Many galleries are bringing works by artists who had strong performance at auctions in May, and those who are featured at important
current exhibitions such as the Venice Biennale.
Whereas
a current exhibition such as State of Play at London's Serpentine Gallery is so understated in its playfulness, so deadpan in manner as to be an unrewarding disappointment (apart from some great gags by David Shrigley), New Blood is crammed to the point of incoherence.
Not exact matches
An all female
exhibition showcases artists working with traditional craft media
such as ceramics, yarn, clay or wood in
current and contemporary ways.
Divided into seven chronological chapters, from early twentieth century avant - garde movements
such as the Harlem Renaissance to
current debates around «Post-Black» art, this
exhibition opens up an alternative transatlantic reading of Modernism and its impact on contemporary culture for a new generation.
At the same time, I appreciate blogs that keep me informed about a wide range of art and art news,
such as Hyperallergic; painter Sharon Butler «s blog Two Coats of Paint; and critical writing that does keep
current with art
exhibitions but in an idiosyncratic way, like painter Bradley's Rubenstein «s reviews on Culture Catch.
Although all of the artists have donated works to help to support the magazine and the development of the art school, this
exhibition has been carefully considered to reflect that which is
current, significant and critical in contemporary painting, including abstract works by Thomas Nozkowski, Mali Morris and Phil Allen, and painters who have championed a figurative approach
such as Chantal Joffe, Neal Tait and Dinos Chapman.
State of Concept has since its inception focused on solo
exhibitions by international and Greek artists (
such as After Europe by Jonas Staal in 2016, Margarita Bofiliou Everything's wrong Xerxes in May 2015, Laure Prouvost C'est l'est not ouest in April 2016, a.o.) whilst inviting international curators to comment on the
current socio - political landscape of Greece and beyond.
Such is certainly the case in the artist's Hustlers series, 1990 — 92, of which the Modern has acquired Tim Morgan Jr., 21 years old, Los Angeles, California, $ 25 / Joe Egure, 18 years old, Los Angeles, California, $ 25, 1990 — 92, featured in the museum's
current exhibition Framing Desire: Photography and Video.
Henning Schaper, the new director of the museum in Baden - Baden, explained it was very important that the
exhibition stimulated an exchange of thought on
current issues «
such as our attitudes to the truth and respect for the truth in both an individual and a global context.»
The
exhibition reflects Serebriakova's
current focus on painting and drawing, with elements
such as landscapes and commonplace objects reoccurring in her highly personal imagery achieved...
That's why the
current exhibition at the Neuberger Museum of Art in Purchase, New York, is
such an eye - opener.
The Korea Society's
current exhibition of Korean ceramics presents the work of eight living artists through
such a familiar opposition, implying that the dialectic between ancient practices and demands for innovation is at the core of contemporary ceramic art's concerns.
Never before has
such an extensive selection of Pettibon's work been shown as in the
current exhibition in the Falckenberg Collection at the Deichtorhallen Hamburg.
signed by numerous artists, curators, and arts professionals
such as Christian Boltanski, Dahn Vo and Hans Ulrich Obrist was issued shortly after the news broke, declaring that «We are stupefied by the announced dismissal of a consummate professional who is internationally renowned for her curiosity, the pertinence of her curatorial programme, and the quality of her
exhibitions... Through this letter, we assert our attachment to the CAPC and to the programme of its
current director.
An open letter signed by numerous artists, curators, and arts professionals
such as Christian Boltanski, Dahn Vo and Hans Ulrich Obrist was issued shortly after the news broke, declaring that «We are stupefied by the announced dismissal of a consummate professional who is internationally renowned for her curiosity, the pertinence of her curatorial programme, and the quality of her
exhibitions... Through this letter, we assert our attachment to the CAPC and to the programme of its
current director.
