Sentences with phrase «curators respond to each work»

In the publication, invited writers and curators respond to each work, completing a circle between text and object, to trace the lines of literary affiliation and tease the productive tensions that arise between a source material and its reinscription.

Not exact matches

photographer, filmmaker, curator, writer, and activist whose work often responds to conditions in China, including the government's repression of free speech and expression.

One of the most prominent artists of the 21st century, Ai Weiwei is an architect, sculptor, photographer, filmmaker, curator, writer, and activist whose work often responds to conditions in China, including the government's repression of free speech and expression.

Responding to these conditions, MoMA PS1 curator Peter Eleey brings together more than 70 works by 41 artists — many made prior to 9/11 — to explore the attacks» enduring and far - reaching resonance.

Their living legacy will better prepare the participating artists to respond to grant proposals, calls for exhibitions, and present their works to curators during studio visits; thus enabling them to further their careers by taking advantage of opportunities at home and outside the Deep South.

ABOUT CURATOR INDIRA CESARINE Indira Cesarine's work as a curator for The Untitled Space gallery includes exhibitions (HOTEL) XX for SPRING / BREAK Art Show 2018,» Secret Garden,» presenting the female gaze on erotica; «SHE INSPIRES,» a group show of 60 artists exhibiting works honoring inspirational women; the internationally - celebrated group shows «UPRISE / ANGRY WOMEN,» and «ONE YEAR OF RESISTANCE» responding to the political climate in America since the election of Donald Trump as well as numerous other critically - acclaimed exhibCURATOR INDIRA CESARINE Indira Cesarine's work as a curator for The Untitled Space gallery includes exhibitions (HOTEL) XX for SPRING / BREAK Art Show 2018,» Secret Garden,» presenting the female gaze on erotica; «SHE INSPIRES,» a group show of 60 artists exhibiting works honoring inspirational women; the internationally - celebrated group shows «UPRISE / ANGRY WOMEN,» and «ONE YEAR OF RESISTANCE» responding to the political climate in America since the election of Donald Trump as well as numerous other critically - acclaimed exhibcurator for The Untitled Space gallery includes exhibitions (HOTEL) XX for SPRING / BREAK Art Show 2018,» Secret Garden,» presenting the female gaze on erotica; «SHE INSPIRES,» a group show of 60 artists exhibiting works honoring inspirational women; the internationally - celebrated group shows «UPRISE / ANGRY WOMEN,» and «ONE YEAR OF RESISTANCE» responding to the political climate in America since the election of Donald Trump as well as numerous other critically - acclaimed exhibitions.

In this excerpt from Phaidon's Defining Contemporary Art, the curator Connie Butler responds to one of Piper's most important video and installation works, Cornered from 1988.

The upcoming 2018 Gwangju Biennale (its 12th edition) has announced further details: 11 curators are responsible for seven exhibitions responding to the theme of «Imagined Borders», a reference both to the work of historian Benedict Anderson (particularly his 1983 book on nationalism, Imagined Communities) as well as the theme of the inaugural 1995 Gwangju Biennale, «Beyond the Borders».

Requires extra budget for lettuce Artist: Jacob Stewart - Halevy Curator: Mackenzie Schneider In Requires extra budget for lettuce, emerging conceptual artist Jacob Stewart - Halevy responds to Giovanni Anselmo's early work in general and to the sculpture Untitled 1968 (Eating Structure), part of CCS Bard's permanent collection, in particular.

Bearing this in mind, Rezac worked closely with curator Solveig Øvstebø to produce «a cohesive installation informed by and responding to the openness of the gallery.

Her recent major exhibitions and catalogues at SDMA include Eleanor Antin (2008); Animated Painting (2007); Transmission: The Art of Matta and Gorson Matta - Clark (2006); Past in Reverse: Contemporary art of East Asia (2004); She was adjunct curator of Contemporary Links, a series in which contemporary artists respond to works in SDMA's collection.

Curated by internationally renowned curator David Elliott, the exhibition presents intriguing new works by two young artists who respond in different ways to the history, culture and current social fabric of Hong Kong.

Curated by Simon Baker (Senior Curator of Photography and International Art, Tate Modern), Emmanuelle de l'Ecotais (Curator for Photography, Musée d'Art Moderne de la Ville de Paris), Shoair Mavlian and Sarah Allen (Assistant Curators, Tate Modern), the exhibition will bring together works from the 1910s to the present day and will show how photographers responded and contributed to the development of abstraction.

Curated by Simone Doing and Max Puchalsky, co-lead curators at ALL, Digital Aura responds to philosopher Walter Benjamin's seminal essay «The Work of Art in the Age of Mechanical Reproduction» (1936).

The artists responded to a prompt from curator Philip von Zweck to create a new work for this exhibition by developing aesthetic instructions or notations to be executed onsite - a «recipe.»

Davidson and Dubbin have been invited to produce a new set of speaker sculptures which the curators put forward to a group of 8 artists, asking them to produce a new multichannel sound work that responded to the ideas of the Sound Spill exhibition as well as addressing the particularities of the Volumes for Sound project.

Gallery Talk Alex Farquharson, renowned freelance curator and writer, will respond to the work of Thomas Demand in a gallery talk on Saturday 3 March at 3.00 pm.

«The range of photographs chosen for this exhibition were selected from hundreds of extraordinary landscape works in the Getty Museum's photography collection with an eye towards the various ways that photographers have responded to the daunting challenge of depicting the natural landscape photographically,» says Karen Hellman, assistant curator, Department of Photographs, the J. Paul Getty Museum, and curator of the exhibition.

Anya Gallaccio 22 Jan - 1 May Palazzo delle Papesse, Siena ([phone], www.papesse.org) Review by Charles Darwent On the face of it, «post-minimalist» seems an odd way of describing Anya Gallaccio's work, although in retrospect I think I know what the curator of her show in Siena was getting at Along with two other artists, Elisa Sighicelli and Sergio Prego, Gallaccio has been invited to occupy a floor of the Palazzo delle Papesse with pieces that respond in some way to the space itself and, more generally, to an idea of Sienese - ness.

«Artists Remi Rough (London), John Fekner (NYC), Kenton Parker (Los Angeles), Jaybo Monk (Berlin), Matt Doust (Perth), Marco «Pho» Grassi (Milan), Jade Palmer (Melbourne), Jon One (Paris), Amanda Lynn (San Francisco), Darren Henderson (Melbourne), and Jordan Seiler (NYC) were asked to consider the premise that there are three sides to every story, responding to the brief of Perth artist and curator Stormie Mills with an exhilarating collection of fresh, contemporary works in a very special exclusive for Western Australian viewers.

A roster of curators, affectionately dubbed «pigeons,» were invited to respond to an evolving list of questions, what the editors called a «pigeonnaire,» about their approach to their work.

Edited by curators Marilyn S. Kushner and Kimberly Orcutt, along with Casey Nelson Blake, The Armory Show at 100: Modernism and Revolution (D Giles Limited, $ 79.95 hardcover) will feature thirty - one essays from a range of prominent scholars across diverse fields, shedding new light on the artists represented, the public reception of the works, and how the media responded to this legendary exhibition.

In recent Biennials, it seems that thevarious curators and their search teams have responded to these outcries: They've continually included more and more work from a wider variety of artists — even adding off - site venues.

Guest curator, Sanford Mirling of Middlebury, Vermont selected twelve participating artists to respond to the theme «When the Work Stops and it becomes more than it was.»

Koch talked about how the curator who commissioned the work, CCS Bard macher Tom Eccles, wanted to give Whiteread a thoughtful opportunity to respond to the space.