Sentences with phrase «current public artist»

He is a current Public Artist in Residence for New York City.

Not exact matches

The library serves as a unique resource for residents, visitors, and researchers in the fields of fitness, nutrition, policy, and public health as well as an open resource that facilitates the professional development of current and future culinary artists.

Detailing a little - known, yet fascinating, aspect of the Civil War, Civil War Artist would be a useful tool to spur discussion about ways in which technological advances change the ways images of current events reach the public.

Focusing solely on arts - specific practice has led the general public to look upon arts education as worthwhile only for those kids who want to be artists (e.g., «Glee - wannabes»), hence the current overemphasis on practitioner development.

Her current projects (in collaboration with Angel Nevarez, artist and MFA faculty member, School of Visual Arts, New York) investigate contemporary music, dissent, and public fora, while moving between the spatial simultaneity of performance and enunciation, and reflecting upon the projection of political agency through transmission and song.

Brit Bunkley is a New Zealand - based artist whose current art practice includes public art, sculpture, installation, and video.

Albuquerque's current solo exhibit, «Embodiment» at Kohn Gallery in Los Angeles, although not on the scale of her public installations, is a more intimate reflection on the themes the artist has been investigating — part cosmologist, part mythologist — for her whole career.

Committed to comprehensive, large - scale projects by major international artists for presentation to the public, Ayn Foundation's current projects include Andy Warhol's The Last Supper and Maria Zerres's September Eleven located in the west Texas town of Marfa; an installation of work by Dan Flavin at Fisherbau in Polling, Germany; and an exhibition of paintings by Arnulf Rainer at Mana Contemporary.

Its mission is to empower artists, advance communities, and contribute positive impacts to its broad public audience by introducing a range of current artistic practices.

«They each share a keen commitment to history; to the pressing social causes of our current moment; a belief in the knowledge produced by artists; and a commitment to making all of the above available to the general public.»

Ritchie is currently Mellon Artist in Residence and Adjunct Professor in the Graduate Visual Arts Program at Columbia University, New York, where he has organized two public workshops this spring to examine how we can extend understanding and use of our new, current dimension — where every image in history can be seen at once, every idea can be communicated, rebutted and digitally reformatted, and every space can host any form of presence — in the shared space of culture.

On Tuesday, Anderson Ranch visiting artist Richard Armendariz gives a public talk about his current projects.

«Amanda Hunt and Anna Katz possess the best qualities of the emerging generation of museum professionals: they each share a keen commitment to history; to the pressing social causes of our current moment; a belief in the knowledge produced by artists; and a commitment to making all of the above available to the general public.

KW Institute for Contemporary Art's educational and mediation program tests together with artists and different communities new spatial, thematic, and political constellations, that investigate KW in its function as a public institution and react to the current exhibition program and its concept with flexible feedback processes.

Current and recent guest curatorial projects in the Bay Area include Organic Logic, 500 Capp Street; Equilibrium: A Paul Kos Survey, di Rosa; Public Works: Artists» Interventions 1970s — Now, Mills College Art Museum; and Versions: Kristin Lucas and Judy Malloy, Krowswork.

Alternative Figures in American Art, 1960 to the Present, Curated by Dan Nadel, Matthew Marks, New York, NY 1995 Pacific Dreams: Currents of Surrealism and Fantasy in Early California Art 1934 - 1957, Oakland Museum, UCLA Hammer Museum of Art and Nora Eccles Harrison Museum of Art, UT 1993 Selections from the Permanent Collection - California: Art from the 1930s to the Present, San Francisco Museum of Modern Art 1989 Forty Years of California Assemblage San Jose Museum of Art, Fresno Art Museum and Joslyn Art Museum 1986 California Sculpture: 1959 - 1980, San Francisco Museum of Modern Art 1985 Art in the San Francisco Bay Area 1945 - 1980, Oakland Museum 1984 Contemporary American Wood Sculpture, Crocker Art Museum, University of Arizona Museum of Art, Huntsville Museum of Art and Chrysler Museum The Dilexi Years 1958 - 1970, Oakland Museum 1982 100 Years of California Sculpture, Oakland Museum Northern California Art of the Sixties, De Saisset Museum, University of Santa Clara 1976 California Painting and Sculpture: The Modern Era, San Francisco Museum of Modern Art and National Collection of fine Arts, Smithsonian Institution 1975 Masterworks in Wood: The Twentieth Century, Portland Art Museum First Artists» Soap Box Derby, San Francisco Museum of Modern Art 1971 Continuing Surrealism, La Jolla Museum of Art 1969 An American Report on the Sixties, Denver Art Museum American Sculpture of the Sixties, Grand Rapids Art Museum 1968 On Looking Back: Bay Area 1945 - 62, San Francisco Museum of Art The West Coast Now: Current Work from the Western Seaboard, Portland Art Museum, Seattle Art Museum and De Young Museum 1967 FUNK, University Art Museum, Berkeley, and Institute of Contemporary Art, Boston American Sculpture of the Sixties, Los Angeles County Museum of Art and Philadelphia Museum of Art 1966 Twenty Drawings: New Acquisitions, Museum of Modern Art, New York Two - Dimensional Sculpture, Three - Dimensional Painting, Richmond Art Center, CA 1964 Annual Exhibition of Contemporary American Sculpture, Whitney Museum of American Art 1962 Fifty California Artists, Whitney Museum of American Art, Walker Art Center, Albright Knox Art Gallery and Des Moines Art Center Public Collections

