Sentences with phrase «curatorial work includes»

Previous curatorial work includes Compression Artifacts, [undisclosed location](2013); the.

Dr. Michael McMillan is a writer, dramatist, artist / curator and scholar of Vincentian migrant parentage whose recent play includes: a new translation of Bertolt Brecht's The Good Person of Sezuan (Trenchtown)(MAT tour 2010 & 2012) and curatorial work includes: My Hair: Black Hair Culture, Style & Politics (Origins of the Afro Comb, Museum of Archaeology & Anthropology 2013), I Miss My Mum's Cooking (Who More Sci - Fi Than Us, KAdE Kunsthal, Amersfoort, Netherlands 2012), The Waiting Room (Stories & Journeys, Gwynedd Museum & Art Gallery, Bangor, North Wales 2012), The Beauty Shop (198 Contemporary Arts & Learning 2008), The West Indian Front Room (Geffrye Museum 2005 - 06), The Front Room: Migrant Aesthetics in the Home (Black Dog Publishing 2009) www.thefrontroom.org.uk / He has an Arts Doctorate from Middlesex Univ. 2010 and is currently an Associate Lecturer in Cultural & Historical Studies as well as Associate Researcher RAS project at London CSM / Wimbledon CSM, UAL.

Dr. Michael McMillan is a writer, dramatist, artist / curator and scholar of Vincentian migrant parentage whose recent play includes: a new translation of Bertolt Brecht's The Good Person of Sezuan (Trenchtown)(MAT tour 2010 & 2012) and curatorial work includes: My Hair: Black Hair Culture, Style & Politics (Origins of the Afro Comb, Museum of Archaeology & Anthropology 2013), I Miss My Mum's Cooking (Who More Sci - Fi Than Us, KAdE Kunsthal, Amersfoort, Netherlands 2012), The Waiting Room (Stories & Journeys, Gwynedd Museum & Art Gallery, Bangor, North Wales 2012), The Beauty Shop (198 Contemporary Arts & Learning 2008), The West Indian Front Room (Geffrye Museum 2005 - 06), The Front Room: Migrant Aesthetics in the Home (Black Dog Publishing 2009) www.thefrontroom.org.uk / He has an Arts Doctorate from Middlesex University 2010 and is currently an Associate Lecturer in Cultural & Historical Studies as well as Associate Researcher RAS project at London CSM / Wimbledon CSM, UAL.

Her curatorial work includes «Object Lessons,» «Aftermath,» «In a Field with No Bounds,» «Absolute Cow,» and «The Mating Habits of Lines: Sketchbooks and Notebooks of Ree Morton» (with Janie Cohen).

His curatorial work includes Space Time Dignity Rights (DAZ Berlin, 2012) which will be shown at the World Urban Forum in Naples in September 2012.

Her curatorial work includes the widely publicized Caravan, the inaugural exhibition at the Cornwall Bridge Gallery, Cornwall, CT..

His writing includes novels, essays and criticism; his curatorial work includes two international biennials and a number of discreet durational projects.

His curatorial work includes: The West Indian Front Room (Geffrye Museum 2005 - 06), The Beauty Shop (198 Contemporary Arts & Learning 2008) The Front Room: Migrant Aesthetics in the Home (Black Dog Publishing 2009), The Waiting Room (Stories & Journeys, Gwynedd Museum & Art Gallery, Bangor 2012), I Miss My Mum's Cooking (Who More Sci - Fi Than Us, KAdE Kunsthal, Amersfoort 2012) My Hair: Black Hair Culture, Style & Politics (Origins of the Afro Comb, Museum of Archaeology & Anthropology 2013).

Willard's curatorial work includes Beat Nation: Art Hip Hop and Aboriginal Culture, co-curated with Kathleen Ritter and Unceded Territories: Lawrence Paul Yuxweluptun at the Museum of Anthropology with Karen Duffek.

