While Opheim's
current painting practice has a direct relationship with sculpture this is the first time that he has exhibited three - dimensional work.
My current painting practice centres on the representation of objects and is inspired by the history of still life painting — in particular, 17th century Dutch vanitas paintings, a genre which employed objects as a kind of commentary on contemporary moral and social concerns, as well as exploiting their aesthetic potential.
There is a further peculiarity to this all - embracing profile of
current painting practice, and that is a sense that the selection of artists and paintings was a distinctly personal choice.
These gouache serigraphs, made under the master printer Christian Zickler, directly influenced the complex visual syntax that presently informs
his current painting practice.
With an impressive group of newly produced, large scale works, Nelson once again confirms her position as a vibrant, tough, and visually and materially inventive artist — a continued influence in the discussion around
current painting practices.
Not exact matches
In an interveiw with Adam Henry, Samuel Jablon discusses his
painting process, his poetry, and how the two converge in his
current artistic
practice.
Situating itself within
current art historical and political debates, the exhibition considers work by self - taught, spiritually inspired and incarcerated artists, alongside other projects based in performance, socially engaged
practice and the archive, as well as
painting, drawing, sculpture and assemblage, that make insistent reference to place.
Among the
practices that characterize the most
current developments in
painting has been inserted the «Expanded Painting,» novelty item that distinguishes this year's
painting has been inserted the «Expanded
Painting,» novelty item that distinguishes this year's
Painting,» novelty item that distinguishes this year's edition.
The artists participating at the Grundy Art Gallery are Allison Katz, who displays a trilogy of works comprising
painting, sculpture and print; Amy Stephens, whose
practice centres on reclaiming objects and images from the native landscape; Ruth Beale with new large - scale works on paper, drawing on the British tradition of satire to critique
current events; and Rebecca Birch, who brings an interactive installation investigating the politics of surface.
Comprising over 150
paintings, sculptures, drawings and prints, it reveals the continuities and changes that have occurred over the past six decades and the curiosity and experimentation that Johns continues to apply to his
current practice.
Carroll Dunham, an important New York — based artist working in
painting, drawing, and printmaking, discusses his
practice, from coming into his own in the late 1970s to his
current contributions as a maker and a writer within the continuum of art.
Drawing on the ideas explored in one of our
current exhibitions
Painting in the 2.5 th Dimension, the panel of leading artists, writers and curators will discuss contemporary painting practices that rethink the conventional mediums of the dis
Painting in the 2.5 th Dimension, the panel of leading artists, writers and curators will discuss contemporary
painting practices that rethink the conventional mediums of the dis
painting practices that rethink the conventional mediums of the discipline.
Their
current work explores the relationship between contemporary art making
practices and the historical tradition of romantic landscape
painting.
Organized by Rhizome's Artistic Director, Michael Connor, Brushes convenes artists Laura Brothers and Andrej Ujhazy, art historian Alex Bacon, and others to explore digital
painting as a
practice for screen - based display and online circulation, against the backdrop of a
current surge of interest in digital
painting for the gallery.
In addition, the original impetus of his grandmother asking him to
paint a landscape for her has developed into his
current studio
practice.
The compositions in her
current paintings continue to reference the layering and puzzling together of shapes that defined her collage
practice, adding a new attention to materiality.
His
current practice's most recognisable work is that of ongoing series» of
paintings.
His
current exhibition at The Hepworth Wakefield features 20 pieces that have all been created in the last two years, addressing the body and transformation via a versatile
practice that encompasses sculpture, installation and
painting, almost always using drawing as the point of departure.
Referencing martyred saints,
current events, and contemporary and historical fashion
practices, Stoller utilizes otherwise forgotten processes, such as china
painting and lace draping (turning fabric into clay) in unconventional ways, both of which have varied roots, from European monarchs to ceramic hobbyists.
