Sentences with phrase «curious exhibition work»

This is the last chance to see Sterling Ruby's curious exhibition WORK WEAR at Sprueth Magers.

Not exact matches

The fourteen stoneware sculptural works in Simone Fattal's first New York City solo exhibition resonate with a curious force of intimate gravity.

A quick glance at the wall labels adds a curious ripple: the exhibition presents works by only two artists.

The exhibition includes images and objects culled from the Curious Matter archives, and features works from artist Joey Parlett's Space Drawing series.

As well as visitors to the exhibition, curious passers - by crowded the front window of the project space's shopfront showroom, in which the video work Classified Digits by Christine Sun Kim and Thomas Mader was displayed.

We've been busy here at Curious Matter ---- an exhibition of work by Arthur Bruso in the gallery, Le Bouquiniste, our small & independent press kiosk is back in town, and a special installation from the Department of Reparative History.

What is curious about the current exhibition of Serge Poliakoff's work at Timothy Taylor Gallery, London, the first of its kind for more than 50 years and one that interlaces early and late works, is that it does not.

On the occasion of the exhibition, Andrea Schlieker stated that «provocative, curious, disquieting — as all the work in this exhibition may be — the desire to represent the world and the experience of living is a major concern that can be clearly discerned through the babel of different voices.»

While some may view the appointment as a curious one, since Mr. Syson is best known for his work in the field of Renaissance art, many of his exhibitions have included sculptures.

He has held numerous solo institutional exhibitions around the world, including Florida Living at the SCAD Museum of Art, Savannah (2017), TIME, Hernan Bas: a queer and curious cabinet at the Bass Museum of Art, Miami (2013), The Other Side at the Kunstverein Hannover (2012), Hernan Bas: works from the Rubell Family Collection, Miami (2007) and Brooklyn Museum of Art (2009), and has been included in a number of important group exhibitions, including A Sum of its Parts, at Polk Museum of Art (2016), Tracing Shadows, at PLATEAU, Samsung Museum of Art (2015), Aquatopia, The Imaginary of the Ocean Deep, at Nottingham Contemporary and Tate St. Ives (2013), Nightfall, MODEM Centre for Contemporary Art, Hungary, travelling to Galerie Rudolfinum, Prague (2012), Nothing in the World But Youth, Turner Contemporary, Margate (2011), Busan Biennale, Korea (2008), Like Color in Pictures, Aspen Art Museum (2007), Ideal Worlds - New Romanticism in Contemporary Art, Schirn Kunsthalle, Frankfurt (2005), Whitney Biennial (2004), and The Museum of Contemporary Art, North Miami (2002).

The Summer Pan Stage culminates in a final exhibition and opening reception in which artists, friends, and curious visitors and curious interact in the space and with the project's art works.

The exhibition features thirty - four works that display a mastery of the highly realistic, trompe l'oeil technique in curious compositions of currency, letters, and other...

A novel in the form of letters, this exhibition echoes the form by placing the artists works in dialogue with each other: Warren's elegant blue neon abstracts are suspended on one side of the space, while on the other side Dyer's curious pale sculptures sit arranged on a table like so many natural history specimens from creatures either long extinct or yet to evolve.

Then for the catalogue, we decided we wanted the artists» own words, so we asked them for their own writings, and I realized how amazing that fragment of Richter was, so I became curious and I started to research and I saw that there were all these amazing writings he had done, and there was never a book, so the third project we did after the Nietzsche house and the group show in Vienna, The Broken Mirror, was I started to edit, over years, a book of his collected writings, which came out, and has now come out in an augmented edition, a second edition, co-edited together with Dietmar Elger, and is now double the size of the one from fifteen years ago, and then, so it's always been approached in working on another exhibition together.

I'm curious how you think about all this in your work that often uses objects of warfare: compound bows and gauntlets, swords, armor and guns leading to this exhibition with burnt and melted yoga mats — an action when perpetrated on a body - sized artifact like a matt — one can't help but sense violent undertones.

Beautifully designed, with over 100 colour images including photographs of artists working in their studios and key artworks, this is a must - have publication for anyone enthralled by or curious about the exhibition.

