Sentences with phrase «curatorial work since»

In an intriguing turn, The Heart Is Not a Metaphor also notes Gober's significant curatorial work since the 80s; the exhibition brings together works originally shown at the Matthew Marks Gallery, New York, in the 1999 exhibition Anni Albers, Robert Beck, Cady Noland, Joan Semmel and Nancy Shaver: Black and White Photographs 1975 - 77, which Gober curated.

Not exact matches

But curatorial attention has returned to his oeuvre in the years since his death, culminating in a major retrospective of his work at the Musée d'Art Moderne de la Ville de Paris in 2016, organized by the museum's director, Fabrice Hergott.

Gagosian Gallery, «Fit to Print», New York NY Radio Bologna, «Radio Danièle», Bologna, Italy Hessel Museum of Art, Center for Curatorial Studies, Bard College, «Exhibitionism: An Exhibition of Exhibitions of Works from the Marieluise Hessel Collection», Annandale - on - Hudson NY Museum of Contemporary Art, «Sympathy for the Devil: Art and Rock and Roll Since 1967», Chicago IL Peres Projects, «Beyond Zero», Athens, Greece Mireille Mosler, Ltd., «Tease», New York NY Zentrum fur Kunst und Medientechnologie, «Between Two Deaths», Karlsruhe, Germany Roberts & Tilton, «Other Scenes», Los Angeles CA

Hunt graduated from the Curatorial Practice program at the California College of the Arts in San Francisco, and has worked at various galleries and institutions since 2002, including Whitechapel Gallery, London; Friedrich Petzel Gallery, New York; the Wattis Institute for Contemporary Arts, San Francisco; and the Philadelphia Museum of Art.

Since Katrib joined SculptureCenter's curatorial team in 2012, her program has served as a launching pad for countless artists working across sculptural practices.

New Commissions program has supported over 60 individual artists and collectives to produce ambitious new works through substantial curatorial, logistical and financial support since 2005.

The Chief Curator and Director of Curatorial Affairs at The Contemporary Austin, where she has worked since 2013, Heather Pesanti has organized monographic exhibitions and outdoor commissions of work by John Bock, Anya Gallaccio, Lionel Maunz, Wangechi Mutu, Monika Sosnowska, Robert Therrien, and Marianne Vitale, as well as the current exhibition of work by Rodney McMillian and a forthcoming project by Abraham Cruzvillegas (2019).

Since we work with a lot of emerging artists, an art fair like Photo London is a great platform for curatorial exposure, while also connecting with collectors who might not be familiar with our artists yet.

Susan Davidson has been engaged with the work of Robert Rauschenberg since 1990 and was a curatorial advisor to the artist from 2001 until his death in 2008.

Since then Portnoy has refined his work to an audience - unnerving discipline of what he calls «Relational Stalinism» — a critique of the idea that art is always a democratic, liberalizing force and not a totalitarian tool — and become a favorite of the curatorial elite, appearing in dOCUMENTA 13, the Taipei Biennial, the Baltic Triennial, and shows from the Kitchen to KW Berlin.

Since 2005 he has been a Curatorial Associate for two Performa biennials, Performa 05 and Performa 07, and is currently at work on Performa 09.

The exhibition — the third of five that make up Pi Artworks London's Curatorial Season that has been running since October 2016 until July 2017 — is made up of new commissions by Ana Čvorović, Anna Fasshauer, Alice Hartley, and Jack Killick and existing work by Brian Griffiths and Siobhán Hapaska.

Debbie joined Hauser & Wirth Somerset from Bath Spa University where, since 2004, she worked as an Associate Lecturer teaching Critical Studies, Fine Art and Curatorial Practice.

Named since 2012 after Audrey Irmas, board member of the Center of Curatorial Studies Bard College and the philanthropist behind the $ 25,000 prize, the CCS Award for Curatorial Excellence has been celebrating the work of influential curators internationally for 18 years.

Zoe Whitley is Curator of Contemporary Programmes at the Victoria and Albert Museum, where she has worked since beginning her curatorial career in the V&A's Prints Section as an Assistant Curator in 2003.

He co-founded temporarycontemporary after graduating from Goldsmiths College and has since gone to develop a series of curatorial infrastructures and artist support structures along side his film works.

Since 2002 he has worked nomadically, taking part in numerous international residencies including MMCA - National Museum of Modern and Contemporary Art Korea, The National Art Studio Goyang (2008); IMMA - Irish Museum of Modern Art, Dublin (2006); Künstlerhaus Bethanien, Berlin (2004 - 2005) and ISCP - International Studio and Curatorial Programme, New York.

