Sentences with phrase «curators and artists thought»

It was time to see what scholars, curators and artists thought about the status of women in the field thirty years after that original revolutionary article.

Not exact matches

I think artists transgress all boundaries and should not be segregated according to the comfortable academic niches supplied by curators, let alone by society.

«Pose and Sculpture,» curated by Daniel Baumann, Casey Kaplan, New York, NY, June 30 — August 4, 2006 «Two or Three or Something: Maria Lassnig, Liz Larner,» Kunsthaus Graz, February 4 — May 7, 2006 «Whitney Biennial 2006: Day for Night,» Whitney Museum of American Art, New York, NY, March 2 - May 28, 2006 «Gone Formalism,» Institute of Contemporary Art at the University of Pennsylvania, Pittsburg, January 21 — March 26, 2006 2005 «Extreme Abstraction,» curated by Louis Grachos and Claire Schneider, Albright Knox Art Gallery, Buffalo, NY, July 15 — October 2, 2005, catalogue «The The,» curated by Stuart Shave, Modern Art, London, July 8 — August 7, 2005 «The Meeting,» curated by Kathryn Andrews, Center for the Arts of Eagle Rock, Los Angeles, CA, May 27 — July 2, 2005 2004 «Showdown,» curated by Kimberli Meyer and Fritz Haeg, Schindler House, Los Angeles, October 22 — 23, 2004 «Full House,» curated by David Pagel, East Gallery, Claremont Graduate University, Claremont, CA, August 16 - September 10, 2004 «100 Artist See God,» curated by John Baldessari and Meg Cranston, The Jewish Museum San Francisco, March 7 — June 27, 2004; Laguna Art Museum, Laguna Beach, CA, July 25 — October 3, 2004; Institute of Contemporary Art, London, England, November 19, 2004 — January 9, 2005; Contemporary Art Center of Virginia, Virginia Beach, Virginia, June 9 — September 4, 2005, catalogue «The Thought that Counts,» curated by Jason Meadows, Sister Gallery, Los Angeles, CA 2003 «Inaugural Exhibition,» Regen Projects, Los Angeles, CA, January 25 - March 8 «Within Hours We Would Be in the Middle of Nowhere,» 303 Gallery, New York, NY, July 19 — August 29, 2003 neugerriemschneider, Berlin, Germany «Popstraction,» curated by Paola Antonelli, curator of Architecture and Design at MOMA and independent curator and writer, Eungie Joo, Deitch Projects, New York, NY, catalogue «Imagination: Perception in Art,» curated by Peter Pakesch and Martin Prinzhorn, Kunsthaus Graz, Graz, Austria, October 25, 2003 — January 18, 2004, catalogue Tanya Bonakdar Gallery, New York, NY, November 20, 2003 — January 10, 2004 2002

Director & Chief Curator of High Line Art, and produced by Friends of the High Line, High Line Art invites artists to think of creative ways to engage with the uniqueness of the architecture, history, and design of the High Line and to foster a productive dialogue with the surrounding neighborhood and urban landscape.

June Leaf: Thought Is Infinite is organized by Carter E. Foster, Steven and Ann Ames Curator of Drawing, with artist Alice Attie.

MetLiveArts invites artists, performers, curators, and thought leaders to explore and collaborate within The Met, leading with new commissions, world premieres, and site - specific durational performances that have been named some of the most «memorable» and «best of» performances in New York City by the New York Times, New Yorker, and Broadway World.

Paola Antonelli, the design curator of the MoMA, said that right now a lot of artists are getting inspiration from chefs or designers — they're fishing in different ponds, and that's because sometimes chefs love to think, they have culture, and they put together ideas that become social gestures, exactly like Ai Weiwei or Joseph Beuys.

9am - 1 pm Artist & Curator Brunch at Girls» Club Tour the current exhibition I think it's in my head with special guests and curators Monica and Tasha Lopez de Victoria of the TM Sisters and artists from the exhibition.

Curator Gary Garrels worked with six abstract painters — Mark Grotjahn, Wade Guyton, Mary Heilmann, Amy Sillman, Charline von Heyl, and Christopher Wool — to select one of their own recent paintings as well as works by other artists who have influenced their thinking.

Each topic is determined through a closed think tank meeting with a small group of artists, curators, and historians.