With the Casual Art Fair, The Hester Street Fair & LikeMindedObjects aim to play with the context of the contemporary art fair, to create an affordable inclusive space for galleries, project spaces, collectives, and experimental retail projects to gather outdoors in a truly public space and share their most current excitements, artists, and projects.

This year, the annual event celebrated 31 women artists from around the world who have transformed public perceptions of contemporary art and expanded cultural dialogue around the most important current issues.

SexEd is an ongoing quest to expose the current state of sexual education in the US, encourage a public discourse around the topics of sexual health and education, and develop a sex education curriculum that is artist - inspired and community - based — something currently not in existence in the United States.

In order to gauge public opinion of Virtual Normality — Women Net Artists 2.0, a group show at MdbK Leipzig curated by Anika Meier, Indie Mag has gathered responses from visitors to the museum about the current state of feminism today in this unique review of the exhibition.

Liz conceived of SexEd armed with 10 + years working with artists / art collectives and youth enrolled in the NYC public school system, and a growing sadness over the huge gap between the sexual health education she received growing up in the public schools of NJ in the 80s, and the current curriculum.

The element of chance here falls to the public rather than the artist (thus making a reconstruction possible); a work positioned with topographical precision becomes a world stage during Milan's current universal exposition.

She has received awards from the Propeller Fund Grant, Oxbow Merit Scholarship, John W. Kurtich Scholarship, Merit Scholarship, and is a current recipient of the DCASE Public Studio artist Residency Award.

Colescott, a black artist, depicts the scene as the media and public saw it, rather than portraying the actual white culprit, and in doing so underscores the problematic association between crime and the black community in America, while sparking conversations about race and identity that remain prescient and necessary in our current world.

Concurrently on view at the museum's current location in the landmark Moore building is A Public Character — the first major museum presentation of Shannon Ebner's work — and a major solo exhibition dedicated to video and performance artist Alex Bag.

Through public talks and intimate seminars and studio visits with UH students, internationally recognized scholars, curators, artists, and critics will investigate the idea of the contemporary as both a temporal and aesthetic framework to broaden critical understanding about how we situate current artistic practices.

He discusses the various creations that he has directed with his current performance troupe, Virtual Vérité, and earlier works (1970s and 1980s) with Asco, the young and pioneering group of Chicano artists who produced new methods of art making in bold and public ways.

Also free and open to the public, Pratt hosts an ongoing cycle of contemporary artist lectures who later critique the work of current graduate students in the department.

The Contemporary Art Society has a history of placing important works by most of the most significant artists of the twentieth century in national and regional public galleries in the UK for the first time — from Picasso to Hirst — continuing today with recent gifts of works for example, by current Turner Prize nominees Luke Fowler and Elizabeth Price (see «Recent Gifts Currently Showing» below).

Designed to provide deeper insight into the artworks and artists of current exhibitions, each gallery talk is open to the public with the cost of museum admission and free for SCAD students, faculty, staff and museum members with valid ID.

He is the co-director of Other Asias — an artist - run organisation of 10 interweaving curatorial currents, exploring national and regional representation, unthinking Eurocentrism, the language of officialdom and public access, and the politics of history - making, exclusion and inclusion.

At this significant time of commemoration and self - reflection in Ireland, these artists» practices engage in profound ways with different publics in exploring pressing social, political and environmental issues current in 21st century Ireland.