The wide - ranging exhibition, curated by Caroline Corbetta, provides an opportunity to showcase for a wider public a selection of works from the private collection of Ernesto Esposito, the internationally - renowned designer of haute couture shoes, exploring his curious, refined and bold taste with a single scenographic itinerary that offers a sense of the kaleidoscopic vitality of his collection, in which masters of contemporary art maintain a dialogue with emerging artists in a surprising continuity.

In an interview with «Open» host Rhina Valentin, guest curator Gregory Volk calls Stuart's work «endlessly curious, investigating, [and] poetic,» and notes that this exhibition is the first time her more recent photographic work will be on display in a museum.

The works shown in this book — closely related to an exhibition at the Pinault Foundation in Venice — in addition to Vo's site - specific installations, include some curious old works of art from Venetian museums and collections, provocatively chosen by Vo to establish an unprecedented dialogue between past and present.

Shared Reflections These special events reveal behind - the - scenes work as well as curious details about the exhibition.

Born in 1978 in Miami, Florida, Hernan Bas» work has been exhibited in numerous solo exhibitions around the world, including the installation TIME, Hernan Bas: a queer and curious cabinet at the Bass Museum of Art, Miami (2013); a retrospective exhibition at the Kunstverein Hannover, Germany (2012); and a major presentation at the Rubell Family Collection, Miami (2007), which subsequently traveled to the Brooklyn Museum of Art (2008).

