Drop by to further explore
the current exhibition Come as You Are: Art of the 1990s through self - guided art activities and tactile objects.
Artist Byron Kim talks about his practice and his work Synecdoche, which is included in
the current exhibition Come as You Are: Art of the 1990s.
Break out your ripped jeans and flannel for the Montclair Art Museum's (MAM)»90s Dance Party Saturday, March 7, 8 p.m. — 1 a.m. Inspired by the Museum's
current exhibition Come as You Are: Art of the 1990s, the first major Museum survey of art from this pivotal decade, this party will take you back in the day.
Not exact matches
During the day we had a slow trickle of visitors who had
come to see our
current exhibition, Shorn Keighley, and find out more about Folksy.
The site changes periodically to coincide with
current exhibitions, but those changes always
come with fresh educational content.
Focusing on artifacts and activities based on the Museum's
current special
exhibition, The Pelican State Goes to War: Louisiana in World War II, discover the key themes that cross Louisiana's geographic and cultural diversity, review important individuals and events, and learn how the war changed the state for decades to
come.
The art at Hillside House
comes from
current exhibitions on rotation throughout the year.
Publishing on the Web is good for an artist's creative vision, as it allows him or her to «hear instant feedback from readers, meet and collaborate with other artists, disseminate their work and see their creative visions through to the end,» says Sarra Scherb, curator of «Morning Serial: Webcomics
Come to the Table,» a
current exhibition at Seattle's Henry Art Gallery (www.henryart.org).
Piri Halasz reviews ten
current and recent painting
exhibitions in New York including: Jim Dine and Thomas Nozkowski at Pace, Going Into the Dark at The Painting Center, Walt Kuhn: American Modern at DC Moore, Marina Adams:
Coming Through Strange at Hionas Gallery, Walter Robinson: Indulgences, Recent Paintings & Works on Paper at Dorian Gray (through March 31), Franz Kline: Coal and Steel at Mishkin Gallery, Baruch College, Christine Hughes and Francine Kornfeld at Art 101, Jean - Michel Basquiat at Gagosian (through April 6), and Thornton Willis: Steps at Elizabeth Harris (through April 13).
Nancy Rubins» exuberant
exhibition at Gagosian Britannia Street
comes as a great relief in the
current epoch of self - righteous #MeToo feminism.
Castlefield Gallery's
current exhibition of Ruth Barker and Hannah Leighton - Boyce, was co-commissioned with the University of Salford Art Collection, whose pro-active commissioning and collecting policy is another positive sign for things to
come.
From the sixteenth and seventeenth century Flemish and Dutch landscape and still - life painters who
came to Britain in search of new patrons, through moments of political and religious unrest, to Britain's
current position within the global landscape, the
exhibition will reveal how British art has been fundamentally shaped by successive waves of migration.
If his
current survey, organized by Luis Perez - Oramas, MoMA's curator of Latin American art, and Karen Grimson, a curatorial assistant, has been a long time
coming, he regularly turns up in
exhibitions devoted to the now - popular theme of global modernism.
This quarterly event
comes with free admission all day and presents a wonderful opportunity to visit our
current exhibitions, participate in hands - on art activities and complete
exhibition related scavenger hunts.
Coming of age alongside Andreas Gursky, Candida Hoffer and Thomas Struth in what was to become known as the Düsseldorf School, Ruff's work explores the technologies of the camera and image production — from satellite cameras to digital lenses, from the analogue negative to the JPEG — to reflect on the picturing of our built environment,
current affairs, pornography, disaster, the cosmos,
exhibition making — and unlock what images tell us about modernity.
If you wish to see the
current exhibition it is advised that you
come at least one hour before the concert begins.
We were very much looking forward to seeing what would
come next... For his
current show at Andrea Rosen Gallery, his first solo
exhibition in New York, Swallow has made 1:1 scale arduously hand - carved wood sculptures.
Help us say goodbye in style as we celebrate the closing of their
current exhibitions, Entangled by Fulvio Di Piazza and our winter invitational The Shape of Things to
Come, and raise a glass to toast our future in Jersey City.
It is in these sketchbooks that Goya's figurative work really
comes into its own and it is for this reason that the
current exhibition at the Courtauld Gallery is of particular prominence.
Interview with the director of the Rubell Family Collection, Mark Coetzee, and impressions from the
current exhibition «Red Eye: L.A. Artists from the Rubell Family Collection»
coming soon.
She has explored the possibilities of glass as an art medium since the early 90s and has
come full cycle in this
current exhibition, using optical - grade glass to realize her most sophisticated and labor - intensive versions to date.
This
exhibition will offer a snapshot of the
current trends and practices
coming out of Los Angeles, one of the most active and energetic art communities worldwide.
The works included in the
exhibition come from different local contexts and establish a dialogue with other international areas in order to raise the
current impact of utopian proposals arising from the Industrial Revolution as distinct from capitalism.
South - African artist and activist Zanele Muholi discusses her
current exhibition at the Brooklyn Museum and the importance of
coming out in a country that's actively hostile to the LGBT community.