The curators of the Block exhibition seem to think so because they've included an early section which focuses on artists, including Still, working in the 1940s «who discovered Blake's unique voice in such poems as «The Tyger» and the «Shepard».»

It's incredibly exciting to think about how such exposure will affect future artists, curators, and other players in the years to come.

Juror, Lisa D. Freiman, Senior Curator and Chair of the Department of Contemporary Art, Indianapolis Museum of Art, Indianapolis, IN, mentions in her essay that, «Most of the works by Midwest artists chosen... challenge traditional definitions of painting or sculpture and instead explore a hybrid state that incorporates aspects of both...» We hope you will pick - up a copy and let us know what you think!

Here, we've excerpted a conversation between the Swiss artist and the curator and critic Alison Gingeras from Phaidon's Thomas Hirschhorn, focusing on Hirschhorn's thoughts around being a fan defining the success or failure of a piece.

People saying, «you can't be an artist and a curator, you can't be both,» made me think, I'll show you something, I'll show you a different way.

This Tuesday Evenings at the Modern presentation, «40 Years: Talking and Thinking about Art,» is a biographical sketch of Michael Auping's four - decade career as a renowned curator, relaying stories of artists such as Lucian Freud, Agnes Martin, John Chamberlain, Louise Bourgeois, Bruce Nauman, Jenny Holzer, and Frank Stella.

The program's mission is to help artists advance their career in an environment that allows for expansive thinking and opportunities to engage with their co-residents in a group setting, as well as with influential artists, curators, and educators through individual studio visits.

For more in this series, see my thoughts on tackling race and gender in art, artist - curators, art fair hype, top 5s and top 10s, our political art is terrible, gap left by Brian Sewell, how art never learned from the Simpsons, why artspeak won't die, so - called reviews, bad reviews are bad for business, the $ 179m dollar headline, art fairs appealing to the masses, false opening hours, size matters and what's wrong with video art.

Thinking of painting as a form of technology is a very interesting vantage point, because if you consider the whole sweep of different mediums that artists are employing today — from video and virtual reality to immersive installation and performance — then painting becomes the least optimized medium for avant - garde curators to engage the kinds of crowds that come to biennials and exhibitions.

It is a message from an artist, placed by the artist - curator at the entrance to this thought - provoking and beautiful show.

Before my internship, when I thought of museum professions, I thought of artists and curators at most.

We'd like to think that pressure from critics, artists, and groups like MOCA Mobilization has helped convince MOCA that a strong museum needs strong leaders, both directors and curators.

Co-curators Peter John Brownlee (Curator of the Terra Foundation for American Art in Chicago) and Valéria Piccoli (Chief Curator of the Pinacoteca do Estado de São Paulo in Brazil) share their thoughts on some of the artists, explorers and artworks in the exhibition.

Curators, historians, artists and critics must think carefully about the compulsion to return, and travel along less well - trodden historical paths, while continuing to re-examine significant shows.

Through a multi-format public engagement and artist support series, NURTUREart provides direct support to artists and curators and aims to inspire the public to think critically about the world around them and connect to their creative and local communities.

Artist and curator Zachary Cahill reflects on revolution and Cauleen Smith's If Thoughts Could Heal

«Quite a few of our living artists use cochineal,» says curator Nicolasa Chavez, «and she [the director] thought it would be an exciting exhibit, seeing that we're an international museum with an international collection.

-- Venice Biennale curator Massimiliano Gioni explaining the thinking behind his incorporation of work by outsider and self - taught artists into his upcoming «The Encyclopedia of Everything» exhibition

The Whitney's closest supporters are invited to join curators, permanent collection artists, and Museum donors to celebrate the spring exhibitions Human Interest: Portraits from the Whitney's Collection, June Leaf: Thought Is Infinite, and Open Plan: Steve McQueen.

When an upcoming exhibition fell through unexpectedly, we decided to take this opportunity to think about the relationship between exhibition spaces, curators, and artists, and to consider what exactly it is that we do, as on of many nonprofit spaces in New York that facilitates exhibition - making.

Revealing and obscuring in equal measure with its kaleidoscopic collision of shimmering tones, Abstraktes Bild confirms the assertion of the American curator, critic and artist Robert Storr: «It is hard to think of [Richter] as anything other than one of the great colourists of late 20th - century painting».

