Not exact matches
Today on Maake, Brooklyn - based artist Yevgeniya Baras shares thoughts on the importance of labor in her paintings, translating a condensed moment to a large scale, and balancing her studio, teaching, and
curatorial work with the artist - run gallery, Regina Rex in NYC.
With
work by both post-war artists and emerging practitioners — including Pablo Picasso, Roy Lichtenstein, Bruce Nauman, Carolee Schneemann, Jason Rhoades, Martin Kippenberger, Elaine Sturtevant, Anna Oppermann, Tetsumi Kudo, and Andrea Zittel, among others — the exhibition reflects the museum's expanded
curatorial purview in its new home, which creates intergenerational dialogues between post-war and contemporary artists, and champions new narratives that provide insight into the most innovative artists
working today.
An internationally recognized art historian and museum professional, her
curatorial work and writings have ranged broadly across visual art, public art, and architecture from mid-20th century to
today.
Her
curatorial work focuses on artistic production from the neo avant - garde until
today, particularly rooted in global art histories, the intersections of sound and performance with traditional media, and the function of contemporary art within encyclopedic museums.
From our world - renowned faculty to our artist and
curatorial residents, from our current students to our network of alumni / ae now working throughout the United States and the World, we invite you to meet the people who make the Center for Curatorial Studies one of the most unique institutions dedicated to contemporary
curatorial residents, from our current students to our network of alumni / ae now
working throughout the United States and the World, we invite you to meet the people who make the Center for
Curatorial Studies one of the most unique institutions dedicated to contemporary
Curatorial Studies one of the most unique institutions dedicated to contemporary art
today.
But Trecartin's
curatorial input is bound to be even more closely scrutinized than this
work — after all, the tech - suffused aesthetic of identity art that he unleashed over the past decade has influenced many of
today's most interesting artists, from DIS magazine to Jacolby Satterwhite.
A special thank you
today to Kelsey Cassin, our Young Canada
Works Curatorial Assistant, whose
work has been essential is preparing each Object of the Week.
Taken as a whole, the exhibition is a striking
curatorial achievement, but the vast space and avalanche of debate over just a couple of controversial
works made starkly visible that scale may be the most significant issue in the presentation of contemporary art
today.
This is a unique opportunity to gain insight from three of the most progressive curators
working today: Suzanne Cotter (Solomon R. Guggenheim Foundation Curator, Guggenheim Abu Dhabi Project), Raimundas Malašauskas (Independent curator and writer, and a member of the
curatorial team of dOCUMENTA (13), 2012), and João Ribas (Curator, MIT List Visual Arts Center).
The program provides participants an introduction to the field of contemporary
curatorial practice
today, and the opportunity to set up a foundation for future
curatorial work.
Early this Fall, Independent Curators International (ICI) was in residence at the South London Gallery (SLG) which created an open forum for reflection on current
curatorial practices by inviting curators from its network to collaborate on research into what it means to be
working internationally
today.
Today the
works frame some of the most standout professionals in the
curatorial field.
Delving into four main topics — Publications, Biennials, Art Museums
Today, and New Media — the book documents contemporary
curatorial work beyond the boundaries of traditional
curatorial practice.
Her scholarly and
curatorial work has been instrumental in introducing the
work of many black artists who are very well known
today, including Martin Puryear, David Hammons, and Lorna Simpson.
Previously the
Curatorial Fellow at Wave Hill and Social Media Director of Prospect.3 New Orleans Triennial, Shen has
worked for the Beijing
Today Art Museum, and the Smithsonian among other institutions.
and understand themselves only in relation to other artists which is one of the reasons why she holds and attends lectures and discussions worldwide the moca ahmanson
curatorial fellow said ms butler â $ marlene dumas is one of the most intriguing painters
working today her exploration of portraiture and (4 words, 13 characters)
This symposium offers a forum in which colleagues in the art world and in the field of
curatorial education can talk frankly about the challenges of
working with artists, making exhibitions, and educating curators
today.
In light of the recent decision by the Museum of Modern Art, New York to hire a consulting curator to help with «the strengthening of its holdings» in black art, this closed door session addressed the idea of «progress» made by ethnic specific institutions and the nature of
curatorial work within these institutions in
today's social and cultural conditions.