The exhibition will debut new installations, videos, films, sculptures, performances, and
paintings commissioned specifically for the exhibition and will offer a snapshot of the
current trends and
practices coming out of Los Angeles, one of the most active and energetic art communities in the world.
Those early lessons of conservation lay the foundation for her
current art
practice as she
paints with honorably - harvested local water and sediment.
His
current practice makes use of drawing, video, photography,
painting and printmaking.
Judged by an independent panel of selectors; Stephen Coppel, Curator of the Modern Collection, Department of Prints and Drawings at the British Museum; Kate Macfarlane, Co-Director of The Drawing Room, London; and Lisa Milroy, Artist and Head of Graduate
Painting, Slade School of Fine Art, UCL, the Prize aims to explore and celebrate the diversity, excellence and range of
current drawing
practice in the UK.
Hometown hero Monique Meloche will feature a
current of big names, including Ebony G. Patterson, whose colorful installations and
paintings have earned her the title of «Emerging Queen of 21st Century Pop Art,» and Sanford Biggers, whose interdisciplinary
practice plays with everything from hip - hop to Buddhism.
The
current programme is centered around succinct solo exhibitions, recently this has included artists that have elements of
painting within their main
practice.
Van Gorp's group collectively highlights a
current of hybridism, where production technologies, scientific innovation, social media, and the Internet are spliced with
painting and sculptural
practices to produce complex and dynamic pictorial and visual experiences.
Moreover, his work resonates with the liveliest contemporary
practice, finding a place of honor within the
current discourse about the medium of
painting.
Because of this constant travel, Samreth has developed a studio
practice based around engaging with natural and systematic processes such as using the
currents of the Pacific Ocean to create
paintings or the engaging with the extreme Cambodian sunshine to transform materials over time.
Will focus on the
current international situation of the non-figurative panel
painting with about sixty artistic positions and will fan out the wide field of a still significant painter's
practice.
For that particular project, the artist chose Edgar Degas's La Coiffure (ca. 1896); in her essay for the
current volume, Higgie revisits the significance of the picture for Yiadom - Boakye in order to shift the conversation away from interpreting the meaning and significance of the
paintings to a more straightforward discussion of Yiadom - Boakye's approach to her
painting practice.
Even though it was his contemporary Andy Warhol who became more famous for the
practice, it was Robert Rauschenberg who pioneered the use of the industrial silkscreen process to create
paintings that incorporate photographs taken from contemporary culture, as the
current Tate retrospective makes clear.
The discovery of this medium in combination with Bancroft's background in darkroom photography and
painting melded into her
current mixed media
practice.
Curated by Brendan Carroll, and including my work, the show presents an informal survey of
current practices in abstract
painting.
Whatever you may think about this critique of
current tendencies in abstract
painting, it seems that all is not well in the world of contemporary
practice.
- Artist Statement; Working mainly with an inkjet printer and the ultimate format of
painting, my
practice is based on questioning the relationship between
painting and digital image and their status of being an object in the
current media condition.
The artist skilfully fuses great traditions of
painting and
current practices of graffiti in her local surroundings.
The Studio Museum in Harlem «s
current exhibit «Fore,» presents the work of 29 emerging artists, including Caitlin Cherry who explains her
practice of putting her nearly finished canvases at risk with interventions such as fire, graffiti and resin that threaten the integrity of the original
painted image.
Nearly twenty years after his last retrospective, this bipartite exhibition proposes a rereading of Olivier Mosset's influential abstract
painting in the context of
current practice, based on a...
Like On Kawara, Manley engages in a daily
painting practice but, unlike the late Japanese master, he never works from the
current day's paper.
The exhibition will offer a glimpse into the
current trends and
practices from the LA art scene, debuting new installations, videos, films, sculptures, performances and
paintings commissioned specifically for the exhibition.
With works from the pre-AIDS 1970s, like Homeboy Beautiful, as well as recent
paintings and still lifes with HIV medications, he seeks to engage with the exploration of queer identity found in
current artistic
practice.