The
exhibition will debut new installations, videos, films, sculptures, performances, and paintings commissioned specifically for the
exhibition and will offer a snapshot of the
current trends and practices
coming out of Los Angeles, one of the most active and energetic art communities in the world.
Elisabeth Condon photoblogs
current and recent
exhibitions on view in Chelsea: Trenton Doyle Hancock:... And Then It All
Came Back To Me at James Cohan Gallery (closed Dec 22), Keltie Ferris at Mitchell, Inness & Nash (through January 12), Barnaby Furnas: If Fishes Were Fishes at Marianne Boesky Gallery (through January 9), David Humphrey: New Paintings at Fredrick and Freiser (through January 19), Stephen Mueller: Selected Works 2007 - 2011 at Lennon, Weinberg (closed Dec 22), works by Jennifer Wynne Reeves at Stux group show, Annie Attridge: Wanderlust at Asya Geisberg Gallery (thorugh Jan 26), and Al Loving: Torn Canvas at Gary Snyder Gallery (through Dec 29).
New York gallery Wallspace will close on August 7, after its
current exhibition of work by Deborah Remington
comes down, the gallery's co-founders, Janine Foeller and Jane Hait, said in an email Wednesday morning.
With the
current exhibition at the Musée national d'art moderne Centre Pompidou in Paris and two solo shows in Chelsea galleries this summer, the moment has
come for a long overdue reexamination of his achievement and legacy, and of this hiatus in his career.
Come to Washington Studio School's Open House and meet their faculty, draw for free from a clothed model, visit their studios and enjoy
current exhibition of figurative work by faculty member Diane Nelson.
Current Exhibition:
Coming of Age features seven artists whose meditative practices torque scale, technology, and location in search of sustainable agency and repair.
Come to Turner Contemporary for a special symposium in conjunction with our
current exhibition Journeys with «The Waste Land».
For those who think they know the work of Paul Feeley (1910 - 1966), especially if they are basing it on the two
exhibitions he has had in New York in the last decade, at Matthew Marks in 2002 and 2009, the
current exhibition, Paul Feeley: 1957 - 1962, at Garth Greenan Gallery (September 5 - October 12, 2013), will likely
come as a surprise.
The words Pretty / Dirty, the title of Marilyn Minter's
current exhibition at Contemporary Arts Museum Houston and the corresponding book,
come together to create a range of meanings, both oppositional and complimentary, that echoes the ambiguity and duality between beauty and repulsion in Minter's female figures.
Inspired by Tarek Atoui's
current exhibition The Ground: From the Land to the Sea at NTU CCA Singapore, this screening series features artist videos, documentaries, and filmic essays that examine how the image and the sonic create immersive ways for multiple sensorial elements to
come together and form a singular space.
10:00 — 18:30
Come to Turner Contemporary for a special symposium in conjunction with our
current exhibition... More details
Current Forehead and Brain, Albright - Knox Art Gallery, Buffalo March 10 — June 17, 2018 - Being: New Photography 2018, The Museum of Modern Art, New York March 18 — August 19, 2018 - Kiss the architect on the mouth, Simone Subal Gallery, New York April 15 — May 13, 2018 - Picture Fiction: Kenneth Josephson and Contemporary Photography, Museum of Contemporary Art, Chicago April 28 — December 30, 2018 Upcoming B. Ingrid Olson and Robert Overby, Jessica Silverman Gallery, San Francisco June 8 — July 14, 2018 Past KLEIN / OLSON, The Renaissance Society, Chicago - double - ended arrow, Simone Subal, New York - The vases my monitors their frames, cura.basement, Rome - From her
come a gang and a run, Document, Chicago Text / publications
Exhibition text by Holly E. Hughes Salt published by Hassla
Exhibition text by Solveig Øvstebø Interview with Alfredo Cramerotti Text by Tom McDonough Interview with Lucas Blalock Text by Andrew Blackley
Exhibition text by Thomas Roach Contact Studio Simone Subal CV / Bio
Notable galleries for 2014 include: Kevin Kavanagh (Dublin), presenting a storytelling series by Sonia Shiel,
current ISCP NY artist - in - residence and recipient of Ireland's 2014 Arts Council Project Award; Laura Bulian Gallery (Milan), highlighting career Conceptualist Vyacheslav Akhunov, whose cultural investigations were featured in dOCUMENTA (13) and the 2013 Venice Biennale's Central Asian Pavilion; contemporary Bahamanian art hub Popopstudios (Nassau), spotlighting «everyday» assemblages and mixed - media works by founder John Cox; Frederieke Taylor Gallery (New York), revealing environmental concerns of downtown stalwart Christy Rupp, whose seminal public art projects factored into the 2012
exhibition Come Closer: Art Around the Bowery, 1969 - 1989 at the New Museum; Galerie Heike Strelow (Frankfurt am Main), combining sociopolitical commentary and black humor via Florian Heinke, who curated System of Diplomatic Chaos at Kunstverein Wiesbaden last year; and CONNERSMITH.
This annual
exhibition has
come to define the
current contemporary practices of the group and exemplifies the group's mission of producing work that pushes the limits of their chosen medium.
