Sentences with phrase «curators speaking about their work»

Not exact matches

Andy Goldsworthy will be speaking with curator Molly Donovan about his large - scale sculptural work around the world at the Museum of Jewish Heritage.

Sze, artist - in - residence at the Fabric Workshop and Museum, will speak about her work in conversation with Hal Foster and Philadelphia Museum of Art curator Carlos Basualdo, followed by a Q&A session.

We spoke to the 30 - year - old French - born curator, best known for his work with Hans Ulrich Obrist on 89plus, about his plans for the pathbreaking New York art site.

For Bomb, Ashley Stull, an independent curator and professor, spoke to Odutola about moving from California to New York, where she now lives and works.

Biggs speaks to us about the challenges of working with «real life» and how he sees his role as curator.

Curators, critics, dealers, and collectors get the opportunity to experience art in its native context, to see works in progress, and to speak with artists directly about their practice, while artists can expose their work to people who could help them with their careers and give them insightful feedback.

Historian and curator Miwon Kwon speaks with artist Mark Dion about the epiphany he had while taking a dump in the rain forest, and how it lead to a brand new way of making work about the natural world.

This evening, she speaks about her work and her mid-career survey with Donna De Salvo, Whitney chief curator and exhibition co-curator.

Independent curator and art historian Karen Wilkin, who has written extensively on the work of Thornton Dial, spoke as well about the Souls Grown Deep's collection.

Studio International spoke to the exhibition curators about Frink's unusual working process and the bringing together of this major survey show.

At the Dallas Museum of Art Jackson Pollock: Blind Spots Gavin Delahunty interview Episode 270 - February 18, 2016 This week, we visit the Dallas Museum of Art and our interviewer, Aimee Cardoso, speaks with curator, Gavin Delahunty, about the work in the exhibition, Jackson Pollock: Blind Spots.

At the Amon Carter Museum of Art American Epics: Thomas Hart Benton and Hollywood Maggie Adler interview Episode 271 - March 3, 2016 This week, we visit the Amon Carter Museum of American Art and our interviewer, Aimee Cardoso, speaks with curator, Maggie Adler, about the work in the exhibition, American Epics: Thomas Hart Benton and Hollywood.

Artist Les Levine (founder of art tabloid Culture Hero, on view in the galleries) will speak with Sarah Robayo Sheridan (Curator at the Art Museum at the University of Toronto) about his work that spans five decades.

Curators of Tandem Pursuits: Armor & Ichthyology lead a gallery talk with artists Michelle Jaffe, Ben Snead and Holly Sumner who share the concepts behind their work and speak about how they research fish and / or Armor.

Curator of Location One's Abramović Studio, Jovana Stokić spoke with artist Lucy Skaer about her current and past work focusing on the collaborative artist group Henry VIII's Wives, who have been working together since 1998, mainly in film and video.

Fishman was also recently profiled in Curator, where she spoke about her work with Nick Cave and recent projects.

At the Meadows Museum, Dallas Process and Innovation: Carlotta Corpron and Janet Turner, Part 2 - Janet Turner Nicole Atzbach interview Episode 273 - March 17, 2016 This week, we visit the Meadows Museum and our interviewer, Linda Mowl, speaks with curator, Nicole Atzbach, about the work in the exhibition, Process and Innovation: Carlotta Corpron and Janet Turner.

On the occasion of the reinstallation of this formative work, Scrim veil — Black rectangle — Natural light, Whitney Museum of American Art, New York (1977), made specifically for the Whitney's fourth floor gallery, Robert Irwin spoke about this seminal example and its significance for his larger career in conversation with Donna De Salvo, the Whitney's Chief Curator and Deputy Director for Programs.

I was speaking to the former chief curator of the Museum of Contemporary Art in Los Angeles about about a day in January 2015, a clear afternoon in Camarillo, California, when the artist Chris Burden showed his latest work to a very small group of close friends, including Schimmel.

