The works touched on many themes including popularity and art, masculinity and
the current cultural landscape.
The works in the show will touch on many themes including popularity and art, masculinity and
the current cultural landscape.
Another focus lies on ways in which the 18th and 19th century Berlin is contemplated within
our current cultural landscape.
The works will touch on many themes including popularity and art, masculinity and
the current cultural landscape.
164 - Kurt discusses
the current cultural landscape of video games and possibilities for future gaming.
Not exact matches
At several points he touches upon the paradoxes of modern urbanism and the tragic ironies of our
cultural attitude toward cities: although we now have more individual freedom, technical ability, and, arguably, social equity, we do not live in places as hospitable to human beings as were our cities of the past; we are pragmatists who build shoddily; our
current obsession with historic preservation is the flip side of our utter lack of confidence in our ability to build well; while cultures with shared ascetic ideals and transcendent orientation built great cities and produced great
landscapes, modern culture's expressive ideals, dogmatic public secularism, and privatized religiosity produce for us, even with our vast wealth, only private luxury, a spoiled countryside, and a public realm that is both venal and incoherent; above all, we simultaneously idolize nature and ruin it.
Nowadays, this is truer than ever, given our
current political
landscape and the embracing of
cultural and ethnic diversity; although, I don't know if Dylan had the movies on his mind when he wrote those words (probably not).
Our
current exhibition, «A Green and Pleasant Land: British
Landscape and the Imagination: 1970s to Now» focuses on how artists have interpreted the British
landscape through the lens of their own
cultural, political or spiritual principles.
Inspired by the fear and panic engendered by the terrorist attack of September 11, 2001, the Museum of Art Rhode Island School of Design's upcoming exhibition, Nancy Chunn: Chicken Little and the Culture of Fear, is a series of paintings that represents the media sensationalism infecting our
current political and
cultural landscape, feeding our anxieties and distracting us from dealing with real dangers.
Through an examination of the history of Chocolate Cities, and an interrogation of
current challenges such as economic segregation and gentrification as a form of
cultural castration, this exhibition will open up a discourse on historical legacy as well as methods of sustainability in the face of a rapidly changing
cultural and economic
landscape.
In her
current exhibition at the gallery, «Domesticated
Landscapes,» Shin investigates the history and
cultural connotations of flatware.
Both the museum's legacy and the relationship between the era in which it was founded and the
current social, political and
cultural landscape will be highlighted during this celebration.
«The museum's upcoming program is a response to and an articulation of the
current art and
cultural landscape today.»
This cross-medium selection of works, created in the past three decades by more than 40 international artists, represents a wide range of approaches to the political, social, and
cultural flux that have shaped the
current global
landscape.
Look at the
current fight over the to save the Russell Page garden at Frick in in New York City; Charles Birnbaum and the
Cultural Landscape Foundation (TCLF) want to save this
landscape masterpiece, but in New York City it is just real estate waiting to be developed.
At the level of States and Territories» language and
cultural initiatives, the
landscape of
current and future schemes is varied.