CA Spectral Hues, curated by Sharon Bliss, Palo Alto Art Center, Palo Alto, CA Art Market, with Chandra Cerrito Contemporary, San Francisco, CA Building the Art House, curated by Katherine Connell and Emma Spertus, Rosenberg Library, City College of San Francisco, San Francisco, CA Big Idea, curated by Sue Collier, Leslie Ford, Jack McWhorter and JoAnn Rothschild, The Painting Center, New York, NY Along the Lines, Harrington Gallery, curated by Julie Finegan, Pleasanton, CA 2016 Plus +1, Trestle Contemporary Art Gallery, Brooklyn, NY Group show, November - December 2016, Galleri Urbane, Dallas, TX Palette, curated by Kelly Inouye, Theodora Mauro and Lisa Solomon, ampersand international arts, San Francisco, CA Small Works, Trestle Gallery, Brooklyn, NY Art Market, with Chandra Cerrito Contemporary, San Francisco, CA 2015 Therely Bare Redux, Zeitgeist Gallery, Nashville, TN Therely Bare Redux, Clara M Eagle Gallery, University of Tennessee, Murray Territory of Abstraction, Pentimenti Gallery, Philadelphia, PA Out of Storage, Studio 110 Projects, Sausalito, CA Art Market San Francisco, (with Chandra Cerrito Contemporary), San Francisco, CA The Airplane Show, B Sakata Garo, Sacramento, CA 2014 un.bound.ed, curated by Brent Hallard and Don Voisine, Root Division, San Francisco, CA (edition) DOPPLER SHIFT, curated by Mary Birmingham, Visual Arts Center, Summit, NJ (catalogue) The Intuitionists, curated by Heather Hart, Steffani Jemison & Jina Valentine, The Drawing Center, New York, NY (catalogue) First / Last, curated by Heather Phillips, Park Life, San Francisco, CA 2013 DOPPLER, Parallel Art Space, Brooklyn, NY (catalogue) Generations IX: The Red / Pink Show, A.I.R. Gallery, Brooklyn, NY Made In Paint: 2012 Artists in Residence, The Sam & Adele Golden Gallery, New Berlin, NY Rituals of Exhibition II, Light Space Project, H Gallery, Chiang Mai, Thailand Rituals of Exhibition, curated by Giles Ryder and Gilbert Hsiao, Don't Be Selfish, Phayao, Thailand POSTE CONCRET II, curated by Richard van der Aa, ParisCONCRET, Paris, FR 2012 Soft Luminosity, curated by Guido Winkler and Iemke van Dijk, IS Projects, Leiden, NL (edition) Art On Paper 2012, The Weatherspoon Museum of Art, Greensboro, NC (brochure) Islands of Order in a Sea of Chaos, curated by Ruth van Veenen, de Vishal, Haarlem, NL Doppler Stop, Amsterdams Grafisch Atelier, Amsterdam, NL (catalogue) Doppler Stop, Kunst & Complex, Rotterdam, NL Doppler Stop, Fluctuating Images / General Public, Berlin, DE Doppler Stop, trenutak.39 / Museum of Contemporary Art, Zagreb, HR Trade - O - Mat, curated by Kathryn Kenworth, Kala Art Institute, Berkeley, CA 2011 A Romance of Many Dimensions, curated by Brent Hallard, Brooklyn Artists Gym, Brooklyn, NY POSTE CONCRET I, curated by Richard van der Aa, ParisCONCRET, Paris, FR BYO, IS Projects, Leiden, NL Stop & Go Rides Again, touring exhibition curated by Sarah Klein, Z Space, San Francisco, US; Kunst & Complex, Rotterdam, NL; Fluctuating Images / General Public, Berlin, DE; Fluctuating Images / Interventionstraum, Stuttgart, DE An Exchange with Sol Lewitt, Massachussetts Museum of Contemporary Art, North Adams, MA (catalogue) ReTrace, Cesar Chavez Art Gallery, San Francisco State University, San Francisco, CA 2010 TOUCH, curated by Brent Hallard, ParisCONCRET, Paris, FR (catalogue) Factor XX, curated by Jenny Balisle, Los Gatos Museum, Los Gatos, CA (catalogue) The Rule of Typical Things, Gregory Lind Gallery, San Francisco, CA 2009 TRANS: form color, Meridian Gallery, San Francisco, CA (catalogue) TRANSformal, Pharmaka, Los Angeles, CA (brochure) The Grid, curated by JT Kirkland, MP5, Portland, OR 2008 Calculated Color, curated by Jane Lincoln, Higgins Art Gallery, Cape Cod, MA (brochure) The Space Between, curated by Cathy Kimbell, San Jose Institute of Contemporary Art, San Jose, CA (brochure) Close Calls, Headlands Center for the Arts, Sausalito, CA (also 2005, 2004) TOUCH, curated by Brent Hallard, Busdori, Tokyo, Japan Out of the Fog: Artists from Headlands Center for the Arts, curated by Dianne Romaine and Holly Blake, Art works Downtown, San Rafael, CA 2007 TRANS: Abstraktion, Weltraum, Munich, DE (brochure) 7 - 07 Hung Liu curates 7 Women Artists in the year of the Pig, b.Sakata Garo, Sacramento, CA (brochure) Bay Area Currents, The Oakland Art Gallery, Oakland, CA Visual Noise, UMC Gallery, University of Colorado, Boulder, CO The Unknown Quantity, Gregory Lind Gallery, San Francisco, CA Systems & Transmutations, Root Division, San Francisco, CA (catalogue) Still, Contemporary Quarterly, curated by Chandra Cerrito, www.ContemporaryQuarterly.com (brochure) 2006 Suitcase: Bus - Dori, curated by Brent Hallard, Tokyo, JP Summertime, Judy Saslow Gallery, Chicago, IL microcosm, curated by Victoria Wagner, Richmond Art Center, Richmond, CA (brochure) Sketch, The Memorial Union Gallery, University of California at Davis, Davis, CA 2005 Contemporary Perspectives, Museum of Contemporary Art, Santa Rosa, CA 2004 and now they aren't.