1994 Possible Things, Bardamu Gallery, New York, USA (Vik Muniz, Curator) Choice, Chance and Irony, Todd Gallery, London; John Hansard Gallery, University of Southampton, England Unbound: Possibilities in Painting, Hayward Gallery, London, England (Greg Hilty and Adrian Searle, Curators) Le Temps D'Un Dessin, Galerie De L'École Des Beaux - Arts, Lorient, France, (Phillippe Briet, Curator) Written / Spoken / Drawn in Lacanian Ink, Thread Waxing Space, New York, USA Bravin Post Lee, New York, USA Painting, Rhona Hoffman, Chicago, USA About Color, Charles Cowles, New York, USA 8 Rooms for Paiting, Galeri F15 Alby, Moss, Norway (Gertrud Sandquist, Curator) Summer Exhibition, Sperone Westwater, New York, USA The Assertive Image: Artists of the Eighties from the Eli Broad Family Foundation, U.C.L.A. at the Armand Hammer Museum of Art, Los Angeles, USA Abstract Works on Paper, Robert Miller, New York, USA On Paper, Schmidt Contemporary Art, Saint Louis, USA Abstraction: A Tradition of Collecting, Center for the Fine Arts, Miami, USA American Paining Now, Galleries Caterina Fossati, Eva Menzio, Giovanni Rimoldi, Turin, Italy Tutti Questi Mondi, Galleria Carini, Prato, Italy

Tyc invites fellow artists / writers / curators to speak about how they are are dealing with these issues in their creative work to help guide a conversation in the room about how to move forward.

Set to a spoken - word narrative about the creation of the universe, Grosse Fatigue, among the first time - based works one encounters in curator Massimiliano Gioni's Arsenale (and the winner of the Fifty - Fifth Venice Biennale's Silver Lion), tracks the range of such research agendas with an expanding field of images that pop up, roil, collide, and implode across a computer screen, a digital tabula rasa that itself perpetually reinvents the world.

Gavin Delahunty, DMA Hoffman Family Senior Curator of Contemporary Art, will speak with artists Ben Rivers and Anne Tallentire about their works featured in the new exhibition Truth: 24 frames per second.

Assistant Curator Evan Garza will speak about the works of Felix Gonzalez - Torres in a short lecture preceding the film.

Glenn Ligon, artist and curator of our current exhibition, speaks about the influences that have shaped his practice and what it means to be led by the work of others.

The walkthrough was followed by a conversation between Assistant Curator Kate Kraczon and artist Karla Black who spoke about her gallery - scale sculpture, Practically in Shadow and past work.

Recently, I spoke with Nina about her role as Viewing Program curator, her work as an artist, and her connection to the San Francisco Bay Area.

And, in case you missed it, we showcased a New Collector's Guide for Art Basel Week; we featured highlights from the permanent collection at Cooper Hewitt: Smithsonian Design Museum; we uncovered the trending booths, artists, and artworks at Art Basel, and trending designers, booths, and works at Design Miami / Basel; Hans Ulrich Obrist & Klaus Biesenbach shared insights on their «14 Rooms» exhibition; Art Basel curators Gianni Jetzer and Florence Derieux spoke to us about the sectors they spearheaded at this year's fair; and we highlighted booths and artists at Art Basel and Design Miami / Basel including Annely Juda Fine Art at Art Basel Booth, new Jeff Koons sculptures at Almine Rech's Art Basel booth, and designer Chris Schanck's new works at Johnson Trading Gallery at Design Miami / Basel.

It is an eruption into the present of a past long gone, wreckage which, cut adrift from its own time, has somehow washed up on the shores of the present as poverty and abandonment...» and that `... To let the place begin to speak to us, we need a practice of observation of the kind Keats meant by «negative capability»... Take my advice and skip forward to the far more pragmatic and illuminating: Dust Bunnies and Coffee Stains: Anya Gallaccio in conversation with Clarrie Wallis, curator of contemporary art at Tate Britain — a far better point of entry, where one gets to know, first hand, what the work is really all about.

New York based curator, writer, and artist Mark Beasley spoke about his work as part of the Contemporary Talks lecture series at the Atlanta Contemporary Art Center on Oct. 4.

Reto Thüring, curator of contemporary art, spoke with us about Albert Oehlen: Woods near Oehle, the museum's largest exhibition of a living artist's work in its history.

«We are particularly excited about this work as it speaks to the museum's dual mission to collect, exhibit, preserve, and educate about regional history and American art,» Jonathan F. Walz, director of curatorial affairs and curator of American art, said in a statment.