Sentences with phrase «current views of the nature»

In a time of a global transformation of consciousness, the church needs to engage the world based on its radical roots in God's revelation, but informed by current views of the nature of reality.

Not exact matches

In 1541, the Hessian Superintendents sent the following petition to the Landgrave Philip: «In view of the fact that there are current many complaints about parsons who scandalize people by their excessive drinking and other disgraceful vices and yet remain unpunished as well as unreformed, we suggest that the jail at the cloister of Spisskoppel be restored and that the parsons who persist in their vices be given the choice either to leave their parishes or to be confined in this jail for a period of time the length of which shall depend on the nature of their offense, in order that on water and bread they may undergo corrective punishment.

The findings, recently published in Nature Communications, provide a new view into the current theory of calcium phosphate nucleation in a confined space.

«I think the benefits of spending time outdoors can be felt more than they can be measured by our current instruments,» says holistic psychiatrist and one of mbg's trusted sleep and anxiety experts Ellen Vora, M.D. «There's something about the smell of fresh air, trees, and dirt; the impact the colors and views of nature have on our eyes; the ways our nervous system recalibrates when it hears the subtle sounds of birds and a breeze passing through leaves.

With five current exhibitions on view (two permanents and three temporary), is a museological space of reference in Lisbon, where the visitor can enjoy the best of modern and contemporary art, hosting the Berardo Collection with its more than 70 artistic tendencies and more than 900 works that demonstrates its strong museological and didactic nature, with works by artists like Marcel Duchamp, Pablo Picasso, Salvador Dalí, Joan Miró, Man Ray, Andy Warhol, Francis Bacon, Jackson Pollock, Gerhard Richter, James Rosenquist, Alexander Calder, Jean Dubuffet, Yves Klein, Maria Helena Vieira da Silva, Helena Almeida, Louise Bourgeois, Dan Flavin, Andreas Gursky, Nan Goldin, Rebecca Horn, Donald Judd, Anish Kapoor, Jeff Koons, Nam June Paik, Frank Stella, Bill Viola, among many others.

The exhibition highlights 21c's commitment to using art as a lens through which to view important current events and issues, exploring the complicated nature of truth today.

Weiblichkeit im Surrealismus, Kunsthalle Bielefeld, Bielefeld, Germany The Promisse of Photography, Schim Kunsthalle, Frankfurt, Germany Collaboration with Parkett, 1984 to Now, The Museum of Modern Art, NYC, NY, USA Audit, Casino Luxembourg, Luxembourg 24 h International Biennale of Graphic Arts, Ljubljana, Slovenia World Without End: Aspects of 20th Century Photography, Art Gallery of New South Wales, Sydney, Australia Melodrama, Tate Gallery, Liverpool, UK Trauma, Hayward Gallery in collaboration with Dundee Contemporary Arts, London, UK Australian Art and Society 1901 - 2001, National Gallery of Australia, Australia 2000 12th Biennale of Sydney, Art Gallery of New South Wales, Sydney, Australia Deep Distance - Die Entfiernung der Fotografie, Kunsthalle Basel, Switzerland Veronica's Revenge, Contemporary Perspectives on Photography, Museum of Contemporary Art, Sydney, Australia Photography Now, Contemporary Art Center, New Orleans, USA Flight Patterns, Museum for Conternporary Art, Los Angeles, USA Behind ihe Scenes, The Museum of Contemporay Photography, Chicago, USA Presumed Innocent, capc Musée d'Art contemporain de Bordeaux, France Artist Films, Kunstverein München, Munich, Germany 1999 Konstruksjon eller virkelighet, Lillehammer Kunstmuseurn, Lillenhammer, Norway La Casa, il Corpo, Il Cuore, Museum für Moderne Kunst, Stiftung Kunst, Vienna, Austria Wohin kein Auge reicht, Deichtorhallen, Hamburg, Germany Das Versprechen der Photographie (The Promise ofPholography), Selections from the DG Bank Collection, PS 1 Contemporary Art Centre, New York Kunstwelten im Dialog, Museum Ludwig, Köln, Germany Nuevas Visiones, Nuevas Pasiones, Fundación Marcelino Botin, Santander, Spain 1998 Family Viewing, Museum of Contemporary Art, Los Angeles, USA Portraits, Paul Morris Gallery, New York, USA Echolot, Museum Fridericianum, Kassel, Germany Die Nerven enden an den Fingerspitzen, Die Sammlungen Wilhelm Schurmann, Kunsthaus Hamburg, Germany Strange Days: Guinness Contemporary Art Exhibition, Art Gallery of New South Wales, Sydney, Australia Nature of Man, Lund Konsthall, Lund, Sweden «Roteiros» x 7 XXVI Bienal de São Paulo, São Paulo, Brazil Life is a bitch, De Appel Foundation, Amsterdam, Netherlands Pusan International Contemporary Art Festival, Pusan, Korea Fleeting Portraits, Neue Gesellschaft für bildende Kunst, Berlin, Germany 1997 Venice Biennale, Venice, Italy Site Santa Fe, Santa Fe, New Mexico, USA 1996 Fundacao Bienal de São Paula, São Paulo, Brazil» Campo 6», The Spiral Village, Museum of Modem Art, Torino, Italy Jurassic Technologies Revenant, 10 th Biennale of Sydney, Australia Prospect 96, Schirn Kunsthalle, Frankfurt, Germany 1995 Antipodean Currents, The Guggenheim Museum (Soho), New York, USA»95 Kwangiu Biennale, Kwangju, Korea

Nothing could be more appropriate today than to quote the world leading researcher J.R. Christy, who in an article in Nature (vol 463, p. 732) summarizes his views on climate science's current level: «The truth, and this is frustrating for policy makers, is that scientists» ignorance of the climate system is enormous ``.

In the interview Brooks describes how current neuro - science points to a view of human nature based not on rational beings operating independently, but rather on complicated and emotional people deeply impacted by social connections and relationships.

(2008) View Abstract Explores current issues in residential treatment for children, including milieu therapy, individual and group counseling, the nature of cottage life, staffing and personnel, the place of activities, and working with families of children in a residential treatment center.

The World Bank's current view is that the need for individual formal titling is dependant on the nature and availability of land itself.

Its current view is that the need for individual formal titling is dependant on the nature and availability of land itself.