists collective explore shifting perception and parallel reality in works of art with Reem Fadda, recipient of the 2017 Walter Hopps Award for Curatorial Achievement, and curator of the inaugural exhibition at the Palestinian Museum, Ramallah.

For this three - day event, young galleries, not - for - profit projects, artist - run spaces and independent curatorial projects will be open to the public with special events and exhibitions of woFor this three - day event, young galleries, not - for - profit projects, artist - run spaces and independent curatorial projects will be open to the public with special events and exhibitions of wofor - profit projects, artist - run spaces and independent curatorial projects will be open to the public with special events and exhibitions of work.

Throughout the gallery the visitor experiences differing gallery spaces which will provide a varied experience and provide functional flexibility and a varied palette with which the curatorial team can work, catering for the display of work in an intimate, traditional as well as a large public spectacle capacity.

From 2008 to 2011, Keith worked as a curatorial fellow at the Hammer Museum in Los Angeles, serving as the primary contact for the groundbreaking exhibition «Now Dig This!

«Museums are here to show works that are difficult, uncomfortable, provocative,» said Tom Eccles, executive director of the Center for Curatorial Studies at Bard College.

This access, which has broadly democratized the field, has created not only a larger and more engaged audience for this kind of art, but has also created more opportunities for this work to be contextualized within the larger narratives of contemporary art, as can be seen in the various approaches of curators such as Lynne Cooke, Massimiliano Gioni and Daniel Baumann, for example, all of whom have, in different ways, framed the work of self - taught artists within their curatorial projects.

Curatorial initiatives included The Prudential Eye Zone, which offered for sale, highlighted works from the Eye Programme of exhibitions.

Works from the Collection of Martin and Rebecca Eisenberg, Center for Curatorial Studies at Bard College, Annandale - on - Hudson The Library of Babel / In and Out of Place (curated by Anna - Catharina Gebbers), Zabludowicz Art Projects, London

In this conversation, Curatorial Assistant Ali Demorotski will discuss the new installations in our North Exhibition Gallery, including works on view for the first time by twentieth - century artist Elsie Driggs.

thru 3/11; New Pictures thru 3/3; Etc. / MoMA PS1 / 22 - 25 Jackson / Long Island City Donut Muffin curated by J. Duffett & T. Gonzales / Dorsky Curatorial Programs / 11 - 03 45th Ave., Long Island City / thru 3/10 How Much Do I Owe You / No Longer Empty @ The Clock Tower / 29 - 27 41st Ave., Long Island City / thru 3/13 Nancy Dwyer; Visual Conversations / Fisher Landau Center for Art / 38 - 27 30th Long Island City, Queens / thru 4/7 Emerging Artist Fellowship / Socrates Sculpture Park / 32 - 01 Vernon Blvd. / LIC / thru 3/31 Process and Progress: Engaging in Community Change / Bronx River Art Center / 305 E 140 / The Bronx / thru 5/30 Joan Semmel / Bronx Museum / 1040 Grand Concourse, The Bronx / thru 6/9 Contemporary Cartographies / Lehman College / Bedford Park Blvd West, The Bronx / 2/5 thru 5/11 Reception 3/18 Vital Signs: Dean Dempsey; Susan Fenton, Amy Jenkins; Lorie Novak; Dread Scott / Pelham / 155 Fifth Ave. / Pelham / thru 3/30 OTHER: Walter De Maria / The Broken Kilometer / DIA / 393 West Broadway / ongoing Walter De Maria / The New York Earth Room / DIA / 141 Wooster / ongoing A. Ruppersberg; R. Artschwager; El Anatsui; V. Overton; S. Finch; T. Houseago; Lilliput (group) / High Line Park Leo Villareal / Madison Square Park / thru 2/15 Sandra Gibson & Luis Recoder / Madison Square Park / thru 4/5 Opening 3/1 Monika Sosnowska / Public Art Fund / Doris C. Freeman Plaza: 5th Avenue @ 60th / thru 2/17 Mark di Suvero / Brooklyn Bridge Park Pier 1 / ongoing Oscar Tuazon / Public Art Fund / Brooklyn Bridge Park / thru 4/26 SELECTED EVENTS: Monday, 2/4, 6:30 PM / David Diao on Barnett Newman / DIA / 535 W 22 — floor 5 / $ Tuesday, 2/5, 6:30 PM / Donald Baechler on his work / New York Studio School / 8 W 8 / FREE Tuesday, 2/5, 7 PM / Vitaly Komar on his work / SVA / Amphitheater / 209 E 23 / FREE Tuesday, 2/5, 8 PM / Trenton Doyle Hancock on his work / Columbia / Prentis Hall / 632 W 125 / FREE Wednesday, 2/6, 6:30 PM / Rebecca Rabinow on Matisse / New York Studio School / 8 W 8 / FREE Wednesday, 2/6, 7 PM / Mierle Laderman Ukeles on her work / The New School Kellen Auditorium / 66 Fifth Avenue / FREE Thursday, 2/7, 6:30 PM / Christopher K. Ho reads, with curators Sara Reisman & Herb Tam / MOCA / 215 Centre / RSVP / FREE Friday, 2/8, 9 AM / Performa: Black Surrealism film program / NYU Einstein Aud.