«Art Conversation with Filipa Ramos,» Palazzo Grassi, Venice, Italy, December 12, 2013 «Conversation in Urban Art: Theaster Gates and Steve Edwards,» The Women's Board, The University of Chicago, Chicago, IL, December 10, 2013 «To Dig Constantly, Mining Myself,» The Rapp Lecture in Contemporary Art, Art Gallery of Ontario, Toronto, Canada, November 20, 2013 «Theaster Gates: A Way of Working,» Sears Crosstown Arts Visiting Artist Series, Crosstown Arts, Memphis, TN, November 16, 2013 «Artist Talk: «12 Ballads for Huguenot House» with Theaster Gates,» Krannert Art Museum, University of Illinois at Urbana - Champaign, Champaign, IL November 11, 2013 «Du Bois: The Early Social Practitioner with Theaster Gates,» University of Massachusetts Amherst Architecture + Design Public Lecture Series, University of Massachusetts Amherst, Amherst, MA, November 4, 2013 «Walid Raad and Theaster Gates in Conversation with Mohsen Mostafavi, «On Art and Cities»,» Harvard University Graduate School of Design, Cambridge, MA, October 24, 2013 «A Way of Working,» Vera List Center Prize for Art and Politics Public Lecture, The New School, New York, NY, September 18 — 19, 2013 «Thought Leadership Speaker Series,» Kunstmuseum Basel, Basel, Switzerland, June 12, 2013 «Urban Think & Drink: Theaster Gates,» Metropolitan Planning Council, Chicago, IL, May 22, 2013 «Artist Talk: Theaster Gates with David Levin & Hamza Walker,» Museum of Contemporary Chicago, Chicago, IL, May 18, 2013 «To Make the Thing that Makes the Thing,» 16th Annual Benesse Public Lecture, Cincinnati Art Museum, Cincinnati, OH, April 3, 2013 «Current Perspectives Lecture Series: Theaster Gates,» Kansas City Art Institute, Kansas City, MO, March 28, 2013 «I Believe in Places,» Bemis Center for Contemporary Arts, Omaha, NE, March 27, 2013 «Architecture Lecture: Theaster Gates,» University of Detroit Mercy, Detroit, MI, March 20, 2013 «To Make the Thing That Makes the Thing,» The University of Pennsylvania School of Design, February 2013 «Leading Ideas Speaker Series: Theaster Gates,» in conjunction with Our Literal Speed, The Banff Center, Banff, Alberta, Canada, January 30, 2013 «Theaster Gates: Soul Manufacturing Corporation: To make the Thing that Makes the Things,» Fabric Workshop and Museum, Philadelphia, PA, January 21, 2013

Para Site is pleased to present a series of summer public programmes comprising of gallery tours, a film screening, and an artist talk taking place alongside That Has Been, and May Be Again, our current exhibition curated by Leo Li Chen and Wu Mo..