Exhibition ideas
come to me when I am feeling concerned about the
current state of affairs or if I am seeing
exhibitions or visiting studios and notice that several artists are addressing similar themes in their work.
Three
current members — Franceschini, Stijn Schiffeleers and Michael Swaine —
came to Baltimore, a harbor city, for several weeks in March to construct the
exhibition with the involvement of students from the Maryland Institute College of Art.
Carl Andre defined his work in 1966 as «sculpture as place», from which the
current title of the
exhibition comes from.
The installation at the High allows for quick perception of
currents of influence and development — particularly stimulating when it
comes to the placement of Louise Bourgeois, the lone woman in the
exhibition, and Romare Bearden, the lone African American.
An inaugural
exhibition at that time will highlight the
current round of promised gifts and others that may
come in the intervening years.
Tom Messer said an interesting thing to me at my
current exhibition — your paintings
come from inside you, they're very peaceful and quiet, as if you've found a way to put aside whatever is going on in your life.
From the sixteenth and seventeenth century Flemish and Dutch landscape and still - life painters who
came to Britain in search of new patrons, through moments of political and religious unrest, to Britains
current position within the global landscape, the
exhibition will reveal how British art has been fundamentally shaped by successive waves of migration.
2015
Current Location, Waiting Room, Minneapolis 10th Baltic Biennial of Contemporary Art, Szczecin Aquí hay dragones (Here be Dragons), La Casa Encendida, Madrid Regular Expressions, 221A, Vancouver Ocean of Images: New Photography 2015, at MoMA, New York Bunting, Chemould Prescott Road, Mumbay Transparencies, Bielefelder Kunstverein and Kunstverein Nürnberg Triple Canopy presents Pattern Masters, Performance at Whitney Museum of American Art, New York HPSCHD 1969 > 2015 / Live Arts Week IV, Mambo, Bologna, Italy The Secret Life, Murray Guy, New York Night Begins the Day: Rethinking Space, Time, and Beauty, Contemporary Jewish Museum, San Francisco Im Inneren der Stadt, Künstlerhaus Bremen When we share more than ever, MKG Museum, Hamburg Cool / As a state of mind, MAMO, Marseille Group presentation at Art Cologne, with Chert, Berlin Good luck with your natural, combined, attractive and truthful attempts in two
exhibitions, Crac Alsace, Altkirsch Mijn Vlakke Land, FoMu, Antwerp more Konzeption, Conception now, Museum Morsbroich, Leverkusen Tongue Stones, Pioneer Works, Brooklyn, New York 2014 Requiem for the Bibliophile, Museum of Contemporary Art Santa Barbara, CA Scars of Our Revolution, Yvon Lambert, Paris Kochi - Muziris Biennal, Fort Kochi, India Crossing Brooklyn, Brooklyn Museum, Brooklyn, New York Ways of Working, According to an Office Desk, Upominki, Rotterdam AGITATIONISM, EVA International 2014, curated by Bassam El Baroni, Ireland's Biennial, Limerick City Unseen Presence, IMMA, Dublin #nostalgia, Glasgow International 2014, CCA, Glasgow To Meggy Weiss Lo Surdo, Happy Hours, CO2 gallery, Turin Canceled: Alternative Manifestations & Productive Failures, The Orseman Gallery, Smith College, Northampton, Massachusetts Simultáneo, La Tallera, Cuernavaca, México And I laid Traps for the Troubadours who get killed before they reached Bombay, Clark House Initiative, Bombay Flag Stavanger, curated by Randi Grov Berger and co-presented by Entrée, Kunsthall Stavanger, Norway video screening 25, ZERO, Milan 2013 Only to Melt, Trustingly, Without Reproach, curated by Tevz Logar, Skuc Gallery, Ljubljana Editionshow, Chert, Berlin I've Lost My Marbles, Totàl, Athens And So On And So Forth, curated by Margit Sade Lehni, Centre for Contemporary Art Riga, Latvia The Space Between Us, Courtesy, St - Ouen Please
Come to the Show: Part II (1980 — Now), organised by David Senior, MoMA Library, New York Canceled: Alternative Manifestations & Productive Failures, Freedman Gallery, Albright College, Reading, PA Stranded Travelers, Atelier 35, Bucharest Just what is it that makes today so familiar, so uneasy?
From the sixteenth - and seventeenth - century Flemish and Dutch landscape and still - life painters who
came to Britain in search of new patrons, through moments of political and religious unrest, to Britain's
current position within the global landscape, the
exhibition reveals how British art has been fundamentally shaped by successive waves of migration.
«Here
comes the Night «is Gerhard Winkler
current solo
exhibition at Kuckei + Kuckei in which he will be showing an overview of his beloved night...
«Here
comes the Night «is Gerhard Winkler
current solo
exhibition at Kuckei + Kuckei in which he will be showing an overview of his beloved night views from 1999 until 2016.
The work of both Richter and Gates relies heavily on the 20th century cannon of art, but the most recent example
comes from Julie Mehretu's
current exhibition at Marian Goodman.