One big decision the curators agonized over was whether to dispense with the traditional museum practice of devoting separate galleries for drawings and prints; paintings and sculpture; photographs; and film and video — in part because they felt that artists today think and produce across different media.

In alphabetical order, the thoughts of curator and writer Osei Bonsu, Director of Camden Arts Centre, Martin Clark, Turner Prize - winning artist Lubaina Himid, current Director of Middlesbrough Institute of Modern Art and soon to be Director of the Whitworth, Manchester, Alastair Hudson, and Director of the Liverpool Biennial, Sally Tallant.

A catalyst for independent thinking, ICI connects emerging and established curators, artists, and institutions, to forge international networks and generate new forms of collaboration.

For more in this series, see my thoughts on Art itself, Appointment only exhibitions, Artificial Intelligence replacing artists, Everyone's a Critic, Photo London, The Turner Prize, Art for art's sake, Conceptual art is complicated, Condo, How performance art is presented in museums, Frieze week floozies, too much respect for an artist's legacy, opinions not being welcome, an exhibition across three countries, tackling race and gender in art, artist - curators, art fair hype, top 5s and top 10s, our political art is terrible, gap left by Brian Sewell, how art never learned from the Simpsons, why artspeak won't die, so - called reviews, bad reviews are bad for business, the $ 179m dollar headline, art fairs appealing to the masses, false opening hours, size matters and what's wrong with video art.

ArtReview Asia asked curators, writers and artists to select 12 artists they think will be setting new agendas over the coming year:

To celebrate the ending of Art Basel Miami Beach week, join us for an informal brunch event with special guests and curators of our current exhibition I think it's in my head the TM Sisters Monica and Tasha Lopez de Victoria and artists from the exhibition.

For more in this series, see my thoughts on Private views, Art itself, Appointment only exhibitions, Artificial Intelligence replacing artists, Everyone's a Critic, Photo London, The Turner Prize, Art for art's sake, Conceptual art is complicated, Condo, How performance art is presented in museums, Frieze week floozies, too much respect for an artist's legacy, opinions not being welcome, an exhibition across three countries, tackling race and gender in art, artist - curators, art fair hype, top 5s and top 10s, our political art is terrible, gap left by Brian Sewell, how art never learned from the Simpsons, why artspeak won't die, so - called reviews, bad reviews are bad for business, the $ 179m dollar headline, art fairs appealing to the masses, false opening hours, size matters and what's wrong with video art.

About Jan's work, artist, curator and writer Michelle Grabner states, ``... his paintings expand the best of contemporary non-objective work in their shear boldness and fearless scope, the entirety of the painting's dynamics are always greater than the architecture that supports them... The impact of van der Ploeg's paintings is located at the intersection of sensation and thought, between the work's graphic visual impact and its conceptual underpinnings.

Dedicated to providing readers with an informed and expert view of New York's contemporary arts, our lively conversations and reporting highlight current perspectives on contemporary art and provide an insight into what artists, curators and galleries are creating and thinking about.

Scholars, curators and artists have taken the archive to task: as a critical site for posing questions about practices of colonial governance, or for thinking about the workings of colonialism and its afterlife, including the elision of the violence of its own operation and the silencing of the lives of colonized subjects.

Through an onsite collection of 140 novels written by artists and an installation of artworks in varied media that each link to select novels by their same artists, the curators of The Book Lovers invite us to think about literature as a tool for creating expanded narratives in the visual arts.

His foremost interest is in the space between being an artist and a curator and translating the forms of parallel conceptual thinking of non-art disciplines (e.g. geography, economics, blogging) into contemporary art practice.

We invite curators, artists, organizations, collectives, cultural producers, and thinkers of all kinds to submit preliminary ideas for thought - provoking exhibitions to be mounted in our multi-disciplinary art venue.

