Put together by the curator - critic Paul O'Neill, Curating Subjects, documents the inter-dependent relationships between the curatorial past, present and speculative futures and, instead of following the convention of curators writing about themselves, invites the authors to provide a text about
the curatorial work of others.
Not exact matches
As well as a deep collection
of textual, archival and visual material, ARTIST
WORK LISSON includes a number
of short essays by Nicholas Logsdail and
other members
of Lisson Gallery, including Greg Hilty (
Curatorial Director), Alex Logsdail (International Director) and Ossian Ward (Head
of Content).
«As a professional equally committed to community engagement and scholarly distinction, I look forward to
working with Rand Suffolk and the museum's exceptionally talented staff to lead new collaborative efforts to further both the reach and excellence
of the High's collections, exhibitions and
other curatorial endeavors.»
Organized by Dena M. Woodall, associate curator
of prints and drawings, and
curatorial assistant Lauren Rosenblum, the exhibition features 20th - century prints from the permanent collection selected by artists known for their
work in
other disciplines — specifically sculpture, photography, painting, installation, and dance.
Gagosian Gallery, «Fit to Print», New York NY Radio Bologna, «Radio Danièle», Bologna, Italy Hessel Museum
of Art, Center for
Curatorial Studies, Bard College, «Exhibitionism: An Exhibition
of Exhibitions
of Works from the Marieluise Hessel Collection», Annandale - on - Hudson NY Museum
of Contemporary Art, «Sympathy for the Devil: Art and Rock and Roll Since 1967», Chicago IL Peres Projects, «Beyond Zero», Athens, Greece Mireille Mosler, Ltd., «Tease», New York NY Zentrum fur Kunst und Medientechnologie, «Between Two Deaths», Karlsruhe, Germany Roberts & Tilton, «
Other Scenes», Los Angeles CA
All Floors Curated by Phong Bui and Rail
Curatorial Projects Each floor
of Mana's main building will be occupied by
works of various media — half from artists based at Mana and the
other half by New York - based artists.
He has also seen tens
of thousands
of exhibitions, filtering these into his own
curatorial projects (which started with a show in his student kitchen during art school) that he now carries out at artistic director
of London's Serpentine Galleries, as well as through various
other outlets that include 89 +, a joint initiative with Google and Swiss Institute director Simon Castets to showcase
work by artists born after 1989.
Series II:
Other Curatorial Projects and Writings: This series contains material related to some of Lind's other curatorial projects from 1994 to 1998, the period previous to and during her involvement in the Manifesta 2 exhibition; in addition, it includes some of her published writings, material related to her editorial work at Index magazine, and a number of files of research not associated with any identifiable project or wri
Other Curatorial Projects and Writings: This series contains material related to some of Lind's other curatorial projects from 1994 to 1998, the period previous to and during her involvement in the Manifesta 2 exhibition; in addition, it includes some of her published writings, material related to her editorial work at Index magazine, and a number of files of research not associated with any identifiable project o
Curatorial Projects and Writings: This series contains material related to some
of Lind's
other curatorial projects from 1994 to 1998, the period previous to and during her involvement in the Manifesta 2 exhibition; in addition, it includes some of her published writings, material related to her editorial work at Index magazine, and a number of files of research not associated with any identifiable project or wri
other curatorial projects from 1994 to 1998, the period previous to and during her involvement in the Manifesta 2 exhibition; in addition, it includes some of her published writings, material related to her editorial work at Index magazine, and a number of files of research not associated with any identifiable project o
curatorial projects from 1994 to 1998, the period previous to and during her involvement in the Manifesta 2 exhibition; in addition, it includes some
of her published writings, material related to her editorial
work at Index magazine, and a number
of files
of research not associated with any identifiable project or writing.
The CCS Bard Library and Archives support research by a wide range
of constituencies including students in the MA Program in
Curatorial Studies, Bard College undergraduates, faculty, and
other researchers and scholars whose
work relies on access to primary resource materials.
Upon satisfactory completion
of course
work and
other requirements
of the graduate program, students are awarded the degree
of master
of arts in
curatorial studies.
Voorhies examines recent artistic and
curatorial work by Liam Gillick, Thomas Hirschhorn, Carsten Höller, Maria Lind, Apolonija Šušteršič, and
others, at such institutions as Documenta, e-flux, Manifesta, and Office for Contemporary Art Norway, and he considers the continued potential
of the exhibition as a critical form in a time when the differences between art and entertainment increasingly blur.
Concurrent with the
curatorial regime change, James will place
works by a selection
of artists from his renowned stable within the subjugated Gildar Gallery (Daniela Comani, Ramiro Gomez, William Powhida, Carol Selter, Jim Thompson), while also deploying the efforts
of other internationally recognized veterans aligned to his aims (Sandow Birk, Ben Jackel, Erika Rothenberg) along with a single Denver defector, (Adam Milner).