Born 1977, Mexico City, Mexico Solo Exhibitions 2018 «Under the immortal skin», T293, Rome 2018 «Temazcal», Michael Benevento, Los Angeles 2017 «Works and Days», Atlantis, Chevalier Roze, Marseille 2016 «Retrospectiva», Lulu, Mexico City 2016 «Chambres aver vue sur le champ», Untilthen, Paris 2016 «Paradise», DREI, Cologne 2016 «Frenetic Gossamer», Palais de Tokyo, Paris 2016 «Huellas de la Revolución Industrial», Museo Pietro Canonica a Villa Borghese, Rome 2015 «La bella durmiente», Museo Universitario del Chopo, Mexico City 2015 «Caramel Huysmans», Proyectos Monclova, Mexico City 2015 «The Contemporary Comedy: Glossy Mist», Clifton Benevento, New York 2014 «Luster Butterfly», T293, Rome 2014 «All That I Never Was», Michael Benevento, Los Angeles 2013 «Mariposas Migratorias», Clifton Benevento, New York 2012 «I miss my thread», Karma International, Zurich 2012 «The Equation of Desire», Kunsthalle Winterthur 2012 «The Bright of the Whisper», Kunstraum, Innsbruck 2012 «La Alcoba Doble», T293, Rome / Naples 2010 «Martin Soto Climent — A bridge between two towers», Clifton Benevento, New York 2010 «A Long Chapter One», Sorcha Dallas, Glasgow 2009 «El Mago», Martin Van Zomeren, Amsterdam 2009 «Laberintome», T293, Naples 2009 «Impulsive Chorus», X Initiative, New York 2009 «The Intimate Revolt», Karma International, Zurich 2009 «For your eyes only», La Sala, Mexico City 2009 «Martin Soto Climent», Michael Benevento, Los Angeles 2008 «Hidden Symmetries», Broadway 1602, New York 2008» Parabolic Dust», Broadway 1602, New York 2008 «01.18.08», T293, Naples 2007 «Vacio Contenido», Museo de Arte Carrillo Gil, Mexico City 2006 «Checkmate», Broadway 1602, New York 2006 «Study Objects», Nina Menocal Gallery, Mexico City 2005 «Other Objects», The Other Gallery, The Banff Center, Alberta 2005 «Biotic Project», Subway Station Tacuba, Mexico City 2004 «Cotton Candy Doves», MUCA, Mexico City 2004 «Throw Balls», UNAM — The University Cultural Building, Mexico City 2003 «Curious objects vol1», Curious objects vol2», The space, Mexico City 2003 «03-03-03», installation in Jardín Hidalgo, Coyoacán, Mexico City 2002 «It was green», Museum Desierto de los Leones, Mexico City 2001 «Empty Spaces (Journey Sensations)», Casa de la Cultura Malinalxochitl, Malinalco, Mexico 2001 «One of so Many, Young Artist Collective», Sebastián Foundation, Mexico City Group exhibitions 2018 «Dwelling Poetically: Mexico City, a case study», ACCA, Australian Centre for Contemporary Art, Melbourne 2017 &lExhibitions 2018 «Under the immortal skin», T293, Rome 2018 «Temazcal», Michael Benevento, Los Angeles 2017 «Works and Days», Atlantis, Chevalier Roze, Marseille 2016 «Retrospectiva», Lulu, Mexico City 2016 «Chambres aver vue sur le champ», Untilthen, Paris 2016 «Paradise», DREI, Cologne 2016 «Frenetic Gossamer», Palais de Tokyo, Paris 2016 «Huellas de la Revolución Industrial», Museo Pietro Canonica a Villa Borghese, Rome 2015 «La bella durmiente», Museo Universitario del Chopo, Mexico City 2015 «Caramel Huysmans», Proyectos Monclova, Mexico City 2015 «The Contemporary Comedy: Glossy Mist», Clifton Benevento, New York 2014 «Luster Butterfly», T293, Rome 2014 «All That I Never Was», Michael Benevento, Los Angeles 2013 «Mariposas Migratorias», Clifton Benevento, New York 2012 «I miss my thread», Karma International, Zurich 2012 «The Equation of Desire», Kunsthalle Winterthur 2012 «The Bright of the Whisper», Kunstraum, Innsbruck 2012 «La Alcoba Doble», T293, Rome / Naples 2010 «Martin Soto Climent — A bridge between two towers», Clifton Benevento, New York 2010 «A Long Chapter One», Sorcha Dallas, Glasgow 2009 «El Mago», Martin Van Zomeren, Amsterdam 2009 «Laberintome», T293, Naples 2009 «Impulsive Chorus», X Initiative, New York 2009 «The Intimate Revolt», Karma International, Zurich 2009 «For your eyes only», La Sala, Mexico City 2009 «Martin Soto Climent», Michael Benevento, Los Angeles 2008 «Hidden Symmetries», Broadway 1602, New York 2008» Parabolic Dust», Broadway 1602, New York 2008 «01.18.08», T293, Naples 2007 «Vacio Contenido», Museo de Arte Carrillo Gil, Mexico City 2006 «Checkmate», Broadway 1602, New York 2006 «Study Objects», Nina Menocal Gallery, Mexico City 2005 «Other Objects», The Other Gallery, The Banff Center, Alberta 2005 «Biotic Project», Subway Station Tacuba, Mexico City 2004 «Cotton Candy Doves», MUCA, Mexico City 2004 «Throw Balls», UNAM — The University Cultural Building, Mexico City 2003 «Curious objects vol1», Curious objects vol2», The space, Mexico City 2003 «03-03-03», installation in Jardín Hidalgo, Coyoacán, Mexico City 2002 «It was green», Museum Desierto de los Leones, Mexico City 2001 «Empty Spaces (Journey Sensations)», Casa de la Cultura Malinalxochitl, Malinalco, Mexico 2001 «One of so Many, Young Artist Collective», Sebastián Foundation, Mexico City Group exhibitions 2018 «Dwelling Poetically: Mexico City, a case study», ACCA, Australian Centre for Contemporary Art, Melbourne 2017 &lexhibitions 2018 «Dwelling Poetically: Mexico City, a case study», ACCA, Australian Centre for Contemporary Art, Melbourne 2017 «Deseo.

I am curious to hear how you see the three works selected to be included in the exhibition fit into this idea.

At the gallery's first exhibition for the queer South African artist, Lehmann Maupin is offering a different side of his work, «inspired by the migratory patterns of eels,» as well as their curious mating rituals.

The engaging exhibition schedule makes The Art League Gallery an intriguing space for the culturally curious to view original, handmade works of art of all media.