Although teaching has played a significant role in my professional career, since gaining my Ph.D. in 1994, the focus of my work has been on consultancy and curatorial projects and I have worked for a number of agencies, galleries and museums as an independent consultant.

Since receiving her doctorate in 1994 she has worked as a consultant for a number of institutions in the Caribbean and Britain including the Royal Academy, London where she worked as coordinating editor for the exhibition and publication Africa the Art of a Continent (1995) the National Gallery of Jamaica where she has been a visiting curator member of the Board of Directors since 2000; The British Council where she worked as a consultant to evaluate and promote the profile of that organization in the Caribbean (1999 - 2000), The National Art Gallery of the Bahamas where she spearheaded the development of that institution's curatorial practices and policies following its establishment (2000 - 2002), and the School of Visual Arts in Jamaica where she designed that college's first degree program in Art History (2002 - 2Since receiving her doctorate in 1994 she has worked as a consultant for a number of institutions in the Caribbean and Britain including the Royal Academy, London where she worked as coordinating editor for the exhibition and publication Africa the Art of a Continent (1995) the National Gallery of Jamaica where she has been a visiting curator member of the Board of Directors since 2000; The British Council where she worked as a consultant to evaluate and promote the profile of that organization in the Caribbean (1999 - 2000), The National Art Gallery of the Bahamas where she spearheaded the development of that institution's curatorial practices and policies following its establishment (2000 - 2002), and the School of Visual Arts in Jamaica where she designed that college's first degree program in Art History (2002 - 2since 2000; The British Council where she worked as a consultant to evaluate and promote the profile of that organization in the Caribbean (1999 - 2000), The National Art Gallery of the Bahamas where she spearheaded the development of that institution's curatorial practices and policies following its establishment (2000 - 2002), and the School of Visual Arts in Jamaica where she designed that college's first degree program in Art History (2002 - 2004).

Shayda Amanat (SC» 14), Graham «Bud» ’55 and Mary Ellen ’56 Kilsby Curatorial / Research Intern, since Fall 2012, «Project Series 46: Hirokazu Kosaka: On the Verandah Selected Works 1969 - 1974,» «Project Series 48: Andrea Bowers: #sweetjane,» and «Portraits, Abstractions, and the In - Between: Gathering the Work of Frederick Hammersley,» Mentor: Rebecca McGrew

Building on its established practice since the fair's beginning in Hong Kong, Para Site provides the opportunity for emerging local artists to experiment and to expand their practice through collaboration and support from Para Site's curatorial team for newly commissioned works.

Leigh Markopoulos (1968 - 2017) was a writer, editor, curator, arts manager, the Director of the Steven Leiber Trust, a significant collection of artist's books, ephemera, and works, and the chair of the Graduate Program in Curatorial Practice at the California College of the Arts (CCA), San Francisco since 2008.

The show consists mostly of pieces from the Kontakt art collection, a Vienna - based collection of works made in Central, Eastern, and Southeastern Europe in the 1960s and since, with a few additional pieces; it was co-curated by the Zagreb - based collective, WHW, a strong curatorial team.

Since 2011 she has worked in TEOR / éTica, conducting research projects about local curatorial initiatives and the institution's archive, as well as facilitating educational and artistic formation projects.

Ms. Engberg has worked as part of the curatorial team since 1990, serving as curator for over 30 Walker - organized exhibitions.

CURATOR: Dr. Deborah Willis, University Professor and Department Chair at Tisch School of the Arts, New York University VMFA COORDINATING CURATOR: Dr. Sarah Eckhardt, Assistant Curator of Modern and Contemporary Art ORGANIZER: The exhibition is organized by the Department of Photography & Imaging at New York University, Tisch School of the Arts and traveled by Curatorial Assistance Traveling Exhibitions NUMBER OF WORKS: 90 ITINERARY: This exhibition has traveled internationally since 2010 SPONSORS: Sponsored by Dominion.

Since then, they have presented six successful exhibitions and are pleased to work together in 2018 with a curatorial residency consisting of seven total exhibitions.

But curatorial attention has returned to his oeuvre in the years since his death, culminating in a major retrospective of his work at the Musée d'Art Moderne de la Ville de Paris in 2016.

«Since then my curatorial work has been inspired by his art, and he has enriched my life with his friendship,» he writes.

Since joining the Clark's curatorial team in 1997, Rand has been responsible for a number of major exhibitions studying the works of noted French painters, including Fragonard, Jacques - Louis David, and Claude Lorrain.

Of course, because the artist has worked only in response to particular sites since 1967, a full - on Buren «retrospective» poses a bit of a curatorial conundrum.