More than 100 artists from over 35 countries will tear the roof off the sucker (or insert your preferred architecture - based P - Funk reference here), including at least one
of Morgan's
curatorial favourites: Urs Fischer will be re-creating his New York apartment at 1:1 scale, «replicating the interior walls through three - dimensionally illusionistic wallpaper», which will serve as a base for
other artists»
work.
TOM ECCLES You've just completed two major projects, From 199A to 199B: Liam Gillick (a survey
of your
works from the 1990s) at Bard's Hessel Museum and To the Moon via the Beach (a large - scale
curatorial project with Philippe Parreno and
others in the Roman amphithe - atre) in Arles.
The
curatorial strategy thus sets up two boundaries for the
work in the show: the colors blue and black as formal elements on the one side, and associations with the colors black and blue — including race, bruising as a metaphor, and the specific kind
of suffering resulting from racism and racial inequality — on the
other.
-- Nikolay Oleynikov, Tsaplya Olga Egorova, Dmitry Vilensky, and
others Claire Fontaine (fictional conceptual artist)-- A Paris - based collective including Fulvia Carnevale and James Thornhill CPLY — William N. Copley Diane Pruis (pseudonymous Los Angeles gallerist)-- Untitled gallery's Joel Mesler Donelle Woolford (black female artist)-- Actors hired to impersonate said fictional artist by white artist Joe Scanlan Dr. Lakra (Mexican artist inspired by tattoo culture)-- Jeronimo Lopez Ramirez Dr. Videovich (a «specialist in curing television addiction»)-- The Argentine - American conceptual artist Jaime Davidovich Dzine — Carlos Rolon George Hartigan — The male pseudonym that the Abstract Expressionist painter Grace Hartigan adopted early in her career Frog King Kwok (Hong Kong performance artist who uses Chinese food as a frequent medium)-- Conceptualist Kwok Mang Ho The Guerrilla Girls — A still - anonymous group
of feminist artists who made critical agit - prop
work exposing the gender biases in the art world Hennessy Youngman (hip - hop - styled YouTube advice dispenser), Franklin Vivray (increasingly unhinged Bob Ross - like TV painting instructor)-- Jayson Musson Henry Codax (mysterious monochrome artist)-- Jacob Kassay and Olivier Mosset JR — Not the shot villain
of «Dallas» but the still - incognito street artist
of global post-TED fame John Dogg (artist), Fulton Ryder (Upper East Side gallerist)-- Richard Prince KAWS — Brian Donnelly The King
of Kowloon (calligraphic Hong Kong graffiti artist)-- Tsang Tsou - choi Klaus von Nichtssagend (fictitious Lower East Side dealer)-- Ingrid Bromberg Kennedy, Rob Hult, and Sam Wilson Leo Gabin — Ghent - based collective composed
of Gaëtan Begerem, Robin De Vooght, and Lieven Deconinck Lucie Fontaine (art and
curatorial collective)-- The writer / curator Nicola Trezzi and artist Alice Tomaselli MadeIn Corporation — Xu Zhen Man Ray — Emmanuel Radnitzky Marvin Gaye Chetwynd (Turner Prize - nominated artist formerly known as Spartacus Chetwynd)-- Alalia Chetwynd Maurizio Cattelan — Massimiliano Gioni, at least in many interviews the New Museum curator did in the famed Italian artist's stead in the»90s Mr. Brainwash (Banksy - idolizing street artist)-- Thierry Guetta MURK FLUID, Mike Lood — The artist Mark Flood R. Mutt, Rrose Sélavy — Marcel Duchamp Rammellzee — Legendary New York street artist and multimedia visionary, whose real name «is not to be told... that is forbidden,» according to his widow Reena Spaulings (Lower East Side gallery)-- Artist Emily Sundblad and writer John Kelsey Regina Rex (fictional Brooklyn gallerist)-- The artists Eli Ping (who now has opened Eli Ping Gallery on the Lower East Side), Theresa Ganz, Yevgenia Baras, Aylssa Gorelick, Angelina Gualdoni, Max Warsh, and Lauren Portada Retna — Marquis Lewis Rod Bianco (fictional Oslo galleris)-- Bjarne Melgaard RodForce (performance artist who explored the eroticized associations
of black culture)-- Sherman Flemming Rudy Bust — Canadian artist Jon Pylypchuk Sacer, Sace (different spellings
of a 1990s New York graffiti tag)-- Dash Snow SAMO (1980s New York Graffiti Tag)-- Jean - Michel Basquiat Shoji Yamaguchi (Japanese ceramicist who fled Hiroshima and settled in the American South with a black civil - rights activist, then died in a car crash in 1991)-- Theaster Gates Vern Blosum — A fictional Pop painter
of odd image - and - word combinations who was invented by a still - unnamed Abstract Expressionist artist in an attempt to satirize the Pop movement (and whose
work is now sought - after in its own right) Weegee — Arthur Fellig What, How and for Whom (curators
of 2009 Istanbul Biennial)-- Ana Dević, Nataša Ilić, Sabina Sabolović, Dejan Kršić, and Ivet Curlin The Yes Men — A group
of «culture - jamming» media interventionists led by Jacques Servin and Igor Vamos
«As a Richmond native, I am elated to join the
curatorial team and to craft a film program that extends the reach
of the ICA's
other programs, while continuing to showcase the
work of filmmakers
of color both locally and on the international stage the ICA provides,» says Enjoli Moon, the newly appointed adjunct Assistant Curator
of Film.