One current artist in residence, Andy Robert, described the significance of the residency: «Studio Museum has a lot more visibility and community / public engagement [than other residencies].

ICI's 2012 Curatorial Fellow, Muriel Enjalran, will speak about the current articulation of politics and aesthetics in relation to the renewal of forms of artists» engagement in the public sphere.

Bisi Silva will present at ICI's The Curator's Perspecitve, an itinerant public discussion series, featuring an international curator who distills current happenings in contemporary art including the artists they are excited by, exhibitions that have made them think, and their views on recent developments in the art world.

In celebration of Shimon Attie's new monograph and current exhibition Facts on the Ground at Jack Shainman Gallery, the New York Public Library hosted a talk with the artist on May 10.

The Last Billboard is a public art project that invites artists to display text on the space above the building in this East Liberty neighborhood, and Alisha B. Wormsley is the current artist invited to engage the community in an artistic dialog.

Participating artists do not need to provide any public contact information, although we do require current contact information for our records in the event that we need to contact you.

The artists have an opportunity to actively engage with the migros museum's collection, to address aspects of current discourse and, ultimately, to present works from the collection to the public, as a counterpoint to their own contemporary works.

Each year, CUE offers a paid opportunity to develop a public programming series that addresses timely subject matter, highlights pressing issues related to current artistic practice, and contributes to CUE's mission of supporting emerging artists.

For a show that promised to reveal to the public the most current developments in black aesthetics, as English remarked at the talk, Robert Doty, the white curator of Contemporary Black Artists in America, «placed the stress on abstraction in a show full, [of] a motley crew of things.»

Duties Include: - Assist with curatorial projects and programming - Planning and preparation for exhibitions - Work with current PES artists - in - residence - Artist research and documentation - Interacting with the public in front of gallery

Notable galleries for 2014 include: Kevin Kavanagh (Dublin), presenting a storytelling series by Sonia Shiel, current ISCP NY artist - in - residence and recipient of Ireland's 2014 Arts Council Project Award; Laura Bulian Gallery (Milan), highlighting career Conceptualist Vyacheslav Akhunov, whose cultural investigations were featured in dOCUMENTA (13) and the 2013 Venice Biennale's Central Asian Pavilion; contemporary Bahamanian art hub Popopstudios (Nassau), spotlighting «everyday» assemblages and mixed - media works by founder John Cox; Frederieke Taylor Gallery (New York), revealing environmental concerns of downtown stalwart Christy Rupp, whose seminal public art projects factored into the 2012 exhibition Come Closer: Art Around the Bowery, 1969 - 1989 at the New Museum; Galerie Heike Strelow (Frankfurt am Main), combining sociopolitical commentary and black humor via Florian Heinke, who curated System of Diplomatic Chaos at Kunstverein Wiesbaden last year; and CONNERSMITH.

In addition to the «Pop - Up Exhibition and Library,» Adobe Typekit + SFAQ will also be presenting public programing on Friday, May 16th from 1:00 — 3:30 pm, featuring former Rhizome Senior Editor (and current YBCA curator) Ceci Moss, as well as renowned digital artist Rafael Rozendaal.

Recent works include: Bobby Niven's «Bothy Project» whereby he has created perfectly realised spaces for other artists to work and live in; Aaron Williamson's anarchic performance art often displays a politicised and progressive sensibility towards disability and is typically presented to an unsuspecting public as with his current «Demonstrating the World» mobile stage set; Ruth Ewan explores how the past connects to the present, with her recent creation of the French Republican Calendar allowing a beautifully constructed reframing of our daily lives; Henry Coleman pushes the boundaries and subverts the norm by creating very public, sculptural artworks in the heart of the city, including the 2015 Royal Academy installation «A Greater Order», that both question and confound.

This is accomplished by providing accessible and engaging public exhibitions of local, national and international artists, maintaining a comprehensive web site that hosts our archives and digital projects, sustaining a critical dialogue of contemporary art through publications and bilingual brochures for each exhibition, and by providing a link to current art related resources to artists and the public via our Resource Room.

Visual artists - in - residence Tamar Ettun, Meredith James, Lee Maida, Park McArthur, Lee Vanderpool, and AIRspace curators - in - residence Jess Wilcox and Wendy Vogel open their studios to the public for an afternoon to discuss current projects and works in progress.