Not exact matches
Talk: Haim Steinbach and Remy Jungerman at International Studio &
Curatorial Program As part of the talks series «Brooklyn Commons,» which is put on by the International Studio &
Curatorial Program, artists Haim Steinbach and Remy Jungerman will discuss their
work, which
often involves recontextualizing found objects to conjure new meanings for them.
Illicit indeed, but more importantly, Melgaard's microcosm of rubber sex dolls perched seductively (
often spread eagle) on colorful, Jim Drain-esque sculptural furniture and rugs with videos and sound interspersed throughout, is perhaps the first time thus far in the biennial that the
work on view and its
curatorial agenda feel true to the «moment» as it were, in an attempt to be captured.
Similarly nomadic, artists and
curatorial duo Kieran Leach and Precious Innes,
working under the moniker Show.me.up, have taken up residence in the Paradise
Works project space with their first exhibition «Tipping the Scales», which looks at
work - life balance, and how for artists the two
often overlap and become inseparable.
I feel like there's a reciprocal arrangement, with my
curatorial side effecting my own artwork,
often reflecting on and observing my
work as a curator as well as making
work from a curator's point of view.
Recent exhibitions by the London - based artist,
often working with what Lindsay Starkweather called the «off - centre recontextualisation of photographs ``, include Health and Strength at Lyon's La Salle de Bains and a contribution to artist John Henry Newton and curator Barnie Page «s online
curatorial collaboration Desktop Residency.
They
often look like the output of committees, lacking a clear and consistent
curatorial vision, with art
works poorly displayed and thrown together in uncomfortable juxtapositions.
Often, these group exhibitions seem plagued by too many artists, who are represented by a single
work, thrust together in a
curatorial jumble that -LSB-.....]
The group show consists of video and performance
works by the artists Benjamin Bellas, Clinton King, Noelle Mason, Magdalen Wong, Justin Cooper and Ross Moreno, whom
often collaborate under the
curatorial moniker «i.e.» The videos on display range from Noelle Mason's -LSB-.....]
By presenting Guston's paintings within the realm of poetic discourse, rather than as a chronological study, in linear fashion, as
often reflected in traditional exhibitions, the
curatorial approach from which «Philip Guston and The Poets» has grown allows for the artist's
work be explored, examined and appreciated anew.
Liese Van Der Watt: Themes of visibility and invisibility are
often mentioned in reviews of your
work — whether it's your
curatorial concern to make Black artists more visible or your own
work that excavates hidden parts of history.
The programs
often bring visitors in direct discussion with artists and curators, expanding on the exhibition's written interpretive texts through interactions that elucidate our understanding of the
curatorial process, artists»
works or themes in the exhibition.
Alexandria Eregbu is a visual artist, whose
work often takes shape in the form of performance, programming, and
curatorial practices.
This responsibility is at the core of
curatorial work, yet
often under - emphasized.
As Catherine Wagley discussed in this month's earlier Looking at Los Angeles post, summertime tends to be dominated by endless group exhibitions whose curators
often force connections between
works through an overdetermined idea or
curatorial thesis, or else leave the viewer adrift in a sea of contemporary plurality.
In the interest of expanding the contemporary art discourse to be inclusive of ideas and artists that are
often marginalized, Higgs»
curatorial choices are actively challenging, foregoing accessibility to forefront the deeper concepts and intentions of the
work.