Sentences with phrase «curators and artists interested»

While this material may no longer be of use to the artist, it is infinitely more valuable to historians, curators and artists interested in developing the study of sculpture.

Not exact matches

Examining the show in the context of curator Rubinstein's previous critical interests (particularly Rubinstein's coining of the term «provisional painting») Micchelli writes that «the genome of this generation of post-minimal abstractionists, who were born between 1939 and 1949, is embedded in the Provisional / Casual DNA... There isn't much that's casual or provisional about the paintings (one from each artist) on display, even though improvisation is their main modus operandi.

Independent curators Regine Basha, Rebecca Gates, and Lucy Raven will bring together fifteen artists with specific interests in sound work and its potential as a transgressive medium across place and geography.

Nonetheless, interest in African American art continues to gain traction and increasing values in their markets may indicate collectors and museums are recognizing a wider slate of African American artists long familiar to scholars and many curators.

The artist and curator connected through their shared interests in art and music.

Together these two experiments represent an artist - led rebellion against the market and its professional classes — collectors, dealers, curators, academics (and, yes, critics)-- that is best summarized by a Bruce maxim: «An art world built solely to feed the industry isn't an interesting place to live.»

A unique amalgamation of artist, Spiritualist and medium, the fascinating and unexpected story of Houghton has generated international interest from curators and writers who see her work as representing an abandonment of figurative form that anticipates the development of modern abstraction by artists such as Kandinsky or Malevich by several decades.

Artists and curators interested in submitting exhibition proposals to GRACE should present the following materials:

These visitors include those with an interest in the art world, such as curators, artists, collectors, gallerists and critics, as well as the general public.

We have high editorial standards — including a strict conflict of interest policy (below)-- and our team is made up of artists, curators, and art historians who thoughtfully examine contemporary arts and art practices where they overlap with cultural and social issues.

We see that in the breadth of people included in major recurring exhibitions, in the interests of younger artists, critics and curators, in the editorial choices made by the most current magazines, in the increasing visibility of artists emerged in the 60s and 70s, but did not enter the canon.

Ballroom Marfa is particularly interested in helping artists and curators achieve projects that have significant cultural impact but would be impossible to realize in a traditional gallery or museum setting.

One of the more interesting developments of recent years is that artists have been branching beyond simply making work in their studios, adopting the role of dealer, critic, publisher, curator, art fair - founder, nonprofit - founder, and even bar proprietor.

Focus has seen increasingly ambitious presentations over the years and is a destination for curators and collectors looking for the most interesting young galleries and emerging artists from around the world.

From artists like Trevor Paglen and Eric Fischl to curators like Chrissie Illes and Johanna Burton, here are the most interesting conversations we had in 2017.

It's focus is to provide visibility to young art, particularly for lesser known visual artists to showcase their work to an international audience which includes artists, galleries, museums, curators and others interested in art.

These visitors included those with an interest in the art world, such as curators, artists, collectors, gallerists and critics, as well as the general public.

Thinking of painting as a form of technology is a very interesting vantage point, because if you consider the whole sweep of different mediums that artists are employing today — from video and virtual reality to immersive installation and performance — then painting becomes the least optimized medium for avant - garde curators to engage the kinds of crowds that come to biennials and exhibitions.

An associate curator at the ICA Philadelphia who also runs the underground artist publication organ White Walls, Elms has interests that run across disciplines, including performance (he is featuring many in the exhibition), literary pursuits, and that old chestnut, painting.

Her early drawings, characterized by their clean lines and all - over patterns, drew the interest of luminary artists and museum curators including director of IIT Mies Van Der Rohe, and Art Institute of Chicago curators Katharine Kuh and Carl Schniewind, and led to solo exhibition at the Art Institute in 1952 and 1957.

KW Friends are part of a network of enthusiastic art lovers, curators, artists and individuals with an interest in the arts and thereby contribute actively to the culturally multifaceted life of Berlin.

In this conversation recorded on February 9, 2014, as part of The Collecting of African American Art, a series at the National Gallery of Art, Ruth Fine and Rodney M. Miller discuss his collection in all of its aspects — from his early interest in art to the development of his diverse interactions with contemporary artists, curators, and dealers.

In the 1990s the most prominent of his interests questioned the dynamic relationship between artists, curators and institutions.

This is a bold statement coming from one of the preeminent photographic art galleries in Chelsea, and, yet, one that is capturing the interest of many artists and curators who are becoming interested in the dissemination of the photograph and how its meaning has shifted in recent years.

What I've always appreciated most is the ability for an artist to show work at a smaller scale, perhaps a project space for example, and work their way through the diverse community of curators, gallerists and collectors that are deeply interested in new artists and their work.

Through monthly artist / curator discussions, visitor engagement, and community outreach, our volunteers develop their interest and understanding of the non-profit local arts organization, while providing general operative assistance for our artist and curator - centered gallery.

Both have curatorial and scholarly expertise in international contemporary art and a keen interest in the art and artists of Southern California LOS ANGELES, CA — Ann Philbin, Director of the Hammer Museum, has announced the appointment of two new curators, effective spring 2009, filling key vacancies in the Hammer's curatorial team.