Willard's selected recent curatorial work includes; Unceded Territories: Lawrence Paul Yuxweluptun, Nanitch: Historical BC photography and BUSH gallery as well as the upcoming LandMarks 2017 / Repères 2017.

Willard has worked as a curator in residence with grunt gallery and Kamloops Art Gallery, and her past curatorial projects include Beat Nation: Art, Hip Hop and Aboriginal Culture, a national touring exhibition, CUSTOM MADE (translation) at Kamloops Art Gallery, and select recent curatorial work includes: Nanitch: Historical BC Photography, Unceded Territories: Lawrence Paul Yuxweluptun, as well as LandMarks 2017 / Repères 2017.

Willard's curatorial work includes the national touring exhibition Beat Nation: Art Hip Hop and Aboriginal Culture, co-curated with Kathleen Ritter at the Vancouver Art Gallery.

Willard's curatorial work includes Beat Nation: Art Hip Hop and Aboriginal Culture, co-curated with Kathleen Ritter that toured from Vancouver Art Gallery to Montreal, Toronto, Kamloops, Halifax and Regina.

Focusing on art, architecture and sound linked to feminist and socio - political discourses, Bauer's curatorial work includes the exhibition First Story — Women Building / New Narratives for the 21st Century (2001) for the European Cultural Capital.

Her prior curatorial work includes developing exhibits and educational media at the Exploratorium in San Francisco, the Science Museum in London, and the the Peggy Guggenheim Collection in Venice.

Recent work has been expressed in the form of large - scale installation, practice based and written research, digital prints and participatory and curatorial work including CIVIC at Mission Gallery, Swansea.

Not exact matches

Including work by Spencer Finch, Lisi Raskin, Pietro Roccasalva, and a program of videos from Electronic Arts Intermix selected by students of the Center for Curatorial Studies.

Her curatorial work focuses on artists of the African Diaspora and the Global South, including a recent Curatorial Fellowship awarded for Research supported by the Warhol Foundation to investigate approaches to experimentation in interdisciplinary art in Africa, and 1:54 PERFORMS for the 1:54 Contemporary Africancuratorial work focuses on artists of the African Diaspora and the Global South, including a recent Curatorial Fellowship awarded for Research supported by the Warhol Foundation to investigate approaches to experimentation in interdisciplinary art in Africa, and 1:54 PERFORMS for the 1:54 Contemporary AfricanCuratorial Fellowship awarded for Research supported by the Warhol Foundation to investigate approaches to experimentation in interdisciplinary art in Africa, and 1:54 PERFORMS for the 1:54 Contemporary African Art Fair.

As well as a deep collection of textual, archival and visual material, ARTIST WORK LISSON includes a number of short essays by Nicholas Logsdail and other members of Lisson Gallery, including Greg Hilty (Curatorial Director), Alex Logsdail (International Director) and Ossian Ward (Head of Content).

This curatorial proposal includes artists living and working beyond the geographical limits of Latin America, encouraging a reevaluation of its art, borders, and identity.

Membership includes invitations to exclusive biannual meetings and receptions; direct contact with the ICA's curatorial staff offers an inside look at goals for the ICA Collection, art - world trends, and works being considered for acquisition.

The intern will work with materials of interest to the museum's curatorial and education departments; these resources may include art books, exhibition catalogues, auction catalogues, and artist books.

Prior to moving to the Bay Area, Lehtinen worked for several museums in both education and curatorial departments, including the Art Institute of Chicago, Solomon R. Guggenheim Museum, J. Paul Getty Museum, and Skirball Cultural Center.

With work by both post-war artists and emerging practitioners — including Pablo Picasso, Roy Lichtenstein, Bruce Nauman, Carolee Schneemann, Jason Rhoades, Martin Kippenberger, Elaine Sturtevant, Anna Oppermann, Tetsumi Kudo, and Andrea Zittel, among others — the exhibition reflects the museum's expanded curatorial purview in its new home, which creates intergenerational dialogues between post-war and contemporary artists, and champions new narratives that provide insight into the most innovative artists working today.

