Sentences with phrase «curators teach us new»

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Under the direction of Dr. David C. Van Aken, Curators» Teaching Professor of metallurgical engineering, the Missouri S&T team has used an atomic modeling method known as density functional theory to identify alloying elements to create the dual TRIP character of these new steels.

Dr Chris Campbell explains how a new digital resource project is encouraging educators and students to become curators, rather than just consumers, of teaching and learning content.

The High Museum in Atlanta, where Katherine Jentleson is the curator of folk and self - taught art, has the Outsider Art Fair to thank for their new hire (she started in September).

She worked in New York City as a stylist of home furnishing fabrics, taught textile design at the Philadelphia College of Textiles and Science and worked as an exhibition curator while at the college.

This spring, Ballroom Marfa will collaborate with curator Dan Cameron on The World According to New Orleans, a curatorial examination of the art and visual culture of New Orleans, with a particular focus on areas of overlap between self - taught and avant - garde tendencies.

The High Museum of Art today announced the appointment of Katherine Jentleson as the Museum's new Merrie and Dan Boone Curator of Folk and Self - Taught Art.

She is the Associate Curator for the Mason Gross Galleries in the Department for Visual Arts where she also teaches photography in the Mason Gross School of the Arts at Rutgers University, New Brunswick NJ.

«As museums with a shared teaching mission and a commitment to broaden our collective holdings in new media, we saw a unique opportunity to join forces to acquire significant artworks,» said Sharon Corwin, the Carolyn Muzzy Director and Chief Curator of the Colby College Museum of Art.

During that period, Judith also taught art in high schools and after - school programs and served as Assistant Curator at the Hispanic Society of America Museum in New York City.

Abrons Arts Center AIRspace residency Location: New York City The Abrons» AIRspace program offers residencies to emerging and mid-career artists and cross-disciplinary curators, providing free workspaces and opportunities to present / exhibit works - in - progress, curate exhibitions and performances in the Abrons» galleries and theaters, and teach in school - based education programs.

The New Orleans - area native has been living in New York City since 2001, where she worked as an independent curator and taught at New York University and Barnard College.

Organized by Jason Eppink, Associate Curator of Digital Media From supercuts to mashups to remixes, Cut Up celebrates the practice of re-editing popular media to create new work, presenting contemporary videos by self - taught editors and emerging artists alongside landmarks of historic and genre - defining reappropriation.

«The whole idea of systems invariably gets the body going,» says Ian Berry, who organized the exhibition and is curator at the Tang Teaching Museum in Saratoga Springs, New York, where the show will travel next year.

After six years there, feeling that she had found a new niche for the museum both internationally and in relation to the local community, Sims turned the reins over to curator Thelma Golden and reoriented herself through teaching and independent projects.

Jens Hoffmann, the deputy director of New York's Jewish Museum and a curator of many biennials himself, shared the following story: While he was teaching a curating class at Goldsmiths College in London a few years ago, one of his students asked him what Documenta was.

For more than 20 years, Higgs has shown consistent ways to supports artists, artist - groups, and curators, through his writing, interviews, curating, and teaching, as well as his reinvention and on - going development of White Columns as a space for people to experiment with the presentation of new ideas and work.

Jamilee Lacy is the newly appointed director and curator of Providence College — Galleries in Rhode Island, where she is developing a new contemporary art exhibition program and teaching collection.

Frazier, whose work was featured in the 2012 Whitney Biennial, is Associate Curator for the Mason Gross galleries and teaches photography at the Mason Gross School of the Arts at Rutgers University, New Brunswick, New Jersey.

Carin Kuoni (M.A. University of Zurich; B.A. Sorbonne) is director / chief curator of the Vera List Center for Art and Politics at The New School and teaches at The New School.