«The Tang Museum's collection is particularly strong in works of art that speak about race and identity — in the last five years, more than half our
exhibitions focused on either diverse or traditionally underrepresented artists,
such as our
current survey of painter Alma Thomas,» said Ian Berry, Dayton Director of the Tang Museum.
In addition to mounting focused monographic presentations of the pillars of 20th - century art
such as Peter Halley, Donald Baechler, Andy Warhol, Robert Motherwell, and Julian Schnabel, the gallery explores
current themes in contemporary art through thematic
exhibitions that place living artists in the historic context of their predecessors.
Also view the Tarble's
current exhibitions spanning across genres
such as the Meiji Period, as well as Modern and Contemporary Art, which showcase a variety of media and styles.
In his talk, Feng will reflect on the
current developments and discourses within the Chinese contemporary art field as well as presents his recent curatorial projects
such as the Wuzhen International Contemporary Art
Exhibition in 2016 titled Utopias / Heterotopias.
Faced with an absence of information within a provenance, and having taken into account this policy and considered the research undertaken in accordance with the Gallery's codification of procedures for due diligence, the Gallery may from time to time elect to bring a work into the public domain through
exhibition, in
such circumstances where the Gallery can demonstrate the highest standard of due diligence has been undertaken and consideration has been given to the view of the
current possessor, in belief that
such display may encourage other legitimate claimants to make known their interest.
Meanwhile, Frankenthaler's recent high prices are owed in part, Prouty suggests, to
current interest in Colour Field paintings, to which Frankenthaler made
such a contribution, and partly to well - mounted
exhibitions by Gagosian Gallery.
In recent years, Williams's work has been included in major group
exhibitions such as the
current «Soul of a Nation: Art in the Age of Black Power» at Tate Modern, London, and «The Freedom Principle: Experiments in Art and Music, 1965 to now», organized by MCA Chicago in 2015.
This curated
exhibition of new work by our
current 3D Design students will explore how today's most pressing challenges —
such as social and economic inequalities, rampant material consumption, and environmental degradation — can become subjects for critical and poetic reflection in design objects.
As
such, it's not really all that appropriate to write a proper review of his
current solo
exhibition, «When Wishes Are Horses, Beggars Will Ride,» at Interstate Projects in Brooklyn.
An Artist biography listing previous /
current exhibitions and representation, education, and personal data
such as phone and e-mail.
One
such work, «Untitled (Space + Electric Light)» (1968/2017), that is on presentation in the
exhibition is a glowing cube made from Plexiglas, neon, and tesla, a high - voltage, low -
current energy system.
JL: How important do you find the staging and presentation of artworks,
such as in this
current exhibition at Galerie Thaddaeus Ropac?
Customized sessions may be designed for your school group based on:
current exhibitions; to address a specific medium,
such as printmaking; a stylistic movement; one artist's work; or to explore aspects of the Museum collection.
Drawing on national and international connections,
exhibitions such as the
current
From 1968 onward, Heiner Friedrich consistently devoted his gallery work to the new artistic
current, and he was the first to introduce
such artists as Sol LeWitt, Carl Andre, Dan Flavin, Walter De Maria, Fred Sandback or Robert Ryman in solo
exhibitions in Germany.
The
current exhibition also offers glimpses of works by Joel Shapiro, Chuck Close, Anish Kapoor, Mark di Suvero, Vija Celmins and other high - profile artists whose work has bridged the century mark, or fallen somewhat short of it,
such as Donald Judd.
Yet his
current London
exhibition sees a departure from
such abstract imagery.
The Weather Makers will present three large - scale video works alongside a new print series, weaving together myth and metaphor with scientific research and new digital technologies, The
exhibition asks the viewer to consider what the future might look like if we continue on our
current trajectory of planetary pillaging and consumption, and why we have allowed ourselves to arrive at
such a moment of global environmental crisis.
Through an examination of the history of Chocolate Cities, and an interrogation of
current challenges
such as economic segregation and gentrification as a form of cultural castration, this
exhibition will open up a discourse on historical legacy as well as methods of sustainability in the face of a rapidly changing cultural and economic landscape.