Community Advisory Council: Saiku Branch, Director of Afrikan Poetry Theatre; Kim McNeil Capers, Outreach Coordinator, Queens Library; Stephanie Davis, poet and Poetry Editor of Newtown Literary, and Queens Council on the Arts Jamaica Arts Leaders 2015 - 16 Program Fellow; Sherese Francis, poet, writer, Blogger of FuturisticallyAncient.com; Heng - Gil Han, Director & Curator, Jamaica Flux; Cathy Hung, Director of Jamaica Center for Arts & Learning; Simone Jhingoor, Co-Founder Jahajee Sisters; Brandon Lee, artist and Teaching Artist at Children's Museum of Art; Rejin Leys, Visual Artist and Queens Council on the Arts Jamaica Arts Leaders 2015 - 16 Program Fellow; Monica O. Montgomery, Director of Lewis Latimer Historic House; Tunisia Morrison, independent curator and Founder of VOYCE; Odathrowback, visual artist and carpenter; Richard Parker, visual artist and owner of Think Before You Ink; Prerana Reddy, Director of Public Events, Queens Museum; and Kenrick Ross, Director, Indo - Caribbean AlCurator, Jamaica Flux; Cathy Hung, Director of Jamaica Center for Arts & Learning; Simone Jhingoor, Co-Founder Jahajee Sisters; Brandon Lee, artist and Teaching Artist at Children's Museum of Art; Rejin Leys, Visual Artist and Queens Council on the Arts Jamaica Arts Leaders 2015 - 16 Program Fellow; Monica O. Montgomery, Director of Lewis Latimer Historic House; Tunisia Morrison, independent curator and Founder of VOYCE; Odathrowback, visual artist and carpenter; Richard Parker, visual artist and owner of Think Before You Ink; Prerana Reddy, Director of Public Events, Queens Museum; and Kenrick Ross, Director, Indo - Caribbean Allartist and Teaching Artist at Children's Museum of Art; Rejin Leys, Visual Artist and Queens Council on the Arts Jamaica Arts Leaders 2015 - 16 Program Fellow; Monica O. Montgomery, Director of Lewis Latimer Historic House; Tunisia Morrison, independent curator and Founder of VOYCE; Odathrowback, visual artist and carpenter; Richard Parker, visual artist and owner of Think Before You Ink; Prerana Reddy, Director of Public Events, Queens Museum; and Kenrick Ross, Director, Indo - Caribbean AllArtist at Children's Museum of Art; Rejin Leys, Visual Artist and Queens Council on the Arts Jamaica Arts Leaders 2015 - 16 Program Fellow; Monica O. Montgomery, Director of Lewis Latimer Historic House; Tunisia Morrison, independent curator and Founder of VOYCE; Odathrowback, visual artist and carpenter; Richard Parker, visual artist and owner of Think Before You Ink; Prerana Reddy, Director of Public Events, Queens Museum; and Kenrick Ross, Director, Indo - Caribbean AllArtist and Queens Council on the Arts Jamaica Arts Leaders 2015 - 16 Program Fellow; Monica O. Montgomery, Director of Lewis Latimer Historic House; Tunisia Morrison, independent curator and Founder of VOYCE; Odathrowback, visual artist and carpenter; Richard Parker, visual artist and owner of Think Before You Ink; Prerana Reddy, Director of Public Events, Queens Museum; and Kenrick Ross, Director, Indo - Caribbean Alcurator and Founder of VOYCE; Odathrowback, visual artist and carpenter; Richard Parker, visual artist and owner of Think Before You Ink; Prerana Reddy, Director of Public Events, Queens Museum; and Kenrick Ross, Director, Indo - Caribbean Allartist and carpenter; Richard Parker, visual artist and owner of Think Before You Ink; Prerana Reddy, Director of Public Events, Queens Museum; and Kenrick Ross, Director, Indo - Caribbean Allartist and owner of Think Before You Ink; Prerana Reddy, Director of Public Events, Queens Museum; and Kenrick Ross, Director, Indo - Caribbean Alliance.

He personally preferred the viewer to experience the painting on his or her own before incorporating his intentions as an artist or the thoughts of other artists, critics, curators and historians into his or her interpretation.

People tend to think of anthropology as being a very distinct practice from art or art history, but they are extraordinarily close: artists, curators, and anthropologists are all looking at cultural phenomena and particularly at objects and their use, and what that says about society at large.

«I don't know if he is the greatest artist, but I do think he is the greatest remixer to remix and sample,» says Sabine Breitwieser, chief curator of media and performance art at MoMA.

I should be interested to hear your summation of how the art world... By that I mean principally galleries, curators, and critics, controls and steers the general market for the artist's work: as in whether you think it functions in the same way as other business practice?

The exhibition programme is curated by the Director and invited curators, whose confluence of ideas generates a unique forward - thinking programme, in partnership with established artists and galleries internationally.