However, these large - scale, collaborative and comprehensive exhibition installations have attracted both the expanding academic field of exhibition history and
current curatorial practices.
HATCH is a one - year residency that mentors both artists and curators in
current curatorial practices.
Early this Fall, Independent Curators International (ICI) was in residence at the South London Gallery (SLG) which created an open forum for reflection on
current curatorial practices by inviting curators from its network to collaborate on research into what it means to be working internationally today.
Modeled after the iconic French film journal Cahiers du cinéma, The Exhibitionist has served a critical role in examining
current curatorial practices by focusing specifically on the exhibition format as a site of experimentation and inquiry.
Not exact matches
Graduate Public
Practice faculty Karen Moss is currently consulting curator for Talking to Action, at the Ben Maltz Gallery, Otis» participation part of the Getty's Pacific Standard Time Los Angeles / Latin America initiative and is also on the
curatorial team for
CURRENT: LA.
With the CONTACT Festival as the
current site of contemplation, issues around
curatorial practice, photography and lens - based media will be a focal point to usurp spaces of agency primed for decolonization.
Curators from across the country convene for a conversation about
current feminist
curatorial practices.
The main collection includes extensive holdings of international exhibition catalogs, artists» monographs, and over 60
current subscriptions to international art journals and periodicals covering the contemporary arts and
curatorial practices.
OPEN CALL Responding to the
current state of artistic and
curatorial practice, Art in General's Open Call has shifted from its once - a-year online deadline to a more fluid model of receiving and reviewing artists» work.
Exploring the connections between these and other seemingly disparate themes, the class aims to locate the Biennial within the context of
current artistic and
curatorial practices.
She has lectured and published widely on late 19th and 20th - century American art and culture, as well as on issues of
curatorial responsibility and
current museum
practice.
It is founded by Criticism &
Curatorial Practice graduate alumnus Matthew Kyba with two
current CCP gradauate students on staff - Veronika Ivanova is a Curtorial Associate and Jesse Wardell is in charge of Outreach and Communication for the space.
→ CIMAM's Travel Grant Program supports individuals»
curatorial and research development through their attendance to the Annual Conference where the most
current concerns on contemporary art
practices are being discussed.
In conversation with Natasha Becker, Mellon Assistant Director of Research and Academic Program, Bisi Silva will continue her dialogue on transnational
curatorial practices and
current research areas.
In addition to formal and aesthetic criteria, when I develop
curatorial concepts I am particularly interested in
current issues that are relevant to art - historical discourses and artistic
practice, and are also generated from within them.
Candidates must have an advanced postgraduate degree (M.A., M.F.A, or Ph.D.) in a field pertinent to the graduate program, close familiarity with the contemporary visual arts and
current curatorial and exhibition
practice, and significant experience teaching at the graduate level.
The successful candidate will bring a strong
curatorial vision and an active engagement with
current ideas and
practices in art and contemporary culture internationally.
The exhibition ZERO: Let Us Explore the Stars (on view at the Stedelijk Museum Amsterdam until November 8, 2015) encompasses living history, archival exhibition, and reenactments: a mixture of different exhibition strategies in which the direct and
current relation between exhibition history as an art historical discipline and a
curatorial practice has been achieved in an exciting way.
Qualifications for Admission (deadline: January 5, 2012) We particularly encourage students who are interested in thinking broadly about innovative forms of exhibition making, and who find inspiration in
current artistic
practice and potential in the
curatorial role.
Moreover, because the images are now thirteen to twenty years old, the relevant issues in the
current exhibition are less about recent artistic production and more a matter of
curatorial practice, art history, and the history and generative possibilities of the photographic image itself.
Another refreshing aspect of the museum's programs are the thoughtful group shows through which the
curatorial team have been able to explore
current tendencies and preoccupations of contemporary art
practice.
This seminar - style course focuses on
current exhibitions and
curatorial practices in museums, galleries, artist - run spaces, and other project spaces located throughout the Twin Cities.
We particularly encourage applications from students who are interested in thinking broadly about innovative forms of exhibition making and who find inspiration in
current artistic
practice and potential in the
curatorial role.