Traveled to Museo d'Arte Contemporanea, Rome Twice Drawn, The Tang Teaching Museum and Art Gallery, Skidmore College, Saratoga Springs, NY 2005 Heavenly or Slice of White, The Bertha and Karl Leubsdorf Art Gallery at Hunter College, New York (catalogue) White: Whiteness and Race in Contemporary Art, International Center of Photography, New York (catalogue) 2004 Needful Things: Recent Multiples, Cleveland Museum of Art Mike Kelley: The Uncanny, Tate Liverpool (catalogue) Open House, Brooklyn Museum of Art (catalogue) Perspectives @ 25: A Quarter Century of New Art in Houston, Contemporary Arts Museum, Houston (catalogue) 2003 Acts of Futility, Bellevue Art Museum, WA Skowhegan Faculty 2002 - 03, The Institute of Contemporary Art at Maine College of Art, Portland, ME 2002 Something, Anything, (exhibition curator), Matthew Marks Gallery, New York AA Bronson Mirror Mirror, Bakalar Gallery, MIT List Visual Arts Center, Cambridge, MA Gardens of Violence, Swiss Expo 02, Murten - Morat, Switzerland 2001 Uncommon Threads: Contemporary Artists and Clothing, Herbert F. Johnson Museum of Art, Cornell University, Ithaca, NY (catalogue) Play's the Thing: Critical and Transgressive Practices in Contemporary Art, Whitney Museum of American Art, New York (catalogue) Angst, Ursula Blickle Stiftung, Kraichtal.

Frazier, whose work is featured in the 2012 Whitney Biennial, is Associate Curator for the Mason Gross galleries and teaches photography at the Mason Gross School of the Arts at Rutgers University, New Brunswick, New Jersey.

Students gather in the gallery with Marshall N. Price, Nancy Hanks Curator of Modern and Contemporary Art, who has taught the undergraduate course History and Theory of Curatorial Practice, part of the new Concentration in Museum Theory and Practice, a collaboration between the Nasher Museum and Duke's Department of Art, Art History & Visual Studies.

And the one art course he took at Williams — «The Development of Modern Art: From Goya to the Present,» taught by Fred Licht, now a curator at the Peggy Guggenheim Collection in Venice — had left an impression so enduring that he abandoned banking to pursue a master's degree in art history from the Institute of Fine Arts at New York University and make museums his career.

The High Museum of Art today announced the appointment of Katherine Jentleson as the museum's new Merrie and Dan Boone Curator of Folk and Self - Taught Art.

The 2014 edition is curated by Stuart Comer, chief curator of media and performance at New York's Museum of Modern Art; Anthony Elms, associate curator at the Institute of Contemporary Art Philadelphia; and Michelle Grabner, an artist and curator who teaches at the School of the Art Institute of Chicago and at Yale University.

Linda Norden is a curator who also teaches and writes about art, currently based in New York.

They are Eva Díaz, a New York - based critic who teaches at Pratt Institute in Brooklyn; Erin Dziedzic, curator and head of adult programs at the Kemper Museum of Contemporary Art in Kansas City, Missouri; and Noah Simblist, an artist and associate professor at Southern Methodist University in Dallas.

The artist recipient of the 2020 Prize will be announced in July 2018, chosen by this year's independent advisory committee, which includes: Ian Berry, Dayton Director of The Frances Young Tang Teaching Museum and Art Gallery and Professor of Liberal Arts at Skidmore College, Saratoga Springs, NY; Lauren Haynes, Curator, Contemporary Art at Crystal Bridges Museum of American Art, Bentonville, AR; Eungie Joo, Curator of Contemporary Art, San Francisco Museum of Modern Art, San Francisco, CA; Helen Molesworth, critic; and Lilian Tone, Assistant Curator, Department of Painting and Sculpture, The Museum of Modern Art, New York, NY; along with institutional advisors Heather Pesanti, Chief Curator and Director of Curatorial Affairs at The Contemporary Austin, and Stephanie Roach, Director of The FLAG Art Foundation.