The
current display of the collection keeps the clusters of works that focus on artists Chohreh Feyzdjou (1955 — 1996), Simon Häntai (1922 — 2008), Présence Panchounette (artist collective, active1969 - 1990), and Phillip Thomas (1952 — 1995), which highlight symbolic and formal operations employed by these four artists, and the ways in which
such approaches reflect and resonate with other artworks included in the
exhibition.
A resumè, which should state the artist's name,
current address, email, website, and telephone number, as well as any information pertinent to the artist's career (
such as education, previous
exhibitions and publications).
As always, a curated bill of contemporary art, short films, and installations by emerging artists will be highlighted, with
such current exhibitions as «Trigger: Gender as a Tool and a Weapon,» «Kahlil Joseph: Shadow Play,» «Petrit Halilaj: RU,» and «Helen Johnson: Ends.»
Subjects
such as migration, globalisation and technical progress converge in this
exhibition, which centres on the
current condition and future of mankind.
Established in 2008 as a program of the Menil Collection, the Menil Drawing Institute currently conducts research into modern and contemporary drawing; organizes
exhibitions (
such as surveys of the drawings of Claes Oldenburg and Tony Smith, and the
current Richard Serra Drawing: A Retrospective); and is undertaking the research and publication of the multi-volume catalogue raisonné of the drawings of Jasper Johns.
n our
current art - fair - crazy moment, it is quite difficult to imagine a situation of antagonistic ideologies
such as that posed by the Jewish Museum's Action / Abstraction
exhibition.
Beltrán has participated in
exhibitions such as Cuba - USA: The First Generation traveling
exhibition and African
Currents at the Museum of Contemporary Hispanic Art in New York.
As the McNay's Chief Curator, attending
exhibitions such as the biennale is a way for me to keep
current with what is created around the world.
Although it used a form and a medium — an open letter published on Facebook but quickly made private — that suggested Black did not want to «have a conversation about race and stay in the room», her
current exhibition at the Chisenhale Gallery contains evidence that she can, and does have
such conversations, albeit with friends.
Current and upcoming projects include performances, screenings and
exhibitions at galleries, independent spaces and institutions
such as Galerie Bernhard (Zurich, 2017), Shoot the Lobster (NYC, 2017), Neuer Aachener Kunstverein (Aachen, 2015), 83 Pitt Street (NYC, 2016), British School at Rome (Rome, 2018), South London Gallery (NYC, 2018) as well as the Center for German Architecture (Berlin, 2018).
The
current exhibition of paintings, watercolors, and prints by Sylvia Plimack Mangold at Alexander and Bonin (March 16 — April 28, 2012) got me thinking once again about the different kinds of spaces she has constructed in her work, beginning with the tilting planes in her early paintings,
such as «Floor 1» (1967), «Floor with Light at Noon» (1972), and «Two Exact Rules on a Dark and Light Floor» (1975), all done in acrylic on canvas.
The programme with the name BODY BODY focuses on young international contemporary art and presents four
exhibitions by artists with an interest in
current themes
such as performativity, body, social communities, digital as well as physical.
The
exhibition programme focuses on young international contemporary art and presents four
exhibitions by artists with an interest in
current themes
such as performativity, body, social communities, digital as well as physical.
For his
current solo
exhibition the artist continues to illustrate overarching themes of belief, doubt, and politics, addressing
such prescient topics as failing economies and crumbling power structures.
The works in the
current exhibition were originally made for the Set in Stoke project for the British Ceramics Biennial in 2015, but this is the first time
such a large group of McLean's ceramics have been shown; en masse, the results are powerful, fluid and painterly.
Her
current work at REDCAT has brought to Los Angeles artists like Javier Téllez, Pablo Bronstein, Allora & Calzadilla, Pedro Barateiro, and Quinn Latimer, as well as
such group
exhibitions as Agency.