The exhibition is accompanied by a major publication, the Museum's first in a digital format, which reproduces all 256 works in the exhibition and includes an essay by Patricia Failing and entries by the CSM curatorial staff.

She has worked on curatorial projects in various organizations including museums and non-profits in New York, San Diego, and Washington, DC.

Including an immersive work placement at the Whitechapel Gallery, the course involved students directly in the life cycle of the gallery, acquiring the key skills and knowledge of curatorial practice as well as an informed understanding of public galleries and the contemporary visual arts.

Shahar Marcus will be featuring his work at the group exhibition «conTENporary words of art», a curatorial project that includes a video review of Italian and international artists housed in the space of Sala Santa Rita.

Curatorial initiatives included The Prudential Eye Zone, which offered for sale, highlighted works from the Eye Programme of exhibitions.

In this conversation, Curatorial Assistant Ali Demorotski will discuss the new installations in our North Exhibition Gallery, including works on view for the first time by twentieth - century artist Elsie Driggs.

Previously she held curatorial positions at the South London Gallery (SLG), the Institute of Contemporary Arts (ICA) in London and the Hayward Gallery in London where she curated film, performance and exhibitions, and commissioned new works by artists including Juliette Blightman, Michael Smith, Bonnie Camplin, Kapwani Kiwanga, Jill Magid, Lis Rhodes as well as the group exhibitions Last Seen Entering the Biltmore (2014) and independently Duh — Art and Stupidity (co-curated with Paul Clinton) at Focal Point Gallery (2015).

Its dissolution included a court - approved plan for George Washington University to absorb the Corcoran's school of arts and design and for the National Gallery to assume custody of the Corcoran's collection of more than 17,000 works of art, along with its curatorial records.

Hunt graduated from the Curatorial Practice program at the California College of the Arts in San Francisco, and has worked at various galleries and institutions since 2002, including Whitechapel Gallery, London; Friedrich Petzel Gallery, New York; the Wattis Institute for Contemporary Arts, San Francisco; and the Philadelphia Museum of Art.

The fellowship provides emerging artists from culturally diverse backgrounds valuable mentorship opportunities, including working with the curatorial staff, artists and arts professionals to prepare and promote their projects and to define career paths over the course of the program (January through December 2019).

Feinstein's work has been included in exhibitions at the Jersey City Museum, the University of Texas at Austin's Blanton Museum of Art, the Brooklyn Museum of Art, and the Bard Center for Curatorial Studies Museum.

Working in a variety of different mediums including large - scale installations, inkjet prints, and music, as well as curatorial projects and theoretical writings, Gillick's work transcends disciplinary categories.

Her curatorial work focuses on the research and documentation of video art, including projects such as Videostoria, the first exhibition series to systematically survey the history of the projected image in Israeli art.

Curatorial and learning staff from the four participating galleries work closely with their local art colleges to offer graduates the chance to be included in the Platform exhibitions.

Jennifer Coates has exhibited her work widely, including an upcoming two - person show with Caroline Chandler in May 2018 at Crush Curatorial; a solo show, Carb Load, at the Pennsylvania Academy of Fine Arts (2016); and All U Can Eat at Freight + Volume (2017).

Working closely with galleries on ambitious solo and group installations, previous Curatorial Advisors have included Cecilia Alemani, Daniel Baumann, Raphael Gygax, Sarah McCrory and Rodrigo Moura.

He has also seen tens of thousands of exhibitions, filtering these into his own curatorial projects (which started with a show in his student kitchen during art school) that he now carries out at artistic director of London's Serpentine Galleries, as well as through various other outlets that include 89 +, a joint initiative with Google and Swiss Institute director Simon Castets to showcase work by artists born after 1989.

Celebrating the work of numerous curatorial activists that have committed themselves to insurrectionist initiatives, including Jean Hubert Martin, Okwui Enwezor, Rosa Martinez, Jonathan Katz, Camille Morineau, Michiko Kasahara, and Paweł Leszkowicz, Reilly offers a compelling manifesto for change in the art world.