Anne Ruygt (The Netherlands) worked with the photography team within the Tate Modern curatorial department to conduct an analysis of the way the photography collection has changed and grown since the new strategy began to be implemented in 2009.

A renewed curatorial interest has grown around his work in the decade since his death, including a new focus on the works on canvas from the 1980s.

While the two field marshals, Sara Roffino, the Rail Managing Editor; and Sara Christoph, the Rail Managing Director; held down the fort with our production assistants par excellence at our headquarters in Brooklyn, Maggie Barrett, Anna Tome, Cy Morgan, and I — the current Rail Curatorial Projects team — worked tirelessly with Max Wolf and Jennifer Cooper, the two extraordinary program managers of Red Bull Studios, along with Shan Raoufi, Benjamin Lightle, and their construction team (composed mostly of artists — for artists have worked on a freelance basis in this line of employment since the beginning of time, and this city is one endless construction site in need of constant upkeep), as well as with the relentless PR team led by Maureen Sullivan, Sherlen Archibald, Adam Gorode, and Steffi Muehlenkamp.

Since his early electronic music pieces, Fell's practice has expanded to include moving - image works, sound and light installation, choreography, critical texts, curatorial projects and educational activities.

The MIA residency builds upon a monthly screening series hosted by Armory since June 2012 and developed by MIA, a curatorial project of video artist Alanna Simone to promote the work of artists from around the world who produce video art, experimental films, performance art, essay films, and animation.

Curatorial Studies Fine Art University of Lisbon Since 2015/16 - PhD candidate in Art History at Kingston School of Arts, Kingston University, London Working Title: Following the indexical line: a dialogic study of 1960s abstract art through the scientific imagery of the photographic innovator Etienne - Jules Marey (1830 - 1904)

Cattelan's first solo show in this country since 2003 celebrates the artist's return to sculpture after several years of publishing and curatorial work, including his 2002 co-founding of The Wrong Gallery in Chelsea, New York, his collaborations on Permanent Food (an occasional journal comprised of altered pages torn from other magazines) from 1996 - 2007, his co-editorship of Charley (a conceptual project and independent series on international contemporary artists) from 2002 — present, and his curation of the Caribbean Biennial in 1999 and the Berlin Biennial in 2006.

Cory Korkow is associate curator of European paintings and sculpture, 1500 — 1800 and has worked at the Cleveland Museum of Art since 2008, when she received a Kress Curatorial Postdoctoral Fellowship to study the museum's renowned portrait miniatures collection, culminating in the exhibition Disembodied: Portrait Miniatures and Their Contemporary Relatives.

In addition to her studio practice, Donahue has maintained the ongoing interdisciplinary project Disparate Minds with collaborator Tim Ortiz since 2014, the scope of which includes curatorial projects, exhibition reviews, essays, and research dedicated to discussing the work of marginalized self - taught artists in the context of contemporary art.

Natalie Storelli works as curatorial assistant at Schirn Kunsthalle since 2015 and has, among other things, been involved in realizing the PEACE exhibition project.

Since 2008, she has also worked as part of curatorial collective, with Cassandra Needham.

It has since developed into a curatorial project that seeks to make connections through diverse modes of art making by finding common threads in work borne of a challenging and rigorous practice.

Since 2006 she has worked freelance undertaking roles including, Research Consultant and Series Editor for the Exhibition Histories book series published by Afterall; Lecturer on curatorial programmes at California College of the Arts, San Francisco; de Appel, Amsterdam; the London Consortium MA Film Curating; the MA Curating at Chelsea College of Art and Design and on the Curatorial Intensive run by Independent Curators International in New York in curatorial programmes at California College of the Arts, San Francisco; de Appel, Amsterdam; the London Consortium MA Film Curating; the MA Curating at Chelsea College of Art and Design and on the Curatorial Intensive run by Independent Curators International in New York in Curatorial Intensive run by Independent Curators International in New York in July 2011.

Jointly produced by the Asian American Women Artists Association and the Asian Pacific Islander Cultural Center, the juried show was organized by Linda Inson Choy, who worked as a Curatorial Assistant at the Asian Art Museum, San Francisco, form 1996 to 2004, and has since gone one to independently curate exhibitions at Mills College and Incheon Art Platform, Incheon, Korea, as well as organizing panels at the College Art Association Conference for the past four years.

Since then, they have presented six successful exhibitions and are pleased to work together in 2018 with a curatorial residency consisting of sex total exhibitions.

Since 1988, Ben Kinmont «s project - based work has demonstrated an interest in archiving and blurring the boundaries between artistic production, publishing, and curatorial practices.