He has written about the
work of Andrea Bowers, Mark Bradford, Glenn Ligon, Sharon Hayes, and Wangechi Mutu, among
others, and has organized exhibitions including: «Quadruple - Consciousness» at Vox Populi, Philadelphia, «Fade: African American Artists in Los Angeles,» for the city
of Los Angeles, numerous exhibitions and programs for LAXART, Los Angeles, where he served as Curator, and «Made in L.A., 2012,» the first Los Angeles biennial, co-organized by a
curatorial team from the Hammer Museum and LAXART.
The subject
of critical reviews in the New Yorker, The New York Times, and
other publications, Collier has also
worked on
curatorial projects at non-profit institutions, such as the New Langton Arts Center in San Francisco.
As a
curatorial consultant, Basha has
worked with the Museum
of Art & Design, Creative Capital, Columbia University, No Longer Empty and
others.
Receiving the highest majority public vote, Banner's Break Point will now be shown alongside
other favourites chosen by the public as well as
work selected by chief curator Darsie Alexander, sparking a range
of questions about the dynamics between expert and audience, or between
curatorial practise and mass taste.
The
Curatorial Writing Group at Chicago Artists Coalition provides a supportive and critical outlet for curators and
other arts writers to receive direct feedback and discussion
of works - in - progres
Guided by several
curatorial themes, P. 3's exhibitions, site - specific installations and new
works address: The New Orleans Experience, Seeing Oneself in the
Other, The South, Crime and Punishment, Movie going, The Carnivalesque, Abstraction, Visual Sound, and will seamlessly tie together the largesse
of the show through commissions by several artists under the moniker, All Together Now.
That's been typical
of the way we've
worked together generally, with the blog or
other curatorial projects.
The job
of the
curatorial team here, among
other things, is to look at those artists who aren't in the spotlight and try to bring forward their
work.
As co-curator
of street art exhibition and Prospect P. 3 + site ExhibitBE, Lydia researched and documented the history
of the blighted apartment complex in which the
work was created to guide the
curatorial process, managed community programming and daily operations, and, after the exhibition closed, coordinated the #PaintWhereItAint Tour through which several ExhibitBE artists traveled across the southwest United States to collaborate with artists in
other cities on community - centered public art projects.
Funded by the Hong Kong Arts Development Council (HKADC) and private donations, it seeks to establish and maintain a platform for artists and
other art practitioners to realize their vision in relation to their immediate and extended communities through the production
of artistic
works, exhibitions and
curatorial projects as well as through dialogue, critical analysis, publications, research, education and cultural exchange.
Recent independent
curatorial projects include: CORPORATE OCCULT, let's talk about the body baby, NU Performance (2016), which presented
works by international artists that dealt with contemporary issues surrounding gender and the body; Art in the Era
of Digital Capitalism (2016), a conference considering the tendencies
of acceleration and post-2011 institutional alternatives, which included Franco Bifo Beradi as its keynote speaker; and numerous
others.
Rather, it is placed in the context
of works by a diverse array
of artists that includes Sherrie Levine, Barbara Kruger, Lari Pittman, Nam June Paik, Jean - Michel Basquiat, Charles Ray, Sarah Charlesworth and Jasper Johns (some hailing from the Pictures Generation,
others definitely not), a
curatorial move that embeds Koons's Neo-Dada roots within a specific set
of precepts that flow forward and backward in time.
She
worked as an independent professional for various projects, among
others: Diagonal Escuela Libre (member
of the organizing committee) and has recently carried out
curatorial projects for the City Museum, the International Book Fair, and the Ministry
of Culture, Jalisco.
William Noel Clarke is an artist - curator who investigates artistic concerns in
curatorial practice, such as the projection
of the self onto exhibitions and the appropriation
of the exhibition format and
others work.
Guided by several
curatorial themes, P. 3's exhibitions, site ‐ specific installations and new
works will address: The New Orleans Experience, Seeing Oneself in the
Other, The South, Crime and Punishment, Movie going, The Carnivalesque, Abstraction, Visual Sound, and will seamlessly tie together the largesse
of the show through commissions by several artists under the moniker, All Together Now.