With the addition of a College of the Arts library on the CSU RiverPark Campus adjacent to the Bo Bartlett Center, the Center's curator will continually broaden the collection by actively seeking the donation of sketchbooks, journals and archival materials of other noteworthy American artists interested in a permanent repository for their work.

The concept and title of the show were developed by graffiti artist and curator, Poesia, who is also the editor of Graffufuturism.com and the cultural instigator at the center of the growing interest in abstract, progressive and hybrid Graffiti art forms.

The Whitney's closest supporters are invited to join curators, permanent collection artists, and Museum donors to celebrate the spring exhibitions Human Interest: Portraits from the Whitney's Collection, June Leaf: Thought Is Infinite, and Open Plan: Steve McQueen.

Artist, curator and writer, Matthew Deleget has described Hill as being «on the leading edge of a group of contemporary artists who are working with new abstraction, issues of painting, and pushing those in really compelling and interesting new directions, particularly through the filter and through the lens of photography and digital media.»

[17] Hockney has repeatedly been drawn to the same subjects — his family, employees, artists Mo McDermott and Maurice Payne, various writers he has known, fashion designers Celia Birtwell and Ossie Clark (Mr and Mrs Clark and Percy, 1970 — 71), curator Henry Geldzahler, art dealer Nicholas Wilder, [23] George Lawson and his ballet dancer lover, Wayne Sleep, and also his romantic interests throughout the years including Peter Schlesinger and Gregory Evans.

Matthew Higgs, an artist, writer, pioneering curator and current Director of White Columns in New York, started his publishing venture Imprint 93 in 1993, as a way of collaborating with artists he was interested in at the time.

A free tour of Berlin - based artist Alicja Kwade's Whitechapel Gallery commission Medium Median (28 September 2016 — 25 June 2017) led by Whitechapel Gallery Eisler Curator and Head of Curatorial Studies Daniel F. Herrmann, that allows to learn about the key themes and interests that run through her practice.

The symposium, Mapplethorpe + 25, will revolve around this revitalized interest in Mapplethorpe as curators, artists, critics and others explore the broad question: what does Mapplethorpe's work tell us about the culture we have inherited and inhabit today?

The Center for Curatorial Studies is home to a diverse group of scholars, curators, researchers, and artists, whose individual interests and projects shape an environment where contemporary art and its relationship to our society is constantly tested and explored.

Students were interested in the work of the artists who taught them, funders were interested in artists communities and curators interested in individual artists histories.

«The move to Pfizer places them in a key position not only to engage with a community of peers, but also to create and show work in a beautiful new space located close to the curators, non-profit spaces, and galleries likely to be interested in featuring up - and - coming artists.»

Alicia G. Longwell, Ph.D., is the Lewis B. and Dorothy Cullman Chief Curator, Art and Education at the Parrish, where she has pursued a special interest in the history of the art and artists of Eastern Long Island.

The call is open for artists, designers, architects, curators, students and craftsmen in the arts, with a special interest in artistic practice.

Drawing directly from proposals of interest to workshop participants, artist, educator, and curator Melissa Potter will lead an in - depth discussion designed to help artists successfully complete applications for a variety of opportunities.

Addressing the recent historiographic turn in artistic practices through works made in the last two decades by thirty - three artists, including Joachim Koester, Deimantas Narkevičius, and Hito Steyerl, MCA curator Dieter Roelstraete frames this pervasive interest in countermemory as a critical response to a «cultural pathology of forgetting» that emerged in the post-9 / 11 Bush era.

Sarah G. Sharp is an artist and curator whose interests include critical media, alternative social histories, language, place, technology and craft.

This panel discussion will revolve around this revitalized interest in Mapplethorpe, as curators, artists, critics, and others explore the broader question: What does Mapplethorpe's work tell us about the culture we have inherited and inhabit today?

With work by more than 30 artists, the jam - packed show at Feuer is by far the larger of the two, and it's a rollicking, albeit hermetic guide to the interests of a gang of emerging talent, beginning with its two curators, artists Tyler Dobson and Ben Morgan - Cleveland, who together run the scrappy Greenpoint gallery Real Fine Arts.

According to Portuguese curator Marta Mestre, what interests the artist is «the relationship between space and the act of building.

Chief curator Alexander, whose job it was to consider and select artists whose work represents important art historical moments captured by the Walker collection as well as some recent purchases that foreshadow areas of possible growth, said: «I was interested in enabling a public vote and taking advantage of the natural impulse people have when encountering art to form an opinion.»

His foremost interest is in the space between being an artist and a curator and translating the forms of parallel conceptual thinking of non-art disciplines (e.g. geography, economics, blogging) into contemporary art practice.

Jessica Cochran is an independent curator and educator, interested in emerging art, social practice at the intersection of craft, artists» books, and the history and theory of curatorial practice and the art market.

It's an international platform and an open call that allows artists to get in touch with a network of galleries and curators interested in evaluating new projects.