Her work has been exhibited in a broad range of curatorial contexts including craft, feminism, technology, design, medicine and ritual.

Current and recent guest curatorial projects in the Bay Area include Organic Logic, 500 Capp Street; Equilibrium: A Paul Kos Survey, di Rosa; Public Works: Artists» Interventions 1970s — Now, Mills College Art Museum; and Versions: Kristin Lucas and Judy Malloy, Krowswork.

An artist's statement and / or curatorial statement about the content of the work must also be included.

Her scholarly and curatorial work focuses on artists of the African Diaspora and the Global South, including the Blackness in Abstraction exhibition and catalogue for Pace Gallery and 1:54 PERFORMS for the 1:54 Contemporary African Art Fair.

ANNANDALE - ON - HUDSON, N.Y. — This spring, CCS Bard presents a series of nine exhibitions at the CCS Galleries, curated by second - year students in its graduate program in curatorial studies, including work by 46 internationally known contemporary artists.

Series I: Exhibition Files is comprised of the working curatorial exhibition files (including grant correspondence, correspondence with artists, project planning documents, promotional materials, press, and exhibition documentation in various paper and media formats) for various exhibitions curated between 1989 and 1991.

The exhibitions are: Living Modern including work by artists Heidrun Holzfeind and Damon Rich, and writer Niko Vicario, curated by Laura Barlow; Not Again, with work by Andrea van der Straeten, curated by Sarah Demeuse; SECOND COMING — a curatorial collaboration, including work by Nástio Mosquito, Thando Mama, Metapong, and Pablo Rasgado, curated by Gabi Ngcobo, Carlos E. Palacios, Andrea Torreblanca; Requires extra budget for lettuce, with work by Jacob Stewart - Halevy, curated by Mackenzie Schneider; The Bomb Ponds: Work by Vandy Rattana, curated by Francesca Sonwork by artists Heidrun Holzfeind and Damon Rich, and writer Niko Vicario, curated by Laura Barlow; Not Again, with work by Andrea van der Straeten, curated by Sarah Demeuse; SECOND COMING — a curatorial collaboration, including work by Nástio Mosquito, Thando Mama, Metapong, and Pablo Rasgado, curated by Gabi Ngcobo, Carlos E. Palacios, Andrea Torreblanca; Requires extra budget for lettuce, with work by Jacob Stewart - Halevy, curated by Mackenzie Schneider; The Bomb Ponds: Work by Vandy Rattana, curated by Francesca Sonwork by Andrea van der Straeten, curated by Sarah Demeuse; SECOND COMING — a curatorial collaboration, including work by Nástio Mosquito, Thando Mama, Metapong, and Pablo Rasgado, curated by Gabi Ngcobo, Carlos E. Palacios, Andrea Torreblanca; Requires extra budget for lettuce, with work by Jacob Stewart - Halevy, curated by Mackenzie Schneider; The Bomb Ponds: Work by Vandy Rattana, curated by Francesca Sonwork by Nástio Mosquito, Thando Mama, Metapong, and Pablo Rasgado, curated by Gabi Ngcobo, Carlos E. Palacios, Andrea Torreblanca; Requires extra budget for lettuce, with work by Jacob Stewart - Halevy, curated by Mackenzie Schneider; The Bomb Ponds: Work by Vandy Rattana, curated by Francesca Sonwork by Jacob Stewart - Halevy, curated by Mackenzie Schneider; The Bomb Ponds: Work by Vandy Rattana, curated by Francesca SonWork by Vandy Rattana, curated by Francesca Sonara.

In addition to her individual art practice, Steiner is involved with several collaborative activities, including the band Chicks on Speed, the curatorial partnership Ridykeulous (with painter Nicole Eisenman), and the organization WAGE (Working Artists in the Greater Economy), which she co-founded.