Kukielski held a
curatorial position at the Whitney Museum
of American Art from 2002 - 2010 where she organized solo museum exhibitions with artists Sadie Benning, Corin Hewitt, Omer Fast, Taryn Simon, and Sara VanDerBeek and wrote about the
work of Gordon Matta - Clark and William Eggleston among
others.
She has also participated with her
work in the group exhibitions Trading Futures, Taipei Contemporary Art Center, Taipei, Taiwan (2012); Doing, Kumho Museum
of Art, Seoul, Korea (2012); The 10th SongEun Art Award Show, SongEun Art Space, Seoul, Korea (2011); Open Studio, International Studio &
Curatorial Program, New York, NY, USA (2011); Life, No Peace, Only Adventure, Busan Museum
of Art, Busan, Korea (2011); The 10th Seoul International New Media Festival — Seoul space, Korea (2010), among
others.
When invited to organize a show in the temporary exhibition room
of Lisbon's Museu do Chiado, the curator João Laia decided to add another dimension to his
curatorial concept — hybridity — by expanding the show into
other areas
of the small museum, which house
works from the permanent collection.
Previously the
Curatorial Fellow at Wave Hill and Social Media Director
of Prospect.3 New Orleans Triennial, Shen has
worked for the Beijing Today Art Museum, and the Smithsonian among
other institutions.
The MoMA team is also
working with the participation
of over 30 leading international photography scholars and conservators for an eponymous publication that will be the most extensive effort to integrate conservation and
curatorial research efforts on photography to date and a forerunner
of photography research currently underway at
other museums.
In addition to her
curatorial role with Invisible Dust her
other freelance projects include a series
of public art commissions along the River Thames for the Thames Tideway Tunnel; archival
work for the British artists Alison Wilding and Tess Jaray; a touring exhibition
of work by Emma Hart and Jonathan Baldock; English language editing for the Contemporary Art Centre, Vilnius and research into boredom with curator Gareth Bell - Jones.
This series includes correspondence, notes, research, documentation for various exhibitions
of Hopper's
work, and
other material generated in Whitney Museum
curatorial offices in relation to Edward Hopper from the 1940s through the 1990s.
and understand themselves only in relation to
other artists which is one
of the reasons why she holds and attends lectures and discussions worldwide the moca ahmanson
curatorial fellow said ms butler â $ marlene dumas is one
of the most intriguing painters
working today her exploration
of portraiture and (4 words, 13 characters)
Given its radical scale and ambition, the inclusion
of large scale (albeit unprotected, and acessible - feeling)
works by Julian Schnabel, George Condo, and Rita Ackermann and many
others, the Brucennial should be considered a serious
curatorial gesture.
They
work collaboratively (though not as a collective); whether through the creation and development
of their
work in conversation with
others,
curatorial projects, residencies and exhibition making.
During this period, he also
worked on film and video acquisitions for the Tate collection as well as a number
of other significant
curatorial projects.
Curator Elina Axioti was chosen as the third recipient
of the NEON
Curatorial Award for her proposal «Civilisation Lost», which combines modern and contemporary
works by Thomas Hirschhorn, Sarah Lucas, Gilbert & George, Bruce Nauman and
others with an investigation
of archaeology.
Cattelan's first solo show in this country since 2003 celebrates the artist's return to sculpture after several years
of publishing and
curatorial work, including his 2002 co-founding
of The Wrong Gallery in Chelsea, New York, his collaborations on Permanent Food (an occasional journal comprised
of altered pages torn from
other magazines) from 1996 - 2007, his co-editorship
of Charley (a conceptual project and independent series on international contemporary artists) from 2002 — present, and his curation
of the Caribbean Biennial in 1999 and the Berlin Biennial in 2006.
Many Places at Once: The thesis exhibition
of California College
of the Arts» Graduate
Curatorial Practice program, this group show gathers
work by international artists, including Rana Hamadeh, Li Ran and William Powhida, who have built upon the «post-studio» performances and
other activities
of artists from the turn
of the 1970s.
«I wanted to include
works that were each strong enough to stand on their own, independent
of biography or
other works by that artist,» says Rinder, who has a bachelor's degree in art from Reed College and received his
curatorial training at Minneapolis» Walker Art Center.
Node is a dynamic space were professional interactions take place in the form
of seminars, artist presentations, and
other activities that explore the complexity
of curatorial work.
This course looks at current critical questions
of curating and exhibition making, and the process
of arriving at a
curatorial voice, while also
working productively with
others.
john mcEnroe by leanne haase goebel Mar 2013 An abandoned mining area above the town
of Ward, Colorado, inspired John McEnroe's most recent body
of work, Half Life, currently on view at Robischon Gallery in Denver, in a solo show thematically connected with four
other artist's solo shows, under the
curatorial title: «Object Nature.»