On this return episode of The Golden Briefcase, hosts Tim and Jeremy spend some time catching up and chatting over some summer release changes as well as other
current film news.
Not exact matches
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With politics infecting every corner of
current news, the last thing viewers want at the moment is a
film further illustrating the negative side of politics and government.
The first section of the podcast my guest, Gold Rush Gang member Matt Dinn, and I talk about the impact of this on the
current landscape of the Oscar race, specifically to The Weinstein Company's awards efforts and the surprising
news last week that Ridley Scott would cut Kevin Spacey out of his Getty kidnapping drama All the Money in the World, replace him with Christopher Plummer (the actor he originally wanted for the role of Getty) and the race to do this and keep the
film's December 22nd release date.
But where recent
films like Tinker Tailor Soldier Spy and A Most Wanted Man are absorbing, smartly crafted espionage dramas, Red Sparrow only manages to bring the same amount of intrigue in short bursts and does so without making any significant statements about the
current political landscape, despite how deeply ingrained the Russian narrative is in today's 24 - hour
news cycle.
His new
film arrives at just the right moment: the end of a year that saw the
current occupant of the White House, employing empty cries of «fake
news,» openly declaring members of the free press to be his enemies.
As Joel and Ethan Coen consistently reveal nothing about their
current projects, it wouldn't have been surprising if Alex Karpovsky declaring their new
film to be «zany» were the last bit of
news about Hail, Caesar!
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Can truth be found in a
film in the
current era of «fake
news?»